I'm Your Baby Tonight | ||||
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Studio album by | ||||
Released | November 6, 1990 | |||
Recorded | 1989–1990 | |||
Studio |
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Genre | ||||
Length | 53:45 | |||
Label | ||||
Producer | ||||
Whitney Houston chronology | ||||
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Singles from I'm Your Baby Tonight | ||||
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Review scores | |
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Source | Rating |
AllMusic | [3] |
The Baltimore Sun | (negative) [4] |
Entertainment Weekly | D+ [5] |
Los Angeles Times | [6] |
Rolling Stone | [7] |
(The New) Rolling Stone Album Guide | [8] |
Smash Hits | 5/10 [9] |
I'm Your Baby Tonight is the third studio album by American singer Whitney Houston. It was released on November 6, 1990, by Arista Records. The album is one of the best-selling female albums of all time and has been certified quadruple platinum by the Recording Industry Association of America (RIAA). [10] [11]
By 1989, Whitney Houston had become one of the most successful musicians in the industry, with her last two albums— Whitney Houston (1985) and Whitney (1987)—having sold a combined 30 million copies at the time. Houston's crossover blend of pop and R&B had helped her to break barriers on pop radio and on MTV, which along with the commercial breakthrough of Michael Jackson, led to the music industry enjoying "the best time for crossover artists since the height of disco in the mid-to-late '70s", according to journalist Frank Rizzo in 1987. [12] Despite this, however, some black critics began to voice their disapproval of Houston's music, especially with her sophomore release, Whitney, which included the number-one hits, the dance-pop hit "I Wanna Dance with Somebody (Who Loves Me)" and, in particular, the rock song, "So Emotional". These critics accused the singer of "selling out" by neglecting black musical influences in favor of music intended to appeal to white audiences. [13] They also felt that her records lacked the soul of her live performances of the same songs. [14] Houston's name was jeered by some in the audience at both the 1988 and 1989 Soul Train Music Awards (where she first met future husband Bobby Brown) after she was announced as a nominee in a category. [15] Houston defended herself against the criticism telling Essence magazine in 1990, "If you're gonna have a long career, there's a certain way to do it and I did it that way. I'm not ashamed of it." [14]
Still, both Houston and her label head Clive Davis agreed to go into a more urban direction as popular music was starting to embrace a new urban pop genre called new jack swing. Even as her sophomore album Whitney was blanketing airwaves in the spring of 1988, music industry insiders were speculating that "[t]here is talk her next album will have a 'black direction'." [16] As the material on her previous albums had been picked by the label, Houston wanted more creative control over the album's content. As a result, Houston would serve as an executive producer for the first time on an album. She recruited the new jack swing production team of L.A. Reid and Babyface, citing their work on Bobby Brown's Don't Be Cruel , to help her with her new direction. The duo would present the songs "I'm Your Baby Tonight", "My Name Is Not Susan", their sole ballad "Miracle" and "Anymore". Houston also recruited longtime idol Stevie Wonder on the album with the two collaborating on the Wonder-composed duet, "We Didn't Know", while longtime friend, singer Luther Vandross, penned the dance-pop song "Who Do You Love".
Houston would also produce a song herself, "I'm Knockin'", which was written for her by longtime musical collaborator and the musical director of her concert tours, Rickey Minor and BeBe Winans. Houston would co-produce and co-write another song with Winans titled "Takin' a Chance". Houston and Davis kept previous producers Michael Masser and Narada Michael Walden. With Masser, Houston was received the soft rock song, "After We Make Love", which would end up being their last collaboration together, while with Walden, Houston recorded the songs "I Belong to You", "Lover for Life", and the Linda Clifford ballad "All the Man That I Need", the sole cover of the album. Houston and Walden also worked on songs such as "Higher Love", "Dancing on the Smooth Edge" and "Feels So Good". At the end, "Takin' a Chance" and the three latter Walden productions were left off the album's final track list, except in Japan where "Higher Love" and "Takin' a Chance" were featured.
I'm Your Baby Tonight's Walden-produced songs are divided by contemporary dance-pop tracks and ornate ballads, while Reid and Babyface's productions reappropriate 1970s black pop and danceable funk with aggressive 1980s dance rhythms. [7] According to AllMusic's Ashley S. Battel, Houston "attempts to make a larger foray into dance music" with this album, [3] while David Browne observed light synthesizer flourishes, thumping drum beats, and "dance-fever settings" throughout. [5] James Hunter of Rolling Stone described the album as "a case study in how much [Houston] can get out of her luscious and straightforward vocal gifts within a dancepop framework." [7] J. D. Considine wrote that Houston's singing on the album features "sultry moans, note-bending asides, [and] window-rattling gospel shouts". [4] Rolling Stone magazine's Jim Macnie said that the album "displayed a slick R&B edge" and features "funk-and-dance-driven pop". [1]
In the United States, I'm Your Baby Tonight debuted at number 22 on the Billboard 200 chart, for the issue dated November 24, 1990. In its second week, it leapt to number five; the following week saw its peak position, at number three. The album spent 22 weeks in the top ten, and was on the chart for a total of 51 weeks. [17] It also debuted at number 10 on the Billboard Top R&B Albums chart, the issue date of December 1, 1990, and reached the number one position of that chart three weeks later. [18] [19] The record was at the top of the R&B/Hip-Hop chart for eight non-consecutive weeks, and was present on that chart for a total of 53 weeks. [19] [20] Due to its great performance on the chart, it became the #1 R&B album on the Billboard year-end charts for 1991. [21] [22] The album was certified 4× platinum by the Recording Industry Association of America on April 5, 1995, and since Nielsen SoundScan began tracking sales data in May 1991, it had sold (as of 2009) 1,728,000 copies in the United States; this numerical amount does not include copies sold in the initial months of the album's release or its sales through mail-order sources such as Columbia House or BMG Music Club. [23] [24] This is not its sales total, as the biggest portion of the sales occurred in November 1990, before there was Nielsen SoundScan.
The album was a hit internationally (though its sales didn't reach a level as high as the previous two albums), boosting Houston to global super-stardom. In Britain, it entered the UK Albums Chart at number 6 on November 17, 1990, and peaked at number 4, nine weeks later. [25] [26] The British Phonographic Industry certified the album Platinum, for shipments of 300,000 units, on November 1, 1990. In Germany, the album peaked at number three on the Media Control Albums Chart, receiving Platinum certification (for shipments of 500,000 copies), by the Bundesverband Musikindustrie, in 1991. It also reached the top five in other countries, such as Austria, [27] Norway, [28] Sweden, [29] and Switzerland. [30] To date, the album has sold approximately 10 million copies worldwide. [31]
I'm Your Baby Tonight yielded four top-twenty singles on the Hot 100 Singles chart, and six top-twenty singles on the Hot R&B Singles chart between 1990 and 1992. "I'm Your Baby Tonight" and "All the Man That I Need" both reached number 1. This success earned Houston a ranking of number 3 Pop singles artist and number 1 R&B singles artist on the 1991 Billboard year-end charts. [21] [32]
The title track, "I'm Your Baby Tonight", was released as the first single from the album in October 1990. While the L.A. Reid/Babyface mix version was released in the United States, an alternate Yvonne Turner mix, labeled the international version or European version, was released in other countries. The single debuted at number forty-two on the Billboard Hot 100 singles chart in the week ending October 20, 1990. Six weeks later, in the issue dated December 1, 1990, it reached number one and stayed there for a week, becoming Houston's eighth number-one single on the chart. [33] It also peaked at number one in the same week on the Hot R&B Singles chart and remained on the top for two weeks, making it her fourth R&B chart topper. [34] In addition, the song peaked at number seven on the Hot Adult Contemporary chart, spending a total of twenty-eight weeks on the chart. [35] The single was certified Gold for shipments of 500,000 copies by the Recording Industry Association of America (RIAA) on November 27, 1990. [36] Worldwide it was a big hit during her European promotion in November–December 1990. In Italy, it reached number one on the Musica e dischi singles chart in November 1990 and remained atop for five weeks. In the United Kingdom, the single entered the UK Singles Chart at number sixteen on October 20, 1990, and peaked at number five two weeks later, becoming her eighth top ten hit. [37] [38] It also reached the top five in many countries such as Austria, [39] Belgium, [40] France, [41] Germany, [42] the Netherlands, [43] Norway, [44] Sweden, [45] and Switzerland. [46] It also went top ten in Australia and Ireland. [47] [48] Houston was nominated for Best Pop Vocal Performance, Female with this track at the 33rd Grammy Awards of 1991. [49]
Houston's remake of a ballad, "All the Man That I Need" was the album's second single, released in December 1990. The single achieved great success on the Billboard charts. It debuted at number fifty-three on the Hot 100 on December 22, 1990, and topped the chart nine weeks later, in the issue dated February 23, 1991. [50] On March 2, 1991, when it reached the number one on the Hot R&B Singles chart, the single enjoyed its second and third week at the top of the Hot 100 and Hot Adult Contemporary chart, respectively. [51] [52] [53] As a result, it became her first single to top the Hot 100, Hot R&B, and Hot Adult Contemporary chart simultaneously—which "I Will Always Love You" also achieved for five weeks in 1992/93—and overall her third triple-crown hit, after 1985's "Saving All My Love for You" and 1986's "How Will I Know" both reached the top spot on those three charts in different weeks. The RIAA certified it Gold on March 21, 1991. [54] Unlike the United States, it was a modest hit globally. It peaked at number one on the Canadian RPM Top 100 Singles chart for one week and number ten on Belgian VRT Top 30 chart. [55] [56] However, it only reached the top twenty in Ireland, the Netherlands and the United Kingdom. [48] [57] [58] With this song, Houston received a nomination for Best Pop Vocal Performance, Female at the 34th Grammy Awards in 1992, which was her fifth nomination in that category. [49]
After the release of "The Star Spangled Banner" single, "Miracle" was released as the third single from the album in April 1991. It peaked at number nine on the Billboard Hot 100 on June 8, 1991, becoming her thirteenth top ten hit on the chart. [59] It also reached number two and number four, on the Hot R&B Singles and Adult Contemporary chart, respectively. [60] [61] The album's fourth single "My Name Is Not Susan" was released in July 1991. In September, the song peaked at number twenty on the Hot 100 and number eight on the Hot R&B, becoming her fifteenth R&B top ten hit. [62] A fifth single, "I Belong to You", became a top ten R&B single and garnered Houston a Grammy nomination for Best Female R&B Vocal Performance at the 35th Grammy Awards. [63] [64]
"We Didn't Know", a duet with Stevie Wonder, was the sixth and final single from the album, released exclusively for R&B airplay in April 1992. It peaked at number twenty on the Hot R&B Singles chart in the issue dated July 4, 1992. [65] Included on the tracklisting of the album's Japanese edition is a cover of Steve Winwood's "Higher Love", which was resurrected by Norwegian DJ Kygo in 2019, and "Takin' a Chance"; the latter became a success in the country.
Date | Title | Details |
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December 4, 1990 | The Arsenio Hall Show |
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December 11, 1990 | The Tonight Show Starring Johnny Carson (Guest Host: Jay Leno) |
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January 4, 1991 | The Arsenio Hall Show |
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February 23, 1991 | Saturday Night Live |
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March 31, 1991 | Welcome Home Heroes with Whitney Houston |
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May 12, 1991 | The Simple Truth: A Concert for Kurdish Refugees |
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June 23, 1991 | Coca Cola Pop Music Backstage Pass to Summer |
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January 27, 1992 | The 19th American Music Awards | |
February 16, 1992 | Muhammad Ali's 50th Birthday Celebration |
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May 6, 1992 | Whitney Houston: This Is My Life |
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No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "I'm Your Baby Tonight" |
| 4:59 | |
2. | "My Name Is Not Susan" | Eric Foster White |
| 4:39 |
3. | "All the Man That I Need" | Narada Michael Walden | 4:11 | |
4. | "Lover for Life" | Sam Dees | Walden | 4:49 |
5. | "Anymore" |
|
| 4:23 |
6. | "Miracle" |
|
| 5:42 |
7. | "I Belong to You" |
| Walden | 5:30 |
8. | "Who Do You Love" | Vandross | 3:57 | |
9. | "We Didn't Know" (duet with Stevie Wonder) | Stevie Wonder | Wonder | 5:30 |
10. | "After We Make Love" | Masser | 5:07 | |
11. | "I'm Knockin'" |
| 4:58 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
12. | "Takin' a Chance" |
|
| 4:11 |
13. | "Higher Love" | Walden | 5:09 |
Notes
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|
Weekly charts
Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [109] | Platinum | 70,000^ |
Austria (IFPI Austria) [110] | Platinum | 50,000* |
Brazil | — | 250,000 [111] |
Canada (Music Canada) [112] | Platinum | 100,000^ |
Finland (Musiikkituottajat) [113] | Gold | 35,702 [113] |
France (SNEP) [114] | Platinum | 300,000* |
Germany (BVMI) [115] | Platinum | 500,000^ |
Ghana | — | 7,000 [116] |
Japan (RIAJ) [117] | 2× Platinum | 400,000^ |
Netherlands (NVPI) [118] | Platinum | 100,000^ |
Spain (PROMUSICAE) [119] | 2× Platinum | 200,000^ |
Sweden (GLF) [120] | Platinum | 100,000^ |
Switzerland (IFPI Switzerland) [121] | 2× Platinum | 100,000^ |
United Kingdom (BPI) [122] | Platinum | 300,000^ |
United States (RIAA) [123] | 4× Platinum | 4,150,000 [124] |
Summaries | ||
Worldwide | — | 10,000,000 [31] |
* Sales figures based on certification alone. |
The Music Award is for the most creative and enduring contribution by a performer in live appearances or as a recording artist. Houston was presented this award for her achievements as an award-winning recording, performing and video artist, for her successful I'm Your Baby Tonight World Tour , for her best-selling video and single of "The Star-Spangled Banner" performed at Super Bowl XXV and for her multi-platinum album, I'm Your Baby Tonight. [125]
Year | Nominee / work | Award | Result |
---|---|---|---|
1991 | Whitney Houston (herself) | The Music Award [125] | Won |
Year | Nominee / work | Award | Result |
---|---|---|---|
1992 | Whitney Houston (herself) | Favorite Pop/Rock Female Artist [126] | Nominated |
Favorite Soul/R&B Female Artist [126] | Nominated | ||
I'm Your Baby Tonight | Favorite Soul/R&B Album [126] | Nominated | |
Whitney Houston (herself) | Favorite Adult Contemporary Artist [126] | Nominated | |
I'm Your Baby Tonight | Favorite Adult Contemporary Album [126] | Nominated |
Year | Nominee / work | Award | Result |
---|---|---|---|
1991 | Whitney Houston (herself) | Top Pop Album Artists - Female [21] [22] | Nominated |
Top Pop Singles Artist [21] [22] | Nominated | ||
Top Pop Singles Artist - Female [21] [22] | Nominated | ||
Top R&B Artist #1 [21] [22] | Won | ||
I'm Your Baby Tonight | Top R&B Album #1 [21] [22] | Won | |
Whitney Houston (herself) | Top R&B Album Artist #1 [21] [22] | Won | |
Top R&B Singles Artist #1 [21] [22] | Won | ||
"All the Man That I Need" | Top Adult Contemporary Single [21] [22] | Nominated |
Year | Nominee / work | Award | Result |
---|---|---|---|
1991 | Whitney Houston (herself) | Best International Female Artist [127] | Nominated |
Year | Nominee / work | Award | Result |
---|---|---|---|
1991 | "I'm Your Baby Tonight" | Best Pop Vocal Performance, Female [128] | Nominated |
1992 | "All the Man That I Need" | Best Pop Vocal Performance, Female [128] | Nominated |
1993 | "I Belong to You" | Best R&B Vocal Performance, Female [129] | Nominated |
Year | Nominee / work | Award | Result |
---|---|---|---|
1992 | HBO Presents Welcome Home Heroes with Whitney Houston | Outstanding Variety Series or Special [130] | Nominated |
"I'm Your Baby Tonight" | Outstanding Female Artist [131] | Nominated |
Year | Nominee / work | Award | Result |
---|---|---|---|
1992 | HBO Presents Welcome Home Heroes with Whitney Houston | Performance in a Music Special or Series [132] | Won |
Music Special [132] | Nominated |
Year | Date | Title | Format(s) | Award description(s) | Result(s) |
---|---|---|---|---|---|
1990 | November 27 | "I'm Your Baby Tonight" | Single | Gold [36] | Won |
1991 | January 15 | I'm Your Baby Tonight | Album | Gold [36] | Won |
I'm Your Baby Tonight | Album | Platinum [36] | Won | ||
I'm Your Baby Tonight | Album | 2× Multi-Platinum [36] | Won | ||
March 21 | "All the Man That I Need" | Single | Gold [54] | Won | |
May 2 | I'm Your Baby Tonight | Album | 3× Multi-Platinum [54] | Won | |
1995 | April 5 | I'm Your Baby Tonight | Album | 4× Multi-Platinum [23] | Won |
Year | Nominee / work | Award | Result |
---|---|---|---|
1992 | I'm Your Baby Tonight | Best R&B/Soul Album, Female [133] | Nominated |
"All the Man That I Need" | Best R&B/Soul Single, Female [133] | Nominated |
Categories which Houston was ranked #1, were excluded. See above awards list for her #1-ranked-categories.
Year | Category | Work | Position |
---|---|---|---|
1991 [32] | Top Pop Artists | total six charted singles & albums | #6 |
Top Albums | I'm Your Baby Tonight | #10 | |
Top Album Artists | one charted album | #11 | |
Top Album Artists – Female | one charted album | #3 | |
Top Pop Singles | "All the Man That I Need" | #16 | |
"I'm Your Baby Tonight" | #42 | ||
Top Pop Singles Artists | five charted singles | #3 | |
Top Pop Singles Artists – Female | five charted singles | #2 | |
Top R&B Singles | "All the Man That I Need" | #18 | |
"Miracle" | #24 | ||
"I'm Your Baby Tonight" | #79 | ||
Top Adult Contemporary Singles | "All the Man That I Need" | #3 | |
"Miracle" | #33 | ||
"I'm Your Baby Tonight" | #50 | ||
Top Adult Contemporary Artists | five charted singles | #6 |
Whitney Elizabeth Houston was an American singer and actress. Known as "the Voice", she is one of the most awarded entertainers and one of the best-selling music artists of all time, with sales of over 220 million records worldwide. Houston's crossover appeal on the popular music charts and her performances influenced the breaking down of gender and racial barriers, as well as popular culture. Known for her vocal delivery and distinctive timbre, Houston was ranked second by Rolling Stone on its list of the greatest singers of all time. Her life and career have been the subject of multiple documentaries and television specials.
After 7 is an American R&B group founded in 1987 by brothers Melvin and Kevon Edmonds, and their friend Keith Mitchell. The Edmonds brothers are the older siblings of pop/R&B singer-songwriter and record producer Kenneth "Babyface" Edmonds, who named the group and helped them get a record deal with Virgin Records in 1988. After 7 released their platinum-selling self-titled debut album in 1989, which spawned three singles "Heat of the Moment", "Ready or Not" and "Can't Stop". "Ready or Not" and "Can't Stop" were No. 1 R&B hits and top 10 hits on the Billboard Hot 100. Their second album Takin' My Time, released in 1992, also went platinum and contained the R&B hit medley "Baby, I'm for Real/Natural High". After 7's Gold-selling 1995 album Reflections was their last album before the group disbanded in 1997. The album included the R&B hit "'Til You Do Me Right. Years later the group resumed touring with Jason Edmonds, son of Melvin Edmonds, replacing his father. Melvin rejoined the group for their successful 2016 comeback album Timeless, which featured 3 adult R&B top 10 hits "Runnin' Out", "I Want You" and "Let Me Know".
Whitney is the second studio album by American singer Whitney Houston, released on June 2, 1987, by Arista Records as the follow-up to her debut album. Whitney is one of the best-selling albums of all time, with sales of over 20 million copies worldwide. The album features five top-10 hits on the US Billboard Hot 100, which also became international hits. The album's first four singles—"I Wanna Dance with Somebody ", "Didn't We Almost Have It All", "So Emotional" and "Where Do Broken Hearts Go"—all peaked at number one on the US Hot 100, making her the first female act to achieve four number-one hits from one album.
My Love Is Your Love is the fourth studio album by American singer Whitney Houston, released worldwide on November 17, 1998. The album is one of the best-selling female albums of all time, selling over 10 million copies worldwide. It was Houston's first studio album in eight years, following I'm Your Baby Tonight (1990) although she had participated on three movie soundtracks during that period. Musically, My Love Is Your Love is a hip hop and R&B album that is composed of elements of pop, gospel and dance music, produced by musicians such as Whitney Houston herself, Rodney Jerkins, Soulshock & Karlin, Missy Elliott, Wyclef Jean, David Foster, Lauryn Hill, and Babyface.
The Bodyguard: Original Soundtrack Album is a soundtrack album from the film of the same name, released on November 17, 1992, by Arista Records. The album's first side features songs recorded by American singer Whitney Houston, who starred in the film, while side two features the work of various artists. Houston and Clive Davis were co-executive producers of the record.
"I Wanna Dance with Somebody (Who Loves Me)" is a song recorded by American singer Whitney Houston for her second studio album, Whitney (1987). It was released as the lead single from the album on April 28, 1987, by Arista Records. It was produced by Narada Michael Walden, and written by George Merrill and Shannon Rubicam, of the band Boy Meets Girl, who had previously collaborated with Houston on "How Will I Know". At the 30th Annual Grammy Awards, "I Wanna Dance with Somebody (Who Loves Me)" won for Best Female Pop Vocal Performance, marking Houston's second win in the category.
"Saving All My Love for You" is a song written by Michael Masser and Gerry Goffin, originally recorded by Marilyn McCoo and Billy Davis Jr. for their album Marilyn & Billy (1978). American singer Whitney Houston recorded it for her self-titled debut studio album (1985). It was released on August 13, 1985, by Arista Records, as the second single from the album in the United States, and third worldwide.
"Where Do Broken Hearts Go" is a song recorded by American singer Whitney Houston for her second studio album, Whitney (1987). It was released as the fourth single from the album in February 1988. The song was written by Frank Wildhorn and Chuck Jackson and produced by Narada Michael Walden. A pop ballad set in the key of D major, the record is about someone seeking for a former lover to return after a breakup. Upon its release, the song received mixed reviews from critics.
"I'm Your Baby Tonight" is a song by American singer Whitney Houston from her third studio album, I'm Your Baby Tonight (1990). Written and produced by L.A. Reid and Babyface, in Australia and most European countries it was released as the album's lead single by Arista Records on September 28, 1990; in the United States, the release date was October 2. Following the release of her second studio album Whitney (1987), Houston became the first woman ever to debut atop the Billboard 200; despite this, critics deemed it safe and formulaic. Additionally, she was booed at the 1989 Soul Train Music Awards and accused of being "not black enough"; Houston decided she needed to change her sound if she wanted to recapture black audiences.
"All the Man That I Need" is a song written by Dean Pitchford and Michael Gore. The song was first recorded as "All the Man I Need" by Linda Clifford for her album I'll Keep on Loving You (1982). In 1990, American singer Whitney Houston had a number-one multiple chart hit with this song, recorded as "All the Man That I Need", from her third album, I'm Your Baby Tonight (1990).
"Miracle" is a song by American singer Whitney Houston, it was released as the third single from her multi-platinum hit album I'm Your Baby Tonight on April 16, 1991 by Arista Records. It was written and produced by L.A. Reid and Babyface. The single reached number nine on the US Billboard Hot 100, two on the Hot R&B Singles Chart, and four on the Adult Contemporary Chart.
"My Name Is Not Susan" is a song by American singer and actress Whitney Houston, released as the fourth single from her third album, I'm Your Baby Tonight (1990). The song was released on June 24, 1991, by Arista Records. It was produced by L.A. Reid and Babyface, and written by Eric Foster White. The song is an uptempo new jack swing number in which Houston harshly tells off a lover who has mistakenly called her by his ex-girlfriend's name "Susan". She lets him know that if he cannot get over Susan, then their relationship is over. The music video for the song was directed by Lionel C. Martin and inspired by the 1958 film Vertigo. A remix featuring British rapper Monie Love was also released, becoming one of the first times a pop/R&B artist had included a rapper in a remix, following Janet Jackson's "Alright", which remix featured Heavy D the year previous.
"I Belong to You" is a 1991 song recorded by American singer Whitney Houston for her third studio album, I'm Your Baby Tonight (1990). It was written by Derek Bramble and Franne Golde, produced by Narada Michael Walden, and was released on October 18, 1991, as the album's fifth single by Arista Records. "I Belong to You" was a Top 10 hit on the US Billboard R&B chart, and also charted in the UK and the Netherlands. The song garnered Houston a nomination for Best Female R&B Vocal Performance at the 35th Grammy Awards (1993).
The albums discography of American singer, actress and producer Whitney Houston consists of seven studio albums, eight compilations, three soundtracks, five box sets and six extended plays. Houston is one of the best-selling music artists of all time, with over 220 million records sold worldwide. In 1986, Houston's self-titled debut album spent fourteen weeks at number one on the Billboard 200, earned three number one singles in a row on the Billboard Hot 100 including "How Will I Know" and "Greatest Love of All" and was 1986's top album of the year, giving Houston the distinction of the first female artist to earn that honor. The album became the first studio album by a female artist to be certified over ten-times platinum by the Recording Industry Association of America (RIAA) in January 1994, and went on to be certified fourteen-times platinum, tying with Britney Spears' ...Baby One More Time, as the highest-certified debut album by a female artist in history. It sold 25 million copies worldwide and earn a Guinness World Record as the best-selling R&B studio album by a female artist in the United States. Houston's second album, Whitney, was released in 1987 and became the first album by a female artist to debut at the top of the Billboard 200. It also became the first female album to spend its first ten weeks at number one, eventually staying there for eleven consecutive weeks. The album spawned four number one singles in a row including "I Wanna Dance with Somebody ", which helped Houston become the only artist to produce a record seven consecutive number-one hits. The album was certified Diamond by the RIAA for sales of ten million equivalent album sales and topped the charts in other countries, eventually selling in excess of 20 million copies worldwide. Houston earned a third consecutive top ten album on the Billboard 200 with the release of I'm Your Baby Tonight in 1990. The album helped Houston become the first female artist to earn multiple number one singles off three or more albums.
"I'm Every Woman" is a song by American singer Chaka Khan, released in September 1978 by Warner Bros. as her debut solo single from her first album, Chaka (1978). It was Khan's first hit outside her recordings with the funk band Rufus. "I'm Every Woman" was produced by Arif Mardin and written by the successful songwriting team Nickolas Ashford and Valerie Simpson. The single established Chaka's career outside the group Rufus, whom she would leave after their eighth studio album, Masterjam, was released in late 1979.
"We Didn't Know" is a mid-tempo duet by American recording artists Whitney Houston and Stevie Wonder, and was released as the sixth and final single from Houston's third album I'm Your Baby Tonight (1990). The single was released on April 14, 1992 by Arista Records. Wonder wrote and produced the song. The single peaked at number 20 on Billboard's R&B Singles chart. There was no music video made for the song. This is the first and only single from the album that was issued without a music video.
I Will Always Love You: The Best of Whitney Houston is a posthumous greatest hits album by American recording artist Whitney Houston. The album was released on November 13, 2012 via RCA Records.
American singer Whitney Houston, known as "The Voice", released 57 singles as a leading artist and 4 as a featured artist. Houston is one of the best-selling music artists of all time, with over 220 million records sold worldwide. In the United States, Houston amassed 11 Billboard Hot 100 number-one singles, all of whom have been certified either gold, platinum, multi-platinum or diamond by the Recording Industry Association of America and was one of a selected group of artists to have a top ten single in the Billboard Hot 100 in four different decades. She is currently ranked in seventh place of the artists with the most number one singles in the history of the Billboard Hot 100. Prior to the introduction of digital singles, Houston sold 16.5 million physical singles in the country, the most ever by a female recording artist. In October 2012, the Official Charts Company claimed Houston was the fourth biggest-selling female singles artist of all time with a sales total of 8.5 million singles in that country.
The new album, her first in three years matches her with her best collaborators yet and finally makes a convincing case that she can sing R&B-dance numbers.
the bodyguard rolling stone album guide.
The theme song is also a leader: the big ballad "I Will Always Love You" occupies the first place for three weeks in the United States and in Brazil, she has sold 250,000 copies with each of her three previous albums.