911 (Lady Gaga song)

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"911"
Lady Gaga - 911 (Sofi Tukker Remix) (2020) (official single cover).jpg
Sofi Tukker Remix cover
Single by Lady Gaga
from the album Chromatica
ReleasedSeptember 18, 2020
Recorded2019
Studio Henson (Los Angeles)
Genre
Length2:52
Label Interscope
Songwriter(s)
Producer(s)
  • BloodPop
  • Madeon
  • Benjamin Rice
Lady Gaga singles chronology
"Rain on Me"
(2020)		"911"
(2020)		"Free Woman"
(2021)
Music video
"911" on YouTube

"911" is a song by American singer Lady Gaga recorded for her sixth studio album, Chromatica (2020). It appears as the album's eighth track, preceded by a string arrangement titled "Chromatica II". It was written by Gaga together with Justin Tranter, BloodPop, and Madeon, with the latter two also producing along with Benjamin Rice. It is a Eurodisco, synth-pop, and electropop song with influences from techno and funk. Gaga sings in monotonous, robotic vocal effects for most part of the track. Lyrically, "911" talks about mental health and the antipsychotic medication Gaga takes.

Contents

Numerous music critics called the song one of the best from the album, praising both its production and songwriting. The "seamless" transition between "Chromatica II" and "911" was also highlighted and was turned into several memes upon the album's release. "911" was serviced to French and Italian radios as the third single off the album on September 18 and 25, 2020, respectively. The track had minor chart placements in a few countries, and in the United States, it reached a peak position of number 10 on the Billboard Dance/Electronic Songs chart.

The accompanying music video was directed by Tarsem Singh and features a surreal dreamscape and a twist ending. It was largely inspired by Armenian film director Sergei Parajanov's 1969 Soviet art film The Color of Pomegranates . The song received several remix versions, including one by Charli XCX and A.G. Cook on Gaga's remix album, Dawn of Chromatica (2021). Gaga performed "911" at the 2020 MTV Video Music Awards and The Chromatica Ball concert tour (2022).

Recording and release

Madeon, co-producer of "911", previously worked with Gaga on her 2013 album Artpop. Madeon 2015.jpg
Madeon, co-producer of "911", previously worked with Gaga on her 2013 album Artpop .

"911" was written for Lady Gaga's sixth studio album, Chromatica (2020) by Gaga, Justin Tranter, BloodPop, and Madeon; production was done by the latter two, along with Benjamin Rice. [1] The song started off as a demo from BloodPop and Tranter's sessions together. [2] Madeon, who previously worked with Gaga on her 2013 album Artpop , first recommended other producers who he felt to be a good fit for the song, but ultimately BloodPop invited him directly. [2] Detailing his involvement in the project, he said:

I worked a little bit at home remaking new drums and bass sounds and other details. Then I joined everybody in the studio and I tweaked the chorus melody slightly and wrote the new breakdown chords etc. But the soul of the song was there long before I joined! It was really great when Gaga came to record final vocals... We had an awesome session where she dug deep to deliver breathtaking vocals. [2]

Madeon further explained that Gaga was determined that everyone who started working on the track focused on the message of the song, so that it did not get undermined by the production. Their goal was keeping the production "quiet" as "there's so much life and impact in those lyrics that you want to let them breathe. You don't need to drown them." [3] According to BloodPop, while Gaga was recording "911", she insisted that the studio be near pitch-black and that she wear a wig in order to feel like someone else as she wanted to "relive everything she was talking about in the song with every take". [3]

Universal Music Group issued the song to French and Italian radios on September 18 and 25, respectively, as the third single off Chromatica. [4] [5]

Lyrical content and composition

A Billboard article described "911" as "a song about when your brain and your body feel at war with each other." [6] The track details Gaga's relationship to her antipsychotic medication, olanzapine, which she takes for neuropathic pain and regular trauma responses, as she is not permitted to turn to pain medications in fear of addiction. [7] [8] Gaga said: "It's about an antipsychotic that I take. And it's because I can't always control things that my brain does. I know that. And I have to take medication to stop the process that occurs." [7] In the chorus, Gaga acknowledges her mental illness and her high reliance on the antipsychotic with the line "My biggest enemy is me / pop a 911", with 911 both referring to the emergency phone number and her medications. [9] [10] Vulture , an online blog associated with New York Magazine , opined that "911" captures "the inside of Gaga's brain as if it's a sci-fi construct, where neurons fire and spark chain reactions beyond her control. [...] Gaga depicts popping a pill as a mostly positive, necessary act — but every day remains a struggle." [10] AllMusic referred to the song as a "cry for help". [11] Talking with Entertainment Weekly , BloodPop further elaborated on the track's background:

[Medication] is not fun to talk about for most people, but it's a very real part of modern life for those who need it. This was her truth and she wanted to write about it even though she knew it would be painful to "go there". ["911"] hit me particularly hard as well because at the time I had to get on medication for OCD and depression for the first time in my life. [12]

Gnome-mime-sound-openclipart.svg
"911"
A 25-second sample of "911". It portrays the singer's monotonous, robotic vocal over the techno-funk groove, and her switching to a higher voice while singing "Can't see me cry ever again…".
Problems playing this file? See media help.

"911" is largely a Euro disco, [13] synth-pop [10] [14] and electropop [10] song, which includes industrial synthesizers, a techno-funk groove, [15] and a "trippy" chorus. [16] Simon K. from Sputnikmusic believed that its "pulsating groove [...] brings a cold and clinical feeling to the track". [17] The Observer 's Emily Mackay highlighted how the pace of the music is in harmony with Gaga's lyrics, writing "the beat jackhammers, driving her up to a Donna Summer trill, then slows to a more comfortable groove as she regains perspective and control". [18] Gaga sings in monotonous, [19] robotic vocal effects for the majority of the song, though she switches to a "higher, more vulnerable" voice at the pre-chorus. [10] According to the sheet music published on Musicnotes.com, "911" is written in the time signature of common time, and is composed in the key of B-flat major with a tempo of 120 beats per minute. The vocals range from the tonal nodes of F3 to D5. [20]

Entertainment Weekly's Leah Greenblatt and NME 's Hannah Mylrea compared "911" to the work of French electronic music duo Daft Punk, with Greenblatt also noting the contrast between the "playful" funky melody, and the lyrics, which involve "darker allusions to manic moods and pharmaceuticals". [21] [9] Jem Aswad from Variety found a "vocal nod to Lipps Inc.'s 1980 smash 'Funky Town' in Gaga's trademark robo-dominatrix voice." [22] Nick Smith of MusicOMH noted similarities to Kylie Minogue's "Speakerphone" (2007), [23] while Slant Magazine 's Alexa Camp deemed "911" reminiscent of Gaga's past singles, "LoveGame" (2009) and "G.U.Y." (2014). [24] Similarly, Lindsay Zoladz of The New York Times felt that "911" harkens back to Gaga's earliest hits, and wondered if nostalgia for the late 2000s music "is already a thing". [19]

"Chromatica II"

"Chromatica II"
Composition by Lady Gaga
from the album Chromatica
ReleasedMay 29, 2020 (2020-05-29)
Length0:41
Songwriter(s)
  • Lady Gaga
  • Morgan Kibby
Producer(s)
  • Gaga
  • Kibby
Audio video
"Chromatica II" on YouTube

"911" is one of the three songs on the Chromatica album which are preceded by an orchestral interlude. Gaga wanted to emphasize the "cinematic" feeling of the record and felt that it had distinct acts, "such as the sharp right turn it takes when '911' kicks in." [12] The interludes were composed by musician Morgan Kibby, who assembled a 26-person orchestra to record the string arrangements. [12] Talking about the creative process of "Chromatica II", the interlude preceding "911", she explained:

"Chromatica II" was the final piece we composed, and at that point it was clear to Gaga that it should fall right before "911", which was already complete. I remember this moment in the studio so clearly, because she lit up, and without any words I flipped the keyboard around, pulled up the string sound she was envisioning, and she started to play this amazing marcato idea. From there, we massaged it, and I focused on the harmonies and dynamics to make sure it amped the energy up. [12]

Upon the album's release, the seamless transition between "Chromatica II" and "911" became a fan-favorite and was discussed as an album highlight. [12] It generated several memes, with people editing the transition into various scenes from movies and TV, [25] [26] and recreating it with similar sounding songs, most notably with Kylie Minogue's "Can't Get You Out of My Head" (2001). [27] Annie Zaleski of Time magazine found the strings of "Chromatica II" a "delight", as they "crescendo and swerve" into "911". [28]

Canadian singer and producer Grimes was set to remix the interlude for Gaga's third remix album Dawn of Chromatica , as well as "Chromatica I" and "Chromatica III"; however, her contributions did not make the final cut. [29]

Critical reception

"911" was named one of Chromatica's strongest tracks by various publications, such as The Washington Post , [30] The A.V. Club , [31] and Beats Per Minute . [32] Finding it a "standout moment" on the album, The Atlantic 's Spencer Kornhaber described it as a "playfully robotic" song which "reveals new intricacies with each listen." [33] Stephen Daw of Billboard ranked the track as the third best from the album, with "deeply satisfying production" and "some ridiculously clever songwriting", while saying that Gaga "is in her element when she is delivering camp." [34] Kory Grow from Rolling Stone thought the song "splits the difference between the Buggles and Kraftwerk, filtered through Gaga's kaleidoscope" and noted that "she's at her best... when taking musical risks", like with "911". [35] Tom Johnson from The Line of Best Fit also found it an album highlight, saying that along with another track, "Replay", they are both "honest and thoughtful, brilliant dance music." [36] Caryn Ganz of The New York Times listed the "winking monotony" of "911" as one of the moments she enjoyed from the album. [19]

At Uproxx , Caitlin White said "911" is a standout where Gaga "manages to expertly balance her suffering and self-frustration with the dancefloor freedom that defines the album". [37] BuzzFeed News' Alessa Dominguez argued that "only Gaga could write a danceable bop about taking antipsychotic medication." [38] Writing for PopMatters , Evan Sawdey thought that even though "Gaga is still hiding behind vocoders and numerous filtered vocal effects", the song is one of the best moments of the album as her "real life and experiences are seeping through the gaps in the 4/4 rhythm chains". [13] Los Angeles Times 's Mikael Wood called it a "catchy, fist-pumping song". [39] According to Slant Magazine's Sal Cinquemani, Gaga's "distorted vocals" and the "euphoric swoon of the track's pre-chorus" create an "effective contrast". [40] Dan Weiss from Spin criticized the song for being "so breathlessly wordy you can't remember (or even find) the hook". [41] Mark Richardson from The Wall Street Journal felt that "911" along with another song, "Enigma", "find Lady Gaga deploying the more bombastic style of her earlier hits to lesser effect." [42]

Chart performance

Upon the release of Chromatica, "911" debuted on several world charts. In the Billboard issue dated June 13, 2020, "911" debuted on the Bubbling Under Hot 100 Singles chart at number one, [43] and on the Hot Dance/Electronic Digital Songs at number ten. [44] In Canada, the song charted on the Canadian Hot 100 at number 85 in the issue dated June 13, 2020. [45] On the UK Singles Downloads Chart, compiled by the Official Charts Company (OCC), the song entered at number 98. [46] Further chart placements of the track include a number 76 position on the Australian Singles Chart, [47] number 54 in Croatia, [48] number 141 in France, [49] and number 64 in Scotland. [50] In Italy, the song charted at number 92, [51] and later it was certified Gold by the Federazione Industria Musicale Italiana (FIMI) for selling over 35,000 units. [52]

Music video

Background and production

The song's music video was directed by Tarsem Singh. Tarsem Singh at WonderCon 2011.jpg
The song's music video was directed by Tarsem Singh.

The music video was directed by filmmaker Tarsem Singh and was shot in August 2020 [6] [53] in Valencia, a neighborhood in Santa Clarita, California. [54] The sand dunes for the opening scene were photographed at San Luis Obispo by Tarsem, who removed the sea and changed the color of the sand to white in post-production. [54] He originally wanted to shoot the desert scenes in New Mexico, and use a real city location instead of a backlot for the final scene, but they didn't get the necessary permissions due to the ongoing COVID-19 pandemic. [54] Because of the pandemic, everybody on the filming location in Valencia were required to have COVID tests and stand completely away from each other. The shooting was also made difficult by wearing tight clothes in the desert, with 118 °F (47 °C) heat, which caused some of the people to pass out. [54] Nicola Formichetti outfitted the video, with many pieces designed by Russian-Armenian artist Karina Akopyan. [55]

The concept for the story of the video came from Tarsem, who shared the more than 25-year-old idea with Gaga as her "life story spoke so much to him." [56] He once considered using the idea for a video to Massive Attack, but that did not work out due to scheduling conflicts. [54] According to Gaga, she felt the most "alive" while making the video, compared to any of the other Chromatica projects. [6] She also disclosed with Tarsem that filming required her to "revisit the kind of dark hole she was in when she wrote it", though in the director's opinion, "she didn't slip back down; she shook it off and went back to work". [6] Gaga later posted the following on her Instagram:

This short film is very personal to me, my experience with mental health and the way reality and dreams can interconnect to form heroes within us and all around us. [...] Something that was once my real life everyday [ sic ] is now a film, a true story that is now the past and not the present. It's the poetry of pain. [53]

On September 17, 2020, Gaga retweeted a post from 2013 that said, "A POP MUSIC EMERGENCY IS UNDERWAY 911." [57] The video premiered the following day at 9AM PT on YouTube. [58] Tarsem revealed that it was supposed to be released earlier but was pushed back because it was "too close to 9/11, and that wasn't being sensitive enough." [54] In addition to "911", the video includes the orchestral interludes "Chromatica II" and "Chromatica III", the preludes to "911" and "Sine from Above", respectively. [53] LG Electronics later included an exclusive edit of the music video, along with commentary by Tarsem Singh, on its FOMO channel which is available on the company's smart TVs. [59] On December 12, 2020, Gaga released the forty-ninth episode of her web series Gagavision, showing the behind the scenes of the music video. [60] On August 14, 2021, a new 360-degree behind the scenes video was released exclusively on the CEEK VR app. [61]

Synopsis

Gaga in a yellow dress, with two characters who are guiding her through the video. The painting in the background foreshadows the twist ending of the clip, and is reminiscent of some of Frida Kahlo's work. Lady Gaga - 911 (music video screenshot).png
Gaga in a yellow dress, with two characters who are guiding her through the video. The painting in the background foreshadows the twist ending of the clip, and is reminiscent of some of Frida Kahlo's work.

The video begins with Gaga in a desert sprawled out next to a broken bicycle and pomegranates spilled on the ground. Gaga's eyes are concealed behind a red mesh mask from London-based Dead Lotus Couture. [62] A figure dressed in black riding a dark horse lures her out of the dunes and into a mission. As the song starts, she enters the mission filled with oddly dressed people, including a man banging his head onto a pillow and a woman resembling Santa Muerte cradling a mummy. [63] Additional characters call a man dressed in black and a woman dressed in white, who fly down from the sky hoisting an umbrella, as they watch Gaga move throughout the mission's courtyard. The two characters try to engage with Gaga, but she continues to drift away from them. When Gaga is trying to fly away, with a glory around her head, the man pulls her back down to the ground with a rope. Later in the video, Gaga appears in a black leather jumpsuit decorated with flowers, which covers her whole body. An item resembling an ambulance spinal board is brought in behind her. Everyone gathers inside the mission to watch Gaga, as the woman in white opens a wooden box akin to a defibrillator.

Gaga begins to cry and wail, waking up in the real world, where she is seen lying outside of a cinema, where a big sign advertises an "Armenian Film Festival". Paramedics shock her back to life after being hurt in a car-bicycle accident. While the doctors are tending to her she looks bewildered and screams out, "I didn't have my pills." All the imagery from the fantasy world appear as billboards on the street where the accident occurred, along with the people surrounding her.

Inspirations and analysis

Throughout the video, Singh visually references The Color of Pomegranates (1969), an Armenian Soviet art film by Armenian filmmaker Sergei Parajanov. [64] The more obvious nods to the film include pomegranates scattered around Gaga's damaged bicycle, and the film's poster appearing on the street scene at the end of the video. [53] [65] Gaga's video presents the film's symbols in her own allegory of pain. [53] Some of the outfits are inspired by painter Frida Kahlo's style, and the accident scene is reminiscent of the traumatic bus collision that inspired some of Kahlo's most famous work. [53] Its reminiscent visuals were also inspired by Singh's 2000 film The Cell . [63] Other references include Federico Fellini's 8½ (1963) and Alejandro Jodorowsky's The Holy Mountain (1973). [55]

Similarly to The Wizard of Oz (1939), the characters appearing in Gaga's imagination are portrayed by the same people who she saw in reality, the victims and first responders who are at the site of the accident. [24] For example, the man seen earlier banging his head into a pillow, is a driver who suffered head injury, laying his head on a deflated airbag, while the man and woman chasing Gaga throughout the hallucination represent the EMS personnel who are attempting to revive her. [65] The video utilizes a wide array of symbolism used to indicate real world objects, such as Gaga's bracelet representing a tourniquet, and the mirror that flashes a light into Gaga's face representing the medical penlight used by the paramedic to inspect her responses in the real world. [66] [65] The blindfold on Gaga's face at the beginning of the video symbolizes how her character is unconscious in real life. [65] In the final scene of Gaga's hallucination, there are several symbols — the same symbol from the cover art of Chromatica — and scars on her forehead, representing "things that she's gotten through in her life", the singer's makeup artist Sarah Tanno explains. [67] It also makes reference to her song "Replay", which contains the lyrics "the scars on my mind are on replay". [68]

Reception

"911" short film displayed in Times Square in New York City LG olredeu TV, nyuyog hanbogpaneseo segyejeog pabseuta reidi gaga(Lady GaGa)wa isaeg maketing - 50618132748.jpg
"911" short film displayed in Times Square in New York City

Justin Curto from Vulture wrote that "Lady Gaga is back to being her fully indecipherable self in her new music video [...] with an instantly iconic cast of characters and a twist that demands hours of rewatching and theorizing." [69] Gil Kaufman of Billboard pointed out the music video's homage to The Color of Pomegranates, saying that it similarly "eschews traditional narrative in favor of dramatic, colorful scenes packed with eye-catching symbolism." [64] Jon Blistein of Rolling Stone described the clip as an "eye-popping fever dream". [70] Charlotte Krol from NME wrote that the singer "taps into her superb acting once again" with the music video. [71] Writing for Variety, Jazz Tangcay stated "there's so much to unpack" in the video, saying that "it's filled with symbolism and that twist will start many discussions." [63] Entertainment Weekly's Joey Nolfi also noted the "heavy symbolism" in the video, saying "the video itself defies classification." [72] Janelle Okwodu of Vogue called the video "a stunning tribute to surreal style", adding that "the pop star goes to great lengths to make her music videos original, and [...] she raised the bar with the surprise release of '911', a [...] mini-film chock full of arresting imagery." [55] Jenna Ryu from USA Today called it "artistically arresting" and highlighted that it contains strong colors, with many details and a catchy storytelling. [73] Pitchfork 's Eric Torres ranked the video as the third best one of September 2020, claiming "all the head-scratching symbology slips away, revealing a twist ending that should probably come with a trigger warning." [74]

At the end of 2020, Billboard named it the fourth best music video of the year. [75] It also won the award for Best Make-Up in a Commercial/Music Video at the 2021 Make-Up Artists and Hair Stylists Guild Awards. [76] At the 2021 MTV Video Music Awards, the video was nominated for Best Cinematography and Best Art Direction. [77]

Live performances

Gaga performing "911" on The Chromatica Ball tour GagaSpurs290722 (7 of 39) (52251723635) (cropped).jpg
Gaga performing "911" on The Chromatica Ball tour

On August 30, 2020, Gaga performed a medley of songs from Chromatica at the 2020 MTV Video Music Awards, which included "911". The performance started with Gaga laying on a couch, watching a '90s throwback VMAs ceremony. She then slid down a pole to a room full of naked mannequins while "Chromatica II" was playing. As the instrumentals segued into "911", she joined her backup dancers for the choreographed performance. [78] [79] Gaga was wearing a bright green two-piece bodysuit, along with a sound-reactive LED face mask. [78] [80]

In 2022, Gaga performed "911" at The Chromatica Ball stadium tour, where it was again preceded by "Chromatica II" as the inderlude. [81] Frantic red lights illuminated the stage, [82] while Gaga was singing the song in a vinyl dominatrix ensemble, complete with a policewoman cap. [83] [84] In his review for the tour, David Cobbald of The Line of Best Fit highlighted the "notorious" transition from "Chromatica II" to "911", praising the dancers for the choreography which was "executed with precision and togetherness". [85]

Remixes

Remixes by Bruno Martini, Sofi Tukker, and WEISS were released on December 4, 2020. [86] [87] [88] Madeon, one of the original song's producers, remixed "911" for his DJ mix NYE 2021 that was released three weeks later. [89]

A remix of "911" on Dawn of Chromatica (2021) features English singer Charli XCX. PrimaveraBarcW1Jun22 (34 of 318) (52163778101) (cropped).jpg
A remix of "911" on Dawn of Chromatica (2021) features English singer Charli XCX.

During a Q&A on Twitter in March 2021, Charli XCX revealed she was contacted by BloodPop to be part of a remix for the song, but nothing came of it. Later that day, the producer posted a screenshot of a conversation with her confirming he had sent its stems to her back in November 2020. However, due to a communication error, XCX claimed to have never gotten them, but would look to see if her team has them. [90] The following May, XCX confirmed that "the creation process has begun". [91] Her remix, featuring English producer A. G. Cook, was ultimately released on September 3, 2021, as part of Gaga's remix album, Dawn of Chromatica. [92] The song includes new verses with Charli's lines. Sam Murphy of Junkee noted the song as an example of how the record "always keeps that underlying sadness at the root with an eye on brighter days", illustrated by XCX's line "I look out to Venus and search for a place / And search for a place / And sometimes I hate myself", and in a "more triumphant" part of the track, "If it's all getting way harder / Turn it up, party to Gaga". [93] The remix abandons the original track's steady beat, instead going for an overly distorted sound. [93]

Neil Z. Yeung of AllMusic called the remix one of the highlights of Dawn of Chromatica, saying that "Charli XCX and A.G. Cook revive '911' as a pulsing digital epic". [94] Pitchfork's Jamieson Cox praised the "crystalline hyperpop" remix and its "stunning" final verse and outro, dubbing it "some of Charli's finest work since Pop 2 ," her mixtape from 2017. [95] Alexa Camp of Slant Magazine thought that XCX "injects some much-needed expressiveness" in the song, while Cook "drags [it] from the late aughts into something approaching the future." [96] Robin Murray of Clash praised the remix as "stellar". [97] Writing for Gigwise , Alex Rigotti called it the third best track on the record, which "transforms the rigid, robotic original into something way more chaotic, but tense", delivering "high drama" while "sounding utterly transcendental". She appreciated XCX for "performing more in her vocal style instead of conforming to Gaga's standards". [98] Joey Nolfi of Entertainment Weekly thought that XCX reimagined the song "into something that suits her own brand while bringing out new layers in Gaga's raw lyrics." [99] The A.V. Club's Gabrielle Sanchez felt that XCX and Cook "let their imaginations get away from them", "convoluting" Gaga's original by downplaying its "standout parts". She also regarded the new verses by XCX as "only so-so." [31] The remix peaked at number 14 on the Billboard Hot Dance/Electronic Songs chart. [100]

Track listing

Credits and personnel

Credits adapted from Tidal. [1]

"911"

  • Lady Gaga – vocals, songwriter, backing vocals
  • BloodPop – producer, songwriter, bass, drums, guitar, keyboards, percussion
  • Madeon – producer, songwriter, bass, drums, guitar, keyboards, percussion
  • Justin Tranter – songwriter
  • Benjamin Rice – vocal production, mixer, studio personnel
  • Tom Norris – mixer, studio personnel
  • Elias Inácio – guitar [upper-alpha 1]

"Chromatica II"

  • Lady Gaga – composition, production
  • Morgan Kibby – composition, production
  • Ian Walker – bass
  • Giovanna M Clayton – cello
  • Timothy E Loo – cello
  • Vanessa Freebairn-Smith – cello
  • Amie Doherty – conductor
  • Allen Fogle – French horn, horn
  • Dylan Hurt – French horn, horn
  • Katelyn Faraudo – French horn, horn
  • Laura K Brenes – French horn, horn
  • Mark Adams – French horn, horn
  • Teag Reaves – French horn, horn
  • Nicholas Daley – trombone
  • Reginald Yound – trombone
  • Steven M. Holtman – trombone
  • Andrew Duckles – viola
  • Erol Rynearson – viola
  • Linnea Powell – viola
  • Meredith Crawford – viola
  • Alyssa Park – violin
  • Chart Bisharat – violin
  • Jessica Guideri – violin
  • Luanne Homzy – violin
  • Lucia Micarelli – violin
  • Marisa Kuney – violin
  • Neel Hammond – violin
  • Shalini Vijayan – violin
  • Songa Lee – violin
  • Mike Schuppan – mixing, studio personnel
  • Randy Merrill – mastering, studio personnel
  • Gina Zimmitti – orchestra contractor
  • Whitney Martin – orchestra contractor

Notes

  1. ↑ Elias Inácio is only credited in the Bruno Martini remix version. [101]

Charts

Certifications

Certifications for "911"
RegionCertification Certified units/sales
Australia (ARIA) [110] Gold35,000‡
Brazil (Pro-Música Brasil) [111] Diamond160,000‡
Italy (FIMI) [52] Gold35,000‡

‡ Sales+streaming figures based on certification alone.

Release history

Release dates and formats for "911"
RegionDateFormat(s)VersionLabelRef.
FranceSeptember 18, 2020Radio airplay Original Universal [4]
ItalySeptember 25, 2020 [5]
VariousDecember 4, 2020Bruno Martini remix Interscope [86]
Sofi Tukker remix [87]
WEISS remix [88]

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"Paparazzi" is a song by American singer Lady Gaga from her debut studio album, The Fame (2008). It was released as the album's fifth and final single by Interscope Records. Gaga wrote and produced the song with Rob Fusari. The song portrays Gaga's struggles in her quest for fame, as well as balancing success and love. Musically, it is an uptempo techno-pop and dance-pop ballad whose lyrics describe a stalker following somebody to grab attention and fame.

<span class="mw-page-title-main">Telephone (song)</span> 2010 single by Lady Gaga featuring Beyoncé

"Telephone" is a song by American singer Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). Featuring American singer Beyoncé, it was released as the EP's second single on January 26, 2010. Gaga and Rodney Jerkins wrote and produced "Telephone", with additional songwriting by LaShawn Daniels, Lazonate Franklin and Beyoncé. Gaga originally wrote the song for Britney Spears, who recorded a demo. "Telephone" conveys Gaga's fear of not finding time for fun given the increasing pressure for her to work harder as an artist. Musically, the song consists of an expanded bridge, verse-rap and a sampled voice of an operator announcing that the phone line is unreachable. Beyoncé appears in the middle of the song, singing the verses in a "rapid-fire" way, accompanied by double beats.

<span class="mw-page-title-main">Madeon</span> French musician and DJ

Hugo Pierre Leclercq, better known by his stage name Madeon, is a French musician, DJ, songwriter, singer and music producer from Nantes, based in Los Angeles. He initially came to widespread public attention at age 17 through a YouTube video, "Pop Culture", where he performed a mash-up of 39 different popular songs in real-time using a Novation Launchpad. It received millions of hits in its first few days of release. Madeon has cited the Beatles and Daft Punk as his greatest musical influences.

<i>Artpop</i> 2013 studio album by Lady Gaga

Artpop is the third studio album by American singer Lady Gaga. It was released on November 6, 2013, by Streamline and Interscope Records. Gaga began planning the project in 2011, shortly after the launch of her second effort, Born This Way. Work continued until 2013 while Gaga was traveling for her Born This Way Ball tour and recovering from surgery for an injury she had sustained while touring. Gaga described Artpop as "a celebration and a poetic musical journey". It displays an intentional "lack of maturity and responsibility" by comparison to the darker and anthemic nature of Born This Way.

<span class="mw-page-title-main">Venus (Lady Gaga song)</span> 2013 promotional single by Lady Gaga

"Venus" is a song recorded and produced by American singer Lady Gaga for her third studio album, Artpop (2013). It was written by Gaga, Paul "DJ White Shadow" Blair, Madeon, Dino Zisis, Nick Monson, and Sun Ra. The recording includes a sample from the French electropop duo Zombie Zombie's cover of Sun Ra's song "Rocket Number 9", from his studio album, Interstellar Low Ways (1966); Sun Ra received a co-writing credit on the track. Originally intended to be the second single from the album, it was released as the first promotional single from Artpop on October 27, 2013, to the iTunes Store, following the positive reception of "Do What U Want", which was planned to be a promotional single only.

<span class="mw-page-title-main">A. G. Cook</span> British music producer (born 1990)

Alexander Guy Cook is an English music producer and the head of the now-closed UK record label PC Music. Cook released his first solo singles in 2014. He has also collaborated with PC Music artists such as Hannah Diamond, GFOTY, Finn Keane, Danny L Harle and Felicita. He formed the one-off project QT with musician Sophie and performance artist Hayden Dunham, producing the 2014 single "Hey QT".

<i>Chromatica</i> 2020 studio album by Lady Gaga

Chromatica is the sixth studio album by American singer Lady Gaga, released on May 29, 2020, by Interscope Records and subsidiary Streamline. Gaga supervised the production with longtime collaborator BloodPop and a variety of other producers to create the album. Musically, Chromatica is a dance-pop record inspired by early 1990s house music, returning Gaga to her dance music roots and eschewing the stripped-down style of its predecessors Joanne (2016) and A Star Is Born (2018). The album's visual aesthetic saw Gaga adopt a cyberpunk-inspired persona.

<span class="mw-page-title-main">Stupid Love (Lady Gaga song)</span> 2020 single by Lady Gaga

"Stupid Love" is a song recorded by American singer Lady Gaga. The track was officially released on February 28, 2020, as the lead single from Gaga's sixth studio album, Chromatica (2020), after being leaked in January 2020. It was written by Gaga, Max Martin, Ely Rise, and the song's producers, Tchami and BloodPop. The lattermost stated this was what started his work on Chromatica with the singer. It is a house-infused dance-pop and electropop song that talks about gathering the courage to fall in love again after a heartbreak.

<span class="mw-page-title-main">Rain on Me (Lady Gaga and Ariana Grande song)</span> 2020 single by Lady Gaga and Ariana Grande

"Rain on Me" is a song by American singers Lady Gaga and Ariana Grande from Gaga's sixth studio album, Chromatica (2020). They co-wrote it with Nija Charles, Rami Yacoub, Tchami, Boys Noize and its producers, BloodPop and Burns. An upbeat house, dance-pop and disco song, the track features a synth-disco beat and funk guitars. It explores resilience in defiance of the hardships in life.

"Alice" is a song by American singer Lady Gaga recorded for her sixth studio album, Chromatica (2020). It appears as the album's second track, preceded by a string arrangement titled "Chromatica I". It was written by Lady Gaga, BloodPop, Axwell, Justin Tranter, and Johannes Klahr, and produced by BloodPop, Axwell, and Klahr. The song references Lewis Carroll's 1865 children's novel Alice's Adventures in Wonderland.

<span class="mw-page-title-main">Free Woman</span> 2021 single by Lady Gaga

"Free Woman" is a song by American singer and songwriter Lady Gaga recorded for her sixth studio album Chromatica (2020). Gaga co-wrote it with the song's producers BloodPop, Axwell and Johannes Klahr. "Free Woman" was released as the album's fifth track, several weeks after a high-quality demo version of the song was leaked onto the Internet. It is a Eurohouse and Eurodance song that draws influences from the music of the 1990s. Gaga was inspired by her real life events; the song talks about her coping with post-traumatic stress disorder (PTSD), from which she suffered after being sexually assaulted by a music producer. Gaga also wanted to celebrate her LGBT+ fans; she wrote the song especially with the trans community in mind. The song's lyrics talk about reclaiming one's identity and answer the question "what does it mean to be a free woman?".

<span class="mw-page-title-main">The Chromatica Ball</span> 2022 concert tour by Lady Gaga

The Chromatica Ball was the seventh headlining concert tour by American singer Lady Gaga in support of her sixth studio album, Chromatica (2020). Comprising 20 shows, it began on July 17, 2022, in Düsseldorf and concluded on September 17, 2022, in Miami Gardens. Initially conceived as a six-date-long, limited tour, new dates were added after it was delayed by two years due to the COVID-19 pandemic.

<span class="mw-page-title-main">Sour Candy (Lady Gaga and Blackpink song)</span> 2020 song by Lady Gaga and Blackpink

"Sour Candy" is a song by American singer Lady Gaga and South Korean girl group Blackpink. It was released for digital download and streaming on May 28, 2020, as a promotional single off Gaga's sixth studio album, Chromatica. The song was written by Gaga, Madison Love, Rami Yacoub, Teddy Park, and its producers BloodPop and Burns. It is a deep house, dance-pop and electropop song with a house, dance and electronic beat and lyrics which compare the artists to the titular sour candy.

"Sine from Above" is a song by American singer Lady Gaga and English musician Elton John from the former's sixth studio album, Chromatica (2020). It is included as the album's fourteenth track, and is preceded by a string arrangement, "Chromatica III", which leads right into the beginning of the song. It was produced by BloodPop, Burns, Axwell, Liohn and Johannes Klahr, and had a wide array of songwriters involved. It is an electronica-influenced electropop song with a drum n' bass breakdown, and lyrically it talks about the healing power of music.

<span class="mw-page-title-main">Shygirl</span> British singer and DJ (born 1993)

Blane Muise, better known by her stage name Shygirl, is an English singer, DJ, rapper, songwriter and co-head/founder of record label and collective Nuxxe. Shygirl's music incorporates elements of dance music, hip-hop, experimental pop, grime and deconstructed club. She has also been associated with the hyperpop music scene. Shygirl rose to prominence after working with close collaborator and friend Sega Bodega, as well as other well-known experimental producers Arca and Sophie, and gaining attention from the likes of Rihanna, who has used various Nuxxe tracks for her Fenty Beauty commercials and fashion shows. Shygirl has released various singles since 2016, and three EPs titled Cruel Practice, Alias and Club Shy. Her debut studio album Nymph was released on 30 September 2022 to widespread acclaim from music critics.

<i>Dawn of Chromatica</i> 2021 remix album by Lady Gaga

Dawn of Chromatica is the third remix album by American singer Lady Gaga, released on September 3, 2021, by Streamline and Interscope Records. Consisting of remixes of songs from Gaga's sixth studio album, Chromatica (2020), the album embraces an underground, hyperpop production and features collaborations with numerous pop, electronic and Brazilian musicians.

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