Regions with significant populations | |
---|---|
Indonesia (Bangli, Buleleng and Karangasem Regency) | |
Languages | |
Bali aga • Balinese • Indonesian • Sanskrit | |
Religion | |
Hinduism | |
Related ethnic groups | |
Balinese, Sasak people, Javanese, Madurese, Banjar people and other Austronesian people |
The Bali Aga, Baliaga, or Bali Mula are the indigenous people of Bali, predominantly located in the eastern part of the island, in Bangli, Buleleng and Karangasem. They can also be found in north-western and central regions. Bali Aga people who are referred to as Bali Pergunungan (Mountain Balinese) are those that are located at Trunyan village. For the Trunyan Bali Aga people, the term Bali Aga (Mountain Balinese) is regarded as an insult with an additional meaning of "the mountain people that are fools"; therefore, they prefer the term Bali Mula (lit Original Balinese) instead. [1]
The original inhabitants of Bali are said to have come from Bedulu village long before the Hindu-Javanese immigration wave. The legend is, there lived the last king of the Pejeng (an old Balinese kingdom), Sri Aji Asura Bumibanten, who had supernatural powers. [2] He could cut off his head without feeling pain and put it back on again. One day, though, his head accidentally fell into a river and was swept away. One of his servants panicked and decided to quickly decapitate a pig and replace the king's head with the animal's head. Embarrassed, the king hid in a tall tower, denying any visitors. A small child discovered the secret and since then, the king has become known as Dalem Bedulu, or He-who-changed-head. Another explanation is that the name comes from Badahulu or "the village upstream". [3] After the Pejeng kingdom, the Majapahit Empire rose to power.
The Bali Aga live in isolated areas in the mountains. Compared to the lowland Balinese, their relative isolation preserved some of the original Austronesian elements, apparent in the Bali Aga architecture. Tourists wishing to visit certain villages must be careful due to the area's geography. While visiting, it is also important to be respectful and quietly observe the preserved way of life the Bali Aga have. [4]
In Tenganan, where tourism is more easily embraced and the people are said to be more friendly, a three-day festival called Udaba Sambah is held during June or July. Tenganan prohibits divorce and polygamy, unlike other villages. [5]
Bali Aga is a Multilingual people majority of them speak Their mother tongue (Bali aga language) but Minority also speak standard Balinese the dialect is slightly different from common Balinese language. It dates back thousands of years and varies from village to village; the version spoken in the Tenganan village is different from the Trunyan village. Bali Aga people also speak Language As a language of communication between ethnicities. They Also Fluent to speaks English for Tourists and Sanskrit For religious rituals.
An important part of Bali Aga culture is the complex tie-dye technique used to make Bali's traditional geringsing double ikat. Bali's Tenganan village is the only village that today still produces geringsing. [6]
In geringsing, both the cotton warp and weft threads are carefully dyed and cross-dyed before weaving; the finished pattern only emerges as the cloth is woven. According to textile expert John Guy, "the ancestry of Balinese geringsing is far from clear, although some cloths display the unmistakable influence of patola", [7] the silk double ikats produced in Gujarat during the height of the Spice Trade (16-17C). Many of these imported cloths became inspiration for later locally-made textiles, but one theory is that the Balinese-made cloths were exported to India and copied there for production to Asian markets. Many have unique Hindu motifs such as a bird's eye view of a mandala with a sacred center from which everything radiates. Others feature designs clearly inspired by patola, for example a design known as the frangipani flower (jepun). [8] The palette of geringsing is typically red, neutral, and black. Geringsing are regarded as sacred cloths, "ascribed supernatural properties, especially to assist in forms of healing, including exorcism." [9] Gering means decease and sing means no.
Bali is a province of Indonesia and the westernmost of the Lesser Sunda Islands. East of Java and west of Lombok, the province includes the island of Bali and a few smaller offshore islands, notably Nusa Penida, Nusa Lembongan, and Nusa Ceningan to the southeast. The provincial capital, Denpasar, is the most populous city in the Lesser Sunda Islands and the second-largest, after Makassar, in Eastern Indonesia. The upland town of Ubud in Greater Denpasar is considered Bali's cultural centre. The province is Indonesia's main tourist destination, with a significant rise in tourism since the 1980s. Tourism-related business makes up 80% of its economy.
Ikat is a dyeing technique from Indonesia used to pattern textiles that employs resist dyeing on the yarns prior to dyeing and weaving the fabric. The term is also used to refer to related and unrelated traditions in other cultures. In Southeast Asia, where it is the most widespread, ikat weaving traditions can be divided into two general clades. The first is found among Daic-speaking peoples. The second, larger group is found among the Austronesian peoples and spread via the Austronesian expansion. Similar dyeing and weaving techniques that developed independently are also present in other regions of the world, including India, Central Asia, Japan, Africa, and the Americas.
The Balinese people are an Austronesian ethnic group native to the Indonesian island of Bali. The Balinese population of 4.2 million live mostly on the island of Bali, making up 89% of the island's population. There are also significant populations on the island of Lombok and in the easternmost regions of Java.
Songket or sungkit is a tenun fabric that belongs to the brocade family of textiles of Brunei, Indonesia, Malaysia, and Singapore. It is hand-woven in silk or cotton, and intricately patterned with gold or silver threads. The metallic threads stand out against the background cloth to create a shimmering effect. In the weaving process the metallic threads are inserted in between the silk or cotton weft (latitudinal) threads in a technique called supplementary weft weaving technique.
A sampot, a long, rectangular cloth worn around the lower body, is a traditional dress in Cambodia. It can be draped and folded in several different ways. The traditional dress is similar to the dhoti of Southern Asia. It is also worn in the neighboring countries of Laos and Thailand where it is known as pha nung.
Tampaksiring is a town in central Bali, Gianyar Regency, Indonesia. As of the 2010 census, the area was 42.63 km2 and the population was 45,818; the latest official estimate is 48,740. It is the home to the Gunung Kawi Temple and archaeological site and the Senang Hati Foundation.
Gelgel is a village (desa) in the regency (kabupaten) of Klungkung, on Bali, Indonesia. The village, near the coast four kilometers south of the regency capital Semarapura, contains some structures of cultural interest and is known for its pottery and handwoven ceremonial songket cloth. The height of the village's power came during the kingdom of Gelgel, which dominated Bali from around the early 16th century to 1686. There are no traces left today of the old royal palace (puri). The old ancestral shrine of the ruling dynasty, Pura Jero Agung, is still standing in the old palace area. To the east of Pura Jero Agung is another old temple, Pura Dasar, which is a lowland counterpart of the "mother temple" of Bali, Pura Besakih. The village also contains the oldest mosque in Bali, which was built by Javanese retainers of the old kings.
The Moon of Pejeng, also known as the Pejeng Moon, in Bali is the largest single-cast bronze kettle drum in the world. and "the largest known relic from Southeast Asia's Bronze Age period." It is "considered highly sacred by local people." It is thought to be a relic of early rice cultivation rituals.
The History of Bali covers a period from the Paleolithic to the present, and is characterized by migrations of people and cultures from other parts of Asia. In the 16th century, the history of Bali started to be marked by Western influence with the arrival of Europeans, to become, after a long and difficult colonial period under the Dutch, an example of the preservation of traditional cultures and a key tourist destination.
Tenganan Pegringsingan or Pageringsingan is a village in the regency of Karangasem in East Bali, Indonesia. Before the 1970s was known by anthropologists to be a secluded society in the archipelago.
The national costume of Indonesia is the national attire that represents the Republic of Indonesia. It is derived from Indonesian culture and Indonesian traditional textile traditions. Today the most widely recognized Indonesian national attires include batik and kebaya, although originally those attires mainly belong within the island of Java and Bali, most prominently within Javanese, Sundanese and Balinese culture. Since Java has been the political and population center of Indonesia, folk attire from the island has become elevated into national status.
Balinese textiles are reflective of the historical traditions of Bali, Indonesia. Bali has been historically linked to the major courts of Java before the 10th century; and following the defeat of the Majapahit kingdom, many of the Javanese aristocracy fled to Bali and the traditions were continued. Bali therefore may be seen as a repository not only of its own arts but those of Java in the pre-Islamic 15th century. Any attempt to definitively describe Balinese textiles and their use is doomed to be incomplete. The use of textile is a living tradition and so is in constant change. It will also vary from one district to another. For the most part old cloth are not venerated for their age. New is much better. In the tropics cloth rapidly deteriorates and so virtue is generated by replacing them.
Geringsing is a Tenun textile created by the double ikat method in the Bali Aga village of Tenganan Pegeringsingan in Bali. The demanding technique is only practiced in parts of India, Japan and Indonesia. In Indonesia it is confined to the village of Tenganan.
The textiles of Sumba, an island in eastern Indonesia, represent the means by which the present generation passes on its messages to future generations. Sumbanese textiles are deeply personal; they follow a distinct systematic form but also show the individuality of the weavers and the villages where they are produced. Internationally, Sumbanese textiles are collected as examples of textile designs of the highest quality and are found in major museums around the world, as well as in the homes of collectors.
A Patola sari is a double ikat woven sari, usually made from silk, made in Patan, Gujarat, India. The word patola is the plural form; the singular is patolu. These saris are made using silk threads that are first dyed with natural colors and then woven together to create the intricate patterns and designs. They are usually worn for special occasions, such as weddings and formal events.
Belanting is a village in northeastern Lombok, Indonesia. It lies along the main road around the island, southeast of Obel Obel and northwest of Sambelia. It belongs administratively to the kecamatan of Sambelia in East Lombok Regency, West Nusa Tenggara. As of 2010, the village had a population of 6610 people. The islands of Sulat Island and Lawang Island of the Sungian Strait just off the coast can be viewed from the village.
The Kingdomship of Bali was a series of Hindu-Buddhist kingdoms that once ruled some parts of the volcanic island of Bali, in Lesser Sunda Islands, Indonesia. With a history of native Balinese kingship spanning from the early 10th to early 20th centuries, Balinese kingdoms demonstrated sophisticated Balinese court culture where native elements of spirit and ancestral reverence combined with Hindu influences—adopted from India through ancient Java intermediary—flourished, enriched and shaped Balinese culture.
Bali Aga architecture refers to the architecture of the Bali Aga people, the mountain people of Bali, Indonesia. Compared to the lowland Balinese people, the relative isolation of the Bali Aga people meant that they have been less influenced by Hindu-Buddhist traditions. This separate history can be seen in the vernacular architecture of the Bali Aga which shows more similarity with the Austronesian tradition shared with many Indonesian people across the archipelago.
Trunyan or Terunyan is a Balinese village (banjar) located on the eastern shore of Lake Batur, a caldera lake in Bangli Regency, central Bali, Indonesia. The village is one of the most notable homes of the Bali Aga people, the others being the villages of Tenganan and Sambiran. Trunyan is notable for its peculiar treatment of dead bodies, in which they are placed openly on the ground, simply covered with cloth and bamboo canopies, and left to decompose. The influence of a nearby tree is said to remove the putrid smell of the corpses.
Tenun is an artful Indonesian technique of making a fabric by weaving different colours of threads. Tenun belongs to one of the typical Indonesian cultural arts produced by hand skills using traditional looms. The word Tenun itself has a high meaning, historical value, and technique in terms of colors, motifs, and types of materials and threads used and each region has its own characteristics. In addition, Tenun is also one of Indonesia's original cultural heritages that is still maintained and preserved to this day.
Candidasa travel guide from Wikivoyage