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The AllMusic reviews called the albums "still timeless music" [5] that have "influenced jazz up to present time". [6]
The Penguin Guide to Jazz noted, while At the Cafe Bohemia didn't "match the intensity which the quintet secured at Birdland", the playing in general "is just as absorbing", calling saxophonist Hank Mobley "a somewhat unfocused stylist" while praising trumpeter Kenny Dorham as an "elusive brilliance [that] was seldom so extensively captured". [4]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Announcement by Art Blakey" | 1:32 | |
2. | "Soft Winds" | Benny Goodman | 12:34 |
3. | "The Theme" | Kenny Dorham | 6:11 |
4. | "Minor's Holiday" | Kenny Dorham | 9:11 |
5. | "Alone Together" | 4:15 | |
6. | "Prince Albert (All the Things You Are)" | 8:51 | |
7. | "Lady Bird" (reissue bonus track) | Tadd Dameron | 7:30 |
8. | "What's New?" (reissue bonus track) | 4:31 | |
9. | "Deciphering the Message" (reissue bonus track) | Hank Mobley | 10:13 |
Total length: | 1:04:48 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Announcement by Art Blakey" | 0:38 | |
2. | "Sportin' Crowd" | Hank Mobley | 6:53 |
3. | "Like Someone in Love" | 9:18 | |
4. | "Yesterdays" | 4:20 | |
5. | "Avila and Tequila" | Hank Mobley | 12:47 |
6. | "I Waited for You" | 9:47 | |
7. | "Just One of Those Things" | Cole Porter | 9:28 |
8. | "Hank's Symphony" | Hank Mobley | 4:44 |
9. | "Gone with the Wind" | 7:27 | |
Total length: | 1:02:15 |
Henry Mobley was an American tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players such as Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions include "Double Exposure", "Soul Station", and "Dig Dis".
McKinley Howard "Kenny" Dorham was an American jazz trumpeter, composer, and occasional singer. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham's name has become "virtually synonymous with 'underrated'."
Douglas Watkins was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean.
Stereo Drive is an album by jazz musician Cecil Taylor featuring John Coltrane. It was released in 1959 on United Artists Records, catalogue UAS 5014. The mono edition was issued as UAL 4014 with the title Hard Driving Jazz credited to The Cecil Taylor Quintet, and later reissued under Coltrane's name in 1962 as Coltrane Time. Compact disc reissues appeared on the Blue Note Records label credited to Coltrane. It is the only known recording featuring both Coltrane and Taylor.
Page One is the debut album by American jazz tenor saxophonist Joe Henderson, recorded and released by Blue Note Records in 1963. Henderson is featured in a group with trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Butch Warren and drummer Pete La Roca. The pieces on the album were written by either Henderson or Dorham, and include two pieces that went on to become jazz standards: Henderson’s "Recorda Me" and Dorham’s "Blue Bossa". All of the musicians are listed on the album's front cover with the exception of Tyner, who is credited as "ETC." due to his being signed to rival Impulse! Records.
Horace Silver and the Jazz Messengers is an album by Horace Silver and the Jazz Messengers compiling two 1955 10" LPs—Horace Silver Quintet, Vol. 3 and Horace Silver Quintet, Vol. 4 —recorded on November 13, 1954 and February 6, 1955 respectively and released on Blue Note in October 1956—Silver’s debut 12". The quintet features horn section Hank Mobley and Kenny Dorham and rhythm section Doug Watkins and Art Blakey.
Our Thing is the second album by American jazz tenor saxophonist Joe Henderson on Blue Note. It features performances by Henderson, trumpeter Kenny Dorham, pianist Andrew Hill, drummer Pete La Roca and bassist Eddie Khan of originals by Henderson and Dorham. The CD reissue added a bonus take of "Teeter Totter".
A Caddy for Daddy is an album by jazz saxophonist Hank Mobley recorded on December 18, 1965, and released on the Blue Note label in 1967. It features performances by Mobley with trumpeter Lee Morgan, trombonist Curtis Fuller, pianist McCoy Tyner, bassist Bob Cranshaw and drummer Billy Higgins.
Goin' Up is an album by trumpeter Freddie Hubbard released on the Blue Note label in 1961. It features performances by Hubbard, Hank Mobley, McCoy Tyner, Paul Chambers and Philly Joe Jones.
6 Pieces of Silver is an album by the Horace Silver Quintet, recorded on November 10, 1956 and released on Blue Note later that year. The quintet features brass section Donald Byrd and Hank Mobley and rhythm section Doug Watkins and Louis Hayes.
My Conception is an album by jazz pianist Sonny Clark, recorded for the Blue Note label and performed by Clark with Donald Byrd, Hank Mobley, Paul Chambers, and Art Blakey. It was originally released in 1979 in Japan, as GXF 3056, featuring six tracks recorded in 1959 including an alternate take of "Royal Flush", a track that had appeared on the album Cool Struttin'. The 2000 limited CD reissue also comprised the three additional tracks originally recorded for Sonny Clark Quintets, an album which never saw the light of the day until being released later only in Japan.
Whistle Stop is a jazz studio album by Kenny Dorham, featuring performances by acclaimed musicians Hank Mobley, Kenny Drew, Paul Chambers and Philly Joe Jones. It was recorded in January 1961 at Van Gelder Studio, in Englewood Cliffs, and was originally released on Blue Note Records as BST 84063 and BLP 4063. "In 1975", Blumenthal states in the CD liner notes, "five British critics picked Whistle Stop as one of 200 albums that belonged in a basic library of jazz recorded after World War II".
The Eminent Jay Jay Johnson, Vols. 1 & 2 are a pair of separate but related compilation albums by American jazz trombonist J. J. Johnson, recorded over three sessions between 1953 and 1955 and released on Blue Note in 1956.
Afro-Cuban is an album by American jazz trumpeter Kenny Dorham, recorded for Blue Note on March 29, 1955 and released later that year on the Blue Note Modern Jazz Series, shortly before the label discontinued the format. It was soon reissued on the new 1500 series, recompiled with a session by an early incarnation of the ensemble, with new cover art.
'Round About Midnight at the Cafe Bohemia is a live album by American jazz trumpeter Kenny Dorham recorded at the Café Bohemia on May 31, 1956 and released on Blue Note later that year.
Quiet Kenny is an album by the American jazz trumpeter Kenny Dorham of performances recorded in 1959 and released on the New Jazz label. The album features Dorham's own composition "Lotus Blossom", which was earlier recorded by Sonny Rollins under the title "Asiatic Raes". The tune has been recorded under both titles subsequently.
At the Jazz Corner of the World, Vols. 1 & 2 are a pair of separate but related live albums by Art Blakey and the Jazz Messengers, recorded at the Birdland jazz club in New York City on April 15, 1959 and released on Blue Note later that year in September and October respectively. The quintet features horn section Lee Morgan and Hank Mobley and rhythm section Bobby Timmons, Jymie Merritt and Art Blakey.
All Night Long is an album by the Prestige All Stars, later credited to guitarist Kenny Burrell, recorded in 1956 and released on the Prestige label.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
Escapade is an album by saxophonist James Spaulding which was recorded in 1999 and released on the HighNote label.