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Prince Sattva was one of the previous incarnations of Gautama Buddha, according to a jataka story. [2]
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Prince Sattva was one of the previous incarnations of Gautama Buddha, according to a jataka story. [2]
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The son of King Maharatha, he became an ascetic and gained a few disciples.
On his walk with his closest disciple, he comes to the edge of a cliff, at the bottom of which is a starving tigress about to eat her newborn cubs in desperation. The bodhisattva tells his disciple to go look for food and he will stay and try to figure out a way to save her and her young. While his disciple is gone, the bodhisattva reflects that while his disciple very well may not find food, his body is just so much flesh as the tradition states, and by giving it up, he can save the tigress' purity and her cubs' lives. He leaps off the cliff to his death, attracting the tigress' attention with his impact, and she eats his body.
In this way, he comes closer to perfecting some of the ten Buddhist perfections: those of generosity, renunciation, morality, resolution and equanimity. His disciple returns, having not found food, and upon discovering what the bodhisattva has done, rejoices in his good deed. He comes back with other disciples and they and the heavens shower the spot with lotus flowers.
The Chinese pilgrim Faxian reported one of the four great stupas of northern India that commemorates this incarnation's dehadana. [3] This dehadana is known as "gift of the body" in Indian Buddhist narrative literature. [4]
In Buddhism, a bodhisattva ( BOH-dee-SUT-və; or bodhisatva is a person who is on the path towards bodhi or Buddhahood.
Guanyin is a Bodhisattva associated with compassion. She is the East Asian representation of Avalokiteśvara and has been adopted by other Eastern religions, including Chinese folk religion. She was first given the appellation "Goddess of Mercy" or "Mercy Goddess" by Jesuit missionaries in China. Guanyin is short for Guanshiyin, which means "[The One Who] Perceives the Sounds of the World." On the 19th day of the sixth lunar month, Guanyin's attainment of Buddhahood is celebrated.
The Jātaka are a voluminous body of literature native to India which mainly concern the previous births of Gautama Buddha in both human and animal form. Jataka stories, were depicted on the railings and torans of the stupas. According to Peter Skilling, this genre is "one of the oldest classes of Buddhist literature." Some of these works are also considered great works of literature in their own right.
Maitreya or Metteyya, also Maitreya Buddha or Metteyya Buddha, is regarded as the future Buddha of this world in Buddhist eschatology. As the fifth and final Buddha of the current kalpa, Maitreya's teachings will be focused around re-establishing the dharma, a vital concept in Hinduism, Buddhism, and Jainism.
Buddhist texts are religious texts that belong to, or are associated with, Buddhism and its traditions. There is no single textual collection for all of Buddhism. Instead, there are three main Buddhist Canons: the Pāli Canon of the Theravāda tradition, the Chinese Buddhist Canon used in East Asian Buddhist tradition, and the Tibetan Buddhist Canon used in Indo-Tibetan Buddhism.
Karuṇā is generally translated as compassion or mercy and sometimes as self-compassion or spiritual longing. It is a significant spiritual concept in the Indic religions of Hinduism, Buddhism, Sikhism, and Jainism.
Buddhist eschatology, like many facets of modern Buddhist practice and belief, came into existence during its development in China, and, through the blending of Buddhist cosmological understanding and Daoist eschatological views, created a complex canon of apocalyptic beliefs. These beliefs, although not entirely part of orthodox Buddhism, form an important collection of Chinese Buddhist traditions which bridge the gap between the monastic order and local beliefs of Imperial China.
Rāhula was the only son of Siddhārtha Gautama, and his wife, princess Yaśodharā. He is mentioned in numerous Buddhist texts, from the early period onward. Accounts about Rāhula indicate a mutual impact between Prince Siddhārtha's life and the lives of his family members. According to the Pāli tradition, Rāhula was born on the day of Prince Siddhārtha's renunciation, and was therefore named Rāhula, meaning a fetter on the path to enlightenment. According to the Mūlasarvāstivāda tradition, and numerous other later sources, however, Rāhula was only conceived on the day of Prince Siddhartha's renunciation, and was born six years later, when Prince Siddhārtha became enlightened as the Buddha. This long gestation period was explained by bad karma from previous lives of both Yaśodharā and of Rāhula himself, although more naturalistic reasons are also given. As a result of the late birth, Yaśodharā needed to prove that Rāhula was really Prince Siddhārtha's son, which she eventually did successfully by an act of truth. Historian H.W. Schumann has argued that Prince Siddhārtha conceived Rāhula and waited for his birth, to be able to leave the palace with the king and queen's permission, but Orientalist Noël Péri considered it more likely that Rāhula was born after Prince Siddhārtha left his palace.
Devadatta was by tradition a Buddhist monk, cousin and brother-in-law of Gautama Siddhārtha. The accounts of his life vary greatly, but he is generally seen as an evil and divisive figure in Buddhism, who led a breakaway group in the earliest days of the religion.
The Bodhisattva vow is a vow taken by some Mahāyāna Buddhists to achieve full buddhahood for the sake of all sentient beings. One who has taken the vow is nominally known as a bodhisattva. This can be done by venerating all Buddhas and by cultivating supreme moral and spiritual perfection, to be placed in the service of others. In particular, bodhisattvas promise to practice the six perfections of giving, moral discipline, patience, effort, concentration and wisdom in order to fulfill their bodhicitta aim of attaining buddhahood for the sake of all beings.
Kātyāyana or Mahākātyāyana was a disciple of Gautama Buddha. He is listed as one of the ten principal disciples and was foremost in expanding on and explaining brief statements of the Buddha.
The position and treatment of animals in Buddhism is important for the light it sheds on Buddhists' perception of their own relation to the natural world, on Buddhist humanitarian concerns in general, and on the relationship between Buddhist theory and Buddhist practice.
The miracles of Gautama Buddha refers to supernatural feats and abilities attributed to Gautama Buddha by the Buddhist scriptures. The feats are mostly attributed to supranormal powers gained through meditation, rather than divine miracles. Supranormal powers the historic Buddha was said to have possessed and exercised include the six higher knowledges (abhiññā): psychic abilities (iddhi-vidhā), clairaudience (dibba-sota), telepathy (ceto-pariya), recollection of one's own past lives (pubbe-nivāsanussati), seeing the past lives and rebirths of others (dibba-cakkhu), and the extinction of mental intoxicants (āsavakkhaya). Miracles found in Mahayana sutras generally play a more direct role in illustrating certain doctrines than miracles found in non-Mahayana Buddhist texts. Apart from texts, several of the miracles are often shown in scenes of the life of Buddha in art.
Kaundinya, also known as Ājñātakauṇḍinya, Pali: Añña Koṇḍañña), was one of the first five Buddhist monks (Pancavaggiya), disciple of Gautama Buddha and the first to attain the fruit of Arahant. He lived during the 5th century BCE in what are now Uttar Pradesh and Bihar, India. According to traditional accounts, at the time of Gautama Buddha's birth, he predicted his future destination as an enlightened teacher.
The Bodhisattva Precepts are a set of ethical trainings (śīla) used in Mahāyāna Buddhism to advance a practitioner along the path to becoming a bodhisattva. Traditionally, monastics observed the basic moral code in Buddhism, the prātimokṣa, but in the Mahāyāna tradition, monks may observe the Bodhisattva Precepts as well. The Bodhisattva Precepts are associated with the bodhisattva vow to save all beings and with bodhicitta.
The UNESCO World Heritage Site Buddhist Monuments in the Hōryū-ji Area includes a variety of buildings found in Hōryū-ji and Hokki-ji in Ikaruga, Nara Prefecture, Japan. These buildings were designated in 1993 along with the surrounding landscape, under several criteria. The structures inscribed are some of the oldest extant wooden buildings in the world, dating from the 7th to 8th centuries. Many of the monuments are also National Treasures of Japan, and reflect an important age of Buddhist influence in Japan. The structures include 21 buildings in the Hōryū-ji East Temple, 9 in the West Temple, 17 monasteries and other buildings, and the pagoda in Hokki-ji.
In Buddhist texts, Sumedha is a previous life of Gotama Buddha in which he declares his intention to become a Buddha. Buddhist texts describe that this takes place when Gotama Buddha is still a Buddha-to-be. Traditions regard Sumedha's life as the beginning of the spiritual journey leading up to the attainment of Buddhahood by Gotama in his last life, a journey which takes place through many lifetimes. Born in a brahmin family, Sumedha begins to live as an ascetic in the mountains. One day he meets Dīpankara Buddha and offers his own body for him to walk over. During this sacrifice, he makes a vow that he also will be a Buddha in a future lifetime, which is confirmed by Dīpankara through a prophecy.
The Manikyala Stupa is a Buddhist stupa near the village of Tope Mankiala, in the Pothohar region of Pakistan's Punjab province. The stupa was built to commemorate the spot, where according to the Jataka tales, an incarnation of the Buddha called Prince Sattva sacrificed himself to feed seven hungry tiger cubs.
The Buddhist traditions have created and maintained a vast body of mythological literature. The central myth of Buddhism is the life of the Buddha. This is told in relatively realistic terms in the earliest texts, and was soon elaborated into a complex literary mythology. The chief motif of this story, and the most distinctive feature of Buddhist myth, is the Buddha's renunciation: leaving his home and family for a spiritual quest. Alongside this central myth, the traditions contain large numbers of smaller stories, which are usually supposed to convey an ethical or Buddhist teaching. These include the popular Jātakas, folk tales or legends believed to be past lives of Gautama Buddha. Since these are regarded as episodes in the life of the Buddha, they are treated here as “myth”, rather than distinguishing between myth, legend, and folk-tale.
Narrative images of episodes from the life of Gautama Buddha in art have been intermittently an important part of Buddhist art, often grouped into cycles, sometimes rather large ones. However, at many times and places, images of the Buddha in art have been very largely single devotional images without narrative content from his life on Earth.
Mankiala tiger.
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