Parent company | Penguin Random House |
---|---|
Status | Acquired |
Founded | 1917 |
Founder | Leonard Woolf and Virginia Woolf |
Defunct | 1946 |
Successor | Chatto & Windus and Crown Publishing Group |
Country of origin | United Kingdom |
Headquarters location | London |
Publication types | Books |
Official website | www www |
The Hogarth Press is a book publishing imprint of Penguin Random House that was founded as an independent company in 1917 by British authors Leonard Woolf and Virginia Woolf. It was named after their house in Richmond (then in Surrey and now in London), in which they began hand-printing books as a hobby during the interwar period.
Hogarth originally published the works of many members of the Bloomsbury Group, [1] and was at the forefront of publishing works on psychoanalysis and translations of foreign, especially Russian, works.
In 1938, Virginia Woolf relinquished her interest in the business and it was then run as a partnership by Leonard Woolf and John Lehmann until 1946, when it became an associate company of Chatto & Windus. [2] In 2011, Hogarth Press was relaunched as an imprint for contemporary fiction in a partnership between Chatto & Windus in the United Kingdom and Crown Publishing Group in the United States, which had both been acquired by Random House. [3]
Printing began as a hobby for the Woolfs, and it provided a diversion for Virginia when writing became too stressful. [4] The couple bought a handpress in 1917 for £19 (equivalent to about £1295 in 2018) [5] and taught themselves how to use it. The press was set up in the dining room of Hogarth House, where the Woolfs lived, lending its name to the publishing company they founded. In July they published their first text, a book with one story written by Leonard and the other written by Virginia. [6]
From these origins as a 'little press', by the late 1920s the Hogarth Press had become a larger operation, using commercial printers and distributing to an international readership, with some of its bestsellers printed in the tens of thousands. [7]
Between 1917 and 1946 the Press published 527 titles. [8] It moved to Tavistock Square in 1924. [9] [4]
Number of publications by year from 1917 to 1946 [10] | ||||||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Year | 1917 | 1918 | 1919 | 1920 | 1921 | 1922 | 1923 | 1924 | 1925 | 1926 | 1927 | 1928 | 1929 | 1930 | 1931 | 1932 | 1933 | 1934 | 1935 | 1936 | 1937 | 1938 | 1939 | 1940 | 1941 | 1942 | 1943 | 1944 | 1945 | 1946 |
Titles published | 1 | 2 | 5 | 3 | 6 | 9 | 14 | 14 | 28 | 31 | 42 | 30 | 30 | 30 | 34 | 36 | 20 | 21 | 24 | 23 | 20 | 17 | 23 | 12 | 13 | 12 | 7 | 10 | 4 | 4 |
Profit generated by the Hogarth Press publication (without bonuses and salaries) [11] | ||||||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Year | 1917–18 | 1919 | 1920 | 1921 | 1922 | 1923 | 1924 | 1925 | 1926 | 1927 | 1928 | 1929 | 1930 | 1931 | 1932 | 1933 | 1934 | 1935 | 1936 | 1937 | 1938 | |||||||||
Profit | £13 8s 8d | £13 14s 2d | £68 19s 4d | £25 5s 6d | £10 6s 4d | £5 7s 8d | £3 17s 0d | £73 1s 1.5d | £26 19s 1d | £64 2s 0d | £380 16s 0d | £580 14s 8d | £2,373 4s 2.5d | £2,209 0s 1.5d | £1,693 4s 1d | £929 15s 2.5d | £516 13s 0d | £598 7s 2d | £84 5s 0d | £2,422 18s 5d | £35 7s 7d |
The Hogarth Press produced a number of publication series that were affordable as well as being attractively bound and printed, and usually commissioned from well known authors. These include the initial Hogarth Essays in three series 1924–1947 (36 titles), Hogarth Lectures on Literature (2 series 1927–1951), Merttens Lectures on War and Peace (8 titles 1927–1936), Hogarth Living Poets (29 titles 1928–1937), Day to Day Pamphlets (1930–1939), Hogarth Letters (12 titles 1931–1933) and World-Makers and World-Shakers (4 titles 1937). [13]
The Essays were the first series produced by the press and include works by Virginia Woolf, Leonard Woolf and Gertrude Stein. Virginia Woolf's defence of modernism, Mr. Bennett and Mrs. Brown (1924) was the initial publication in the series. Cover illustrations were by Woolf’s sister Vanessa Bell. Bell also designed book jackets for all of Woolf’s books that were published by Hogarth Press. [14] [13]
The Letters are less well known, and are epistolary in form. Authors include E.M. Forster and Virginia Woolf. Woolf's A Letter to a Young Poet (1932), was number 8, and addressed to John Lehmann as an exposition on modern poetry. Cover illustrations were by John Banting. [15] [13] In 1933, the entire series was reissued as a single volume, [16] and are available on the Internet Archive in a 1986 edition. [17]
In 2015 Hogarth Press began producing a series of modern retellings of William Shakespeare plays, known as the Hogarth Shakespeare Project, for which it hired a variety of authors:
Adeline Virginia Woolf was an English writer. She is considered one of the most important modernist 20th-century authors. She pioneered the use of stream of consciousness as a narrative device.
The Bloomsbury Group was a group of associated British writers, intellectuals, philosophers and artists in the early 20th century. Among the people involved in the group were Virginia Woolf, John Maynard Keynes, E. M. Forster, Vanessa Bell, and Lytton Strachey. Their works and outlook deeply influenced literature, aesthetics, criticism, and economics, as well as modern attitudes towards feminism, pacifism, and sexuality.
Leonard Sidney Woolf was a British political theorist, author, publisher, and civil servant. He was married to author Virginia Woolf. As a member of the Labour Party and the Fabian Society, Woolf was an avid publisher of his own work and his wife's novels. A writer himself, Woolf created nineteen individual works and wrote six autobiographies. Leonard and Virginia did not have any children.
Victoria Mary, Lady Nicolson, CH, usually known as Vita Sackville-West, was an English author and garden designer.
(Helen) Hope Mirrlees was a British poet, novelist and translator. She is best known for the 1926 Lud-in-the-Mist, an influential fantasy novel, and for Paris: A Poem (1920), an experimental poem published by Virginia and Leonard Woolf's Hogarth Press, which critic Julia Briggs deemed "modernism's lost masterpiece, a work of extraordinary energy and intensity, scope and ambition."
Dorothy Miller Richardson was a British author and journalist. Author of Pilgrimage, a sequence of 13 semi-autobiographical novels published between 1915 and 1967—though Richardson saw them as chapters of one work—she was one of the earliest modernist novelists to use stream of consciousness as a narrative technique. Richardson also emphasises in Pilgrimage the importance and distinct nature of female experiences. The title Pilgrimage alludes not only to "the journey of the artist ... to self-realisation but, more practically, to the discovery of a unique creative form and expression".
Rudolf John Frederick Lehmann was an English publisher, poet and man of letters. He founded the periodicals New Writing and The London Magazine, and the publishing house of John Lehmann Limited.
William Charles Franklyn Plomer was a South African and British novelist, poet and literary editor. He also wrote a series of librettos for Benjamin Britten. He wrote some of his poetry under the pseudonym Robert Pagan.
Susan Charlotte Buchan, Baroness Tweedsmuir DStJ was a British writer and the wife of author John Buchan. Between 1935 and 1940 she was viceregal consort of Canada while her husband was the governor general. She was also the author of several novels, children's books, and biographies, some of which were published under the name Susan Tweedsmuir.
John Banting was an English Surrealist artist and writer associated with the Bloomsbury Group, whose left-wing philosophy was reflected in much of his work. According to his Times obituary, he was "an artist who adopted surrealist conventions for satirical purposes". Anthony Powell regarded him as "the only true English Surrealist painter".
This is a bibliography of works by the English novelist and essayist Virginia Woolf (1882–1941).
The Nation and Athenaeum, or simply The Nation, was a United Kingdom political weekly newspaper with a Liberal/Labour viewpoint. It was formed in 1921 from the merger of the Athenaeum, a literary magazine published in London since 1828, and the smaller and newer Nation, edited by Henry William Massingham.
John Frederick Norman Hampson Simpson was an English novelist writing as John Hampson. Best known for his 1931 novel Saturday Night at the Greyhound, he was a member of a Birmingham Group of working-class authors that included Walter Allen, Leslie Halward, Walter Brierley and Peter Chamberlain.
Monday or Tuesday is a 1921 short story collection by Virginia Woolf published by The Hogarth Press. 1000 copies were printed with four full-page woodcuts by Vanessa Bell. Leonard Woolf called it one of the worst printed books ever published because of the typographical mistakes in it. Most mistakes were corrected for the US edition published by Harcourt Brace. It contains eight stories:
Olivia is a novel by Dorothy Bussy. In her literary work, it was the only novel written by Bussy; it was published in 1949 by Hogarth Press, the publishing house founded by Leonard and Virginia Woolf. Bussy wrote it in French and signed her work with the pseudonym "Olivia." "Olivia" had been the name of one of Dorothy's sisters who died in infancy. The book was translated into English and then retranslated back into French. Bussy dedicated it "to the very dear memory of Virginia W."
The Mark on the Wall is the first published story by Virginia Woolf. It was published in 1917 as part of the first collection of short stories written by Virginia Woolf and her husband, Leonard Woolf, called Two Stories. It was later published in New York in 1921 as part of another collection entitled Monday or Tuesday.
A Letter to a Young Poet was an epistolary novel by Virginia Woolf, written in 1932 to John Lehman, laying out her views on modern poetry.
Joan Adeney Easdale was an English poet from Sevenoaks, Kent. Her mother was the author Gladys Ellen Easdale, née Adeney (1875-1970). Her father, Robert Carse Easdale, left her mother during the First World War. Virginia Woolf discerned some "real merit" in her early work.