Tom's Diner

Last updated

"Tom's Diner"
Tom's diner.jpg
Single by Suzanne Vega
from the album Solitude Standing
B-side
  • "Left of Center"
  • "Luka" (live)
Released1987 (1987)
Studio
Length2:09
Label
Songwriter(s) Suzanne Vega
Producer(s)
Suzanne Vega singles chronology
"Luka"
(1987)		"Tom's Diner"
(1987)		"Solitude Standing"
(1988)

"Tom's Diner" is a song by American singer and songwriter Suzanne Vega. Written on November 18, 1981, it was first released as a track on the January 1984 issue of Fast Folk Musical Magazine . [1] Originally featured on her second studio album, Solitude Standing (1987), it was released as a single in Europe only in 1987 following the success of her single "Luka". It was later used as the basis for a remix by the British group DNA in 1990, which reached No. 1 in Austria, Germany, Greece and Switzerland.

Contents

The song is known for its use in testing various digital compression schemes during the development of the MP3, earning Vega the title of "Mother of the MP3". [2]

Original version

Background and writing

The real Tom's Restaurant Tom's Restaurant on 2880 Broadway, New York.JPG
The real Tom's Restaurant

The "Tom's Diner" of the song is Tom's Restaurant in New York City, [3] [4] a mid-20th-century diner on the northeast corner of Broadway and West 112th Street. Singer and songwriter Suzanne Vega was reputedly a frequent patron during the early 1980s when she was a student at nearby Barnard College. [5] The diner later became famous as the location used for the exterior scenes of Monk's Café in the popular 1990s television sitcom Seinfeld . [5]

The song begins with the narrator stopping at a diner for a cup of coffee. The song mentions reading a newspaper as well as seeing two women, one who enters the diner and one who stands outside in the rain. The ringing of bells at a nearby cathedral causes the narrator to reminisce about an unnamed companion and a midnight picnic. At the end of the song, the narrator leaves the diner to catch the train after the coffee is finished.

Vega wrote the song based on a comment by her friend Brian Rose, a photographer, who mentioned that in his work, he sometimes felt as if "he saw his whole life through a pane of glass, and [...] like he was the witness to a lot of things, but was never really involved in them". She attempted to think and write in this fashion (including a male perspective [3] ) while sitting at Tom's Restaurant. The "bells of the cathedral" that she remarks hearing in the song are those of the Cathedral of St. John the Divine, located one block to the east.[ citation needed ]

"Tom's Diner Day": The date of the composition

An article on Suzanne Vega's official website [6] [7] uses clues in the song to determine the exact date that Vega wrote it.

Vega said that she wrote the song in 1982; Brian Rose has said that it was written sometime between mid-1981 and mid-1982. The lyrics refer to a rainy morning, when she was at the diner on the corner, reading in her newspaper of "a story of an actor / who had died while he was drinking", and afterwards "turning to the horoscope / and looking for the funnies". Only two newspapers in New York City carried comic strips, or "funnies", in 1981 and 1982, and only one, the New York Post , featured a front-page story of the death of Oscar-winning actor William Holden, whose body was discovered on Monday, November 16, 1981. In a 2008 essay for The New York Times , Vega confirmed that Holden was the actor whose death she had read about and inspired the line in the song. [8]

Music and lyrics

Vega conceived "Tom's Diner" as a piece for voice and solo piano. Two versions feature on her album Solitude Standing; the album opens with an a cappella version, and closes with an instrumental version played on keyboards, with guitars lending support.

During the 2006 Major League Baseball season, Cincinnati Reds player Ryan Freel used this song as his entrance song when he came to bat.[ citation needed ]

The "Mother of the MP3"

"Tom's Diner" was used by the researcher Karlheinz Brandenburg as a reference in developing the MP3 audio compression scheme. He recalled: "I was ready to fine-tune my compression algorithm...somewhere down the corridor, a radio was playing 'Tom's Diner.' I was electrified. I knew it would be nearly impossible to compress this warm a cappella voice." [9]

In a 2009 documentary about the history of the song by Swedish SVT, Brandenburg said: "I was finishing my PhD thesis, and then I was reading some hi-fi magazine and found that they had used this song to test loudspeakers. I said 'OK, let's test what this song does to my sound system, to MP3'. And the result was, at bit rates where everything else sounded quite nice, Suzanne Vega's voice sounded horrible." [10]

Brandenburg adopted the song for testing purposes, listening to it again and again each time he refined the scheme, making sure it did not adversely affect the subtlety of Vega's voice. While the MP3 compression format is not specifically tuned to play the song "Tom's Diner" (an assortment of critically analyzed material was involved in the design of the codec over many years), among audio engineers this anecdote has earned Vega the informal title "The Mother of the MP3". [2]

Track listings

  1. "Tom's Diner"
  2. "Left of Center"
  3. "Tom's Diner" (live)
  4. "Luka" (live)

Charts

Weekly chart performance for "Tom's Diner"
Chart (1987)Peak
position
Ireland (IRMA) [11] 26
UK Singles (OCC) [12] 58
Chart (2009)Peak
position
Denmark (Tracklisten) [13] 24
Chart (2010)Peak
position
Sweden (Sverigetopplistan) [14] 56

DNA remix

"Three years later, I heard that two young English guys called DNA had put a beat to it – and I cringed. I'd just had a big hit with "Luka", which – unfortunately, despite its dark subject matter, child abuse – lent itself to all sorts of parodies and covers, most of which I hated. I feared more of the same, but to my great relief I loved what DNA had done. I thought it would be played in a few dance clubs and that would be it, but it surpassed everyone's expectations. I even got a plaque for it being one of the most played R&B songs – funny for a folk singer."

—Suzanne Vega talking about the song. [17]

In 1990, two British record producers under the name DNA remixed "Tom's Diner", grafting Vega's vocals onto a dance beat from Soul II Soul ("Keep On Movin'") and turning her simple ad-libbed outro – "Do do do uh, do da-do uh" – into the song's driving hook. It was impossible to get a whole song into a sampler, so they spent evenings and weekends cutting Vega's vocals into little bits. [17] Without permission from Vega, her record label, or publisher, the duo released the remix on a limited basis for distribution to clubs as "Oh Suzanne" by "DNA featuring Suzanne Vega". Vega's record company of the time, A&M, decided to buy[ citation needed ] and release the remix rather than take DNA to court for copyright infringement.

A&M struck the deal after consulting with Vega, who liked the interpretation, [18] and DNA, who conducted the transaction through intermediaries without revealing their true identities.[ citation needed ] Vega told a British columnist, "(A&M) asked me what I thought of it and I told them it was really kind of nice. So I said, 'Go ahead and release it.' I wasn't expecting it to be successful-I never thought it would be that popular. It just seemed very charming." [19] The remix became a much larger hit than Vega had with the song originally, peaking at number two on the UK Singles Chart and number five on the US Billboard Hot 100, and it became one of a handful of tracks to chart in the top 10 of both the Modern Rock Tracks (number seven) and Billboard R&B/Hip-Hop Tracks (number ten) charts. The remix also reached number one in Austria, Germany, Greece and Switzerland.

Composition

The remix of the song is written in the key of F♯ minor in common time with a tempo of 99 beats per minute. [20] Vega's vocals span from F♯3 to E4 in the song. [21]

Critical reception

Larry Flick from Billboard commented, "Don't miss the exceptional 'Tom's Diner', by DNA featuring Suzanne Vega." He noted that the Brit outfit had placed "a slammin' Soul II Soul-flavored swing instrumental" underneath Vega's song, [22] and also described the track as "indelibly infectious." [23] Student newspaper Columbia Daily Spectator named it a "surprise hit". [24] Marisa Fox from Entertainment Weekly complimented its dance beat as "mesmerizing". [25] Patrick Goldstein from Los Angeles Times said, "Strange but true-almost." He added that the "waif-like pop songstress" has suddenly become the "queen of London's trendy club scene, thanks to her sinewy, Soul II Soul-style dance hit". [19] Everett True from Melody Maker commented, "This is so f***ing smooth. You know the original, I'm sure Suzanne's unaccompanied tale of everyday morning life in the big city in the wake of a break-up, incisively, poignantly observed. Magical. Now imagine it set to an unobtrusive, mellow backbeat which slips down even easier. F***ing superb! What is it about today? Single of the week. No shit." [26]

A reviewer of Music & Media found that "the lonely vocal part is perfectly complemented by the Steely Dan type horns and the grinding hip-hop beat. A fine version." [27] Music Week ranked the song number-one in their Top 10 list, "Pick of the Year - Dance". [28] Diane Tameecha from The Network Forty felt the connection of Vega's "sensuously soft voice and the unlikely rhythm (for her music, anyway) is startlingly vibrant, and its jazziness is an instant ear-catcher." [29] Mandi James from NME named it Single of the Week, writing, "A strange record, if only for the fact Suzanne Vega has previously failed to move me in anyway, except to get up and leave the room. Dropped against a sensual, tactile beat those irritatingly vacant girly vocals are miraculously transformed into a hypnotic, bitter sweet ballad. The crushing folking bore has been given a new lease of life and should be eternally grateful to plastic surgeons DNA. The nearest thing to perfection I've heard all week." [30] Smash Hits's reviewer said remixes like this one "end up sounding far better than the originals and the result is rather refreshing." [31] Alec Foege from Spin remarked that "Tom's Diner" was an international hit "only after DNA did a dance remix". [32]

Impact and legacy

In 2004, Q magazine featured the DNA remix of the song in their list of "The 1010 Songs You Must Own".

Music video

A music video was produced to promote the song, directed by Gareth Roberts. [33] It doesn't feature Suzanne Vega.

Track listings

  1. "Tom's Diner" (7-inch A) – 3:47
  2. "Tom's Diner" by Suzanne Vega – 2:39
  3. "Tom's Diner" (a cappella) by Suzanne Vega – 2:08
  4. "Tom's Diner" (12-inch A) – 5:20
  1. "Tom's Diner" – 3:47
  2. "Tom's Diner" (a cappella) by Suzanne Vega – 2:08
  1. "Tom's Diner" (remix) – 6:03, This version, containing a piano with a solo part, has never been released on CD or MP3 yet.
  2. "Tom's Diner" by Suzanne Vega
  3. "Tom's Diner" (a cappella) by Suzanne Vega
  1. "Tom's Diner" 7-inch version by Suzanne Vega (side 1)
  2. "Tom's Diner" 12-inch version by Suzanne Vega (side 2)

Charts

"Tom's Diner (DNA Remix)"
Tom's diner (DNA).jpg
Artwork for European releases
Single by DNA featuring Suzanne Vega
ReleasedJuly 16, 1990 (1990-07-16) [15]
Genre
Length3:47
Label
  • A&M
  • PolyGram
Songwriter(s)
  • Steve Addabbo
  • Lenny Kaye
  • Suzanne Vega
Producer(s)
  • Steve Addabbo
  • Lenny Kaye
  • DNA
Suzanne Vegasingles chronology
"Men in a War"
(1990)		"Tom's Diner"
(1990)		"In Liverpool"
(1992)

Certifications

Certifications and sales for DNA remix of "Tom's Diner"
RegionCertification Certified units/sales
Germany (BVMI) [70] Gold400,000 [71]
United Kingdom (BPI) [15] Silver200,000^
United States (RIAA) [72] Gold500,000^

^ Shipments figures based on certification alone.

Giorgio Moroder version

  1. ↑ "Fast Folk and Coop Database, with artist crossreferences". Jackhardy.com. Retrieved March 14, 2022.
  2. 1 2 Jürgen Herre. "Suzanne Vega". Fraunhofer-Gesellschaft . Retrieved December 31, 2013.
  3. 1 2 "Tom's Diner". The Rusted Pipe Web Site. Archived from the original on July 24, 2011. Retrieved November 8, 2015.
  4. ↑ Vega, Suzanne (September 23, 2008). "Tom's Essay". The New York Times. Archived from the original on September 28, 2008. Retrieved November 8, 2015.
  5. 1 2 Plassy, Charles (September 25, 1994). "The coffee's hot; Seinfeld's cafe's not". Santa Cruz Sentinel. Santa Cruz, CA. Cox News Service. Retrieved July 9, 2016– via Newspapers.com. Open Access logo PLoS transparent.svg
  6. ↑ Hammar, David. ""Tom's Diner Day" November 18th, 1981". The Official Suzanne Vega Website. Archived from the original on March 9, 2007. Retrieved March 27, 2011.
  7. ↑ "Tom's Diner". Archived from the original on July 18, 2011. Retrieved March 27, 2011.
  8. ↑ Vega, Suzanne (September 23, 2008). "Tom's Essay". Opinionator.blogs.nytimes.com. Retrieved January 7, 2021.
  9. ↑ "Suzanne Vega Fun Facts (official Web site)". Suzannevega.com. Archived from the original on March 10, 2014. Retrieved March 14, 2022.
  10. ↑ Sveriges Television, Hitlåtens historia: Tom's Diner – Suzanne Vega. Aired February 6, 2010. "Del 3 av 6: Tom's diner - Suzanne Vega - Hitlåtens historia | SVT Play". Archived from the original on March 10, 2010. Retrieved February 26, 2010.
  11. 1 2 Irish Singles Chart Irishcharts.ie (Retrieved April 10, 2008)
  12. ↑ "Official Singles Chart Top 100". Official Charts Company.
  13. ↑ "Suzanne Vega – Tom's Diner". Tracklisten.
  14. ↑ "Suzanne Vega – Tom's Diner". Singles Top 100.
  15. 1 2 "British single certifications – DNA ft Suzanne Vega – Tom's Diner". British Phonographic Industry . Retrieved August 29, 2020.
  16. ↑ Molanphy, Chris (July 27, 2018). "The Feat. Don't Fail Me Now Edition". Hit Parade | Music History and Music Trivia (Podcast). Slate . Retrieved August 8, 2023.
  17. 1 2 Simpson, Dave (October 18, 2016). "Suzanne Vega: how we made Tom's Diner". The Guardian . Retrieved March 5, 2020.
  18. ↑ Beadle, Jeremy (1993), Will Pop Eat Itself? , Faber and Faber, p.  207, ISBN   0-571-16241-X
  19. 1 2 Goldstein, Patrick (August 19, 1990). "Vega Takes a Spin On the Dance Floor". Los Angeles Times .
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  24. ↑ "The 250 Greatest Columbia Alumni". Columbia Daily Spectator . November 21, 2003. p. 1. Retrieved April 24, 2020.
  25. ↑ Fox, Marisa (April 26, 1991). "Dance Now!!". Entertainment Weekly . Retrieved November 11, 2020.
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  28. ↑ "Dance" (PDF). Music Week . December 22, 1990. p. 11. Retrieved November 2, 2020.
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  30. ↑ James, Mandi (July 21, 1990). "Singles". NME . Retrieved February 24, 2023.
  31. ↑ "Down the Rave-up!". Smash Hits . July 25, 1990. p. 55. Retrieved October 19, 2020.
  32. ↑ Foege, Alec (October 1992). "Spins". Spin . p. 115. Retrieved January 25, 2023.
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  37. ↑ "Top RPM Singles: Issue 1417." RPM . Library and Archives Canada. Retrieved September 23, 2018.
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  58. ↑ "Suzanne Vega Chart History (Hot R&B/Hip-Hop Songs)". Billboard. Retrieved July 17, 2021.
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"Tom's Diner"
Tom's Diner single cover Giorgio Moroder ft Britney Spears.jpg
Single by Giorgio Moroder featuring Britney Spears
from the album Déjà Vu
ReleasedOctober 9, 2015 (2015-10-09)
Recorded2014
Genre
Length3:32
Label RCA
Producer(s)
Giorgio Moroder singles chronology
"Déjà Vu"
(2015)		"Tom's Diner"
(2015)		"Good for Me"
(2016)
Britney Spears singles chronology
"Pretty Girls"
(2015)		"Tom's Diner"
(2015)		"Make Me"
(2016)
Studio albums
Acoustic albums
Live albums
Compilations
Singles
Related articles
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