|"Don't You Want Me"|
|Single by the Human League|
|from the album Dare|
|Released||27 November 1981|
|The Human League singles chronology|
"Don't You Want Me" is a single by British synthpop group the Human League (credited on the cover as The Human League 100). It was released on 27 November 1981 as the fourth single from their third studio album Dare (1981). The band's best known and most commercially successful song, it was the biggest selling UK single of 1981,that year's Christmas number one, and has since sold over 1,560,000 copies in the UK, making it the 23rd-most successful single in UK Singles Chart history. It topped the Billboard Hot 100 in the US on 3 July 1982, where it stayed for three weeks.
In November 1983, Rolling Stone named it the "breakthrough song" of the Second British Invasion of the US.In 2015, the song was voted by the British public as the nation's seventh-favourite 1980s number one in a poll for ITV.
The lyrics were inspired after lead singer Philip Oakey read a photo-story in a teen-girl's magazine. Though the song had been conceived and recorded in the studio as a male solo, Oakey was inspired by the film A Star Is Born and decided to turn the song into a conflicting duet with one of the band's two teenage female vocalists. Susan Ann Sulley was then asked to take on the role. Until then, she and the other female vocalist, Joanne Catherall, had only been assigned backing vocals; Sulley says she was chosen only through "luck of the draw".Musicians Jo Callis and Philip Adrian Wright created a synthesizer score to accompany the lyrics that was much harsher than the version that was actually released. Initial versions of the song were recorded but Virgin Records-appointed producer Martin Rushent was unhappy with them. He and Callis remixed the track, giving it a softer, and in Oakey's opinion, "poppy" sound. Oakey hated the new version and thought it would be the weakest track on Dare, resulting in one of his infamous rows with Rushent. Oakey disliked it so much that it was relegated to the last track on side two of the album.
Before the release of Dare, three of its tracks—"The Sound of the Crowd", "Love Action (I Believe in Love)", and "Open Your Heart"—had already been released as successful singles. With a hit album and three hit singles in a row, Virgin's chief executive Simon Draper decided to release one more single from the album before the end of 1981. His choice, "Don't You Want Me", instantly caused a row with Oakey, who did not want another single to be released because he was convinced that "the public were now sick of hearing" the band and the choice of the "poor quality filler track" would almost certainly be a disaster, wrecking the group's new-found popularity. The band felt the track was "our sort of Des O'Connor song."Virgin were adamant that a fourth single would be released and Oakey finally agreed on the condition that a large colour poster accompany the 7" single, because he felt fans would "feel ripped off" by the 'substandard' single alone.
The Human League often added cryptic references to their productions and the record sleeve of "Don't You Want Me" featured the suffix of "100". This was a reference to The 100 Club, a restaurant/bar in Sheffield.
Today, the song is widely considered a classic of its era. In a retrospective review, Stephen Thomas Erlewine, senior editor for AllMusic, described the song as "a devastating chronicle of a frayed romance wrapped in the greatest pop hooks and production of its year." [ citation needed ] Oakey is also at pains to point out another misconception: that it is not a love song, but "a nasty song about sexual power politics."Fellow new wave musician Graham Parker praised the song, saying, "I just love that catchy chorus." Oakey still describes it as overrated, but acknowledges his initial dismissal was misguided and claims pride in the track.
"Don't You Want Me" was released in the UK on 27 November 1981. The B-side was "Seconds", another track lifted straight from the Dare album. As with previous singles, a 12" version was also issued featuring the original version of "Don't You Want Me" and "Seconds" on the A-side and an "extended dance mix" lasting seven and a half minutes on the B-side. This mix is also featured on the Love and Dancing album that was released under the name of the League Unlimited Orchestra in 1982.
To the amazement of the band (and especially Oakey), [ citation needed ]the song entered the UK Singles Chart at #9 and shot to #1 the following week, remaining there over the Christmas period for a total of five weeks. It ultimately became the biggest-selling single to be released in 1981, and the fifth biggest-selling single of the entire decade. Its success was repeated six months later in the US, with "Don't You Want Me" hitting #1 on the Billboard Hot 100 for three weeks. Billboard magazine ranked it as the sixth-biggest hit of 1982. The single was certified Gold by the RIAA the same year for sales of a million copies. "Don't You Want Me" is notable as the first song featuring the revolutionary Linn LM-1 drum machine to hit #1 on the UK charts and also the first LM-1 track to top the Billboard Hot 100.
After the band scored a number of hits for Warner's eastwest label, the song was remixed and issued by Virgin as a CD,cassette and 12" single in October 1995. This version featured new remixes by Hooj Choons' Red Jerry and German Eurodance duo Snap!, and would peak at #16 on the UK singles chart. The release coincided with the issue of the group's second Greatest Hits compilation album shortly afterwards (which featured the Snap 7 inch remix), while the main 7 inch remix by Red Jerry was put on NOW 32 by Virgin/EMI/Polygram, alongside dance acts like Goldie, Candy Girls and Wildchild.
As of November 2012, "Don't You Want Me" was the 23rd best-selling single in the UK, with 1.55 million copies sold.On 23 March 2014, the song re-entered the UK Singles Chart at #19 and debuted at #1 in the Scottish singles charts thanks to a social media campaign by fans of Aberdeen Football Club. In 2017 it was reported to be the 43rd most successful single in UK chart history with sales and streams combined.
In 2021, Viacom International Studios put into production a music chart programme called The 80s Greatest Hits 1980-1989 for Channel 5and asked the Official Charts Company (OCC) to provide the countdowns for the series, based on the best-selling singles for each year. When the 1981 episode was broadcast (now under the title of Britain's Favourite 80's Songs) "Don't You Want Me" was placed at number one, with the OCC now confirming it was the official best-selling song of 1981 with an estimated 1.15 million sales (previously the title had gone to "Tainted Love" by Soft Cell, which now has been put in second place with 1.05 million sales).
In 1981, record company Virgin were becoming aware that the promotional music video was evolving into an important marketing tool, with MTV being launched that year. Because it was agreed[ by whom? ] that the video for "Open Your Heart" had looked "cheap and nasty",[ citation needed ] Virgin commissioned a much more elaborate and expensive promotional video for "Don't You Want Me".
The video for the song was filmed near Slough, Berkshire, during November 1981 and has the theme of the filming and editing of a murder-mystery film, featuring the band members as characters and production staff. Because it is a "making-of" video, both crew and camera apparatus appear throughout. The video was conceived and directed by the Irish filmmaker Steve Barron, and has at its core the interaction between a successful actress (also a second negative cutter) played by Susan Ann Sulley walking out on "film director" Philip Oakey on a film set. It is loosely based on the film A Star Is Born . Near the end of the video, Wright, who also plays a film editor, has an expression on his face while the camera pulls back to reveal that the negative room where Oakey, Wright and Sulley were working is yet another set (the camera can be seen in the mirror's reflection).
Filmed on a cold, wet winter night, the video was shot on 35mm film instead of the cheaper videotape prevalent at the time. Sulley claims that Barron was heavily influenced by the cinematography in Ultravox's video for "Vienna" (directed by Russell Mulcahy earlier that year). Barron was also influenced by François Truffaut and his film Day for Night , and, because of that, the clapperboard seen in the video bears the inscription "Le League Humaine" as a tribute to Truffaut.
The video is credited[ by whom? ] for making Oakey, Sulley and Catherall visual icons of the early 1980s, but it became controversial later[ citation needed ] for a scene involving the murder-mystery film subplot in which Jo Callis appears to shoot Catherall (and later in the video repeated with Oakey shooting Sulley) with a pistol from a car window (a Saab 99 turbo). The scene is cut out of the DVD version and usually when shown on music television, replaced with a montage of other shots from the video edited in slow motion. The other car used in the video is a gold W-reg (1981–82) Rover SD1 carrying the registration plate "GCK 68W". DVLA records show that this car's last period of Vehicle Excise Duty expired on 24th April 1992. In a 1995 interview, Catherall mentioned that the car Callis was driving had to be pushed into shot as he could not drive at the time, to which Sulley added "he still can't!"
The video was released in December 1981.
Sales and certifications
In 2001, Virgin Records allowed the song to be used in a Fiat Punto commercial, starring Myfanwy Waring and James Daffern, where the latter actor spoke lyrics from the first verse and chorus over the accompanying background music. Fiat's use of the song prompted legal action from the Human League, who lost the case to Virgin. Susan Sulley later complained: "Now even if we wanted to use the song for a more worthy company, we can't because it will always be associated with a particular brand." [ unreliable source? ]
A campaign was started by Aberdeen F.C. fans in March 2014 to get the song to number one on the UK Singles Chart after their Scottish League Cup final victory against Inverness CT.The song peaked at No. 4 in the iTunes Download chart on 19 March 2014. The following Sunday, 23 March, the song re-entered at number nineteen on the UK Singles Chart.
A Foster Farms commercial in the United States features a choir of animatronic chickens singing the song as part of the poultry producer's "Amazing Chicken" campaign.
The Human League's version appears in a 2018 ad for Walmart.
|"Don't You Want Me Baby"|
|Single by Mandy Smith|
|B-side||"If It Makes You Feel Good"|
|Mandy Smith singles chronology|
In 1989 English pop singer Mandy covered this song under the title of "Don't You Want Me Baby". Released as a standalone single after her only album Mandy , it was also Smith's final single and became her only single to hit the UK top 75, peaking at #59. The B-side, "If It Makes You Feel Good", featured on the album. The song was included as a bonus track on the 2009 reissue of her album.
|UK Singles Chart||59|
|Irish Singles Chart||30|
|"Don't You Want Me"|
|Single by the Farm|
|from the album Love See No Colour|
|The Farm singles chronology|
British band the Farm released a cover of "Don't You Want Me" in October 1992 that reached #18 in the UK charts, making it their third most successful single after 1990's "All Together Now" and "Groovy Train". It was originally recorded for the NME charity album Ruby Trax .
An uncredited female singer sings lead vocal on the second verse, as sung by Susanne Sulley in the original version.
|"Don't You Want Me"|
|Single by Alcazar|
|from the album Casino|
|Alcazar singles chronology|
"Don't You Want Me" was recorded a Eurodance song by Swedish band Alcazar, released internationally in 2002. The song was included in the European version of Casino together with a few others. It was recorded in Stockholm at first, but when the band wanted it for a new pan-European single, a new version was made.
The single was released in Australia as a follow-up to the successful single "Crying at the Discoteque". The white 12-inch was released in Europe and distributed to DJs to get maximum airplay at the disco arenas.
"Don't You Want Me" is Alcazar's biggest hit in the United States with 15 weeks on the Billboard Hot 100 chart, peaking at #30.
The video was filmed at Filmhuset in Stockholm, and was directed by Jesper Ganslandt. The video takes place in "Circus Alcazar" and is filled with horses, ducks, an evil parrot, acrobats, the Alcazar ballet (including a dog in a pink ballerina dress) and Annikafiore's boyfriend juggling with fire in the background. The video shoot took almost 23 hours.
CD single track listing
|Australian ARIA Singles Chart||37|
|Belgian Singles Chart (Flanders)||21|
|Dutch Singles Chart||83|
|Finnish Singles Chart||18|
|Swedish Singles Chart||30|
|Swiss Singles Chart||76|
|Hot Dance Club Play||30|
|Japan[ citation needed ]||3|
The Human League are an English synth-pop band formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album Dare in 1981. The album contained four hit singles, including the UK/US number one hit "Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including "Mirror Man", "(Keep Feeling) Fascination", "The Lebanon", "Human" and "Tell Me When".
Philip "Phil" Oakey is an English singer, songwriter and record producer. He is best known as the lead singer, songwriter, and co-founder of English synth-pop band The Human League. Aside from The Human League, he has had an extensive solo music career and collaborated with numerous other artists and producers.
Dare is the third studio album by English synth-pop band the Human League, first released in the UK on 16 October 1981 then subsequently in the US in mid-1982. The album was recorded between March and September 1981 following the departure of founding members Martyn Ware and Ian Craig Marsh, and saw the band shift direction from their prior avant-garde electronic style toward a more pop-friendly, commercial sound led by frontman Philip Oakey.
"Stay with Me Tonight" is a song by the British synthpop group The Human League. It was jointly written by Philip Oakey and producer Ian Stanley, features lead vocals by Oakey; with backing by co-vocalists Susan Ann Sulley and Joanne Catherall. Post production by re-mixers 'Space Kittens'.
Joanne Catherall is an English singer who is one of two female vocalists in the English synth-pop band The Human League.
"Human" is a song recorded by British synth-pop band The Human League, and released as the first single from their 1986 album Crash. The track, which deals with the subject of infidelity, was written and produced by Jimmy Jam and Terry Lewis. The song topped the charts of the United States, becoming the second single by the band to top the Billboard Hot 100 after their 1981 single "Don't You Want Me". It also went to number one in Canada while reaching number five in Germany and number eight in the band's native United Kingdom.
Hysteria is the fourth studio album by English synth-pop band The Human League, released on 7 May 1984 by Virgin Records. Following the worldwide success of their 1981 album Dare, the band struggled to make a successful follow-up and the sessions for Hysteria were fraught with problems. The album title itself is taken from the problematic recording period. Producers Martin Rushent and Chris Thomas both left the project which would eventually be finished by producer Hugh Padgham.
Octopus is the seventh full-length studio album recorded by the British synthpop band The Human League. It was produced by the former Tears for Fears keyboard player Ian Stanley and released by EastWest Records in 1995. It was the first new album from The Human League in five years after the termination of their long-term contract with Virgin Records. Octopus was the first Human League album that presented the band as a trio consisting of the singers Philip Oakey, Joanne Catherall and Susan Ann Sulley. The former Human League member Jo Callis and keyboard player Neil Sutton also contributed to the writing of the album.
Human League Greatest Hits is a compilation album released by British synthpop band The Human League. It was released by Virgin Records on 31 October 1988 and contained 13 singles released by the band, spanning from their debut single to their most recent album at the time plus lead singer Philip Oakey's collaboration with Giorgio Moroder, "Together in Electric Dreams". The album reached No. 3 in the UK.
Susan Ann Sulley, formerly known as Susanne Sulley and Susan Ann Gayle, is an English singer who is one of the two female vocalists in the synth-pop band The Human League.
"Tell Me When" is a song by the British synthpop group the Human League. Written jointly by lead singer Philip Oakey and Paul C. Beckett, it was recorded at 'Human League Studios', Sheffield, in 1994. The single and the Octopus album were produced by Ian Stanley. It peaked at number 6 on the UK Singles Chart, while reaching number 4 on the UK Dance Chart. In the US, it peaked at number 31 on the Billboard Hot 100 and number 15 on the Billboard Hot Dance Club Play.
"One Man in My Heart" is a song recorded by British synth-pop band the Human League. It was released as the second single from the band's album Octopus. A ballad, the song differs from all previous Human League tracks as the lead vocal is performed by a female member of the band, Susan Ann Sulley, with spoken word refrains from Philip Oakey and contrasting backing from the third Human League member Joanne Catherall. Released on 6 March 1995 in the UK, the song received positive reviews from music critics and eventually peaked at number 13 in the UK Singles Chart, eventually spending eight weeks in the charts. In 2001, The Guardian newspaper called it one of the best love songs of the 1990s.
"All I Ever Wanted" is a song by the British synthpop group the Human League. It is taken from the Secrets album of 2001 and was released as its first single. It is currently their most recent single released on a major label. It follows the standard Human League style of baritone lead vocals of Philip Oakey with choruses and incidentals jointly shared between female co-vocalists Joanne Catherall and Susan Ann Sulley. It was released in July 2001 and stalled at number 47 in the UK Singles Chart.
"Together in Electric Dreams" is a song by the British singer and composer Philip Oakey and Italian composer and producer Giorgio Moroder. It was written by Oakey and Moroder and recorded for the original soundtrack of the film Electric Dreams (1984). It later formed part of the joint album Philip Oakey & Giorgio Moroder, released in 1985.
"The Sound of the Crowd" is a song by the British synthpop group The Human League. It became the band's commercial breakthrough, reaching #12 on the UK Singles Chart in May 1981.
"Open Your Heart" is a song by the British synthpop group The Human League. It was released as a single in the UK in September 1981 and peaked at number six in the UK Singles Chart. It was written jointly by lead singer Philip Oakey and keyboard player Jo Callis. The song features a lead vocal by Oakey and female backing vocals by Susanne Sulley and Joanne Catherall, analogue synthesizers by Jo Callis, Philip Adrian Wright and Ian Burden. Drum machines, sequencing and programming were provided by producer Martin Rushent.
"Love Action " is a song by the British synthpop group The Human League, released as a single in the UK in July 1981. It became the band's first Top 10 success, peaking at number three in the UK Singles Chart.
"Mirror Man" is a 1982 song by the British synthpop group The Human League. It was released as a single in the UK on 8 November 1982 and peaked at number two in the UK Singles Chart. It was written jointly by lead singer Philip Oakey with keyboard players Jo Callis and Ian Burden, and produced by Martin Rushent.
"Filling Up with Heaven" is a song by the British synthpop group The Human League. It is taken from the Octopus album of 1995.
"Louise" is a song by the British synthpop group The Human League. It was released as a single in the UK on 5 November 1984 and peaked at number thirteen in the UK Singles Chart. It was written jointly by lead singer Philip Oakey with fellow band members Jo Callis and Philip Adrian Wright. The song features a lead vocal by Oakey and female vocals by Susan Ann Sulley and Joanne Catherall, analogue synthesizers by Philip Oakey, Jo Callis, Philip Adrian Wright and Ian Burden. The producers were Chris Thomas and Hugh Padgham. Although enjoying modest success when released as a single, it appeared on Melody Maker’s list of 50 top singles of 1984.