Hogarth Press

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Hogarth Press
Hogarth Press House, Richmond, Surrey.jpg
Hogarth House, 34 Paradise Road, Richmond, London
Parent company Penguin Random House
StatusAcquired
Founded1917
Founder Leonard Woolf and Virginia Woolf
Defunct1946  OOjs UI icon edit-ltr-progressive.svg
Successor Chatto & Windus and Crown Publishing Group
Country of originUnited Kingdom
Headquarters locationLondon
Publication typesBooks
Official website www.randomhousebooks.com/imprint/hogarth-books/ (United States)
www.penguin.co.uk/company/publishers/vintage/hogarth.html (United Kingdom)
Blue plaque Hogarth Press blue plaque, Richmond, London.jpg
Blue plaque

The Hogarth Press is a book publishing imprint of Penguin Random House that was founded as an independent company in 1917 by British authors Leonard Woolf and Virginia Woolf. It was named after their house in Richmond (then in Surrey and now in London), in which they began hand-printing books as a hobby during the interwar period.

Contents

Hogarth originally published the works of many members of the Bloomsbury Group, [1] and was at the forefront of publishing works on psychoanalysis and translations of foreign, especially Russian, works.

In 1938, Virginia Woolf relinquished her interest in the business and it was then run as a partnership by Leonard Woolf and John Lehmann until 1946, when it became an associate company of Chatto & Windus. [2] In 2011, Hogarth Press was relaunched as an imprint for contemporary fiction in a partnership between Chatto & Windus in the United Kingdom and Crown Publishing Group in the United States, which had both been acquired by Random House. [3]

History

Printing was a hobby for the Woolfs, and it provided a diversion for Virginia when writing became too stressful. [4] The couple bought a handpress in 1917 for £19 (equivalent to about £1295 in 2018) [5] and taught themselves how to use it. The press was set up in the dining room of Hogarth House, where the Woolfs lived, lending its name to the publishing company they founded. In July they published their first text, a book with one story written by Leonard and the other written by Virginia. [6]

Between 1917 and 1946 the Press published 527 titles. [7] It moved to Tavistock Square in 1924. [8] [4]

Number of publications by year from 1917 to 1946 [9]
Year191719181919192019211922192319241925192619271928192919301931193219331934193519361937193819391940194119421943194419451946
Titles published125369141428314230303034362021242320172312131271044
Profit generated by the Hogarth Press publication (without bonuses and salaries) [10]
Year1917–1819191920192119221923192419251926192719281929193019311932193319341935193619371938
Profit£13 8s 8d£13 14s 2d£68 19s 4d£25 5s 6d£10 6s 4d£5 7s 8d£3 17s 0d£73 1s 1.5d£26 19s 1d£64 2s 0d£380 16s 0d£580 14s 8d£2,373 4s 2.5d£2,209 0s 1.5d£1,693 4s 1d£929 15s 2.5d£516 13s 0d£598 7s 2d£84 5s 0d£2,422 18s 5d£35 7s 7d

Series

The frontispiece of a publication from 1929 with Hogarth's official logo portraying the head of a wolf Danger Zones Frontispice.jpg
The frontispiece of a publication from 1929 with Hogarth's official logo portraying the head of a wolf

The Hogarth Press produced a number of publication series that were affordable as well as being attractively bound and printed, and usually commissioned from well known authors. These include the initial Hogarth Essays in three series 1924–1947 (36 titles), Hogarth Lectures on Literature (2 series 1927–1951), Merttens Lectures on War and Peace (8 titles 1927–1936), Hogarth Living Poets (29 titles 1928–1937), Day to Day Pamphlets (1930–1939), Hogarth Letters (12 titles 1931–1933) and World-Makers and World-Shakers (4 titles 1937). [12]

The Essays were the first series produced by the press and include works by Virginia Woolf, Leonard Woolf and Gertrude Stein. Virginia Woolf's defence of modernism, Mr. Bennett and Mrs. Brown (1924) was the initial publication in the series. Cover illustrations were by Woolf’s sister Vanessa Bell. Bell also designed book jackets for all of Woolf’s books that were published by Hogarth Press. [13] [12]

The Letters are less well known, and are epistolary in form. Authors include E.M. Forster and Virginia Woolf. Woolf's A Letter to a Young Poet (1932), was number 8, and addressed to John Lehmann as an exposition on modern poetry. Cover illustrations were by John Banting. [14] [12] In 1933, the entire series was reissued as a single volume, [15] and are available on the Internet Archive in a 1986 edition. [16]

  1. A letter to Madam Blanchard, E. M. Forster (1931)
  2. A letter to an M.P. on disarmament, Robert Gascoyne-Cecil, 1st Viscount Cecil of Chelwood (1931)
  3. A letter to a sister, Rosamond Lehmann (1931)
  4. The French pictures: a letter to Harriet, Robert Mortimer and John Banting (1932)
  5. A letter from a black sheep, Francis Birrell (1932)
  6. A letter to W. B. Yeats, L. A. G. Strong (1932)
  7. A letter to a grandfather, Rebecca West (1933)
  8. A letter to a young poet, Virginia Woolf (1932)
  9. A letter to a modern novelist, Hugh Walpole (1932)
  10. A letter to an archbishop, J. C. Hardwick (1932)
  11. A letter to Adolf Hitler, Louis Golding (1932)
  12. A letter to Mrs. Virginia Woolf, Peter Quennell (1932)

Notable title history

The Hogarth Shakespeare Project

In 2015 Hogarth Press began producing a series of modern retellings of William Shakespeare plays, known as the Hogarth Shakespeare Project, for which it hired a variety of authors:

  1. The Gap of Time (based on The Winter's Tale ), Jeanette Winterson (published 2015)
  2. Shylock is my Name (based on The Merchant of Venice ), Howard Jacobson (published 2016)
  3. Vinegar Girl (based on The Taming of the Shrew ), Anne Tyler (published 2016)
  4. Hag-Seed (based on The Tempest ), Margaret Atwood (published 2016)
  5. New Boy (based on Othello ), Tracy Chevalier (published 2017)
  6. Dunbar (based on King Lear ), Edward St Aubyn (published 2017)
  7. Macbeth (based on Macbeth ), Jo Nesbo (published 2018)

Related Research Articles

<span class="mw-page-title-main">Virginia Woolf</span> English modernist writer (1882–1941)

Adeline Virginia Woolf was an English writer. She is considered one of the most important modernist 20th-century authors. She pioneered the use of stream of consciousness as a narrative device.

<span class="mw-page-title-main">Bloomsbury Group</span> Influential group of associated English writers, intellectuals, philosophers and artists

The Bloomsbury Group or Bloomsbury Set was a group of associated English writers, intellectuals, philosophers and artists in the early 20th century. Among the people involved in the group were Virginia Woolf, John Maynard Keynes, E. M. Forster, Vanessa Bell, and Lytton Strachey. Their works and outlook deeply influenced literature, aesthetics, criticism, and economics, as well as modern attitudes towards feminism, pacifism, and sexuality.

<span class="mw-page-title-main">Leonard Woolf</span> British author and publisher (1880–1969)

Leonard Sidney Woolf was a British political theorist, author, publisher, and civil servant. He was married to author Virginia Woolf. As a member of the Labour Party and the Fabian Society, Woolf was an avid publisher of his own work and his wife's novels. A writer himself, Woolf created nineteen individual works and wrote six autobiographies. Leonard and Virginia did not have any children.

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<span class="mw-page-title-main">Hope Mirrlees</span> British poet, novelist, and translator (1887–1978)

(Helen) Hope Mirrlees was a British poet, novelist and translator. She is best known for the 1926 Lud-in-the-Mist, an influential fantasy novel, and for Paris: A Poem (1920), an experimental poem published by Virginia and Leonard Woolf's Hogarth Press, which critic Julia Briggs deemed "modernism's lost masterpiece, a work of extraordinary energy and intensity, scope and ambition."

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<span class="mw-page-title-main">John Lehmann</span> English publisher (1907–1987)

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<i>Monday or Tuesday</i>

Monday or Tuesday is a 1921 short story collection by Virginia Woolf published by The Hogarth Press. 1000 copies were printed with four full-page woodcuts by Vanessa Bell. Leonard Woolf called it one of the worst printed books ever published because of the typographical mistakes in it. Most mistakes were corrected for the US edition published by Harcourt Brace. It contains eight stories:

<i>Olivia</i> (Bussy novel) 1949 novel by Dorothy Bussy

Olivia is a novel by Dorothy Bussy. In her literary work, it was the only novel written by Bussy; it was published in 1949 by Hogarth Press, the publishing house founded by Leonard and Virginia Woolf. Bussy wrote it in French and signed her work with the pseudonym "Olivia." "Olivia" had been the name of one of Dorothy's sisters who died in infancy. The book was translated into English and then retranslated back into French. Bussy dedicated it "to the very dear memory of Virginia W."

The Mark on the Wall is the first published story by Virginia Woolf. It was published in 1917 as part of the first collection of short stories written by Virginia Woolf and her husband, Leonard Woolf, called Two Stories. It was later published in New York in 1921 as part of another collection entitled Monday or Tuesday.

<i>A Letter to a Young Poet</i> Letter by Virginia Woolf

A Letter to a Young Poet was an epistolary novel by Virginia Woolf, written in 1932 to John Lehman, laying out her views on modern poetry.

Joan Adeney Easdale was an English poet from Sevenoaks, Kent. Her mother was the author Gladys Ellen Easdale, née Adeney (1875-1970). Her father, Robert Carse Easdale, left her mother during the First World War. Virginia Woolf discerned some "real merit" in her early work.

<i>Paris: A Poem</i> Modernist poem by Hope Mirrlees

Paris: A Poem is a long poem by Hope Mirrlees, described as "modernism's lost masterpiece" by critic Julia Briggs. Mirrlees wrote the six-hundred-line poem in spring 1919. Although the title page of the first edition mistakenly has the year 1919, it was first published in 1920 by Leonard and Virginia Woolf at the Hogarth Press. Only 175 copies of the first edition were distributed. In 2011, the poem was reprinted in an edition of Mirrlees's Collected Poems, edited by Sandeep Parmar, which helped create more critical interest.

References

  1. Gillespie, Diane F. (Spring 2003), "Virginia Woolf, the Hogarth Press, and the detective novel" (PDF), South Carolina Review, 35 (2), archived from the original (PDF) on 5 March 2016
  2. "Hogarth". Penguin Books . Retrieved 15 November 2020.
  3. "Random Creates Hogarth, a U.S.-U.K. Imprint". PublishersWeekly.com. Retrieved 29 November 2019.
  4. 1 2 Heyes, Duncan (25 May 2016). "The Hogarth Press". British Library . Archived from the original on 27 March 2017. Retrieved 14 November 2020.
  5. "Inflation calculator". Bank of England.
  6. Gaither 1986, pp. xx–xxi.
  7. Gaither 1986, p. xviii.
  8. Southworth 2012.
  9. Woolmer 1986.
  10. Willis 1992, 406.
  11. Obermair, Hannes (2013), "Danger Zones – der englische Historiker John Sturge Stephens (1891–1954), der italienische Faschismus und Südtirol", in Faber, Richard (ed.), Italienischer Faschismus und deutschsprachiger Katholizismus, Würzburg: Königshausen & Neumann, pp. 137–62 (140), ISBN   978-3-8260-5058-9
  12. 1 2 3 Delaware2010.
  13. Catlin, Roger. "A sister's bookish art for her sister, Virginia's, publishing company, the Hogarth Press". Washington Post.
  14. Woolf 1932.
  15. Woolf & Woolf 1933.
  16. Lee 1986.
  17. "Paris by Hope Mirrlees". British Library Collection items. Retrieved 27 August 2023.

Bibliography