Piano Concerto No. 1, Op. 39 (1997–98) (I. River of Loss; 2. Dialogue with Time; 3. Wind of Oblivion; Part 2, Dialogue with Time, can be performed separately as an orchestral piece with the piano being part of the orchestra)
Double concerto for violin, piano and orchestra, Op. 40 (1997)
BWV 1052 for harpsichord and strings in D minor, presumed to have been transcribed from a lost violin concerto previously written by the composer himself, used again in the Sinfonia and opening chorus of cantataWir müssen durch viel Trübsal, BWV 146 and the Sinfonia of cantata BWV 188
BWV 1053 for harpsichord and strings in E major, probably after a lost oboe concerto
BWV 1054 for harpsichord and strings in D major, after his violin concerto in E major, BWV 1042
BWV 1055 for harpsichord and strings in A major, after a lost oboe d'amore concerto
BWV 1056 for harpsichord and strings in F minor, probably after a lost violin concerto
BWV 1057 for harpsichord, 2 recorders and strings in F major, after Brandenburg concerto no.4 in G major, BWV 1049
BWV 1058 for harpsichord and strings in G minor, after his violin concerto in A minor, BWV 1041
BWV 1050– Brandenburg concerto no.5 in D major, for harpsichord, flute, violin and strings
BWV 1044 for harpsichord, violin, flute and strings in A minor, 1st and 3rd movements after his Prelude and Fugue in A minor for harpsichord, BWV 894 and second movement after the second movement from his trio sonata in D minor for organ, BWV 527
BWV 1060 for 2 harpsichords and strings in C minor, after a lost violin and oboe concerto
BWV 1061 for 2 harpsichords and strings in C major; the harpsichord parts alone are considered the original concerto 'BWV 1061a' with the string parts added later
BWV 1062 for 2 harpsichords and strings in C minor, after his double violin concerto in D minor, BWV 1043
BWV 1063 for 3 harpsichords and strings in D minor
BWV 1064 for 3 harpsichords and strings in C major, after a lost triple violin concerto
BWV 1065 for 4 harpsichords and strings in A minor, after Vivaldi's concerto for 4 violins in B minor, RV 580 (l'estro armonico op.3 no.10, RV580)
La Transfiguration de Notre Seigneur Jésus (1965–69), for solo piano, solo cello, solo flute, solo clarinet, solo xylorimba, solo vibraphone, large 10-part choir and large orchestra
Fantasy for piano and orchestra on twelve notes from "non si pasce di cibo mortale chi si pasce di cibo celeste" from the second act of W.A. Mozart's Don Giovanni
Concerto soiree for piano and orchestra
Concerto in E minor for piano and orchestra (piccolo mondo antico)
↑ Ferdinand Ries numbered his 9 published concerti in order of publication rather than by instrumentation, his first published concerto was for Violin and Orchestra. There is no Piano Concerto No. 1
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