Ismail I

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The monarch [Selim], seeing the slaughter, began to retreat, and to turn about, and was about to fly, when Sinan, coming to the rescue at the time of need, caused the artillery to be brought up and fired on both the janissaries [sic] and the Persians. The Persian horses hearing the thunder of those infernal machines, scattered and divided themselves over the plain, not obeying their riders bit or spur anymore, from the terror they were in ... It is certainly said, that if it had not been for the artillery, which terrified in the manner related the Persian horses which had never before heard such a din, all his forces would have been routed and put to edge of the sword. [59]

He also adds that:

If the Turks had been beaten in the battle of Chaldiran, the power of Ismail would have become greater than that of Tamerlane, as by the fame alone of such a victory he would have made himself absolute lord of the East. [60]

Late reign and death

Shah Ismail I's grave at Sheikh Safi al-Din Khanegah and Shrine Ensemble Shah Ismael Safavi, King of Persia (Iran), taken by Arashk Rajabpour.JPG
Shah Ismail I's grave at Sheikh Safi al-Din Khānegāh and Shrine Ensemble

Shah Ismail's death ensued after a few years of a very saddening and depressing period of his life. After the Battle of Chaldiran, Ismail lost his supernatural air and the aura of invincibility, gradually falling into heavy drinking. [61] He retired to his palace and never again participated in a military campaign, [62] and left the affairs of the state to his vizier Mirza Shah Husayn, [63] who became his close friend and Nadeem (i.e. drinking companion). This allowed Mirza Shah Husayn to gain influence and expand his authority. [64] Mirza Shah Husayn was assassinated in 1523 by a group of Qizilbash officers, after which Ismail appointed Zakariya's son Jalal al-Din Mohammad Tabrizi as his new vizier. Ismail died on 23 May 1524 aged 36 and was buried in Ardabil. He was succeeded by his son Tahmasp I.

The consequences of the defeat at Chaldiran were also psychological for Ismail; his relationships with the Qizilbash followers were fundamentally altered. The tribal rivalries between the Qizilbash which had ceased temporarily before the defeat at Chaldiran resurfaced intensely immediately after his death and led to ten years of civil war (930–40/1524–33) until Shah Tahmasp regained control of the affairs of the state. The Safavids later briefly lost Balkh and Kandahar to the Mughals, and nearly lost Herat to the Uzbeks. [65]

During Ismail's reign, mainly in the late 1510s, the first steps for the Habsburg–Persian alliance were taken with Charles V and Ludwig II of Hungary being in contact with a view of combining against the common Ottoman Turkish enemy. [66]

Royal ideology

Persian miniature created by Mo'en Mosavver, depicting Shah Ismail I at an audience receiving the Qizilbash after they defeated the Shirvanshah Farrukh Yasar. Album leaf from a copy of Bijan's Tarikh-i Jahangusha-yi Khaqan Sahibqiran (A History of Shah Ismail I), produced in Isfahan, end of the 1680s "Shah Ismail holds an audience", from Bijan's Tarikh-i Jahangusha-yi Khaqan Sahibqiran, Iran, Isfahan; end of the 1680s.jpg
Persian miniature created by Mo'en Mosavver, depicting Shah Ismail I at an audience receiving the Qizilbash after they defeated the Shirvanshah Farrukh Yasar. Album leaf from a copy of Bijan’s Tarikh-i Jahangusha-yi Khaqan Sahibqiran (A History of Shah Ismail I), produced in Isfahan, end of the 1680s

From an early age, Ismail was acquainted with the Iranian cultural legacy. When he reached Lahijan in 1494, he gifted Mirza Ali Karkiya a copy of the medieval Persian epic Shahnameh (Book of Kings) with over 300 illustrations. [67] Owing to his fondness of Iranian national legends, Ismail named three of his four sons after mythological shahs and heroes of the Shahnameh; his oldest son was named Tahmasp, after the last shah of the Pishdadian dynasty; his third son Sam after the champion of the Pishdadian shah Manuchehr and ancestor of the celebrated warrior-hero Rostam; his youngest son Bahram after the Sasanian shah Bahram V (r.420–438), famous for his romantic life and hunting feats. Ismail's expertise in Persian poetic tales such as the Shahnameh, helped him to represent himself as the heir to the Iranian model of kingship. [68] According to the modern historian Abbas Amanat, Ismail was motivated to visualize himself as a shah of the Shahnameh, possibly Kaykhosrow, the archetype of a great Iranian king, and the person who overcame the Turanian king Afrasiyab, the nemesis of Iran. From an Iranian perspective, Afrasiyab's kingdom of Turan was commonly identified with the land of the Turks, in particular with the Uzbek Khanate of Bukhara in Central Asia. After Ismail defeated the Uzbeks, his victory was portrayed in Safavid records as a victory over the mythological Turanians. [68] However, this fondness of Iranian legends was not only restricted to that of Ismail and Safavid Iran; Both Muhammad Shaybani, Selim I, and later Babur and his Mughal progeny, all associated themselves with these legends. Regardless of its increasing differences, Western, Central, and South Asia all followed a common Persianate model of culture and kingship. [69]

In the second part of the fifteenth century, Safavid propaganda adopted many beliefs held of ghulat groups. Ismail's father and grandfather were reportedly considered divine by their disciples, and Ismail taught his followers that he was a divine incarnation, as is demonstrated by his poetry. [15] For example, in some of his poems he wrote "I am the absolute Truth" and "I am God’s eye (or God himself)". [70] This made his followers intensely loyal to him. [15] Through their supposed descent from Imam Musa al-Kazim, Ismail and his successors claimed the role of deputy (na'ib) of the Hidden Imam (the Mahdi ) and also the infallibility or sinlessness (isma) ascribed to the Mahdi; this brought them into conflict with the mujtahids (high-ranking Shi'ite jurisprudents) who traditionally claimed the authority of deputyship. [15] At least until his defeat at Chaldiran in 1514, Ismail identified himself as the reincarnation of Alid figures such as Ali, Husayn, and the Mahdi. [71] Historian Cornell Fleischer argues that Ismail took part in a broader trend of messianic and millenarian claims, which were also being expressed in the Ottoman Empire. He writes, "Shah Ismāʿīl was the most spectacular and successful— but by no means singular—instance of the convergence between mysticism, messianism, and politics at the beginning of the sixteenth century." [72]

Besides his self-identification with Muslim figures, Ismail also presented himself as the personification of the divine light of investiture ( farr ) that had radiated in the ancient Iranian shahs Darius, Khosrow I Anushirvan (r.531–579), Shapur I (r.240–270), since the era of the Achaemenids and Sasanians. This was a typical Safavid combination of Islamic and pre-Islamic Iranian motifs. [71] The Safavids also included and promoted Turkic and Mongol aspects from the Central Asian steppe, such as giving high-ranking positions to Turkic leaders, and utilizing Turkic tribal clans for their aspirations in war. They likewise included Turco-Mongolian titles such as khan and bahadur to their growing collection of titles. The cultural aspects of the Safavids soon became even more numerous, as Ismail and his successors included and promoted Kurds, Arabs, Georgians, Circassians, and Armenians into their imperial program. [73] Moreover, the conquests of Genghis Khan and Timur had merged Mongolian and Chagatai aspects into the Persian bureaucratic culture, terminology, seals, and symbols. [74]

Ismail's poetry

Ismail is also known for his poetry, which he wrote under the pen name Khata'i (Persian/Azerbaijani : خطائی , lit. 'the Cathayan ' [12] or 'Sinner, [13] the mistaken one'). [75] He wrote in Turkish and Persian, although his extant verses in the former vastly outnumber those in the latter. [76] The Turkish spoken in Iran, which was commonly known as Turki, [77] was not the Turkish of Istanbul, [78] but a precursor of modern-day Azerbaijani or Azeri Turkic (see also: Ajem-Turkic). [22] His devotional poetry was meant for the mainly Turkish-speaking Qizilbash who followed him, hence his decision to write in that language. [23] Ismail used some words and forms not found in modern Turkish speech. Chaghatai words are also found in his poetry. [a] Vladimir Minorsky writes that Ismail's Turkish "already shows traces of decomposition due to the influence of the Iranian milieu". [80]

Ismail is considered an important figure in the literary history of Azerbaijani language. [75] According to Roger Savory and Ahmet Karamustafa, "Ismail was a skillful poet who used prevalent themes and images in lyric and didactic-religious poetry with ease and some degree of originality". [15] He was also deeply influenced by the Persian literary tradition of Iran, particularly by the Shahnameh of Ferdowsi, which probably explains the fact that he named all of his sons after characters from the Shahnameh. Dickson and Welch suggest that Ismail's "Shahnamaye Shahi" was intended as a present to his young son Tahmasp. [81] After defeating Muhammad Shaybani's Uzbeks, Ismail asked Hatefi, a famous poet from Jam (Khorasan), to write a Shahnameh-like epic about his victories and his newly established dynasty. Although the epic was left unfinished, it was an example of mathnawis in the heroic style of the Shahnameh written later on for the Safavid kings. [82]

Most of the poems are concerned with love—particularly the mystical Sufi kind—though there are also poems propagating Shi'i doctrine and Safavi politics. His other serious works include the Nasihatnāme , a book of advice, and the unfinished Dahnāme , a book which extols the virtues of love—both written in proto-Azeri Turkic. [15] [83]

Along with the poet Imadaddin Nasimi, Khata'i is considered to be among the first proponents of using a simpler Azerbaijani language in verse that would appeal to a broader audience. His work is most popular in Azerbaijan, as well as among the Bektashis of Turkey.[ failed verification ] There is a large body of Alevi and Bektashi poetry that has been attributed to him.[ failed verification ] The major impact of his religious writings, in the long run, was the conversion of Persia from Sunni to Shia Islam. [84]

Examples of his poems are: [85] [86]

Poetry example 1

Today I have come to the world as a Master. Know truly that I am Haydar's son.
I am Fereydun, Khosrow, Jamshid, and Zahak. I am Zal's son (Rostam) and Alexander.
The mystery of I am the truth is hidden in this my heart. I am the Absolute Truth and what I say is Truth.
I belong to the religion of the "Adherent of the Ali" and on the Shah's path I am a guide to every one who says: "I am a Muslim." My sign is the "Crown of Happiness".
I am the signet-ring on Sulayman's finger. Muhammad is made of light, Ali of Mystery.
I am a pearl in the sea of Absolute Reality.
I am Khatai, the Shah's slave full of shortcomings.
At thy gate I am the smallest and the last [servant].

Poetry example 2

My name is Shāh Ismā'īl. I am God's mystery. I am the leader of all these ghāzīs.
My mother is Fātima, my father is 'Ali; and eke I am the Pīr of the Twelve Imāms.
I have recovered my father's blood from Yazīd. Be sure that I am of Haydarian essence.
I am the living Khidr and Jesus, son of Mary. I am the Alexander of (my) contemporaries.
Look you, Yazīd, polytheist and the adept of the Accursed one, I am free from the Ka'ba of hypocrites.
In me is Prophethood (and) the mystery of Holiness. I follow the path of Muhammad Mustafā.
I have conquered the world at the point of (my) sword. I am the Qanbar of Murtaza 'Ali.
My sire is Safī, my father Haydar. Truly I am the Ja'far of the audacious.
I am a Husaynid and have curses for Yazīd. I am Khatā'ī, a servant of the Shāh's.

Emergence of a clerical aristocracy

An important feature of the Safavid society was the alliance that emerged between the ulama (the religious class) and the merchant community. The latter included merchants trading in the bazaars, the trade and artisan guilds (asnaf) and members of the quasi-religious organizations run by dervishes (futuvva). Because of the relative insecurity of property ownership in Persia, many private landowners secured their lands by donating them to the clergy as so-called vaqf. They would thus retain the official ownership and secure their land from being confiscated by royal commissioners or local governors, as long as a percentage of the revenues from the land went to the ulama. Increasingly, members of the religious class, particularly the mujtahids and the seyyeds, gained full ownership of these lands, and, according to contemporary historian Iskandar Munshi, Persia started to witness the emergence of a new and significant group of landowners. [70]

Appearance and skills

Shah Ismail I as depicted in a 1590s engraving by Theodor de Bry Arolsen Klebeband 01 457 1.jpg
Shah Ismail I as depicted in a 1590s engraving by Theodor de Bry

Ismail was described by contemporaries as having a regal appearance, gentlemanly in quality and youthfulness. He also had a fair complexion and red hair. [87]

An Italian traveller describes Ismail as follows:

This Sophi is fair, handsome, and very pleasing; not very tall, but of a light and well-framed figure; rather stout than slight, with broad shoulders. His hair is reddish; he only wears moustachios, and uses his left hand instead of his right. He is as brave as a game cock, and stronger than any of his lords; in the archery contests, out of the ten apples that are knocked down, he knocks down seven. [65]

Legacy

Ismail's greatest legacy was establishing an empire which lasted over 200 years. As Brad Brown states, "The Safavid dynasty would rule for two more centuries [after Ismail's death] and establish the basis for the modern nation-state of Iran." [88] Even after the fall of the Safavids in 1736, their cultural and political influence endured through the succeeding dynasties of the Afsharid, Zand, Qajar, and Pahlavi states and into the contemporary Islamic Republic of Iran as well as the neighboring Republic of Azerbaijan, where Shia Islam is still the dominant religion as it was during the Safavid era.

Literature

In the Safavid period, the famous Azeri folk romance Shah Ismail emerged. [89] According to Azerbaijani literary critic Hamid Arasly, this story is related to Ismail I. But it is also possible that it is dedicated to Ismail II.

Places and structures

Statues

Music

Shah Ismayil is the name of an Azerbaijani mugham opera in 6 acts and 7 scenes composed by Muslim Magomayev, [92] in 1915–19. [93]

Other

Shah Ismail Order (the highest Azerbaijani military award presented by the Commander-in-chief and President of Azerbaijan)

Issue

Ismail I
اسماعیل یکم
Sefi 1i 1629-42.jpg
Portrait of Shah Ismail I. Inscribed "Ismael Sophy Rex Pers". Painted by the Italian painter Cristofano dell'Altissimo between 1552 and 1568. Housed at the Uffizi, Florence. [1]
Shah of Iran
Reign22 December 1501 – 23 May 1524
Successor Tahmasp I
Viziers
8th Sheikh of the Safavid order
In office
1494 23 May 1524
Statue of Ismail I in Ardabil, Iran Shah esmaeil01.jpg
Statue of Ismail I in Ardabil, Iran

Sons

Daughters

Ancestry

See also

Notes

  1. Within this context, James J. Reid suggests that Chaghatai became the lingua franca amongst the multilingual and polyglot Qizilbash in Iran. [79]

References

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  2. 1 2 3 4 Matthee 2017.
  3. Streusand 2010, p. 135.
  4. 1 2 Savory 2012.
  5. 1 2 3 Savory & Karamustafa 1998, pp. 628–636.
  6. 1 2 Metz 1989 , p. 313.
  7. 1 2 Emory C. Bogle. Islam: Origin and Belief. University of Texas Press. 1989, p. 145.
  8. 1 2 Stanford Jay Shaw. History of the Ottoman Empire. Cambridge University Press. 1977, p. 77.
  9. 1 2 Newman 2008.
  10. Savory 2007 , p. 3: "Why is there such confusion about the origins of this important dynasty, which reasserted Iranian identity and established an independent Iranian state after eight and a half centuries of rule by foreign dynasties?"
  11. 1 2 Masters 2009 , p.  71.
  12. 1 2 Amanat 2017 , p.  60 : "A book of Turkish poetry, under the curious pen name Khata'i (presumably someone from "Cathay", today's China), was most likely composed by Isma'il for his Turkmen followers as inspirational literature".
  13. 1 2 Minorsky 1942, p. 1028a.
  14. Doerfer, G. "Azeri Turkish". Encyclopædia Iranica, viii, Online Edition. p. 246.
  15. 1 2 3 4 5 6 Savory & Karamustafa 1998.
  16. Tapper, Richard (1997). Frontier Nomads of Iran: A Political and Social History of the Shahsevan. Cambridge University Press. p. 39. ISBN   978-0521583367. The Safavid Shahs who ruled Iran between 1501 and 1722 descended from Sheikh Safi ad-Din of Ardabil (1252–1334). Sheikh Safi and his immediate successors were renowned as holy ascetics Sufis. Their own origins were obscure; probably of Kurdish or Iranian extraction ...
  17. Savory 1997, p. 8.
  18. Kamal, Muhammad (2006). Mulla Sadra's Transcendent Philosophy. Ashgate Publishing, Ltd. p. 24. ISBN   978-0754652717. The Safawid was originally a Sufi order whose founder, Shaykh Safi al-Din, a Sunni Sufi master descended from a Kurdish family ...
  19. Peter Charanis. "Review of Emile Janssens' Trébizonde en Colchide", Speculum, Vol. 45, No. 3,, (Jul. 1970), p. 476
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  21. Savory 1999 , p. 259: "From the evidence available at the present time, it is certain that the Safavid family was of indigenous Iranian stock, and not of Turkish ancestry as is sometimes claimed. It is probable that the family originated in Persian Kurdistan, and later moved to Azerbaijan, where they adopted the Azari form of Turkish spoken there, and eventually settled in the small town of Ardabīl sometime during the eleventh century."
  22. 1 2 Dale, Stephen Frederic (2020). "Turks, Turks and türk Turks: Anatolia, Iran and India in Comparative Perspective". In Peacock, A.C.S.; McClary, Richard Piran (eds.). Turkish History and Culture in India: Identity, Art and Transregional Connections. Brill. pp. 73–74.
  23. 1 2 Kia 2014 , pp. 110–111 (note 81): "Shah Esmaʿil wrote poetry in Turkish, because this devotional poetry was aimed at his Qizilbash followers, who were mostly Turkish speakers."
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  34. Nesib Nesibli, "Osmanlı-Safevî Savaşları, Mezhep Meselesi ve Azerbaucan", Türkler, Cilt 6, Yeni Türkiye Yayınları, Ankara, 2002, ISBN   975-6782-39-0, p. 895. (in Turkish)
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  60. A Narrative of Italian Travels in Persia, in the Fifteenth and Sixteenth Centuries (1873), s. 61
  61. The Cambridge History of Islam, Part 1, By Peter Malcolm Holt, Ann K. S. Lambton, Bernard Lewis, p. 401.
  62. Mikaberidze 2015, p. 242.
  63. Momen 1985, p. 107.
  64. Savory 2007, p. 47.
  65. 1 2 Savory & Karamustafa 1998.
  66. Fisher et al. 1986 , p. 384 ff.
  67. Newman 2008, p. 18.
  68. 1 2 Amanat 2017, p. 61.
  69. Amanat 2017, p. 62.
  70. 1 2 Savory 2012.
  71. 1 2 Mitchell 2009, p. 32.
  72. Fleischer 2018, p. 51–55.
  73. Mitchell 2009, p. 4.
  74. Mitchell 2009, p. 199.
  75. 1 2 Heß 2020.
  76. Minorsky 1942, pp. 1007a–1008a.
  77. Floor 2013, p. 569.
  78. Blow 2009, p. 165.
  79. Karakaya-Stump, Ayfer (2020). Kizilbash-Alevis in Ottoman Anatolia Sufism, Politics and Community. Edinburgh University Press. p. 252 (note 53).
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  89. Berengian, Sakina (1988). Azeri and Persian literary works in twentieth century Iranian Azerbaijan. Berlin: Klaus Schwarz Verlag. p. 20. ISBN   978-3922968696. It was also during the Safavid period that the famous Azeri folk romances – Shah Esmail, Asli-Karam, Ashiq Gharib, Koroghli, which are all considered bridges between local dialects and the classical language – were created and in time penetrated into Ottoman, Uzbek, and Persian literatures. The fact that some of these lyrical and epic romances are in prose may be regarded as another distinctive feature of Azeri compared to Ottoman and Chaghatay literatures.
  90. Отмечен день рождения Шаха Исмаила Хатаи Archived 2004-12-10 at the Wayback Machine
  91. "Ilham Aliyev visited newly-built park where statue of Shah Ismail Khatai was moved". Official web-site of President of Azerbaijan. Retrieved 6 March 2020.
  92. "Опера "Шах Исмаил"". citylife.az. Archived from the original on 5 November 2016.
  93. Э.Г. Абасова. Магомаев А. М. Музыкальная энциклопедия. – М.: Советская энциклопедия, Советский композитор. Под ред. Ю. В. Келдыша. 1973–1982.
  94. 1 2 3 4 5 Iran Society (Calcutta, India) (1960). Indo-iranica (in Slovenian). Iran Society. Retrieved 25 November 2021.
  95. 1 2 3 4 5 6 7 Youssef-Jamālī, Moḥammad Karim (5 July 2013). "Life and personality of S̲hāh Ismāʻīl I (1487–1524)". ERA Home: 353–60. Retrieved 25 November 2021.
  96. Rastegar, S.; Vanzan, A. (2007). Muraqqaʼe Sharqi: Studies in Honor of Peter Chelkowski. AIEP Editore. p. 65. ISBN   978-88-6086-010-1.
  97. The Jahangirnama : memoirs of Jahangir, Emperor of India : Jahangir, Emperor of Hindustan, 1569–1627. 1999. p. 88. ISBN   978-0-19-512718-8 . Retrieved 25 November 2021 via Internet Archive.

Bibliography

Ismail I
Born: 17 July 1487 Died: 23 May 1524
Iranian royalty
New creation Shah of Iran
1501–1524
Succeeded by
  1. Fleischer, Cornell H. (14 March 2018). "A Mediterranean Apocalypse: Prophecies of Empire in the Fifteenth and Sixteenth Centuries". Journal of the Economic and Social History of the Orient. 61 (1–2): 18–90. doi:10.1163/15685209-12341443. ISSN   0022-4995.