United Nations in popular culture

Last updated

The United Nations (UN) has been portrayed in various works of popular culture, involving the organization, its bodies and agencies, its headquarters, peacekeeping activities, and UN workers. Modern works often portray it in a bureaucratic and sometimes ineffective light.

Contents

Films

Early years: 1945–1960

The headquarters of the UN as depicted in the 1959 film North by Northwest North by Northwest movie trailer screenshot (13).jpg
The headquarters of the UN as depicted in the 1959 film North by Northwest

Hollywood established an early relationship with the UN during the latter's inception. Meeting in San Francisco in 1945 at the United Nations Conference on International Organization, several prominent Hollywood personalities, such as Darryl F. Zanuck, lobbied the conference for "world freedom of the screen, along with radio and the press". [1] In February 1946, the United Nations General Assembly voted to establish the United Nations Department of Public Information and its Film Division, on the grounds that the UN could not achieve its goals "unless the peoples of the world are fully informed of its aims and activities". [2] [3] The Film Division sought to stimulate the production of films involving the UN at "little or no cost to the organization" by giving Hollywood and European film centers ideas, research materials, and scripts for potential movies. [4]

The early connection between the world of cinema and the UN gave rise to several films where the organization was integral to the plot. In Mister 880 (1950), Dorothy McGuire portrayed a UN interpreter at Lake Success, the temporary first home of the UN. According to the producer, her role had been switched to the one of a UN interpreter "to show the inner workings of the United Nations General Assembly". [5] In George Pal's disaster film When Worlds Collide (1951), an emergency meeting of the UN is portrayed as the world faces destruction. This was possibly the result of UN "Hollywood ambassador" Mogens Skot-Hansen urging the producer to feature the UN convening to address the disaster, as it would have done in the real world. [5] In Andrew Marton's Storm Over Tibet (1952), the protagonist leads a UNESCO expedition to the Himalayas to return a precious religious artifact to its rightful owners. [5] In The Glass Wall (1953), refugee Peter Kuban seeks to avoid deportation by looking for the only person who can prove the legality of his situation. The film prominently features the aesthetic of the newly constructed glass UN building, where the film culminates, and where Kuban pleads his case and the ones of all refugees in front of an empty auditorium, with the glass wall of the UN building symbolizing both the hope and the obstacle to the protagonist's freedom. [5] In Alfred Hitchcock's The Man Who Knew Too Much (1956), antagonists Lucy and Edward Drayton claim to be UN workers while in reality being agents of an Eastern European country. [6]

The UN headquarters and organization were also prominently featured Alfred Hitchcock's North by Northwest (1959). In the film, protagonist Roger O. Thornhill travels to the UN building to meet with a UN official named Townsend who works for the fictional "UNIPO". Townsend is assassinated on UN premises and Thornhill is framed for the murder, setting the film in motion. Hitchcock was not allowed to film inside the UN building, and therefore the scene where Thornhill is seen traversing the lobby is a model shot in the upper part and a studio shot in the lower part. [7] Some sources claim he was not allowed to film outside the UN building either, and that the scene featuring Cary Grant approaching the building was shot using cameras hidden in a van parked in the vicinity; [8] however, according to assistant director Herbert Coleman, UN security interrupted the filming from the van, and so the scene outside the UN was secretly filmed from a building on the opposite side of the road. [9] At any rate, the advent of the Cold War and rising skepticism against the UN by the United States and the Soviet Union help explain why United Nations secretary-general Dag Hammarskjöld denied permission to film on UN premises, preferring not to tie the increasingly gridlocked institution to a murder plot. [6]

Pushback, gridlock, and Cold War: 1960–1991

Already by the late 1950s, the Cold War and the Red Scare had left their mark on the popular representation of the United Nations in film, severely curbing it. Hollywood actress Myrna Loy, who helped found the US chapter of the UNESCO national association in 1948 and was a key internationalist figure in Hollywood circles, had to publicly protest in 1955 due to the difficulty of obtaining a passport, which she attributed to anti-UN sentiment and the accusation of being a communist fellow traveler. [10]

The depiction of the UN in the 1960s significantly impacted the United Nations television film series. Set to be aired to an American audience, the series comprised four television films which portrayed the United Nations in a positive light and where the UN was at the center of the plot: Carol for Another Christmas (1964), Who Has Seen the Wind? (1965), Once Upon a Tractor (1965), and The Poppy Is Also a Flower (1966). Several months after the initial announcement of the series, thousands of protest letters from members of the right-wing John Birch Society flooded Xerox, the sponsor of the series, accusing the UN of being a communist front. [11] [12] CBS declined to participate, citing that it would violate their policy of not airing "propaganda for a particular viewpoint", and NBC imposed strict oversight on the content and postponed the release date, ultimately only leaving ABC to air the series in the United States. [13] All four films received mixed reviews; The Poppy Is Also a Flower won one Emmy Award for best supporting actor, and the film was released to theaters in Europe. [14] [15] [16] The spy story follows UN narcotics agents on a worldwide hunt for a heroin distributor.

Some superhero films of this period also feature the United Nations. In Batman (1966), the Joker, the Riddler, Penguin, and Catwoman kidnap the entirety of the United Nations Security Council. [17] In Superman IV: The Quest for Peace (1987), starring Christopher Reeve, Superman enters the United Nations to make a speech denouncing nuclear weapons as a threat to peace and declaring his desire to eliminate them. The assembly subsequently erupts in applause. In a review, The Christian Science Monitor belittled the speech at the United Nations by comparing it to superheroes wanting media attention. [18]

Post-Cold War: 1991–present

The end of the Cold War was accompanied by unprecedented activity from the United Nations, ranging from reinvigorated Security Council activity to post-conflict peacebuilding. [19] [20]

The 2000s, in particular, saw a multiplication of films depicting the UN. Of note is the first film ever allowed to film on UN grounds, Sydney Pollack's political thriller The Interpreter (2005). [21] The film notably casts a UN interpreter, played by Nicole Kidman, who becomes entangled in a murder plot of an African leader set to deliver a speech at the United Nations. Pollack convinced UN secretary-general Kofi Annan to allow filming to happen on weekends after a 30-minute meeting, with Annan even contributing to the script. [21] [22] The United Nations setting earned broadly positive reviews: Rolling Stone noted that "it's the United Nations building, pushing sixty, that turns on the charisma in its film debut — a smashing one — in The Interpreter", with Variety similarly describing the UN setting as "a spectacle to behold". [23] [24] Two reviews from The New York Times were more critical of the film, with A.O. Scott deploring that ethnic conflicts and geopolitical alliances were not touched upon by the film, preferring instead to limit the exposition of the UN to its architecture, and with Caryn James questioning why the UN was needed in the first place, as it adds "little except self-importance" to the film, and further pointing to "a bizarre lack of UN security". [25] [26] Other reviewers echoed "the lack of disappointingly slim grasp of UN life", and the fact that the movie was "so lofty as if it were made to be screened at the United Nations". [27] [28] The representation of the UN in the Interpreter also divides academics: French law professor Serge Sur believes that one of the facets of the UN proposed by the film is "the UN's indifference towards dictatorships", whereas for the Belgian international law professor Anne Lagerwall, the film "embodies a faith in international institutions and particularly in the United Nations, which is certainly that of Sydney Pollack". [29] [30]

Not all movies were granted the same access, however. Sacha Baron Cohen, producer and protagonist of the political satire The Dictator (2012), for example, declared in an interview that the UN had prevented him from filming on UN premises. [31] According to the UN, however, a scene outside the UN featuring protestors was facilitated by the organization. [32]

The role of the UN in the Rwandan genocide and Bosnian genocide, where the UN deployed "blue helmets" but failed to prevent the violence, has also been portrayed in several films of the 2000s. [33] [34] [35] In the Oscar-winning Bosnian film No Man's Land (2001), UN peacekeepers and UN officials serve as major plot drivers, which the New York Times called a "savage portrait of nervous bureaucratic wheeling and dealing that has little regard for the lives being gambled". [36] UN peacekeepers are also featured in the Academy-nominated Hotel Rwanda (2004), where their force withdraws in the face of escalating violence, although the UN commander's representation has been criticized as historically inaccurate. [37] The British film Shooting Dogs (2005) similarly denounces the abandonment of Tutsi refugees by the ill-equipped, outnumbered UN peacekeepers. [38] [39] The Canadian war drama Shake Hands with the Devil (2007) depicts the genocide from the perspective of blue helmet Roméo Dallaire, head of the UN Assistance Mission for Rwanda. [40] According to one reviewer, the film contrasts the impotence of Dallaire with the unused potential that the UN had in affecting the genocide and saving lives, among other actors. [41] More recently, the Bosnian film Quo Vadis, Aida? (2020) sheds light on the trauma of a Bosnian UN translator during the Srebrenica massacre, which, according to The Intercept , portrays the "cowardice of UN commanders", among other themes. [42]

UN field workers and peacekeepers have also increasingly become the protagonists of their own films beyond genocide. Netflix released The Siege of Jadotville (2016), a war film that depicts the Siege of Jadotville during the Congo Crisis from the perspective of an Irish peacekeeping unit engaged there. [43] The biopic Sergio (2020), also from Netflix, follows the life of United Nations humanitarian Sérgio Vieira de Mello in East Timor and Iraq. [44]

The UN has continued to open its locations to representation by the film industry progressively. The United Nations Office at Vienna was chosen as the location for the signature of the Sokovia Accords in Captain America: Civil War (2016), which is bombed during the signing of the Accord putting the Avengers under UN authority. [45] The UN subsequently became the subject of several pieces exploring its role, mirroring the factions of the film. [46] [47] [48] The academic-oriented international law blog Opinio Juris noted that the UN is portrayed "as a body that is able to enforce such a treaty which requires monitoring, arrests, detention, and prosecution of individuals", and where the UN is seen as "an all-encompassing executive-legislative- and law-enforcement-body – an international world government." [49] In Black Panther (2018), the post-credits scene has the protagonist deliver a speech to the UN in Vienna in his quality of king of Wakanda, to announce the opening of his secretive nation to the world. [50] [51]

Television

Documentaries

Documentaries about the United Nations have documented the work of individuals within the organization, the peacekeeping activities of the United Nations, or ridicule the organization. The New Zealand documentary My Year with Helen (2017) follows the unsuccessful bid of Helen Clark to become the first female UN secretary-general. [52] [53] Marcel Schüpbach's Carla's List (2006) similarly documents the work of female prosecutor Carla Del Ponte in bringing to justice individuals involved in war crimes and crimes against humanity in former Yugoslavia. [54]

Paul Cowan's documentary The Peacekeepers (2006) examines UN peacekeeping in the Democratic Republic of the Congo, whereas the documentary It Stays with You: Use of Force by UN Peacekeepers in Haiti (2017) by Cahal McLaughlin and Siobhán Wills investigates civilian deaths at the hands of UN peacekeepers in Cité Soleil, Haiti, between 2004 and 2007. [55] The documentary U.N. Me (2009) offers a critique of the United Nations through the travels of its filmmakers, who seek to expose the organization's shortcomings and scandals. [56] [57] [58]

TV shows

As in films, peacekeepers play a sizeable role in depicting the United Nations in TV shows. In the miniseries Amerika (1987), the Soviet Union takes over the United States through Soviet-controlled United Nations peacekeepers. [59] Before the show aired, UN secretary-general Javier Pérez de Cuéllar and other UN officials complained to ABC about the representation of UN peacekeepers and the use of UN emblems. The showrunners argued that it was not a contemporary representation of the UN, but one of a co-opted UN ten years in the future. [60] UN officials later criticized the depiction of the UN as "murderers, rapists, and arsonists" and hired external legal counsel to issue seven requests for additions or removals, but ultimately decided not to take legal action to impede the airing of Amerika. [61] [62] The British series Warriors (1999), directed by Peter Kosminsky, is similarly centered on peacekeepers, as it follows the British peacekeeping efforts in Bosnia of the early 1990s. In Warriors, the UN is portrayed as monolithic, dedicated to neutrality, and not deviating from the peacekeeping mission's rules of engagement. [63] Kosminsky told reporters he desired to start a debate about the responsibilities of peacekeeping, given that, in Kosminsky's opinion, British peacekeepers in Bosnia were limited to protecting humanitarian relief, and were not meant to interfere in the fighting. [64] United Nations peacekeeping is also explored from the point of view of international criminal justice in Black Earth Rising (2018); in particular, the shortcomings of the UN peacekeeping mission in Rwanda are a subject of scrutiny. [65] [66]

The organs of the United Nations are also central to some TV show plots. In the American TV show The West Wing (1999–2006), the United States, where the protagonists hail from, is confronted with an impending genocide in the fictional African state of Kundu. Canadian legal scholar Amar Khoday, noting the absence of the UN Security Council in the series, wrote that "[t]he U.N., embodied by the General Assembly, is reduced to a quivering mass of indecision and effete inaction in the face of a genocide leaving the United States as the only viable entity to respond." [67] The UN secretary-general is also represented as a powerless, begging figure. [68] In the face of worldwide gridlock and impotence, the US decides to intervene unilaterally. [69] In a similar inclusion of the UN in its plot, the third season of the American political drama House of Cards (2013–2018) prominently features a plan brought forward by US President Frank Underwood to the Security Council to bring peace to the Israeli–Palestinian conflict through the deployment of a UN peacekeeping mission in the Jordan Valley. [70] The plan is opposed by Russia at the Security Council, so Underwood decides to push the issue through the General Assembly instead. The circumvention of the Security Council, the representation of the role of the UN secretary-general (who is implied to be in control of the peacekeeping operation), of African leadership in UN peacekeeping missions, and of the influence wielded by the US ambassador to the UN were criticized as inaccurate. [71] During filming, Russia also denied a request to shoot inside Security Council chambers. [72] [73] [74]

Animation

In the Japanese mecha anime series Mobile Suit Gundam Wing (1995–1996), Macross (1982–1986), and Neon Genesis Evangelion (1995–1996), the United Nations plays an important role, being depicted "either as government or supreme commander of powerful armies". [75] In The Animatrix anime, following their planned destruction at the hands of world governments, the machines found a new state in the Middle East called Zero One, and apply for UN membership, which the Security Council soundly rejects. Following a war that sees the machines triumph over humanity, the machines detonate a nuclear weapon at the UN headquarters, wiping out humanity's dignitaries gathered to sign a peace accord with the machines. [76]

Throughout the superhero cartoon series Young Justice (2010–2022), the Justice League is forced to deal with UN sanctions and the struggle for influence over the United Nations. [77] The Justice League is also hindered by the election of nemesis Lex Luthor to the position of UN secretary-general. [78] [79]

Literature

Novels

Science fiction

Science fiction novels have represented the United Nations in various forms, although this was not always the case. In 1971, for example, an American academic writing in the International Organization journal lamented that the UN and other international organizations were largely missing from science fiction, opining that it was "perhaps more from the authors' unfamiliarity with the nature and operation of such groups" than future conceptions of the UN. [80] This analysis stands in contrast with the one of legal academic Nabil Hajjami, who wrote in 2019 that the UN has been, for half a century, a subject of fascination and of a plurality of representations by writers. [81]

According to Hajjami, representations of the UN in sci-fi literature range from the "most cynical ultra-realism to the most committed idealism". [82] Among the idealist interpretations, Charles Stross' Singularity Sky (2003) describes the UN as "the sole remaining island of concrete stability in a sea of pocket polities". [82] In Kim Stanley Robinson's Blue Mars (1996), following the catastrophic rise of sea levels due to volcanic eruptions, the United Nations "rose like some aquatic phoenix out of the chaos", spearheading and coordinating the planet's emergency efforts. [82] In Liu Cixin's The Dark Forest , the discovery of an antagonistic and belligerent alien species offers humanity the chance to band together under a unity government headed by the United Nations, with the UN progressively taking more responsibility from national governments. [83]

According to Hajjami, several authors of the idealist wave also see the United Nations as a tool through which humankind's material and moral resources are pooled. This is the case of one of the characters of the Isaac Asimov short story Shah Guido G , who marvels at the "extraordinary miracle" that must have been witnessed by the people of the Earth when the United Nations became a world government. Similarly, in Robinson's Red Mars , one of the leaders of the expedition on Mars recalls his counterparts to their duty, stating that their will is dictated by the United Nations, which represents 10 billion people, versus the ten thousand they represent. The United Nations and international law are "how humanity in general wants to treat this planet at this time". [84] United Nations legislation also transcends spatial distance: in Stanisław Lem's Solaris (1961), a distant planet is aware that a UN convention has banned the use of X-rays. [85] Unsurprisingly, extraterrestrials often expect to interact with the United Nations as the supreme, unified, and legitimate polity of humanity, and are often confused about the degree of disunity and decentralization under its banner. This is the case in Stross' Singularity Sky and Bernard Werber's Third Humanity. [86]

Realist interpretations depict the United Nations as the structure of an oppressive universalism, oftentimes the foundation for pervasive social and economic control, and the UN is defined as "alienating, oppressive and militaristic". [87] In Joe Haldeman's The Forever War , the UN owns forty to fifty information channels, tightly regulates the world's food supply, and automatically manages worldwide social insurance from Geneva. In James S. A. Corey's Leviathan Wakes , the world currency has become the UN dollar, and the organization overcharges for postage stamps headed to the Moon to restrict communication with what it believes is an anarchist haven. [88] In other science fiction worlds, the UN rules in "authentic totalitarianism": in Pierre Bordage's sci-fi novel Les Dames Blanches, the UN adopts a law to kill newborns, and urges its states to implement capital punishment against possible contraventions. In Larry Niven's Ringworld , the United Nations has established a fertilization committee, whose scope is to determine who can become parent and how many children couples are allowed to have. Finally, in Maurice G. Dantec's Satellite Sisters , the "UN 2.0" has become an intrusive totalitarian regime regulating every aspect of the life of individuals. [88]

A second realist depiction of a futuristic United Nations is the organization's capture by multinationals and conglomerates. This is the case in Robinson's Red Mars, where multinationals instrumentalize and puppeteer the United Nations, and in Alastair Reynolds's Janus, where powerful firms are given seats on the Security Council of the organization that succeeds the United Nations, in parallel to China's exclusion. [87]

As an entity, the United Nations is depicted either as a superstate with humanity as its population (Philip K. Dick, The Three Stigmata of Palmer Eldritch ; Cixin's Dark Forest; Werber's Third Humanity), or as a simple coordination body (Bordage's Les Dames Blanches: Cixin's Dark Forest; Stross' Singularity Sky). The latter depiction is often coupled with the organization being "only a tool at the service of state interests" and weak (René Barjavel's The Ice People ; Robinson's Red Mars; Ben Bova's Millennium ). [89]

The UN's prominent organs and personalities are portrayed in science fiction novels. The General Assembly is in some novels a true legislative entity with a universal mandate, at times capable of raising armies. In Haldeman's Forever War, for example, an elite military corps is raised by the General Assembly. In others, such as in Arthur C. Clarke's Rendezvous with Rama and Barjavel's The Ice People, the General Assembly is a chaotic, ineffective performative chamber. The architecture of the Assembly also leaves characters divided, serving as admirative for some and disenchanting for other. [90] The figure of the secretary-general also receives several representations: sometimes as the antagonist, such as in Isaac Asimov's Shah Guido G , where the figure of the secretary-general is dictatorial and hereditary, and sometimes mistaken as the representative of humanity by aliens, such as in Arthur C. Clarke's Summertime on Icarus . More often than not, the secretary-general mirrors the real world, in that they are represented as a political figure with a nationality, ranging from the idealist to the cynic. [91]

Finally, science fiction depictions of the United Nations generally depict it as a bureaucratic or corrupt institution and underline its legal formalism. Dick, Barjavel and Dantec describe the organization as a bureaucracy. In other novels, it creates subsidiary institutions, task forces and agencies, each with its acronyms, as soon as it faces new challenges. [92] In Dick, Bordage and Dantec's works, UN officials engage in acts of corruption, and in Haldeman's Forever War, the only way to make the organization incorruptible would be to automate it, depriving it of its humanity. [93] Finally, the legal formalism that workers of the United Nations engage in can be found in Robert Heinlein's The Moon Is a Harsh Mistress (1966), as well as in the novels of Dick, Stross, and Clarke. [94]

Other

Beyond science fiction, other representations of the UN have also been seen in written fiction. In Albert Cohen's Her Lover (2005), the protagonist works for the League of Nations, the predecessor of the United Nations. [95] [96] Romain Gary's L'Homme à la Colombe (1958), written under a pseudonym while its author was working for the French delegation to the United Nations, offers a fictional critique of the organization. [97] More recently, Mischa Berlinski's Peacekeeping: A Novel (2016) offers, through fiction, insights into the work of UN peacekeepers (and of the organization at large) in Haiti around the time of the 2010 Haiti earthquake. [98]

Comic books

The United Nations is also a subject of a variety of portrayals in printed comics. T.H.U.N.D.E.R. Agents superheroes, for example, derive their acronym from "The Higher United Nations Defense Enforcement Reserves". In the comic book series Irredeemable (2009–2012), the United Nations collectively submits to the Plutonian, a superhero turned villain. [99] When a UN delegate from Singapore offends the Plutonian, the latter sinks the city-state into the ocean. [100] In the Marvel universe, Iron Man is seen giving a speech at the United Nations; later, the UN disavows the Avengers' charter. [101]

Video games

In the first-person shooter Call of Duty franchise, the United Nations appears several times. In Call of Duty: Advanced Warfare (2014), antagonist Jonathan Irons, leader of the world's largest private military company, is granted a seat at the UN Security Council. [102] [103] In a speech to the UN, he declares the organization obsolete due to the world having delegated its problems to him. [104] In Call of Duty: Infinite Warfare (2016), the Earth's nations have coalesced to create the United Nations Space Alliance. [105] A similar futuristic organization appears in Deus Ex (2000), where protagonist J.C. Denton works for the fictional United Nations Anti-Terrorist Coalition (UNATCO), a militant police force prominently featured throughout the game. [106]

The government simulation browser game NationStates (2002–), which allows players to decide the political leaning of their countries, featured until 2008 a virtual United Nations body where player nations could approve global legislation. The in-game United Nations was rebranded to the World Assembly after the United Nations sent a cease and desist notification to the game's creator. [107]

In the turn-based strategy 4X game series Sid Meier's Civilization, the United Nations is a tool any player can wield as a means to keep peace in the world or achieve a Diplomatic victory. In the 5th entry of the series Sid Meier's Civilization V , the United Nations is an evolution of the world congress that begins to meet to discuss world issues after players have advanced far enough in the game. It can be used to discourage certain actions, such as production of nuclear weapons. In addition it can be used to establish a world leader, leading to a Diplomatic victory.

Music

The punk band United Nations, formed in 2005, received several cease and desist letters from the United Nations organization and was sued for using the same name. While the lawsuit did not achieve its goals, the band's Facebook page was shut down, its publicist resigned, and its label stopped printing the band's first album. The band later released a second album, featuring the organization's cease and desist letters on its cover. [108]

Related Research Articles

<span class="mw-page-title-main">United Nations</span> Intergovernmental self-regulatory body

The United Nations (UN) is a diplomatic and political international organization with the intended purpose of maintaining international peace and security, developing friendly relations among nations, achieving international cooperation, and serving as a center for coordinating the actions of member nations. It is widely recognised as the world's largest international organization. The UN is headquartered in New York City, in international territory with certain privileges extraterritorial to the United States, and the UN has other offices in Geneva, Nairobi, Vienna, and The Hague, where the International Court of Justice is headquartered at the Peace Palace.

<span class="mw-page-title-main">United Nations Security Council</span> One of the six principal organs of the UN

The United Nations Security Council (UNSC) is one of the six principal organs of the United Nations (UN) and is charged with ensuring international peace and security, recommending the admission of new UN members to the General Assembly, and approving any changes to the UN Charter. Its powers as outlined in the United Nations Charter include establishing peacekeeping operations, enacting international sanctions, and authorizing military action. The UNSC is the only UN body with authority to issue resolutions that are binding on member states.

<span class="mw-page-title-main">Peacekeeping</span> Activities intended to create conditions that favour lasting peace

Peacekeeping comprises activities, especially military ones, intended to create conditions that favor lasting peace. Research generally finds that peacekeeping reduces civilian and battlefield deaths, as well as reduces the risk of renewed warfare.

<span class="mw-page-title-main">Boutros Boutros-Ghali</span> Secretary-General of the UN from 1992 to 1996

Boutros Boutros-Ghali was an Egyptian politician and diplomat who served as the sixth Secretary-General of the United Nations from 1992 to 1996. Prior to his appointment as secretary-general, Boutros-Ghali was the acting Minister of Foreign Affairs of Egypt between 1977 and 1979. He oversaw the United Nations over a period coinciding with several world crises, including the breakup of Yugoslavia and the Rwandan genocide.

<span class="mw-page-title-main">Roméo Dallaire</span> Canadian retired general and politician (b. 1946)

Roméo Antonius Dallaire is a retired Canadian politician and military officer who was a senator from Quebec from 2005 to 2014, and a lieutenant-general in the Canadian Armed Forces. He notably was the force commander of UNAMIR, the ill-fated United Nations peacekeeping force for Rwanda between 1993 and 1994, and for trying to stop the genocide that was being waged by Hutu extremists against Tutsis. Dallaire is a Senior Fellow at the Montreal Institute for Genocide and Human Rights Studies (MIGS) and co-director of the MIGS Will to Intervene Project.

<span class="mw-page-title-main">Opération Turquoise</span> 1994 French-led military operation in Rwanda

Opération Turquoise was a French-led military operation in Rwanda in 1994 under the mandate of the United Nations. The "multilateral" force consisted of 2,500 troops, 32 from Senegal and the rest French. The equipment included 100 APCs, 10 helicopters, a battery of 120 mm mortars, 4 Jaguar fighter bombers, 8 Mirage fighters, and reconnaissance aircraft. The helicopters laid a trail of food, water and medicine enabling refugees to escape into eastern Zaire. Opération Turquoise is controversial for at least two reasons: accusations that it was an attempt to prop up the genocidal Hutu regime, and that its mandate undermined the UNAMIR. By facilitating 2 million Rwandan refugees to travel to Kivu provinces in Zaire, Turquoise setup the causes of the First Congo War.

<span class="mw-page-title-main">International response to the Rwandan genocide</span>

The failure of the international community to effectively respond to the Rwandan genocide of 1994 has been the subject of significant criticism. During a period of around 100 days, between 7 April and 15 July, an estimated 500,000-1,100,000 Rwandans, mostly Tutsi and moderate Hutu, were murdered by Interahamwe militias.

The responsibility to protect is a global political commitment which was endorsed by the United Nations General Assembly at the 2005 World Summit in order to address its four key concerns to prevent genocide, war crimes, ethnic cleansing and crimes against humanity. The doctrine is regarded as a unanimous and well-established international norm over the past two decades.

<span class="mw-page-title-main">International response to the War in Darfur</span>

While there is a consensus in the international community that ethnic groups have been targeted in Darfur and that crimes against humanity have therefore occurred, there has been debate in some quarters about whether genocide has taken place there. In May 2006, the International Commission of Inquiry on Darfur organized by United Nations "concluded that the Government of the Sudan has not pursued a policy of genocide ... [though] international offences such as the crimes against humanity and war crimes that have been committed in Darfur may be more serious and heinous than genocide." Eric Reeves, a researcher and frequent commentator on Darfur, has questioned the methodology of the commission's report.

The United Nations Peacekeeping efforts began in 1948. Its first activity was in the Middle East to observe and maintain the ceasefire during the 1948 Arab–Israeli War. Since then, United Nations peacekeepers have taken part in a total of 72 missions around the globe, 12 of which continue today. The peacekeeping force as a whole received the Nobel Peace Prize in 1988.

<span class="mw-page-title-main">Walter Dorn</span> Canadian professor and defence specialist (b. 1961)

Walter Dorn is a Canadian military historian and defence specialist. Dorn teaches military officers and civilian students at the Canadian Forces College (CFC) in Toronto and also at the Royal Military College of Canada (RMC) in Kingston. He lectures and leads seminars on the ethics of armed force, peace operations, the United Nations, arms control, Canadian and US foreign/defence policy, Canadian government and society, and science/technology applications. He serves as chair of the Department of Security and International Affairs at CFC and previously was chair of the Master of Defence Studies programme at RMC.

Peacekeeping by the United Nations is a role of the UN's Department of Peace Operations as an "instrument developed by the organization as a way to help countries torn by conflict to create the conditions for lasting peace". It is distinguished from peacebuilding, peacemaking, and peace enforcement although the United Nations does acknowledge that all activities are "mutually reinforcing" and that overlap between them is frequent in practice.

<span class="mw-page-title-main">Zachary D. Kaufman</span> American legal academic (born 1979)

Zachary Daniel Coleman Kaufman is a law professor, political scientist, author, and social entrepreneur. He is currently associate professor of Law and Political Science at the University of Houston Law Center, where he teaches Criminal Law, International Law, and International and Transitional Justice. He also holds appointments at the university's Department of Political Science, Hobby School of Public Affairs, and Elizabeth D. Rockwell Center on Ethics and Leadership. Kaufman specializes in criminal law, international law, international and transitional justice, international courts and tribunals, human rights, atrocity crimes, atrocity prevention and response, legislation, bystanders and upstanders, U.S. foreign policy and national security, the United Nations, social entrepreneurship, and Africa.

<i>The Peacekeepers</i> (film) 2005 Canadian film

The Peacekeepers is a 2005 documentary film directed by Paul Cowan, following the United Nations mission in the Democratic Republic of the Congo in the Democratic Republic of Congo between 2002 and 2004. The film portrays the attempts of UN Peacekeepers to avert a crisis similar to Rwanda in 1994. The film mixes footage from the actual conflict with that of UN officials behind the lines, to give a comprehensive portrayal of the conflict.

<span class="mw-page-title-main">Pearson Centre</span>

Established in 1994 by the Government of Canada as the Lester B. Pearson Canadian International Peacekeeping Training Centre was an independent, not-for-profit organization with its office based in Ottawa, Ontario, Canada. Its mandate was to support Canada's contribution to international peace and security. Operations ceased and the Centre closed around 2011. The property was sold by the government of Canada to a private individual in November 2013.

<span class="mw-page-title-main">United Nations Force Intervention Brigade</span> Military unit

The United Nations Force Intervention Brigade (FIB) is a military formation which constitutes part of the United Nations Organization Stabilization Mission in the Democratic Republic of the Congo (MONUSCO). It was authorized by the United Nations Security Council on 28 March 2013 through Resolution 2098. Although it is not the first instance in which the use of force was authorized by the UN, the Force Intervention Brigade is the first UN peacekeeping operation specifically tasked to carry out targeted offensive operations to "neutralize and disarm" groups considered a threat to state authority and civilian security. In this case, the main target was the M23 militia group, as well as other Congolese and foreign rebel groups. While such operations do not require the support of the Armed Forces of the Democratic Republic of the Congo (FARDC), the Force Intervention Brigade often acts in unison with the FARDC to disarm rebel groups.

<span class="mw-page-title-main">Canadian peacekeeping</span>

Canada has served in over 50 peacekeeping missions, including every United Nations (UN) peacekeeping effort from its inception until 1989. More than 125,000 Canadians have served in international peacekeeping operations, with approximately 130 Canadians having died during these operations. Canada's strong support for multilateralism and internationalism has been closely related to its peacekeeping efforts.

<span class="mw-page-title-main">MINUSCA</span> United Nations Multidimensional Integrated Stabilization Mission in the Central African Republic

United Nations Multidimensional Integrated Stabilization Mission in the Central African Republic is a UN peacekeeping mission, which started on April 10, 2014, to protect Central African Republic civilians under Chapter VII of the UN Charter. It transformed the 6,000-strong African Union-led peacekeeping force known as MISCA into a UN peacekeeping mission and became operational on September 15, 2014. The UN deployed a transition team to set up MINUSCA and prepare for a seamless transition of authority from MISCA to MINUSCA. As of 30 September 2021, it has more than 15,000 troops, police and civilian personnel on the ground. Its role is to:

<span class="mw-page-title-main">Darfur genocide</span> 2003–2005 violence against Darfuris in Sudan

The Darfur genocide was the systematic killing of ethnic Darfuri people during the War in Darfur. The genocide, which was carried out against the Fur, Masalit and Zaghawa ethnic groups, led the International Criminal Court (ICC) to indict several people for crimes against humanity, rape, forced transfer and torture. An estimated 200,000 people were killed between 2003 and 2005.

References

  1. Sluga, Glenda (2020). "Hollywood, the United Nations, and the long history of film communicating internationalism". In Brendebach, Jonas; Herzer, Martin; Tworek, Heidi (eds.). International Organizations and the Media in the Nineteenth and Twentieth Centuries: Exorbitant Expectations. p. 142. ISBN   9780367592509.
  2. Ecker-Ehrhardt, Matthias (2023-11-27). "Building bridges or digging the trench? International organizations, social media, and polarized fragmentation". The Review of International Organizations: 4. doi: 10.1007/s11558-023-09517-0 . ISSN   1559-744X.
  3. United Nations General Assembly. "UNGA Resolution 13 (I)". undocs.org. A/RES/13(I). United Nations. Retrieved 2022-01-27.
  4. Sluga 2020, p. 146.
  5. 1 2 3 4 Sluga 2020, p. 147.
  6. 1 2 Sluga 2020, p. 148.
  7. Frayne, John P. (1975). "North by Northwest". Journal of Aesthetic Education. 9 (2). University of Illinois Press: 88. doi:10.2307/3331736. JSTOR   3331736 via JSTOR.
  8. "Anatomy of a Classic: Alfred Hitchcock's fearless film-making". www.bbc.com. Retrieved 2022-01-27.
  9. Coleman, Herbert (2007). The Man Who Knew Hitchcock: A Hollywood Memoir. Scarecrow Press. p. 283.
  10. Sluga 2020, pp. 149–150
  11. "Xerox Is a Birch Target For U.N. Television Series". The New York Times. 1964-08-21. ISSN   0362-4331 . Retrieved 2022-09-27.
  12. Shayon, Robert Lewis (October 3, 1964). "On the Birchback Curtain". The Saturday Review. p. 29.
  13. "U.N‐SHOW POLICY IS SET BY N.B.C.‐TV; Network Reminds Sponsors to Omit Appeals". The New York Times. 1964-04-11. ISSN   0362-4331 . Retrieved 2022-09-28.
  14. Luther, Claudia (2014-06-25). "Eli Wallach dies at 98; actor best known for two classic westerns". The Wichita Eagle. Retrieved 12 October 2022.
  15. Kirkley, Donald (1966-04-17). "22 'Stars' in the 'Poppy' Cast". The Baltimore Sun . Baltimore, Maryland. p. TV3.
  16. Capua, Michelangelo (2006). Yul Brynner: A Biography. Jefferson, North Carolina: McFarland & Company. p. 116. ISBN   978-0-7864-2461-0.
  17. "Batman (1966) is a Postmodern Masterpiece". Den of Geek. 2017-03-06. Retrieved 2022-01-28.
  18. "Superman takes on world peace. After four films, what can he do for a further encore?". Christian Science Monitor. 1987-09-02. ISSN   0882-7729 . Retrieved 2022-01-27.
  19. von Einsiedel, Sebastian; Malone, David M.; Stagno Ugarte, Bruno (2016). The UN Security Council in the twenty-first century. Boulder, Colorado: Lynne Rienner Publishers. pp. 28–29. ISBN   978-1-62637-526-0. OCLC   1154612365. From 1946 through 2014, the Security Council adopted a total of 2,195 resolutions, 646 before 1989 and 1,549 since 1990, reflecting the explosion of Council activity in the post-Cold War era.
  20. Paris, Roland (2018), Weiss, Thomas G.; Daws, Sam (eds.), "Peacebuilding", The Oxford Handbook on the United Nations, Oxford University Press, pp. 478–504, doi:10.1093/oxfordhb/9780198803164.013.46, ISBN   978-0-19-880316-4 , retrieved 2022-10-26, At the end of the Cold War, the United Nations was called upon to oversee the implementation of peace agreements in several countries that were just emerging from civil conflicts. These operations were the first wave of the UN's main security activity in the post-Cold War era: helping war-torn states transition from civil violence to durable peace or post-conflict 'peacebuilding.' While not entirely new—the UN had played a similar role in the Congo in the early 1960s—the post-Cold War burst of peacebuilding operations was unprecedented. Never before had so many international actors been involved in such complex rehabilitation missions in so many troubled states.
  21. 1 2 Thomson, Patricia (May 2005). "The Interpreter, an urban thriller photographed by Darius Khondji, ASC, AFC, becomes the first feature production to shoot in United Nations headquarters". American Cinematographer. Retrieved 2022-01-28.
  22. "Annan works on film script". UPI. May 7, 2005. Retrieved 2022-01-28.
  23. Travers, Peter (2005-04-22). "The Interpreter". Rolling Stone. Retrieved 2022-01-28.
  24. McCarthy, Todd (2005-03-31). "The Interpreter". Variety. Retrieved 2022-01-28.
  25. Scott, A. O. (2005-04-22). "Her Mission: Save the World Without Offending Anyone". The New York Times. ISSN   0362-4331 . Retrieved 2022-01-28.
  26. James, Caryn (2005-04-28). "A Thriller Stars the U.N., as Itself". The New York Times. ISSN   0362-4331 . Retrieved 2022-01-28.
  27. Lane, Anthony (April 17, 2005). "In Translation". The New Yorker. Retrieved 24 December 2021.
  28. Edelstein, David (April 21, 2005). "Lost in Translation". Slate. Retrieved 24 December 2021.
  29. Sur, Serge (2021). "The UN Charter in action movies". Cinematic perspectives on international law. Olivier Corten, François Dubuisson, Martyna Fałkowska-Clarys. Manchester [UK]: Manchester University Press. ISBN   978-1-5261-4992-3. OCLC   1246283650.
  30. Lagerwall, Anne (2021). "Is cinema the handmaid of international criminal justice?". Cinematic perspectives on international law. Olivier Corten, François Dubuisson, Martyna Fałkowska-Clarys. Manchester [UK]: Manchester University Press. p. 125. ISBN   978-1-5261-4992-3. OCLC   1246283650.
  31. "'The Dictator' Star Says UN Banned Him To Protect Dictators". Radio Free Europe/Radio Liberty. 21 May 2012. Retrieved 2022-01-28.
  32. "The Dictator". United Nations . Retrieved 2022-10-26.
  33. Crossette, Barbara (1999-11-16). "U.N. Details Its Failure to Stop '95 Bosnia Massacre". The New York Times. ISSN   0362-4331 . Retrieved 2022-10-13.
  34. Dorn, A. Walter; Matloff, Jonathan (2000-08-01). "Preventing the Bloodbath: Could the UN have Predicted and Prevented the Rwandan Genocide?". Journal of Conflict Studies: 27. ISSN   1715-5673. It is widely accepted that the United Nations could have taken steps soon after the genocide began to prevent much of the senseless mass killing that followed.
  35. "Rwanda genocide: UN ashamed, says Ban Ki-moon". BBC News. 2014-04-07. Retrieved 2022-10-13.
  36. Holden, Stephen (2001-12-07). "FILM REVIEW; In the End, It's About Who Has The Gun". The New York Times. ISSN   0362-4331 . Retrieved 2022-02-01.
  37. "Ethics on Film: Discussion of "Hotel Rwanda"". www.carnegiecouncil.org. July 14, 2008. Retrieved 2022-01-28.
  38. Woodside, Duncan (6 April 2006). "Shooting Dogs: Rwanda's genocide through European eyes". openDemocracy. Retrieved 2022-01-28.
  39. Douin, Jean-Luc (2006-03-07). ""Shooting Dogs" : une fiction au plus près du réel, dans l'enfer du génocide rwandais". Le Monde.fr (in French). Retrieved 2022-01-28.
  40. Holden, Stephen (2010-11-12). "A New Look at the Horrors in Rwanda". The New York Times. ISSN   0362-4331 . Retrieved 2022-01-28.
  41. Fenlon, Joshua (2013-05-13). "Shake Hands with the Devil: The Journey of Romeo Dallaire". E-International Relations. Retrieved 2022-02-01.
  42. Maass, Peter (2021-03-27). "Oscars Face Stark Choice Over War Movie "Quo Vadis, Aida?"". The Intercept. Retrieved 2022-01-28.
  43. "The True Story of the Heroic Battle That Inspired the New Netflix Film The Siege of Jadotville". Time. Retrieved 2022-01-28.
  44. Hove, Dali ten (2020-04-16). "Sergio, Legendary UN Troubleshooter, Gets His Own Hollywood Biopic". PassBlue. Retrieved 2022-01-28.
  45. O'Roark, Brian; Salkowitz, Rob (2018-07-11). Superheroes and Economics: The Shadowy World of Capes, Masks and Invisible Hands. Routledge. ISBN   978-1-351-25814-2.
  46. "The Avengers should agree to be placed under UN supervision". The Economist. 2016-05-10. ISSN   0013-0613 . Retrieved 2022-01-28.
  47. Slattery, Ashley Miller, Rachel (2016-05-16). "The Sokovia Accords wouldn't work: "Captain America: Civil War," the United Nations and war in the 21st century". Salon. Retrieved 2022-01-28.{{cite web}}: CS1 maint: multiple names: authors list (link)
  48. Klein, Ezra (2016-05-18). "The un-American Captain America". Vox. Retrieved 2022-01-28.
  49. "International Law and Popular Culture Symposium: The Sokovia Accords and Popular Culture's Effect on Perceptions of International Law". Opinio Juris. 2021-10-29. Retrieved 2022-01-28.
  50. Han, Angie (2018-02-16). "What the end credits scenes for 'Black Panther' mean". Mashable. Retrieved 2022-01-28.
  51. Beauchamp, Zack (2018-02-27). "What Black Panther can teach us about international relations". Vox. Retrieved 2022-01-28.
  52. "My Year With Helen: A fascinating fly-on-the-wall expose of the UN". Stuff. 2017-08-29. Retrieved 2022-02-01.
  53. "Movie Review: My Year with Helen". NZ Herald. Retrieved 2022-02-01.
  54. "Human Rights Watch International Film Festival 2007". Slant Magazine. 14 June 2007.
  55. Wills, Siobhán (2018). "It Stays with You: Use of Force by UN Peacekeepers in Haiti. A Commentary on the Film". Irish Studies in International Affairs. 29 (1): 227–235. doi:10.1353/isia.2018.0007. ISSN   2009-0072. S2CID   245848535.
  56. Genzlinger, Neil (2012-06-01). "Eleanor Roosevelt Would Be Appalled". The New York Times. ISSN   0362-4331 . Retrieved 2022-02-07.
  57. Harris, Ben (31 May 2012). "Inspired by Michael Moore, pro-Israel filmmaker releases Borat-style attack on UN". www.timesofisrael.com. Retrieved 2022-02-07.
  58. T. H. R. Staff (2012-05-31). "U.N. Me: Film Review". The Hollywood Reporter. Retrieved 2022-02-07.
  59. Scher, Bill. "The 1987 TV Miniseries That Predicted a Russian Takeover of America". POLITICO Magazine. Retrieved 2022-02-07.
  60. Sharbutt, Jay (1986-10-17). "ABC DEFENDS 'AMERIKA' MINISERIES". Los Angeles Times. Retrieved 2022-02-07.
  61. Sciolino, Elaine (1987-01-19). "U.N. NEGOTIATING FOR CHANGES IN ABC'S 'AMERIKA'". The New York Times. ISSN   0362-4331 . Retrieved 2022-02-07.
  62. "U.N. Won't Ask Court To Bar ABC's 'Amerika'". The New York Times. 1987-01-31. ISSN   0362-4331 . Retrieved 2022-02-07.
  63. McVeigh, Stephen; Cooper, Nicola (2013). Men After War. Routledge. pp. 173–176. ISBN   978-0-415-82565-8.
  64. Norton-Taylor, Richard (1999-11-20). "TV drama comes under fire from army". The Guardian. Retrieved 2022-02-05.
  65. Nicholson, Rebecca (2018-09-10). "Black Earth Rising review – Michaela Coel shines in this rich, demanding drama". the Guardian. Retrieved 2022-02-07.
  66. Chavez, Dannette. "Black Earth Rising is better reckoning with geopolitics than survivor's remorse". The A.V. Club. Retrieved 2022-02-01.
  67. Khoday, Amar (2009-12-02). "Prime-Time Saviors: The West Wing and the Cultivation of a Unilateral American Responsibility to Protect". Southern California Interdisciplinary Law Journal. 19:1. Rochester, NY: 40. SSRN   1332208.
  68. Khoday 2009, pp. 41, 47.
  69. Corten, Olivier (2016). "Chapter 29. À la Maison-Blanche: le président des États-Unis se soucie-t-il du droit international lorsqu'il décide d'une intervention militaire?". International Law and … : Select Proceedings of the European Society of International Law (in French). Hart Publishing. pp. 503–516. doi:10.5040/9781509908165. ISBN   978-1-5099-0813-4.
  70. Arnaud (2015-10-21). "House of Cards (Season 3): International Law and American Power - A review by Jed Odermatt". Centre de droit international (in French). Retrieved 2022-01-28.
  71. Chester, Penelope (2015-03-06). "4 Ways "House Of Cards" Gets the UN Wrong". UN Dispatch. Retrieved 2022-01-28.
  72. Silman, Anna. "Russia Won't Let House of Cards Film in the U.N. Security Council Chamber". Vulture. Retrieved 2022-01-28.
  73. Idato, Michael (2014-07-02). "Russia vetoes House of Cards from filming at the United Nations' Security Council chamber". The Sydney Morning Herald. Retrieved 2022-01-28.
  74. Chandler, Adam (2014-07-02). "Russia Best Rethink Letting 'House of Cards' Film at the United Nations". The Atlantic. Retrieved 2022-01-28.
  75. Benatar, Marco (2021). "International law, guardian of the galaxy?". Cinematic perspectives on international law. Olivier Corten, François Dubuisson, Martyna Fałkowska-Clarys. Manchester, UK: Manchester University Press. p. 25. ISBN   978-1-5261-4992-3. OCLC   1246283650.
  76. Benatar 2021, pp. 33–34.
  77. Radulovic, Petrana (2019-08-28). "Young Justice: Outsiders was never going to live up to fan expectations — but it sure as heck tries to". Polygon. Retrieved 2022-02-05.
  78. Nelson, Samantha (2019-01-03). "The new Young Justice has grown up alongside its heroes". The Verge. Retrieved 2022-02-05.
  79. Radulovic, Petrana (2019-01-07). "The return of Young Justice: Outsiders reveals a darker arc for favorite characters". Polygon. Retrieved 2022-10-15.
  80. Livingston, Dennis (1971). "Science Fiction Models of Future World Order Systems". International Organization. 25 (2): 254–270. doi:10.1017/S002081830001763X. ISSN   0020-8183. JSTOR   2706086. S2CID   154227945.
  81. Hajjami, Nabil (September 2019). "Images et représentations de l'Organisation des Nations Unies dans la littérature de Science-fiction" [Images and representations of the United Nations in science fiction literature]. E-legal, Revue de droit et de criminologie de l'ULB (in French). 2: 5.
  82. 1 2 3 Hajjami 2019, p. 5.
  83. Hajjami 2019, pp. 5–6.
  84. Hajjami 2019, pp. 6–7.
  85. Hajjami 2019, p. 7.
  86. Hajjami 2019, pp. 7–8.
  87. 1 2 Hajjami 2019, p. 9.
  88. 1 2 Hajjami 2019, pp. 8–9.
  89. Hajjami 2019, p. 10-11.
  90. Hajjami 2019, pp. 12–13.
  91. Hajjami 2019, pp. 13–16.
  92. Hajjami 2019, pp. 17–18.
  93. Hajjami 2019, pp. 18–20.
  94. Hajjami 2019, pp. 20–23.
  95. Courtivron, Isabelle de (1996-08-25). "The Last Seduction". The New York Times. ISSN   0362-4331 . Retrieved 2022-02-01.
  96. Weightman, John. "The Book of Cohen". New York Review of Books. ISSN   0028-7504 . Retrieved 2022-02-01.
  97. Schoolcraft, Ralph (2002-03-04). Romain Gary: The Man Who Sold His Shadow. University of Pennsylvania Press. p. 61. ISBN   978-0-8122-3646-0.
  98. Wood, James (2016-03-14). "Imagining Haiti's Inner Life". The New Yorker. Retrieved 2022-02-01.
  99. Curtis, Neal (2015-12-01). Sovereignty and superheroes. Manchester University Press. ISBN   978-1-78499-638-3.
  100. "'Irredeemable' — a comic in which a fallen superhero sinks Singapore — gets big screen adaptation". Coconuts Singapore. May 16, 2016. Retrieved 2022-02-07.
  101. Wiacek, Stephen; DK; Lee, Stan; Bray, Adam (2019-04-04). Marvel Encyclopedia New Edition. Dorling Kindersley Limited. p. 34. ISBN   978-0-241-43819-0.
  102. Suellentrop, Chris (2014-10-31). "Casting the Single-Player Movie Star". The New York Times. ISSN   0362-4331 . Retrieved 2022-10-15.
  103. "Call of Duty: Advanced Warfare: 'We worked with a Pentagon adviser'". the Guardian. 2014-08-28. Retrieved 2022-10-15.
  104. Albor, Jorge (2014-11-20). "The Mixed Messages of 'Call of Duty: Advanced Warfare', PopMatters". PopMatters. Retrieved 2022-02-07.
  105. Lowe, Scott. "Call of Duty: Infinite Warfare – Everything You Need to Know". blog.activision.com. Retrieved 2022-02-07.
  106. Sicart, Miguel (2009). The Ethics of Computer Games. Cambridge, Mass.: MIT Press. pp. 1–2. ISBN   9780262516624.
  107. Thu, Apr 10th 2008 10:27am-Mike Masnick. "UN Tells Online Game It Can't Have A Fake United Nations". Techdirt. Retrieved 2022-02-01.{{cite news}}: CS1 maint: numeric names: authors list (link)
  108. Ozzi, Dan (15 July 2014). "United Nations Vs. United Nations: How a Little Punk Band Fought the Biggest Intergovernmental Agency in the World and Won". www.vice.com. Retrieved 2022-02-01.

Further reading