Radha, also called Radhika, is a Hindu goddess and the chief consort of the god Krishna. She is the goddess of love, tenderness, compassion, and devotion. In scriptures, Radha is mentioned as the avatar of Lakshmi and also as the Mūlaprakriti, the Supreme goddess, who is the feminine counterpart and internal potency of Krishna. Radha accompanies Krishna in all his incarnations. Radha's birthday is celebrated every year on the occasion of Radhashtami.
The Gita Govinda is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and gopis of Vrindavan.
Jayadeva, also spelt Jaideva, was a Sanskrit poet during the 12th century. He is most known for his epic poem Gita Govinda which concentrates on Krishna's love with the gopi, Radha, in a rite of spring. This poem, which presents the view that Radha is greater than Krishna, is considered an important text in the Bhakti movement of Hinduism.
Rajput painting, painting of the regional Hindu courts during the Mughal era, roughly from the end of the 16th century to the middle of the 19th century. Traditionally, Rajput painting is further divided into Rajasthan and Pahari painting which flourished in two different areas "far apart from each other in terms of distance but all under the rule of Rajput chiefs, and bound together by a common culture".
Indian painting has a very long tradition and history in Indian art. The earliest Indian paintings were the rock paintings of prehistoric times, such as the petroglyphs found in places like the Bhimbetka rock shelters. Some of the Stone Age rock paintings found among the Bhimbetka rock shelters are approximately 10,000 years old. Because of the climatic conditions in the Indian subcontinent, very few early examples survive today.
Pahari painting is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India, during the early 17th to mid 19th century, notably Basohli, Mankot, Nurpur, Chamba, Kangra, Guler, Mandi and Garhwal. Nainsukh was a famous master of the mid-18th century, followed by his family workshop for another two generations. The central theme of Pahari painting is depiction of eternal love of the Hindu deities Radha and Krishna. A distinct lyricism, spontaneous rhythm, softness, minute intricate details of composition, and intense perception and portrayal of human emotions and physical features distinguish the Pahari miniatures from the other miniature schools like Deccan, Mughal and Rajasthani-Rajput.
The Hill States of India were princely states lying in the northern border regions of the British Indian Empire.
Chamba is a town in the Chamba district in the Indian state of Himachal Pradesh. According to the 2001 Indian census, Chamba has a population of 20,312 people. Located at an altitude of 1,006 metres (3,301 ft) above mean sea level, the town is situated on the banks of the Ravi River, at its confluence with the Sal River.
Kathua district is an administrative district in the Jammu division of Indian-administered Jammu and Kashmir in the disputed Kashmir region. It is surrounded by Jammu to the northwest, the Doda and Udhampur districts to the north, the state of Himachal Pradesh to the east, Punjab to the south, and Pakistan's working boundary to the west. Its terrain is diverse, consisting of rich agricultural areas along the Punjab/Kashmir border, plains sweeping eastward to the foothills of the Himalaya, and the mountainous Pahari region in the east.
The Dogra dynasty of Dogra Rajputs from the Shivalik hills created Jammu and Kashmir through the treaties with the East India Company following the First Anglo-Sikh war. Events led the Sikh Empire to recognise Jammu as a vassal state in 1820, and later the British added Kashmir to Jammu with the Treaty of Amritsar in 1846. The founder of the dynasty, Gulab Singh, was an influential noble in the court of the Sikh emperor Maharaja Ranjit Singh, while his brother Dhian Singh served as the prime minister of the Sikh Empire. Appointed by Ranjit Singh as the hereditary Raja of the Jammu principality, Gulab Singh established his supremacy over all the hill states surrounding the Kashmir Valley. After the First Anglo-Sikh War in 1846, under the terms of the Treaty of Lahore, 1846, the British East India Company acquired Kashmir from the Sikh Empire and transferred it to Gulab Singh, recognising him as an independent Maharaja. Thus, Jammu and Kashmir was established as one of the largest princely states in India, receiving a 21-gun salute for its Maharaja in 1921. It was ruled by Gulab Singh and his descendants until 1947.
Kangra painting is the pictorial art of Kangra, named after the Kangra State, a former princely state of Himachal Pradesh, which patronized the art. The art style became prevalent with the fading of the Basohli school of painting in the mid-18th century. Later, Kangra paintings were produced in such magnitude, both in content and volume, that the Pahari painting school came to be known as the Kangra painting school. Kangra painting style was registered under the Geographical Indication of Goods Act, 1999 on 2nd April 2012.
Jayadeva was an 11th-century Sanskrit poet and lyricist from present-day India. The works of Jayadeva have had a profound influence on Indian culture. They form the basis of the east Indian classical dance form, Odissi as well as traditional classical music of the state, Odissi music and have strongly influenced the Bharatanatyam classical dance as well as Carnatic music. Jayadeva's composition has also been incorporated in the Guru Granth Sahib.
Guler was a minor kingdom in the Lower Himalayas. Its capital was the town of Haripur Guler, in modern-day Himachal Pradesh. The kingdom was founded in 1415 by Raja Hari Chand, a scion of the ancient royal family of Kangra. The etymology of the word Guler can be traced to the word Gwalior, meaning the abode of cowherds. One of the foremost schools of Pahari miniatures is named after this small principality.
Siba State, later known as Dada-Siba, was a small independent Indian hill state in the Lower Himalayas. It was centered on the town of Dadasiba, Pragpur tehsil, Kangra district, in modern-day Himachal Pradesh. The state was founded in ca.1450. In 1849 the territory of Datarpur was added to Siba Jagir and annexed by the British Raj as 'Dada-Siba'.
Vijay Sharma is an Indian painter and art historian, known for his expertise in the Pahari school of miniature painting. He was honored by the Government of India, in 2012, with the fourth highest Indian civilian award of Padma Shri.
Nainsukh was an Indian painter. He was the younger son of the painter Pandit Seu and, like his older brother Manaku of Guler, was an important practitioner of Pahari painting, and has been called "one of the most original and brilliant of Indian painters".
The Chamba Rumal or Chamba handkerchief is an embroidered handicraft that was once promoted under the patronage of the former rulers of Chamba kingdom. It is a common item of gift during marriages with detailed patterns in bright and pleasing colour schemes.
Mahanpur is a small town and a newly created tehsil in Kathua district of Jammu Division in the union territory of Jammu and Kashmir, India. Earlier, Mahanpur was a town in Basohli tehsil. Mahanpur town is located about 50 km to the north of district headquarter Kathua and about 32 km south of the Sub Divisional headquarter Basohli.
Manaku of Guler or Manaku was an Indian painter from the Guler State, in modern-day Himachal Pradesh. After his death he was mostly forgotten and overshadowed by his much-celebrated younger brother Nainsukh. But today he is recognised as an exponent of Pahari style of painting, much like his brother. The rediscovery of Manaku has been a result of research efforts by art historians like B. N. Goswamy. Like Nainsukh, Manaku almost never signed his works, and only four extant works carry his signature.
Indian miniature paintings are a class of paintings originating from India. Made on canvases a few inches in length and width, the Indian miniatures are noted for the amount of details that the artist encapsulates within the minute canvas frame; and the characteristic sensitivity with which the human, divine and natural forms are portrayed.
India 
