Related Research Articles
War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat, survival and escape, camaraderie between soldiers, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War; the most popular subjects are the Second World War and the American Civil War. The stories told may be fiction, historical drama, or biographical. Critics have noted similarities between the Western and the war film.
Why We Fight is a series of seven propaganda films produced by the US Department of War from 1942 to 1945, during World War II. It was originally written for American soldiers to help them understand why the United States was involved in the war, but US President Franklin Roosevelt ordered distribution for public viewing.
The Axis powers, originally called the Rome–Berlin Axis and also Rome–Berlin–Tokyo Axis, was a military coalition that initiated World War II and fought against the Allies. Its principal members were Nazi Germany, Fascist Italy and the Empire of Japan. The Axis were united in their far-right positions and general opposition to the Allies, but otherwise lacked comparable coordination and ideological cohesion.
Passenger is a 1963 Polish feature film directed by Andrzej Munk. When Munk died in a car crash during production, the unfinished film was assembled for release by directors Witold Lesiewicz and Andrzej Brzozowski.
Titanic is a 1943 German propaganda film made during World War II in Berlin by Tobis Productions for UFA, depicting the catastrophic sinking of RMS Titanic in 1912. This was the third German language dramatization of the event, following a silent film released in 1912 just four months after the sinking and the British produced German film Atlantik released in 1929.
During World War II, resistance movements operated in German-occupied Europe by a variety of means, ranging from non-cooperation to propaganda, hiding crashed pilots and even to outright warfare and the recapturing of towns. In many countries, resistance movements were sometimes also referred to as The Underground.
The Holocaust has been a prominent subject of art and literature throughout the second half of the twentieth century. There is a wide range of ways–including dance, film, literature, music, and television–in which the Holocaust has been represented in the arts and popular culture.
Holocaust victims were people targeted by the government of Nazi Germany based on their ethnicity, religion, political beliefs, disability or sexual orientation. The institutionalized practice by the Nazis of singling out and persecuting people resulted in the Holocaust, which began with legalized social discrimination against specific groups, involuntary hospitalization, euthanasia, and forced sterilization of persons considered physically or mentally unfit for society. The vast majority of the Nazi regime's victims were Jews, Sinti-Roma peoples, and Slavs but victims also encompassed people identified as social outsiders in the Nazi worldview, such as homosexuals, and political enemies. Nazi persecution escalated during World War II and included: non-judicial incarceration, confiscation of property, forced labor, sexual slavery, death through overwork, human experimentation, undernourishment, and execution through a variety of methods. For specified groups like the Jews, genocide was the Nazis' primary goal.
The Nuremberg Trials is a 1947 Soviet-made documentary film about the trials of individual members of the former Nazi leadership after World War II. It was directed by Elizaveta Svilova, produced by Roman Karmen, and was an English-language version of the Russian-language film Суд народов.
The following events occurred in September 1943:
"Zog nit keyn mol" sometimes "Zog nit keynmol" or "Partizaner lid" [Partisan Song]) is a Yiddish song considered one of the chief anthems of Holocaust survivors and is sung in memorial services around the world.
The following outline is provided as an overview of and topical guide to World War II:
Imaginary Witness: Hollywood and the Holocaust is a 2004 documentary film directed by Daniel Anker and narrated by Gene Hackman that examines the treatment of the Holocaust in Hollywood films over a period of sixty years and the impact of the films on public perception and thinking, and vice versa. The film was originally produced for the American cable network, American Movie Classics.
The foreign relations of Third Reich were characterized by the territorial expansionist ambitions of Germany's dictator Adolf Hitler and the promotion of the ideologies of anti-communism and antisemitism within Germany and its conquered territories. The Nazi regime oversaw Germany's rise as a militarist world power from the state of humiliation and disempowerment it had experienced following its defeat in World War I. From the late 1930s to its defeat in 1945, Germany was the most formidable of the Axis powers - a military alliance between Imperial Japan, Fascist Italy, and their allies and puppet states. Adolf Hitler made most of the major diplomatic policy decisions, while foreign minister Konstantin von Neurath handled routine business.
German Concentration Camps Factual Survey is the official British documentary film on the Nazi concentration camps, based on footage shot by the Allied forces in 1945.
Night Will Fall is a 2014 documentary film directed by Andre Singer that chronicles the making of the 1945 British government documentary German Concentration Camps Factual Survey. The 1945 documentary, which showed gruesome scenes from newly liberated Nazi concentration camps, languished in British archives for nearly seven decades and was only recently completed.
Fascist Italy is a term which is used to describe the Kingdom of Italy when it was governed by the National Fascist Party from 1922 to 1943 with Benito Mussolini as prime minister and dictator. The Italian Fascists imposed totalitarian rule and crushed political opposition, while simultaneously promoting economic modernization, traditional social values and a rapprochement with the Roman Catholic Church.
References
- Sources
- Leyda, Jay. Kino: A History of the Russian and Soviet Film – A study of the development of Russian cinema, from 1896 to the present. London: George Allen & Unwin, 1960. Princeton, New Jersey: Princeton University Press, 3rd edition, 1983. 513 pp. ISBN 0-691-00346-7
 | Please add Georgian script to this article, where needed. |
 |