Walkin' | ||||
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Compilation album by | ||||
Released | March 1957 [1] | |||
Recorded | April 3, 1954 (#3–5) April 29, 1954 (#1–2) | |||
Studio | Van Gelder (Hackensack) | |||
Genre | Jazz, hard bop | |||
Length | 37:43 | |||
Label | Prestige PRLP 7076 | |||
Producer | Bob Weinstock | |||
Miles Davis chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
Walkin' (PRLP 7076) is a Miles Davis compilation album released in March 1957 by Prestige Records. [1] The album compiles material previously released on two 10 inch LPs in 1954, including all of Miles Davis All-Star Sextet and most of Miles Davis Quintet . Here credited to the "Miles Davis All-Stars", the songs were recorded on April 3 and 29, 1954, by two slightly different groups led by Davis. Both sessions were recorded at Rudy Van Gelder's home studio.
The April 3 session was a quintet with David Schildkraut on alto saxophone, which produced the three tracks on side two. Schildkraut, the only musician not credited on the cover, was a frequent sideman and soloist with the bands of Stan Kenton, Pete Rugulo, Johnny Richards, and Ralph Burns. Two of these tracks were originally released on the 10" LP Miles Davis Quintet , Prestige PRLP 185. The earlier release also included "I'll Remember April", recorded at the same time, now found on the Prestige album Blue Haze (PRLP 7054). [4] Another tune from this session, "Love Me or Leave Me", was previously unreleased and substituted here for "I'll Remember April".
The April 29 session, which makes up all of side one, was a sextet with J. J. Johnson on trombone and Lucky Thompson on tenor saxophone. The rhythm section was identical to the earlier session. These two tracks were originally issued on the 10" LP Miles Davis All-Star Sextet PRLP 182. [5] The album's title track, a staple of Davis's live set for many years, was key to the emerging hard bop approach developed in the mid-1950s, Davis providing it with an anthem. The composition has been attributed by various sources to Jimmy Mundy, Miles Davis, and Gene Ammons. The copyright registration listed the composer as Richard E. Carpenter, a businessman and artist manager who had professional relationships with Mundy and Tadd Dameron, and was not known to be a musician or composer. [6]
"Solar" was attributed to Davis and copyrighted in his name in 1963. [7] [8] Evidence revealed in 2012 showed that it is nearly identical to "Sonny", a piece written by guitarist Chuck Wayne in the 1940s, so Wayne is regarded as the composer of "Solar". [7] [8]
No. | Title | Writer(s) | Length |
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1. | "Walkin' (Gravy)" | Jimmy Mundy, Richard Carpenter | 13:26 |
2. | "Blue 'n' Boogie" | Dizzy Gillespie, Frank Paparelli | 8:16 |
No. | Title | Writer(s) | Length |
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1. | "Solar (Sonny)" | Chuck Wayne, Miles Davis | 4:44 |
2. | "You Don't Know What Love Is" | Don Raye, Gene de Paul | 4:23 |
3. | "Love Me or Leave Me" | Gus Kahn, Walter Donaldson | 6:54 |
Milestones is a studio album by Miles Davis. It was recorded with his "first great quintet" augmented as a sextet and released in 1958 by Columbia Records.
Blue Haze is a compilation album of tracks recorded in 1953 and 1954 by Miles Davis for Prestige Records.
Miles Davis and the Modern Jazz Giants is an album by Miles Davis, released on Prestige Records in 1959. Most of the material comes from a session on December 24, 1954, featuring Thelonious Monk and Milt Jackson, and had been previously released in the discontinued ten inch LP format. "Swing Spring" was originally released on the 10"LP Miles Davis All Stars, Volume 1, and "Bemsha Swing" and "The Man I Love" had been previously released on Volume 2. "'Round Midnight" is newly released, and comes from the same sessions by Davis's new quintet in 1956 which resulted in Steamin' with the Miles Davis Quintet and three other albums to fulfill Davis's contract with Prestige.
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Miles Davis and Milt Jackson Quintet/Sextet, also known as Quintet/Sextet is a studio album by the trumpeter Miles Davis and vibraphonist Milt Jackson released by Prestige Records in August 1956. It was recorded on August 5, 1955. Credited to "Miles Davis and Milt Jackson", this was an "all-star" session, and did not feature any of the members of Davis's working group of that time. Alto saxophonist Jackie McLean appears on his own compositions “Dr. Jackle” and “Minor Apprehension”.
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Dave Schildkraut was an American jazz alto saxophonist.
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Monk is a 1956 compilation album by jazz pianist and composer Thelonious Monk, featuring material recorded from 1953 to 1954 for the Prestige label and performed by Monk with two quintets, one featuring Julius Watkins, Sonny Rollins, Percy Heath, and Willie Jones and one featuring Ray Copeland, Frank Foster, Curly Russell, and Art Blakey. It was originally titled both Thelonious Monk [on its 1956 cover] and Thelonious Monk Quintets [on its labels]. Over the following decade, it was also re-released as Wee See and The Golden Monk The most common cover art, is 1958 revision, designed by Reid Miles.
Thelonious Monk and Sonny Rollins is a compilation album by jazz pianist and composer Thelonious Monk and saxophonist Sonny Rollins released in 1956 by Prestige Records. The tracks on it were recorded in three sessions between 1953 and 1954. While this is its original title, and its most consistent title in its digital re-releases, it was also released on Prestige as Work! and The Genius Of Thelonious Monk, with alternative covers.
The New Sounds is the debut solo studio album by the American jazz musician Miles Davis. Released in late 1951 as a 10-inch LP, it is his first album as a bandleader and his first full album for Prestige Records. Davis had previously contributed three tracks to the Prestige compilation LP Modern Jazz Trumpets and appeared as a sideman on the 10-inch LP Lee Konitz: The New Sounds.
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Miles Davis All Star Sextet is a 10 inch LP album by Miles Davis, released in 1954 by Prestige Records. The two side-long tracks were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, April 29, 1954.
Miles Davis Quintet is a 10 inch LP album by Miles Davis, released in 1954 by Prestige Records. The album title is not to be confused with either of Davis' later Great Quintets. The three tracks on this LP, and one other, were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on April 3, 1954. This was the first session for Prestige Davis recorded at Gelder's home studio, as he would all his remaining sessions for the label.
Miles Davis with Sonny Rollins is a 1954 10 inch LP album by Miles Davis, released by Prestige Records. The four tracks on this LP, along with a second take of "But Not For Me", were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on June 29, 1954.
Modern Jazz Trumpets is an album released by Prestige Records in 1951 with music by four jazz trumpeters: Fats Navarro, Dizzy Gillespie, Miles Davis and Kenny Dorham. The album was released on the 10" LP format and includes the first recordings by Davis for Prestige.
The Brothers is a studio compilation album by American saxophonists Stan Getz and Zoot Sims released in 1956 via Prestige label.