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A concerto is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement preceded and followed by fast movements, became a standard from the early 18th century.
Trevor David Pinnock is a British harpsichordist and conductor.
A harpsichord concerto is a piece of music for an orchestra with the harpsichord in a solo role. Sometimes these works are played on the modern piano. For a period in the late 18th century, Joseph Haydn and Thomas Arne wrote concertos that could be played interchangeably on harpsichord, fortepiano, and pipe organ.
D major is a major scale based on D, consisting of the pitches D, E, F♯, G, A, B, and C♯. Its key signature has two sharps. The D major scale is:
F major is a major scale based on F, with the pitches F, G, A, B♭, C, D, and E. Its key signature has one flat. Its relative minor is D minor and its parallel minor is F minor.
G minor is a minor scale based on G, consisting of the pitches G, A, B♭, C, D, E♭, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major.
A minor is a minor scale based on A, A, B, C, D, E, F, and G. Its key signature has no flats and no sharps. Its relative major is C major and its parallel major is A major.
E minor is a minor scale based on E, consisting of the pitches E, F♯, G, A, B, C, and D. Its key signature has one sharp, on the F. Its relative major is G major and its parallel major is E major.
Concertino is the diminutive of concerto, thus literally a small or short concerto.
Bernhard Heinrich Romberg was a German cellist and composer.
An organ concerto is an orchestral piece of music in which a pipe organ soloist is accompanied by an an orchestra, although some works exist with the name "concerto" which are for organ alone.
Rudolf Borisovich Barshai was a Soviet and Russian conductor and violist.
A double concerto is a concerto featuring two performers—as opposed to the usual single performer, in the solo role. The two performers' instruments may be of the same type, as in Bach's Double Violin Concerto, or different, as in Brahms's Concerto for Violin, Cello and Orchestra.
The bassoon repertoire consists of pieces of music composed for bassoon as a principal instrument that may be performed with or without other instruments. Below is a non-exhaustive list of major works for the bassoon.
References
- ↑ Ferdinand Ries numbered his 9 published concerti in order of publication rather than by instrumentation, his first published concerto was for Violin and Orchestra. There is no Piano Concerto No. 1
- ↑ OCLC 300205572.
- 1 2 Barnett, Rob (2003). "Review: Englund Piano Concertos". MusicWeb International. Retrieved May 15, 2016.
- ↑ Music Finland: Englund Concerto 1
- ↑ Music Finland: Englund Concerto 2
- ↑ Erod Concerto
- ↑ OCLC 22397146 Full Score, Probable? First Edition of Eshpai first Piano Concerto
- ↑ (no date) Available at: http://www.peterfribbins.co.uk/pdf_2011/Hi%20res%20programme.pdf (Accessed: 13 October 2015)
- ↑ Midgette, Anne (December 4, 2009). "Jennifer Higdon with the National Symphony Orchestra at the Kennedy Center". The Washington Post . Retrieved November 9, 2015.
- ↑ Farach-Colton, Andrew (November 2005). "Hovhaness Concerto for 2 Pianos; (3) Pieces for 2 Pianos". Gramophone . Retrieved November 9, 2015.
- ↑ MacMillan, James (2003). "MacMillan, James: Piano Concerto No. 2". Boosey & Hawkes . Retrieved November 9, 2015.
- ↑ MacMillan, James (2008). "MacMillan, James: Piano Concerto No. 3". Boosey & Hawkes . Retrieved November 9, 2015.
- ↑ Morrison, Bryce (March 2011). "Pierné Piano Concerto". Gramophone . Retrieved November 9, 2015.
- ↑ Kozinn, Allan (May 10, 1999). "MUSIC REVIEW; A Bit of Adventuring In a Pianist's Repertory". The New York Times . Retrieved November 9, 2015.
- ↑ Tommasini, Anthony (February 3, 2007). "A Conductor's Concerto, Influenced and Inspired". The New York Times . Retrieved November 9, 2015.
- 1 2 3 Dibble 2002 , p. 474
- 1 2 Dibble 2002 , p. 475
- Dibble, Jeremy (2002). Charles Villiers Stanford: Man and Musician. Kings Lynn: Oxford University Press. ISBN 0-19-816383-5.