Those Were the Days | |
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Directed by | Thomas Bentley |
Written by |
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Based on | The Magistrate by Arthur Wing Pinero |
Produced by | Walter C. Mycroft |
Starring | |
Cinematography | Otto Kanturek |
Edited by | Edward B. Jarvis |
Music by | Idris Lewis |
Production company | |
Distributed by | Wardour Films |
Release date |
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Running time | 80 minutes |
Country | United Kingdom |
Language | English |
Those Were the Days is a 1934 British comedy film directed by Thomas Bentley and starring Will Hay, Iris Hoey, and John Mills. It was based on Arthur Wing Pinero's 1885 farce The Magistrate and was the first of two Hay movies based on Pinero's plays, the other being Dandy Dick . The film also features music hall acts of the time [1] – acts of a type rarely committed to film. It is primarily remembered as Will Hay's first major screen role. [2]
The film was produced and released by British International Pictures and was shot at the company's Elstree Studios. The film's sets were designed by the art director Duncan Sutherland.
The strait-laced magistrate Brutus Poskett (Will Hay) is concerned that his wife (Iris Hoey) may be older than he believes her to be, especially since his young stepson (John Mills) seems very precocious for an apparently fifteen-year-old boy.
Mrs Poskett tries to stop an impending visit from her first husband's friend (Claud Allister), who knows her true age, by confronting him at a local music hall. However, unbeknown to her, Poskett has also been persuaded to go to the music hall with his "adolescent" stepson and, in an ensuing melée Poskett's wife and her sister are arrested.
The following day, Poskett sentences both to seven days imprisonment, failing to recognise them as they are heavily veiled.
John Edward Boulting and Roy Alfred Clarence Boulting, known collectively as the Boulting brothers, were English filmmakers and identical twins who became known for their series of satirical comedies in the 1950s and 1960s. They produced many of their films through their own production company, Charter Film Productions, which they founded in 1937.
The Private Life of Henry VIII is a 1933 British film directed and co-produced by Alexander Korda and starring Charles Laughton, Robert Donat, Merle Oberon and Elsa Lanchester. It was written by Lajos Bíró and Arthur Wimperis for London Film Productions, Korda's production company. The film, which focuses on the marriages of King Henry VIII of England, was a major international success, establishing Korda as a leading filmmaker and Laughton as a box-office star.
Bulldog Drummond is a 1929 American pre-Code crime film in which Hugh "Bulldog" Drummond helps a beautiful young woman in distress. The film stars Ronald Colman as the title character, Claud Allister, Lawrence Grant, Montagu Love, Wilson Benge, Joan Bennett, and Lilyan Tashman. Produced by Samuel Goldwyn and directed by F. Richard Jones, the movie was adapted by Sidney Howard from the play by H. C. McNeile.
Sir Arthur Wing Pinero was an English playwright and, early in his career, actor.
Music hall is a type of British theatrical entertainment that was most popular from the early Victorian era, beginning around 1850, through the Great War. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous music hall entertainment and subsequent, more respectable variety entertainment differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts.
The Good Old Days is a BBC television light entertainment programme produced by Barney Colehan which ran for 30 years from 20 July 1953 to 31 December 1983.
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Boys Will Be Boys is a 1935 British comedy film directed by William Beaudine which stars Will Hay, Gordon Harker and Jimmy Hanley. The film is set at Narkover School, where headmaster Doctor Alec Smart becomes involved in the disappearance of a valuable necklace.
Dandy Dick is a 1935 British comedy film directed by William Beaudine and starring Will Hay. It was based on the 1887 play Dandy Dick by Arthur Wing Pinero. It is the second and last of his films to be based on a play by Arthur Wing Pinero – the first was Those Were the Days which was based on The Magistrate. Moore Marriott, who played an uncredited role in the film, later became a famous foil to Hay in films later on alongside Graham Moffatt, it was during the film of Dandy Dick that Marriott introduced the idea of being a supporting player to Hay.
Sanders of the River is a 1935 British film directed by the Hungarian-British director, Zoltán Korda, based on the stories of Edgar Wallace. It is set in Colonial Nigeria. The lead Nigerian characters were played by African Americans Paul Robeson and Nina Mae McKinney. The film proved a significant commercial and critical success, giving Korda the first of his four nominations for Best Film at the Venice Film Festival.
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Cottage to Let is a 1941 British spy thriller film directed by Anthony Asquith starring Leslie Banks, Alastair Sim and John Mills. Filmed during the Second World War and set in Scotland during the war, its plot concerns Nazi spies trying to kidnap an inventor.
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Confirm or Deny is a 1941 war drama film directed by Archie Mayo and starring Don Ameche, Joan Bennett and Roddy McDowall. It was produced and distributed by Hollywood studio 20th Century Fox. The screenplay was written by Jo Swerling, based on a story by Samuel Fuller and Henry Wales. An uncredited Fritz Lang worked on the film as director.
The Midshipmaid is a 1932 British comedy film directed by Albert de Courville and starring Jessie Matthews, Frederick Kerr, Basil Sydney and Nigel Bruce. The film is based on the 1931 play of the same title by Ian Hay and Stephen King-Hall. it was released in the U.S. as Midshipmaid Gob. John Mills makes his film debut in a supporting role. It was shot at the Lime Grove Studios, with sets designed by the art director Alfred Junge.
The Magistrate is a farce by English playwright Arthur Wing Pinero. It concerns a respectable magistrate who finds himself caught up in scandalous events that threaten to disgrace him.
Dandy Dick is a three-act farce by Arthur Wing Pinero, first performed in London in 1887. It depicts the complications arising when a respectable clergyman is persuaded to bet on a horse race to subsidise building works on his church. The play has been revived several times and has been adapted for the cinema, radio and television.
Let's Make a Night of It is a 1937 British musical comedy film directed by Graham Cutts and starring Charles "Buddy" Rogers, June Clyde and Claire Luce. The screenplay concerns a husband and his wife, who acquire rival nightclubs at the same time. It was based on the play The Silver Spoon by Henrik Ege. It was distributed in America by Universal Pictures the following year.
Such Men Are Dangerous is a 1930 American pre-Code drama film directed by Kenneth Hawks and written by Ernest Vajda. The film is based on a novella by Elinor Glyn who based her story on the 1928 real-life disappearance of Belgian banker Alfred Loewenstein who vanished on a flight over the English Channel. Such Men Are Dangerous stars Warner Baxter, Catherine Dale Owen, Hedda Hopper, Claud Allister, Albert Conti and Bela Lugosi. Shortly after a midair collision killed 10 crew members in the "worst air accident in film history", Such Men Are Dangerous was released on March 9, 1930, by Fox Film Corporation.