Collectors' Items | ||||
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Studio album by | ||||
Released | December 1956 [1] | |||
Recorded | January 30, 1953 (1–4) WOR Studios, New York City March 16, 1956 (5–7) Van Gelder Studio, Hackensack | |||
Genre | Jazz, bebop, hard bop | |||
Length | 44:05 79:38 (CD Reissue) | |||
Label | Prestige PRLP 7044 | |||
Producer | Ira Gitler (1-4) Bob Weinstock (5-7) | |||
Miles Davis chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [2] |
The Encyclopedia of Popular Music | [3] |
The Rolling Stone Jazz Record Guide | [4] |
Collectors' Items is a 1956 studio album by Miles Davis. There are two sessions collected on the album with largely different musicians. The first 1953 session is "Compulsion", "The Serpent's Tooth" (two takes) and "'Round About Midnight". [5] The second 1956 session is "In Your Own Sweet Way", "Vierd Blues" and "No Line". [6] The personnel for the first session were Davis, Sonny Rollins and Charlie Parker (credited under the pseudonym "Charlie Chan" due to contractual obligations) on tenor sax, Walter Bishop on piano, Percy Heath on bass and Philly Joe Jones on drums. For the second session, the tenor sax was Rollins alone, the piano was Tommy Flanagan, the bass Paul Chambers and Art Taylor on drums.
According to Ira Gitler's liner notes, the 1953 session was only the second time Parker had recorded on tenor saxophone. The CD edition's liner notes indicate the session was the only time Parker and Rollins recorded together.
Davis describes the session with Parker in his autobiography as having been very chaotic. It was Davis' first session of 1953 and his heroin habit had become very bad. Parker had quit his own heroin habit following the arrest of his trumpet player Red Rodney, instead drinking enormous quantities of alcohol. According to Davis, Parker consumed a quart of vodka at the rehearsal, then spoke condescendingly to Davis as if it were his session and Davis an employee or a child. After arguing, Parker fell asleep, angering Davis and in turn angering Gitler who was producing. [7]
The 1953 session remained unreleased for several years, during which Parker died (in March 1955) and Davis left Prestige Records for Columbia Records (in 1956). Part of Davis' contractual obligation to Prestige was to record a second session to pair with the 1953 session that would give Prestige enough material for a full album. [8] For the second session, only Rollins returned, and Davis's band included two relative newcomers to the New York jazz scene. Pianist Tommy Flanagan had just moved to New York City a few weeks prior to the Davis recording session, which was his third recording date in the city. Bassist Paul Chambers had moved to the city in 1955 and first recorded in New York in June at a session for Prestige led by trombonist Bennie Green. Chambers first recorded with Davis in October of 1955 for Columbia as part of Davis' regular performing group of the time, which included John Coltrane, Red Garland, and Philly Joe Jones. The Collector's Items session was his third with Davis, and followed the November 1955 session for Miles: The New Miles Davis Quintet.
Prestige – PRLP7044: [9]
No. | Title | Writer(s) | Length |
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1. | "The Serpent's Tooth" (Take 1) | Miles Davis | 7:08 |
2. | "The Serpent's Tooth" (Take 2) | Miles Davis | 6:24 |
3. | "'Round About Midnight" | Thelonious Monk | 7:12 |
4. | "Compulsion" | Miles Davis | 5:53 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "No Line" | Miles Davis | 5:48 |
2. | "Vierd Blues" | Miles Davis | 7:00 |
3. | "In Your Own Sweet Way" | Dave Brubeck | 4:40 |
Total length: | 44:05 |
Clifford Benjamin Brown was an American jazz trumpeter, pianist and composer. He died at the age of 25 in a car crash, leaving behind four years' worth of recordings. His compositions "Sandu", "Joy Spring", and "Daahoud" have become jazz standards. Brown won the DownBeat magazine Critics' Poll for New Star of the Year in 1954; he was inducted into the DownBeat Hall of Fame in 1972.
McKinley Howard "Kenny" Dorham was an American jazz trumpeter, composer, and occasional singer. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham's name has become "virtually synonymous with 'underrated'."
Paul Laurence Dunbar Chambers Jr. was an American jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, he has become one of the most widely-known jazz bassists of the hard bop era. He was also known for his bowed solos. Chambers recorded about a dozen albums as a leader or co-leader, and over 100 more as a sideman, especially as the anchor of trumpeter Miles Davis's "first great quintet" (1955–63) and with pianist Wynton Kelly (1963–68).
Arthur S. Taylor Jr. was an American jazz drummer, who "helped define the sound of modern jazz drumming".
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Miles Davis and Milt Jackson Quintet/Sextet, also known as Quintet/Sextet is a studio album by the trumpeter Miles Davis and vibraphonist Milt Jackson released by Prestige Records in August 1956. It was recorded on August 5, 1955. Credited to "Miles Davis and Milt Jackson", this was an "all-star" session, and did not feature any of the members of Davis's working group of that time. Alto saxophonist Jackie McLean appears on his own compositions “Dr. Jackle” and “Minor Apprehension”.
Tenor Madness is an album by jazz musician Sonny Rollins released in October 1956 by Prestige Records. It is most notable for its title track, the only known recording featuring both Rollins and John Coltrane.
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1958, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.
Conception is a compilation album issued by Prestige Records in 1956 as PRLP 7013, featuring Miles Davis on a number of tracks. The album, compiled from earlier 10 inch LPs, or as 78rpm singles, also features musicians such as Lee Konitz, Sonny Rollins, Stan Getz, Gerry Mulligan, and Zoot Sims. The cover was designed by Bob Parent. In particular, the entirety of the 10"LP Lee Konitz: The New Sounds makes up all of side 1.
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