Documentary editing is a branch of archival science involving the publication of documents selected from historic archives. The published documents serve as primary source material for historic researchers unable to visit the archives.
The term documentary editing is often confused with the editing of documentary films. Mary-Jo Kline, the author of a key introductory book on the subject, [1] remarked that she once found her treatise in the "movies and film" section of the bookstore. [2] : 3
Documentary editing began out of a desire for historians to provide a foundation for future scholars. [2] : 4 The field grew in the late 1800s, with much of the work motivated by a desire to promote pride in local and national history. [3] : 72 By the 1930s, documentary editing emerged as a specialization of professional archivists. [4]
Documentary editing projects can be classified by the theme of the documents published.
Common themes included:
Documentary editors are forced to be selective when choosing which archival documents to edit and publish. [2] : 47 Although the selection process is key to appraising the evidentiary value of the published documents, later scholars often lack the means to assess the original editor's selection decisions. [8]
Common selection criteria include
Annotation helps readers understand the context of the published documents.
Common annotations include:
Documentary editors historically published printed volumes.
Printed volumes may contain transcribed documents, necessitating "a fair amount of hack work" [9] [2] : 115 to copy the text. As an alternative is photographic facsimiles. Facsimile editions are traditionally more costly, but allow a closer fidelity to the original documents. [2] : 148
Microform publication reduces costs, [10] while allowing editors to avoid rote transcription. [2] : 267
Electronic publication allows documentary editors the fidelity of facsimiles, but without the added printing cost. [11]
In the most important practical text on documentary editing, by Mary-Jo Kline