Polari (fromItalianparlare'to talk') is a form of slang or cant historically used in Britain by some actors, circus and fairground performers, professional wrestlers, merchant navy sailors, criminals and sex workers, and particularly among the gay subculture. There is some debate about its origins,[2] but it can be traced to at least the 19th century and possibly as early as the 16th century.[3] Polari has a long-standing connection with Punch and Judy street puppeteers, who traditionally used it to converse.[4]
Polari is a mixture of Romance (Italian[5] or Mediterranean Lingua Franca), Romani, rhyming slang, sailors' slang and thieves' cant, which later expanded to contain words from Yiddish and 1960s drug subculture slang. It was constantly evolving, with a small core lexicon of about 20 words, including: bona (good),[6]ajax (nearby), eek (face), cod (bad, in the sense of tacky or vile), naff (bad, in the sense of drab or dull, though borrowed into mainstream British English with a meaning more like that of cod), lattie (room, house, flat), nanti (not, no), omi (man), palone (woman), riah (hair), zhoosh or tjuz (smarten up, stylise), TBH ('to be had', sexually accessible), trade (sex) and vada (see).[7] There were once two distinct forms of Polari in London: an East End version which stressed Cockney rhyming slang and a West End version which stressed theatrical and classical influences. There was some interchange between the two.[8]
Usage
From the 19th century on, Polari was used in London fish markets, theatres, fairgrounds, and circuses, hence the many borrowings from Romani.[9] As many homosexual men worked in theatrical entertainment, it was also used among the gay subculture to disguise homosexuals from hostile outsiders and undercover policemen. It was also used extensively in the British Merchant Navy, where many gay men worked as waiters, stewards, and entertainers.[10]
Although William Shakespeare used the term bona (good, attractive) in Henry IV, Part 2 as part of the expression bona roba (a woman wearing an attractive outfit),[11] "little written evidence of Polari before the 1890s" exists according to Oxford English Dictionary associate editor Peter Gilliver. The dictionary's entry for rozzer (policeman) includes a quote from P. H. Emerson's 1893 book Signor Lippo – Burnt Cork Artiste:[12] "If the rozzers was to see him in bona clobber they'd take him for a gun" ("If the police were to see him dressed in this fine manner, they would know that he is a thief").[11]
The almost identical Parlyaree has been spoken in fairgrounds since at least the 17th century[13] and is still used by show travellers in England and Scotland. As theatrical booths, circus acts, and menageries were once common parts of European fairs, it is likely that the roots of Polari/Parlyaree lie in the period before both theatre and circus became independent of fairgrounds. The Parlyaree spoken on fairgrounds tends to borrow much more from Romani, as well as other languages and cants spoken by travelling people, such as thieves' cant and back slang.
Henry Mayhew gave an account of Polari as part of an interview with a Punch and Judy showman in the 1850s. The discussion he recorded references Punch's arrival in England, crediting these early shows to an Italian performer called Porcini (John Payne Collier's account calls him Porchini, a literal rendering of the Italian pronunciation).[14] Mayhew provides the following:
Punch Talk
"Bona Parle" means language; name of patter. "Yeute munjare" – no food. "Yeute lente" – no bed. "Yeute bivare" – no drink. I've "yeute munjare", and "yeute bivare", and, what's worse, "yeute lente". This is better than the costers' talk, because that ain't no slang and all, and this is a broken Italian, and much higher than the costers' lingo. We know what o'clock it is, besides.[4]
There are additional accounts of particular words that relate to puppet performance: "'Slumarys' – figures, frame, scenes, properties. 'Slum' – call, or unknown tongue"[4] ("unknown" is a reference to the "swazzle", a voice modifier used by Punch performers).
Decline
Polari had begun to fall into disuse among the gay subculture by the late 1960s. The popularity of the BBC radio comedy Round the Horne, with its camp gay characters Julian and Sandy, ensured that some of the Polari terms they used became public knowledge.[15] The need for a secret means of communication in the subculture also declined with the partial decriminalisation of adult homosexual acts in England and Wales under the Sexual Offences Act 1967; in the 1970s, the gay liberation movement began to view Polari as old-fashioned and perpetuating harmful camp stereotypes.[16]
Mainstream usage
Bona Togs, a shop named in Polari
A number of words from Polari have entered mainstream slang. The list below includes words in general use with the meanings listed: acdc, barney, blag, butch, camp, khazi, cottaging, hoofer, mince, ogle, scarper, slap, strides, tod, [rough] trade.
The Polari word naff, meaning inferior or tacky, has an uncertain etymology. Michael Quinion says it is probably from the 16th-century Italian word gnaffa, meaning "a despicable person".[17] There are a number of false etymologies, many based on backronyms—"Not Available For Fucking", "Normal As Fuck", etc. The phrase "naff off" was used euphemistically in place of "fuck off" along with the intensifier "naffing" in Keith Waterhouse's Billy Liar (1959).[18] Usage of "naff" increased in the 1970s when the televisionsitcomPorridge employed it as an alternative to expletives which were not broadcastable at the time.[17]Princess Anne allegedly told a reporter to "naff off" at the Badminton horse trials in April 1982,[19] however, the photographers who were present have since stated that this was a censored version of what she actually said.[20]
Since the late 20th and early 21st century, there has been a renewed interest in Polari, especially as a part of LGBTQ+ heritage.[25][26][27]Gay's the Word has held workshops in Polari, the Sisters of Perpetual Indulgence have translated the Bible into Polari,[28] and Madame Jo Jo's nightclub in Soho taught its staff to speak Polari.[29]
Linguist Paul Baker attributes increased interest in Polari primarily to the growing body of academic work on the subject.[25][26] Author George Reiner explains that "the revival of a language like Polari offers the possibility of an alternate queer linguistic space" at a time when closing LGBTQ+ venues and dating apps have reduced queer social spaces.[26]
In 2007, writer and activist Paul Burston launched Polari Literary Salon in London to platform LGBTQ+ writers. He launched the Polari First Book Prize in 2011. This was followed by the Polari Prize for LGBTQ+ writers at all stages of their career in 2019 and the Polari Children's & YA Prize in 2022.[30][31] Other organisations have also taken names inspired by Polari, such as Polari Magazine,[32]Vada Magazine,[33] and VADA LGBTQ Community Theatre Company.[34]
In 2012 and 2013, Manchester artists Jez Dolan and Joe Richardson presented a performance-based tour and exhibition titled Polari Mission, which explored LGBTQ+ history and language use in the UK. This was presented at The John Rylands Library and Contact Theatre.[35] In 2015, Dolan also translated sections of the 1957 Wolfenden Report into Polari for a commission from the UK Parliament.[36][37] Dolan and Richardson also worked with Paul Baker to produce a 500-word dictionary of Polari as an app.[38]
In 2019, Reaktion Books published Paul Baker's third book on Polari, Fabulosa!: The Story of Polari, Britain's Secret Gay Language.[44][45] His first two books on the subject (Polari: Fantabulosa: A Dictionary of Polari and Gay Slang and Polari: The Lost Language of Gay Men) were published in 2002 and 2003, respectively.[46]
In 1990 Morrissey released the single "Piccadilly Palare" containing a number of lyrics in Polari and exploring a subculture in which Polari was used. "Piccadilly Palare" later appeared on his compilation album Bona Drag, whose title is also taken from Polari.[50]
In the 1998 film Velvet Goldmine, two characters speak Polari in a London nightclub. The scene has English subtitles in the American release of the film.[16]
In 2018, George Reiner and Penny Burkett, published cruising for lavs, written mostly in Polari.[25]
In 2019, the first opera in Polari, The Sins of the Cities of the Plain (based on the book of the same title), premiered at Espacio Turina in Seville, Spain. The libretto was written in Polari by librettist and playwright Fabrizio Funari and the music is by Germán Alonso.[53]
The same year, the English-language localisation of the Japanese video game Dragon Quest Builders 2 included a character called Jules, who spoke in Polari with non-standard capitalisation.[54][55]
In 2023, Peepal Tree Press published Adam Lowe's debut poetry collection Patterflash, which features a number of Polari poems. The title is translated in the book's glossary as "Gossip, chat, ostentatious or pretentious speech; the lyrics pouring out of my gob".[57]
In the fourth episode of Funny Woman (2024), characters discuss BBC Radio using Polari in Round the Horne and visit a comedy club where gay and entertainment-industry characters converse in Polari.[58]
effeminate (possibly from Italian campare or campeggiare "emphasise, make stand out") (possibly from the phrase 'camp follower' those itinerants who followed behind the men in uniform/highly decorative dress)
style hair, tart up, mince (cf. Romani zhouzho – "clean, neat")
zhoosh our riah – style our hair
zhooshy
showy
Usage examples
Omies and palones of the jury, vada well at the eek of the poor ome who stands before you, his lallies trembling. – taken from "Bona Law", one of the Julian and Sandy sketches from Round The Horne, written by Barry Took and Marty Feldman
Translation: "Men and women of the jury, look well at the face of the poor man who stands before you, his legs trembling."
So bona to vada...oh you! Your lovely eek and your lovely riah. – taken from "Piccadilly Palare", a song by Morrissey
Translation: "So good to see...oh you! Your lovely face and your lovely hair."
As feely ommes...we would zhoosh our riah, powder our eeks, climb into our bona new drag, don our batts and troll off to some bona bijou bar. In the bar we would stand around with our sisters, vada the bona cartes on the butch omme ajax who, if we fluttered our ogle riahs at him sweetly, might just troll over to offer a light for the unlit vogue clenched between our teeth. – taken from Parallel Lives, the memoirs of renowned gay journalist Peter Burton
Translation: "As young men...we would style our hair, powder our faces, climb into our great new clothes, don our shoes and wander/walk off to some great little bar. In the bar we would stand around with our gay companions, look at the great genitals on the butch man nearby who, if we fluttered our eyelashes at him sweetly, might just wander/walk over to offer a light for the unlit cigarette clenched between our teeth."
In the Are You Being Served? episode "The Old Order Changes", Captain Peacock asks Mr Humphries to get "some strides for the omi with the naff riah" (i.e., trousers for the fellow with the unstylish hair).[70]
Round the Horne is a BBC Radio comedy programme starring Kenneth Horne, first transmitted in four series of weekly episodes from 1965 until 1968. The show was created by Barry Took and Marty Feldman, who wrote the first three series. The fourth was written by Took, Johnnie Mortimer, Brian Cooke and Donald Webster.
Sexuality and gender identity-based cultures are subcultures and communities composed of people who have shared experiences, backgrounds, or interests due to common sexual or gender identities. Among the first to argue that members of sexual minorities can also constitute cultural minorities were Adolf Brand, Magnus Hirschfeld, and Leontine Sagan in Germany. These pioneers were later followed by the Mattachine Society and the Daughters of Bilitis in the United States.
A fag hag is, in gay slang, a woman who associates either mostly or exclusively with gay and bisexual men. The phrase originated in gay male culture in the United States and was historically an insult. Some women who associate with gay men object to being called fag hags while others embrace the term. The male counterpart, for heterosexual men who have similar interpersonal relationships with gay and bisexual men, is fag stag.
Camp is an aesthetic style and sensibility that regards something as appealing or amusing because of its heightened level of artifice, affectation and exaggeration, especially when there is also a playful or ironic element. Camp is historically associated with LGBTQ+ culture and especially gay men. Camp aesthetics disrupt modernist understandings of high art by inverting traditional aesthetic judgements of beauty, value, and taste, and inviting a different kind of aesthetic engagement.
LGBTQ slang, LGBTQ speak, queer slang, or gay slang is a set of English slang lexicon used predominantly among LGBTQ+ people. It has been used in various languages since the early 20th century as a means by which members of the LGBTQ+ community identify themselves and speak in code with brevity and speed to others.
A cant is the jargon or language of a group, often employed to exclude or mislead people outside the group. It may also be called a cryptolect, argot, pseudo-language, anti-language or secret language. Each term differs slightly in meaning; their uses are inconsistent. Richard Rorty defines cant by saying that "'Cant', in the sense in which Samuel Johnson exclaims, 'Clear your mind of cant,' means, in other words, something like that which 'people usually say without thinking, the standard thing to say, what one normally says'." In Heideggerian terms it is what "das Man" says.
Gayle, or Gail, is an English- and Afrikaans-based gay argot or slang used primarily by English and Afrikaans-speaking homosexual men in urban communities of South Africa, and is similar in some respects to Polari in the United Kingdom, from which some lexical items have been borrowed. The equivalent language used by gay South African men who speak Bantu languages is called IsiNgqumo, and is based on a Nguni lexicon.
Fag stag and fruit fly are slang terms for a heterosexual man who either enjoys or prefers the company of, or simply has numerous friends who are, gay or bisexual people.
Gay is a term that primarily refers to a homosexual person or the trait of being homosexual. The term originally meant 'carefree', 'cheerful', or 'bright and showy'.
Fruit, fruity, and fruitcake, as well as its many variations, are slang or even sexual slang terms which have various origins. These terms have often been used derogatorily to refer to LGBT people. Usually used as pejoratives, the terms have also been re-appropriated as insider terms of endearment within LGBT communities. Many modern pop culture references within the gay nightlife like "Fruit Machine" and "Fruit Packers" have been appropriated for reclaiming usage, similar to queer.
Troll and trolling are slang terms used almost exclusively among gay men to characterize gay, bisexual and questioning or bi-curious men who cruise or "wander about looking" for sex or potential sex partners or experiences "in a notably wanton manner and with lessened standards of what one will accept in a partner." The term can be used positively or negatively depending on the speaker, usage and intent and can describe the person or the activity. Although often referring to "an unattractive older gay man" and although troll as a slur "is primarily a visual, not a behavioral" judgment, the phrases can be used for anyone who is trolling, regardless of the putative troll's age or perceived attractiveness.
In gay slang, queen is a term used to refer to a flamboyant or effeminate gay man. The term can either be pejorative or celebrated as a type of self-identification.
Twink is gay slang for a man who is usually in his late teens to twenties whose traits may include a slim to average physique, a youthful appearance, and little or no body hair. Twink is used both as a neutral descriptor, which can be compared with bear, and as a pejorative.
LGBTQ linguistics is the study of language as used by members of LGBTQ communities. Related or synonymous terms include lavender linguistics, advanced by William Leap in the 1990s, which "encompass[es] a wide range of everyday language practices" in LGBTQ communities, and queer linguistics, which refers to the linguistic analysis concerning the effect of heteronormativity on expressing sexual identity through language. The former term derives from the longtime association of the color lavender with LGBTQ communities. "Language", in this context, may refer to any aspect of spoken or written linguistic practices, including speech patterns and pronunciation, use of certain vocabulary, and, in a few cases, an elaborate alternative lexicon such as Polari.
Sea queens is a term referring to gay men who worked aboard mainly merchant vessels before the 1960s. They were predominantly effeminate gay men who worked either in entertainment or as waiters on cruise ships, often becoming off-shore 'wives' for heterosexual sailors for the duration of voyages. They could also be found within the Navy as the nonfiction historical monograph Hello Sailor! The Hidden History of Gay Life at Sea by Paul Baker and Jo Stanley describes through the stories and experiences of sea queens from the Navy. In addition to this, the use of the Polari language can be drawn back to sea queens along with the attempted expulsion of gay, male sailors in Newport, Rhode Island after WWI.
Cornhole is a sexual slang vulgarism for the anus. The term came into use in the 1910s in the United States. Its verb form, to cornhole, which came into use in the 1930s, means 'to have anal sex'.
The LGBT community in London is one of the largest within Europe. LGBT culture of London, England, is centred on Old Compton Street in Soho. There are also LGBT pubs and restaurants across London in Haggerston, Dalston and Vauxhall.
The following outline offers an overview and guide to LGBTQ topics:
Adam Lowe is a British writer, performer and publisher from Leeds, though he currently lives in Manchester. He is the UK's LGBT+ History Month Poet Laureate and was Yorkshire's Poet for 2012. He writes poetry, plays and fiction, and he occasionally performs as Beyonce Holes.
Paul Baker is a British professor and linguist at the Department of Linguistics and English Language of Lancaster University, United Kingdom. His research focuses on corpus linguistics, critical discourse analysis, corpus-assisted discourse studies and language and identity. He is known for his research on the language of Polari. He is a Fellow of the Academy of Social Sciences and a Fellow of the Royal Society for Arts.
↑ Baker, Paul (2002) Fantabulosa: A Dictionary of Polari and Gay Slang. London: Continuum ISBN0-8264-5961-7
↑ David McKenna, A Storm in a Teacup, Channel 4 Television, 1993.
↑ Jivani, Alkarim (January 1997). It's not unusual: a history of lesbian and gay Britain in the twentieth century. Bloomington. ISBN0253333482. OCLC37115577.{{cite book}}: CS1 maint: location missing publisher (link)
↑ Waterhouse, Keith (1959). Billy Liar. Michael Joseph. pp.35, 46. ISBN0-7181-1155-9.p35 "Naff off, Stamp, for Christ sake!"p46 "Well which one of them's got the naffing engagement ring?"
↑ The New Partridge Dictionary of Slang and Unconventional English Dalzell and Victor (eds.) Routledge, 2006, Vol. II p. 1349.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
LGBTQ portal 
