This is a selection of feature films directed by women directors.
Agnès Varda was a Belgian-born French film director, screenwriter and photographer.
Sofia Carmina Coppola is an American film director, screenwriter, producer, and former actress. She has received an Academy Award, a Golden Globe Award, a Golden Lion, and a Cannes Film Festival Award, as well as nominations for three BAFTA Awards and a Primetime Emmy Award.
Helen Catherine Hardwicke is an American film director, production designer, and screenwriter. Her directorial work includes Thirteen (2003), which she co-wrote with Nikki Reed, the film's co-star, Lords of Dogtown (2005), The Nativity Story (2006), Twilight (2008), Red Riding Hood (2011), Plush (2013), Miss You Already (2015), Miss Bala (2019), and Prisoner's Daughter (2022).
Dorothy Emma Arzner was an American film director whose career in Hollywood spanned from the silent era of the 1920s into the early 1940s. With the exception of longtime silent film director Lois Weber, from 1927 until her retirement from feature directing in 1943, Arzner was the only female director working in Hollywood. She was one of a very few women able to establish a successful and long career in Hollywood as a film director until the 1970s. Arzner made a total of twenty films between 1927 and 1943 and launched the careers of a number of Hollywood actresses, including Katharine Hepburn, Rosalind Russell, and Lucille Ball. Arzner was the first woman to join the Directors Guild of America and the first woman to direct a sound film.
The Golden Lion is the highest prize given to a film at the Venice Film Festival. The prize was introduced in 1949 by the organizing committee and is now regarded as one of the film industry's most prestigious and distinguished prizes. In 1970, a second Golden Lion was introduced; this is an honorary award for people who have made an important contribution to cinema.
Women's cinema primarily describes cinematic works directed by women filmmakers. The works themselves do not have to be stories specifically about women, and the target audience can be varied.
Fat Girl is a 2001 coming-of-age drama film written and directed by Catherine Breillat, and starring Anaïs Reboux and Roxane Mesquida. It was released in certain English-speaking countries under the alternative titles For My Sister and Story of a Whale. The film's plot follows two young sisters as they deal with coming-of-age, sibling rivalry, and desire while on vacation with their family.
The Stockholm International Film Festival is an annual film festival held in Stockholm, Sweden. It was launched in 1990 and has been held every year since then during the second half of November, and focuses on emerging and early career filmmakers. The winning film in the international competition section is awarded the Bronze Horse (Bronshästen), and it awards a number of other prizes.
Friends with Money is a 2006 American comedy-drama film written and directed by Nicole Holofcener. It opened the 2006 Sundance Film Festival on January 19, 2006, and went into limited release in North America on April 7, 2006.
Nicole Holofcener is an American film and television director and screenwriter. She has directed seven feature films, including Walking and Talking, Friends with Money and Enough Said, as well as various television series. Along with Jeff Whitty, Holofcener received a 2019 Academy Award nomination for Adapted Screenplay, a BAFTA nomination for Best Adapted Screenplay, and won the Writers Guild of America Award for Best Adapted Screenplay for the film Can You Ever Forgive Me? (2018).
Anatomy of Hell is a 2004 erotic drama film written and directed by Catherine Breillat, based on her 2001 novel Pornocratie. According to Breillat, Anatomy of Hell is a "sequel" to Romance.
The Cinema Guild Inc. is an American film distribution company. It was established by Philip Hobel and Mary-Ann Hobel, producers known for their work in documentaries and features, including the film Tender Mercies.
Twilight is a 2008 American romantic fantasy film directed by Catherine Hardwicke from a screenplay by Melissa Rosenberg, based on the 2005 novel of the same name by Stephenie Meyer. It is the first installment in The Twilight Saga film series. The film stars Kristen Stewart and Robert Pattinson as Bella Swan, a teenage girl, and Edward Cullen, a vampire, and focuses on the development of Bella and Edward's relationship and the subsequent efforts of Edward and his family to keep Bella safe from another coven of vampires.
New Extreme Films describes a range of transgressive films made at the turn of the 21st century that sparked controversy, and provoked significant debate and discussion. They were notable for including graphic images of violence, especially sexual violence and rape, as well as explicit sexual imagery.
Pam Cook is Professor Emerita in Film at the University of Southampton. She was educated at Sir William Perkins's School, Chertsey, Surrey and Birmingham University, where she was taught by Stuart Hall, Richard Hoggart, Malcolm Bradbury, and David Lodge. Along with Laura Mulvey and Claire Johnston, she was a pioneer of 1970s Anglo-American feminist film theory. Her collaboration with Claire Johnston on the work of Hollywood film director Dorothy Arzner provoked debate among feminist film scholars over the following decades.
The Women in Film Crystal + Lucy Awards—first presented in 1977 by the now–Los Angeles chapter of the Women in Film organization—were presented to honor women in communications and media. The awards include the Crystal Award, the Lucy Award, the Dorothy Arzner Directors Award, the MaxMara Face of the Future Award, and the Kodak Vision Award.
Women are involved in the film industry in all roles, including as film directors, actresses, cinematographers, film producers, film critics, and other film industry professions, though women have been underrepresented in creative positions.
Women Make Film is a documentary film by the British-Irish filmmaker and film critic Mark Cousins. The film premiered on 1 September 2018 at the Venice Film Festival, and was released on the BFI Player in May 2020.