Here to Stay | ||||
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Studio album by | ||||
Released | 1976 | |||
Recorded | December 27, 1962 | |||
Studio | Van Gelder (Englewood Cliffs, New Jersey) | |||
Genre | Jazz | |||
Length | 38:20 | |||
Label | Blue Note BN-LA 496-2 BST 84135 (announced only) | |||
Producer | Alfred Lion | |||
Freddie Hubbard chronology | ||||
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Alternative cover | ||||
![]() CD reissue (BST 84135) |
Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
All About Jazz | ![]() ![]() ![]() ![]() ![]() |
The Virgin Encyclopedia of Jazz | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |
Here to Stay is a studio album by American jazz trumpeter Freddie Hubbard recorded on December 27, 1962, but not released on the Blue Note label until 1976 as BN-LA 496-2. It features performances by Hubbard, Cedar Walton, Reggie Workman, Philly Joe Jones, and Wayne Shorter.
Norman Weinstein of All About Jazz commented "Another indication of Hubbard's well-seasoned taste on this session is revealed in using two of Cal Massey's most memorable compositions, "Father and Son" and "Assunta." Listen to the solos by Hubbard and Shorter on "Assunta" and ask yourself if they haven't slipped to a new phase of their growth, apart from Blakey's band at this juncture, that's more darkly introspective. I hope the album title is true of the recording's fate". [2] Scott Yanow of AllMusic stated "Although that session (comprised of four Hubbard compositions, one of Walton's songs, and Randy Weston's "Cry Me Not") is excellent, it is the full album of previously unreleased material from an all-star quintet that is of greatest interest". [1]
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