Tour by Olivia Rodrigo | |
![]() Promotional poster for the tour | |
Location |
|
---|---|
Associated album | Guts |
Start date | February 23, 2024 |
End date | July 1, 2025 |
Legs | 6 |
No. of shows | 102 |
Supporting acts | |
Attendance | 1.4 million (95 shows) [1] |
Box office | $184.6 million (95 shows) [1] |
Website | oliviarodrigo |
Olivia Rodrigo concert chronology |
The Guts World Tour is the ongoing second concert tour by American singer-songwriter and actress Olivia Rodrigo in support of her second studio album, Guts (2023). It began on February 23, 2024, at the Acrisure Arena in Thousand Palms, United States, and is set to conclude on July 1, 2025, at the Co-op Live in Manchester, England, comprising 102 shows across North America, Europe, Asia, Australia and Brazil. The Breeders, Chappell Roan, PinkPantheress, Remi Wolf, Benee, Beabadoobee and St. Vincent serve as supporting acts.
It is Rodrigo's first all-arena concert tour, after her debut tour was scheduled at intimate venues such as theaters and auditoriums. The set list consists of songs mostly from Guts and some from Sour (2021). In line with the promoted album's themes, the show's nature is inspired by rock-driven music, more specifically by girl rock and riot grrrl live concerts. A brief 2025 extension billed as Guts World Tour: Spilled is provisionally expected to be headlined at stadiums.
The tour has been met with highly positive reviews from critics, who praised Rodrigo's stage presence, vocals and the pace of the show. It has also experienced commercial success as being attended by 1.4 million people and grossed US$184.6 million from 95 shows, thus becoming the highest-grossing tour by an act born in the 21st century. Rodrigo's August 2024 shows at Intuit Dome in Inglewood were recorded for a television special, which was released on October 29, 2024, on Netflix.
Olivia Rodrigo's second studio album Guts was released on September 8, 2023. [2] The album was announced and its cover art was revealed on June 26, 2023, before the release of the album's lead single "Vampire", [3] and preordering for the album began the same day. The album's track listing was teased on July 31, 2023, leading fans to search for clues, [4] and the following day, Rodrigo revealed the titles of the album's twelve tracks. [5] On September 7, 2023, she released a trailer for Guts on YouTube, wherein the titles of the album's four bonus tracks were revealed. [6] [7] Furthermore, three singles were released in promotion of Guts in 2023: "Vampire", released June 30, "Bad Idea Right?", released August 11, and "Get Him Back!", released September 15. [8] A bonus track titled "Obsessed" was released as the album's fourth single on March 22, 2024. [9]
Prior to the official announcement of the tour, it was teased via social media by both Rodrigo and the venues that she was set to perform on a new series of concerts. [10] Rodrigo announced the first set of dates from the Guts World Tour on September 13, 2023, on her official social media platforms, with shows in various different cities across the US, Canada, and Europe. [11] [12] It is Rodrigo's second concert tour and first arena tour, following her debuting Sour Tour, which she embarked on throughout 2022 in support of her debut studio album, Sour (2021).
Before its commencement, Rodrigo performed Guts in an exclusive concert at Los Angeles Theatre at Ace Hotel on October 9, 2023, from which all proceeds from ticket sales went to her Fund 4 Good nonprofit organization. The concert was streamed a day later on Rodrigo's official YouTube channel, including stories behind the composition of the album. [13] Moreover, Crumbl launched a special Guts World Tour themed cookie that would be available in local stores across the US. [14]
Nine new dates were added to the tour on May 8, 2024, with five corresponding to several Asian countries, while the remaining four were distributed between the Australian cities of Melbourne and Sydney, each one with two concerts scheduled and with New Zealand singer Benee as opening act. [15] On September 10, 2024, a date in Bocaue was added to the Asian leg of the tour. [16]
Two rescheduled shows at Manchester's Co-op Live were announced on October 10, 2024, after the original dates had to be postponed due to technical issues with the venue. [17] [18] Besides the official run of the tour, three dates for Curitiba, Mexico City and Dublin were revealed on November 12, 2024. [19] [20] [21] The all-stadium shows were billed as Guts World Tour: Spilled, with St. Vincent and Beabadoobee serving as opening acts. [22]
Alongside the announcement of the tour, it was revealed that there would initially be no public on-sale. Fans could register for a chance to buy tickets until September 17, 2023, at 10 p.m. ET in one of two ways: through Ticketmaster, for access to the sale on September 21, 2023, or through American Express's Early Access, for access to the presale on September 20, 2023. However, the latter option was limited to American Express Card Members only. [23]
In addition, all cities on the North American leg of the tour offered the "Silver Star Tickets" option, which consisted of a limited number of tickets available for $20 per show, purchasable in pairs only. This program ensured that concertgoers with these tickets would be seated next to each other, aiming to "make it as easy and affordable as possible for her fans to make it out to her shows". [24] All tickets sold for the Bocaue show were Silver Star Tickets. [25]
Ticketmaster deemed the demand "massive", noting that "there are still more fans who registered than tickets available". [26] In response, the company implemented new policies to combat reselling, such as delaying ticket delivery until 72 hours before the concert and making tickets available only electronically. [27]
On September 15, 2023, Rodrigo announced 18 additional dates across North America and Europe due to "overwhelming demand". [28] [29] Four days later, second shows were added in Lisbon and Antwerp due to "incredible demand", as well as a venue upgrade for the Oslo show. [30] [31] [32] On May 15, 2024, two additional shows were announced in both Sydney and Melbourne, [33] while in the following days, second dates were added in Seoul, Bangkok and Singapore after the first shows being sold out from pre-sale. [34] [35] [36]
On June 17, 2024, two additional dates for Inglewood were announced to be held on August 20 and 21 at the brand new Intuit Dome, bringing the total to six shows in the city. [37] A couple of days later, a second show in Tokyo was added. [38] Due to high demand, a second date at Mexico City's Estadio GNP Seguros for the Spilled leg was added on November 19. [39]
The stage design for arena shows extended into the crowd at a diagonal on two catwalks for both left and right end sides, an open section where her music band remains visible throughout the show and a full digital screen element comprising the height and width behind the stage. [40] Though modest, the production also includes elements like multiple camera set ups, a levitating quarter-moon shaped platform and mobile blocks that rise from the center platform. [41]
Heavily inspired by female rock bands such as The Breeders, Hole, Sleater-Kinney, L7 and Babes in Toyland, [42] the show lasts approximately one hour and a half, and begins with the word Guts being displayed on the stage's screen as birthday candles that progressively melt until the start of the concert. [43]
A black and white introductory video depicts Rodrigo running desperately across a somber hotel aisle, in which she eventually arrives to a room and knocks on the door with rings that appear on Guts’ album cover. She and her band then appear on stage to open the show with "Bad Idea Right?", preceding to "Ballad of a Homeschooled Girl". [44] Rodrigo then delivers a welcome note to the audience before singing "Vampire", which is followed by "Traitor". Rodrigo proceeds with piano renditions of "Drivers License" and "Teenage Dream" before transitioning to "Pretty Isn't Pretty". [45]
After a wardrobe change, Rodrigo performs "Love Is Embarrassing", accompanied by a choreography routine, introduces her band and dancers, and performs "Making the Bed". [46] Later, she performs "Logical" and "Enough for You" on the half-moon prop flying over the public. [47] After a second costume change, Rodrigo sings “Lacy” in the middle of a retractable circle while dancers perform additional choreography surrounding the structure. [48]
Rodrigo then leaves the stage to perform "Jealousy, Jealousy" alongside her fans in the venue barricades. Upon returning to the stage, Rodrigo plays "Happier" and "Favorite Crime" with a band member accompanying on the acoustic guitar. [49] Next, she performs "Deja Vu", before lowering the mood of the concert during "The Grudge". [50]
For "Brutal", Rodrigo reappears after another wardrobe change, in which she follows with a performance of "Obsessed", where she plays the electric guitar herself. She then performs "All-American Bitch", resembling her previous performance on Saturday Night Live , and asks her fans during the middle of the song to scream out loud. [51]
An encore begins with the performance of "Good 4 U", while Rodrigo uses a megaphone and wears a specific iron-on T-shirt for each date, including one referencing No Doubt's "Just a Girl". [47] During "Get Him Back!"; the concluding song of the show, confetti shoots up from the ceiling and the stage's lighting rigs heavily flash until turning off completely. [52]
The show received rave reviews from critics. ABC News classified the tour as one of the best and biggest of 2024. [53] Tomás Mier of Rolling Stone stated that "Rodrigo cemented her position in pop culture as a generation-defining artist. As a rockstar, and as an energy-filled idol that is only just beginning her career". [54] Niki Kottmann of Desert Sun said that the concert did a good job of showcasing Rodrigo's various talents beyond just singing and songwriting. [50]
In The New York Times , Jon Caramanica complimented Rodrigo's performance, which he praised for "the perfection and order of musical theater to the pop-punk and piano ballads her songs alternate with". [55] Eric Fuller of Forbes praised Rodrigo for commanding the stage with "tremendous stage presence, abundant energy and the rare combination of humility in how she recognizes her crowd while belting out power pop rock songs she created". [40] Variety 's Chris Willman lauded Rodrigo for being "equally, proficiently gifted in the areas of singing, songcraft, self-revelation and the fine art of rocking out". [41]
For Los Angeles Times , Mikael Wood commended the singer's vocals stating that "the production never overwhelmed [her] performance, which showcased her strong live vocals", [56] while Philip Cosores of Uproxx wrote that Rodrigo is "establishing herself as an artist that one generation will grow up with, and another can appreciate with a sense of nostalgia and camaraderie". [57] Writing for The Arizona Republic , Ed Masley called Rodrigo a "gifted lyricist whose finest work speaks to the human condition with a winning blend of brutal-out-here honesty and wit", while declaring "if anyone is keeping rock alive in 2024, I'm just glad I got to see her concert". [58]
The European leg of the tour received positive reviews from critics. Nicole Glenonn from the Irish Examiner gave the first show in Dublin a five-star review, applauding the all-female band and dancing crew that accompanied Rodrigo on the show, lauding as well the singer's confidence and charisma as "palpable". [59] The Big Issue 's Annie McNamee named Rodrigo "the definitive spokesperson for Gen Z girlhood" after the shows held in Glasgow, while writing that "[her] success was built on her understanding of one, fundamental truth; you should never, under any circumstances, underestimate the righteous anger of a teenage girl". [60]
The four-date residency at London's O2 Arena was also well received by British media outlets. Thomas Smith from NME and El Hunt from the Evening Standard coincided that Rodrigo "has certainly done bigger and better things" after since her debuting tour, and that the currently series of concerts often felt "like a Greatest Hits show rather than her first arena tour". [61] [62] Mitch Stevens wrote for The Line of Best Fit that Rodrigo "is able to act as the conduit to bring language to the things that can’t be communicated without a visceral response". [63] Harvey Marwood concluded on his review for Clash that "the set hybridisation between relatable and angry-at-times love music and more emotional" intertwined for the "perfect concert". [64]
Billboard and Pitchfork picked Guts World Tour as one of the most anticipated tours of 2024. [65] [66] In March 2024, Pollstar reported the tour has grossed a total of $4,233,293 with an attendance of 27,594, from only two shows. [67] According to reports submitted to Pollstar, twelve shows from the first North American leg grossed $17,274,683 and sold 174,431 tickets, while the four shows at New York City's Madison Square Garden grossed a total $7.7 million. [68] The first six European shows grossed a total of $8,584,559 and gathered a total attendance of 80,039, whereas Rodrigo positioned at number eight on the May 2024 reports of Pollstar's Live 75 chart with an average gross of $1,500,592 and attendance of 13,481 per show from five estimated dates. [69]
The tour marked a major milestone as Rodrigo became the youngest female solo artist to gross over $180 million in her debut arena tour. It grossed $184.6 million in total with 1.4 million tickets sold. [1] [70]
Organization | Year | Category | Result | Ref. |
---|---|---|---|---|
Nickelodeon Kids' Choice Awards | 2024 | Favorite Ticket of the Year | Nominated | [71] |
Billboard | 2024 | Billboard's Touring Artist of the Year | Won | [72] |
Hollywood Music In Media Awards | 2024 | Live Concert for Visual Media | Won | [73] |
Pollstar Awards | 2025 | Major Tour of the Year | Pending | [74] |
Pop Tour of the Year | Pending | |||
Support/Special Guest of the Year [a] | Pending | |||
iHeartRadio Music Awards | 2025 | Favorite Tour Style | Pending | [75] |
Favorite Tour Tradition | Pending | |||
Favorite On Screen | Pending | |||
Favorite Surprise Guest [a] | Pending | |||
Favorite Tour Photographer [b] | Pending |
According to Billboard, Rodrigo donated over US$2 million to several organizations around the world. [76] On the night of the tour's first show, in Thousand Palms, Rodrigo spoke about Fund 4 Good and her support for reproductive rights through her Instagram. Rodrigo announced that the fund would directly support community non-profit organizations that advocate for girls education, support reproductive rights, and prevent gender-based violence. [77] Rodrigo also revealed that part of the proceeds from ticket sales from the tour would go to Fund 4 Good, as well as to the National Network of Abortion Funds of North America. [78] [79]
On March 6, 2024, it was announced that HeadCount, a non-profit organization that promotes participation in democracy in the United States through music and culture, would have a booth at all shows of the tour in the country and would assist those who wish to register to vote in the U.S. elections. [80] [81]
At the show on March 12, 2024, in St. Louis, Missouri, where abortion is banned, emergency contraceptives and condoms were distributed. [82] The Missouri Abortion Fund, which provides financial assistance to those who cannot afford the full cost of abortion care, thanked Rodrigo for working with the organization, while joking on social media "it’s brutal out here in Missouri," playing on one of Rodrigo's lyrics. [83] Republican Missouri state senator Bill Eigel posted on X that the singer should be "ashamed" for handing out an "abortifacient". [84] However, morning-after pills do not end but prevent pregnancy. [85] After some criticism, Rodrigo's management team prohibited the abortion funds from distributing contraceptives and supplies at future shows because they would be too accessible to young girls in the audience. [86] Informational materials as well as hats, buttons and stickers continued to be distributed. [87]
On March 26, 2024, Rodrigo announced through her Instagram that she would be donating a portion of the proceeds from the Canadian dates on the tour, which began on the same day in Montreal, to Women's Shelters Canada, which supports shelters across the country and help women and children who are fleeing abuse and violence. [88] One month later, at the start of the European leg in Dublin on April 30, Rodrigo notified that part of the profits would be donated to Women Against Violence Europe, in order to prevent all women and their children from any type of violence. [89] [90]
During the Asian leg of the tour, Rodrigo made a donation to the Pratthanadee Foundation in Thailand, the Korea Foundation for Women, Harmony House Limited in Hong Kong, NPO Women’s Saya-Saya in Japan, and Aidha in Singapore. [76] Rodrigo also donated all the ticket sale profits of her October 5 performance in Bocaue to Jhpiego Philippines, a Johns Hopkins University-affiliated non-profit organization that helps "women and girls, especially in underserved and conflict-affected areas". [91] [92] The concert, which was labeled as a "Silver Star Show", sold tickets all priced at ₱1,500 (approximately US$25) and was held at the Philippine Arena, which holds up to 55,000 seats as the world's largest indoor arena. [92] [93]
A special performance of Rodrigo at the FireAid benefit concert was announced as part of the Spilled leg of the tour. The event will take place in Inglewood at the Intuit Dome on January 30, 2025, in order to raise funds to help the population affected by the 2025 Southern California wildfires. [94]
On October 2, 2024, Rodrigo sent a newsletter to her fans announcing the Guts World Tour film. The concert was filmed during her two dates at Intuit Dome on August 20 and 21, 2024. The film was released on October 29, 2024 on Netflix. [95]
The following set list is obtained from the February 23, 2024 show in Thousand Palms. It is not intended to represent all dates throughout the tour. [96]
Date (2024) | City | Country | Venue | Opening act | Attendance | Revenue |
---|---|---|---|---|---|---|
February 23 | Thousand Palms [c] | United States | Acrisure Arena | Chappell Roan | 9,998 / 9,998 | 1,733,194 |
February 24 | Phoenix | Footprint Center | 13,209 / 13,209 | $2,351,767 | ||
February 27 | Houston | Toyota Center | 13,180 / 13,180 | $2,193,430 | ||
February 28 | Austin | Moody Center | 12,131 / 12,131 | $1,651,162 | ||
March 1 | Dallas | American Airlines Center | 14,416 / 14,416 | $2,430,009 | ||
March 2 | New Orleans | Smoothie King Center | 13,124 / 13,124 | $1,925,062 | ||
March 5 | Orlando | Kia Center | 13,628 / 13,628 | $1,820,488 | ||
March 6 | Miami | Kaseya Center | 13,665 / 13,665 | $2,253,713 | ||
March 8 | Charlotte | Spectrum Center | 14,871 / 14,871 | $2,195,950 | ||
March 9 | Nashville | Bridgestone Arena | 15,166 / 15,166 | $1,989,296 | ||
March 12 | St. Louis | Enterprise Center | 13,451 / 13,451 | $1,896,567 | ||
March 13 | Omaha | CHI Health Center | 14,385 / 14,385 | $1,881,526 | ||
March 15 | Saint Paul | Xcel Energy Center | 14,871 / 14,871 | $2,121,469 | ||
March 16 | Milwaukee | Fiserv Forum | 12,160 / 12,160 | $1,792,167 | ||
March 19 | Chicago | United Center | 29,987 / 29,987 | $4,998,707 | ||
March 20 | ||||||
March 22 | Columbus | Nationwide Arena | 14,468 / 14,468 | $2,302,842 | ||
March 23 | Detroit | Little Caesars Arena | 15,303 / 15,303 | $2,240,292 | ||
March 26 | Montreal | Canada | Bell Centre | 31,556 / 31,556 | $3,829,205 | |
March 27 | ||||||
March 29 | Toronto | Scotiabank Arena | 32,280 / 32,280 | $3,859,134 | ||
March 30 | ||||||
April 1 | Boston | United States | TD Garden | 28,108 / 28,108 | $4,789,154 | |
April 2 | ||||||
April 5 | New York City | Madison Square Garden | The Breeders | 57,943 / 57,943 | $10,041,757 | |
April 6 | ||||||
April 8 | ||||||
April 9 | ||||||
April 30 | Dublin | Ireland | 3Arena | Remi Wolf | 25,140 / 25,140 | $2,312,837 |
May 1 | ||||||
May 7 | Glasgow | Scotland | OVO Hydro | 26,981 / 26,981 | $3,276,742 | |
May 8 | ||||||
May 10 | Birmingham | England | Utilita Arena Birmingham | 27,918 / 27,918 | $2,994,980 | |
May 11 | ||||||
May 14 | London | The O2 Arena | 75,470 / 75,470 | $8,341,563 | ||
May 15 | ||||||
May 17 | ||||||
May 18 | ||||||
May 21 | Antwerp | Belgium | Sportpaleis | 42,459 / 42,459 | $3,922,061 | |
May 22 | ||||||
May 24 | Amsterdam | Netherlands | Ziggo Dome | 31,569 / 31,569 | $3,076,121 | |
May 25 | ||||||
May 28 | Fornebu [d] | Norway | Unity Arena [e] | 23,565 / 23,565 | $2,318,561 | |
May 30 | Copenhagen | Denmark | Royal Arena | 15,525 / 15,525 | $1,709,539 | |
June 1 | Berlin | Germany | Uber Arena | 14,378 / 14,378 | $1,515,642 | |
June 4 | Hamburg | Barclays Arena | 12,120 / 12,120 | $1,356,066 | ||
June 5 | Frankfurt | Festhalle | 11,266 / 11,266 | $1,223,677 | ||
June 7 | Munich | Olympiahalle | 12,390 / 12,390 | $1,383,068 | ||
June 9 | Casalecchio di Reno [f] | Italy | Unipol Arena | 13,086 / 13,086 | $1,331,556 | |
June 11 | Zürich | Switzerland | Hallenstadion | 13,500 / 13,500 | $2,022,872 | |
June 12 | Cologne | Germany | Lanxess Arena | 16,595 / 16,595 | $1,618,726 | |
June 14 | Paris | France | Accor Arena | 32,901 / 32,901 | $2,868,469 | |
June 15 | ||||||
June 18 | Barcelona | Spain | Palau Sant Jordi | 17,635 / 17,635 | $1,739,374 | |
June 20 | Madrid | WiZink Center | 15,832 / 15,832 | $1,543,275 | ||
June 22 | Lisbon | Portugal | MEO Arena | 37,854 / 37,854 | $3,341,191 | |
June 23 | ||||||
July 19 | Philadelphia | United States | Wells Fargo Center | PinkPantheress | 14,902 / 14,902 | $2,438,608 |
July 20 | Washington, D.C. | Capital One Arena | 14,693 / 14,693 | $2,437,106 | ||
July 23 | Atlanta | State Farm Arena | 13,829 / 13,829 | $1,899,981 | ||
July 24 | Lexington | Rupp Arena | 16,200 / 16,200 | $2,492,691 | ||
July 26 | Kansas City | T-Mobile Center | 13,906 / 13,906 | $2,158,193 | ||
July 27 | Oklahoma City | Paycom Center | — [g] | 13,616 / 13,616 | $1,844,088 | |
July 30 | Denver | Ball Arena | PinkPantheress | 13,758 / 13,758 | $2,141,197 | |
July 31 | Salt Lake City | Delta Center | — [h] | 13,162 / 13,162 | $1,895,622 | |
August 2 | San Francisco | Chase Center | 27,939 / 27,939 | $4,557,754 | ||
August 3 | ||||||
August 6 | Seattle | Climate Pledge Arena | 30,654 / 30,654 | $5,357,638 | ||
August 7 | ||||||
August 9 | Vancouver | Canada | Rogers Arena | 15,661 / 15,661 | $1,880,670 | |
August 10 | Portland | United States | Moda Center | 14,387 / 14,387 | $1,993,924 | |
August 13 | Inglewood [i] | Kia Forum | The Breeders | 58,669 / 58,669 | $9,828,163 | |
August 14 | ||||||
August 16 | ||||||
August 17 | ||||||
August 20 | Intuit Dome | 31,181 / 31,181 | $5,717,015 | |||
August 21 | ||||||
September 15 | Pak Kret [j] | Thailand | Impact Arena | — | 25,797 / 25,797 | $3,711,573 |
September 16 | ||||||
September 20 | Seoul | South Korea | Jamsil Arena | 23,851 / 23,851 | $2,740,513 | |
September 21 | ||||||
September 24 | Hong Kong | AsiaWorld–Arena | 11,831 / 11,831 | $1,821,586 | ||
September 27 | Tokyo | Japan | Ariake Arena | 24,555 / 24,555 | $2,479,943 | |
September 28 | ||||||
October 1 | Singapore | Singapore Indoor Stadium | 20,263 / 20,263 | $2,598,801 | ||
October 2 | ||||||
October 5 | Bocaue [k] | Philippines | Philippine Arena | 48,829 / 48,829 | $1,222,691 | |
October 9 | Melbourne | Australia | Rod Laver Arena | Benee | 57,130 / 57,130 | $6,809,897 |
October 10 | ||||||
October 13 | ||||||
October 14 | ||||||
October 17 | Sydney | Qudos Bank Arena | 64,096 / 64,096 | $7,197,262 | ||
October 18 | ||||||
October 21 | ||||||
October 22 |
Date (2025) | City | Country | Venue | Opening act | Attendance | Revenue |
---|---|---|---|---|---|---|
January 30 [l] | Inglewood | United States | Intuit Dome | — | ||
March 26 [m] | Curitiba | Brazil | Estádio Couto Pereira | St. Vincent | — | — |
April 2 [m] | Mexico City | Mexico | Estadio GNP Seguros | — | — | |
April 3 [m] | ||||||
June 24 [m] | Dublin | Ireland | Marlay Park | Beabadoobee | — | — |
June 30 [n] | Manchester | England | Co-op Live | — | — | — |
July 1 [n] | ||||||
Total | 1,432,993 / 1,432,993 (100%) | $184,588,413 | ||||
Adapted from the credits of Guts World Tour concert film. [111]
Musicians
Dancers
Additional personnel [112]
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"Obsessed" is a song by American singer-songwriter Olivia Rodrigo from Guts (Spilled), the 2024 deluxe edition of her second studio album, Guts (2023). Rodrigo wrote it with Annie Clark and its producer, Dan Nigro. Geffen Records released it as a single alongside the deluxe edition on March 22, 2024. A rock, pop rock, dance-rock, and pop-punk song with punk rock and grunge influences, "Obsessed" details Rodrigo's jealousy and preoccupation with her partner's ex-girlfriend.
"Bad Idea Right?" is a song by the American singer-songwriter Olivia Rodrigo from her second studio album, Guts (2023). Rodrigo co-wrote it with its producer, Dan Nigro. Geffen Records released it as the album's second single on August 11, 2023. A rock, pop rock, power pop, jangle rock, grunge, new wave, indie pop, synth-pop, and pop-punk song influenced by several other genres, "Bad Idea Right?" features Rodrigo contemplating whether or not it is a good idea to rekindle with her ex-boyfriend and weighing its pros and cons.
"Ballad of a Homeschooled Girl" is a song by American singer-songwriter Olivia Rodrigo from her second studio album, Guts (2023). Rodrigo wrote the song with the album's producer, Dan Nigro. The song became available as the album's fifth track on September 8, 2023, when it was released by Geffen Records. A pop-punk song, "Ballad of a Homeschooled Girl" is about social anxiety and features Rodrigo recounting embarrassing experiences at a party.
"Love Is Embarrassing" is a song by American singer-songwriter Olivia Rodrigo from her second studio album, Guts (2023). Rodrigo wrote the song with its producer, Dan Nigro. It became available as the album's ninth track on September 8, 2023, when it was released by Geffen Records. A new wave song, "Love Is Embarrassing" has self-deprecating lyrics in which Rodrigo derides her crush and expresses embarrassment about how much she was attracted to him.
"Lacy" is a song by American singer-songwriter Olivia Rodrigo from her second studio album, Guts (2023). Rodrigo wrote it with its producer, Dan Nigro. The song became available as the album's fourth track on September 8, 2023, when it was released by Geffen Records. A folk-pop and indie folk song with influences of theatrical folk, "Lacy" originated from a poem she wrote for a class assignment. The song chronicles Rodrigo's obsession over the beauty of a female figure whom she addresses by the same name and her resulting envy and self-hatred.
"Get Him Back!" is a song by American singer-songwriter Olivia Rodrigo from her second studio album, Guts (2023). Rodrigo wrote the song with its producer, Dan Nigro. EMI Records released it as the album's third single on September 15, 2023. A rap rock, pop rap, and pop-punk song with influences of pop rock, "Get Him Back!" explores Rodrigo's desire to exact revenge on her ex-partner while simultaneously wanting to reconcile with him; the titular phrase conveys this through its double meaning.
"All-American Bitch" is a 2023 song by American singer-songwriter Olivia Rodrigo from her second studio album, Guts. Rodrigo wrote the song with its producer, Dan Nigro. It became available as the album's first track on September 8, 2023, when the album was released by Geffen Records. "All-American Bitch" begins as a folk song and transitions into pop-punk during the chorus, incorporating influences of punk, rock, grunge, and pop rock. Lyrically, it is a satirical song and explores Rodrigo's concerns about society's double standards and contradictory expectations for women.
"The Grudge" is a song by American singer-songwriter Olivia Rodrigo from her second studio album, Guts (2023). Rodrigo wrote it with its producer, Dan Nigro. The song became available as the album's tenth track on September 8, 2023, when it was released by Geffen Records. A piano-driven power ballad, "The Grudge" details Rodrigo's regret and burnout after somebody she looked up to betrayed her trust. Critics varied in their interpretation of the song, with some interpreting its subject as the breakup of a romantic relationship while others believed it was about Rodrigo's relationship with Taylor Swift.
"Making the Bed" is a song by American singer-songwriter Olivia Rodrigo from her second studio album, Guts (2023). Rodrigo wrote it with its producer, Dan Nigro. The song became available as the album's sixth track on September 8, 2023, when it was released by Geffen Records. A pop song which incorporates piano, guitars, synthesizers, and percussion and evokes dream pop, "Making the Bed" has introspective lyrics which feature Rodrigo reflecting on her flaws and attempting to persevere in spite of them, as it explores her disillusionment with fame and recurring dreams.