Dragon King

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Dragon King
Hai Long Wang , British Museum.jpg
Dragon King of the Seas (海龍王), painted in the first half of the 19th century.

Historically there arose a cult of the Five Dragon Kings. The name Wufang longwang (五方龍王; "Dragon Kings of the Five Regions/Directions") is registered in Daoist scripture from the Tang dynasty, found in the Dunhuang caves. [25] Veneration of chthonic dragon god(s) of the five directions still persists today in southern areas, such as Canton and Fujian. [26] It has also been conflated with the cult of Lord Earth, Tugong (Tudigong), and inscriptions on tablets invoke the Wufang wutu longshen (五方五土龍神; "Dragon Spirits of the Five Directions and Five Soils") in rituals current in Southeast Asia (Vietnam). [27]

Description

The Azure Dragon or Blue-Green Dragon (靑龍; Qīnglóng), or Green Dragon (蒼龍; Cānglóng), is the Dragon God of the east, and of the essence of spring. [11] Azure Dragon is associated with the Dragon King of the East sea, Ao Guang.

The Red Dragon (赤龍; Chìlóng or 朱龍; Zhūlóng, literally "Cinnabar Dragon", "Vermilion Dragon") is the Dragon God of the south and of the essence of summer. [11] The Red Dragon is associated with the Dragon king of the South sea, Ao Qin.

The White Dragon (白龍; Báilóng) is the Dragon God of the west and the essence of autumn. The White Dragon is associated with the Dragon King of the West sea, Ao Run.

The Yellow Dragon (黃龍; Huánglóng) is the Dragon God of the center, associated with (late) summer. [11] [b] Yellow Dragon is directly associated with Jade Emperor and Yellow Emperor as it is considered that the mythical Emperor is the reincarnation of the Yellow Dragon. [29]

The Black Dragon (黑龍; Hēilóng), also called "Dark Dragon" or "Mysterious Dragon" (玄龍; Xuánlóng), is the Dragon God of the north and the essence of winter. [11] The Black Dragon is associated with the Dragon King of the North sea, Ao Shun.

Broad history

Four Dragon Kings, Qing dynasty. Si Hai Long Wang .jpg
Four Dragon Kings, Qing dynasty.
Ming Dynasty Shuilu ritual painting from Baoning Temple in Shanxi, China. Shui Lu Hua Bao Zhu Si Si Hai Long Wang Zhu Shen Zhong .jpg
Ming Dynasty Shuilu ritual painting from Baoning Temple in Shanxi, China.
Yangjian taisui Wulong Tugong Tumu Zaoshen xiang (Ming dynasty, 1609AD)
--Held by the Capital Museum Yangjian taisui(1609).jpg
Yangjian taisui Wulong Tugong Tumu Zaoshen xiang (Ming dynasty, 1609AD)
—Held by the Capital Museum

Dragons of the Five Regions/Directions existed in Chinese custom, [31] established by the Former Han period(200BCE) (Cf. §Origins below). [31] The same concept couched in "dragon king" (longwang) terminology from "dragon" was centuries later, [32] the term "dragon king" being imported from India (Sanskrit naga-raja ), [33] vis Buddhism, [26] introduced during 1st century CE the Later Han. [34]

The five "Dragon Kings" which were correlated with the Five Colors and Five Directions are attested uniquely in one work among Buddhist scriptures (sūtra), called the Foshuo guanding jing (佛說灌頂經; "Consecration Sūtra Expounded by the Buddha") early 4th century. [d] [37] Attributed to Po-Srimitra, it is a pretended translation, or "apocryphal sutra" (post-canonical text), [35] [38] but its influence on later rituals (relating to entombment) is not dismissable. [38]

The dragon king cult was most active around the Sui-Tang dynasty, according to one scholar, [39] but another observes that the cult spread farther afield with the backing of Song dynasty monarchs who built Dragon King Temples (or rather Taoist shrines), [25] and Emperor Huizong of Song (12th century) conferred investiture upon them as local kings. [40] But the dragon king and other spell incantations came to be discouraged in Buddhism within China, because they were based on eclectic (apocryphal) sutras and the emphasis grew for the orthodox sutras, [41] or put another way, the quinary system (based on number 5) was being superseded by the number 8 or number 12 being held more sacred. [42]

During the Tang period, the dragon kings were also regarded as guardians that safeguard homes and pacify tombs, in conjunction with the worship of Lord Earth. [43] Buddhist rainmaking rituals were also learned during Tang dynasty China.

The concept was transmitted to Japan alongside Vajrayana Buddhism, [e] and also practiced as rites in Onmyōdō during the Heian Period. [44] [45]

Five dragons

(Origins)

The idea of associating the five directions/regions (五方; wufang) with the five colors is found in Confucian classic text, [47]

The Huainanzi (2nd cent. BC) describes the five colored dragons (azure/green, red, white, black, yellow) and their associations (Chapter 4: Terrestrial Forms), [48] [49] [50] as well as the placement of sacred beasts in the five directions (the Four Symbols beasts, dragon, tiger, bird, tortoise in the four cardinal directions and the yellow dragon. [46] [51] [52]

And the Luxuriant Dew of the Spring and Autumn Annals attributed to Dong Zhongshu (2nd cent. BC) describes the ritual involving five colored dragons. [53]

Attestations of Five Dragon Kings

Consecration Sutra

The apocryphal [38] 佛說灌頂經; Foshuo guanding jing; "Consecration Sūtra Expounded by the Buddha" (early 4th century, attributed to Po-Srimitra 帛尸梨蜜多羅), which purports to be Buddhist teachings but in fact incorporates elements of Chinese traditional belief, [54] associates five dragon kings with five colored dragons with five directions, as aforementioned. [37]

The text gives the personal names of the kings. To the east is the Blue Dragon Spirit King (青龍神王) named Āxiūhē (阿修訶; 阿脩訶), with 49 dragon kings under him, with 70 myriad myllion lesser dragons, mountain spirits, and assorted ; mei demons as minions. The thrust of this scripture is that in everywhere in every direction, there are the minions causing poisonings and ailments, and their lord the dragon kings must be beseeched in prayer to bring relief. In the south is the Red Dragon Spirit King named Nàtóuhuàtí (那頭化提), in the west the White, called Hēlóusàchātí (訶樓薩叉提; 訶樓薩扠提), in the north the Black, called Nàyètílóu (那業提婁) and at center the Yellow, called Dūlúobōtí (闍羅波提), with different numbers subordinate dragon kings, with minion hordes of lesser dragons and other beings. [36] [55]

Though connection of poison to rainmaking may not be obvious, it has been suggested that this poison-banishing sutra could have viably been read as a replacement in the execution of the ritual to pray for rain (shōugyōhō, 請雨経法), in Japan. [56] A medieval commentary (Ryūō-kōshiki, copied 1310) has reasoned that since the Great Peacock (Mahāmāyūrī) sūtra mandates one to chant dragon names in order to detoxify, so shall offerings made to dragon lead to "sweet rain". [57]

Divine Incantations Scripture

The wangfang ("five position") dragon kings are also attested in the Taishang dongyuan shenzhou jing (太上洞淵神咒經; "Most High Cavernous Abyss Divine Spells Scripture"), [f] [25] though not explicitly under the collective name of "five position dragon kings", but individually as "Eastern Direction's Blue Emperor Blue Dragon King (東方青帝青龍王)", and so forth. [58] It gives a laundry list of dragon kings by different names, stating that spells to cause rain can be performed by invoking dragon kings. [59]

Ritual process

An ancient procedural instruction for invoking five-colored dragons to conduct rainmaking rites occurs in the Luxuriant Dew of the Spring and Autumn Annals, under its "Seeking Rain" chapter (originally 2nd century B.C.). It prescribes earthenware figurines of greater and lesser dragons of a specific color according to season, namely blue-green, red, yellow, white, black, depending on whether it was spring, summer, late summer (jixia  [ zh ]), autumn, or winter. And these figures were to be placed upon the alter at the assigned position/direction (east, south, center, west, or north). [60]

This Chinese folk rain ritual later became incorporated into Daoism. [59] The rituals were codified into Daoist scripture or Buddhist sūtras in the post-Later Han (Six Dynasties  [ zh ]) period, [31] but Dragon King worship did not come into ascendancy until the Sui-Tang dynasties. [39] The rain rituals in Esoteric Buddhism in the Tang dynasty was actually an adaptation of indigenous Chinese dragon worship and rainmaking beliefs, rather than pure Buddhism. [59]

As a point of illustration, a comparison can be made against Buddhist procedures for rainmaking during the Tang dynasty. The rainmaking tract in Atikūṭa 阿地瞿多's translated Collected Dhāraṇī Sūtras  [ zh ], (Book 11, under the chapter for 祈雨壇法; qíyǔ tánfǎ; "Rain Prayer Altar Method") prescribes an altar to be built, with mud figures of dragon kings placed on the four sides, and numerous mud-made lesser dragons arranged within and without the altar. [59] [62]

Dragon Kings of the Four Seas

Temple of the Dragon King of the South Sea in Sanya, Hainan. Template of Dragon King at Sanya.JPG
Temple of the Dragon King of the South Sea in Sanya, Hainan.

Each one of the four Dragon Kings of the Four Seas (四海龍王; Sìhǎi Lóngwáng) is associated with a body of water corresponding to one of the four cardinal directions and natural boundaries of China: [11] the East Sea (corresponding to the East China Sea also, parts of the Pacific), the South Sea (corresponding to the South China Sea, West Philippines Sea ), the West Sea (The Qinghai Lake sometimes also, Indian Ocean , Bay of Bengal and beyond), and the North Sea (Lake Baikal , Sea of Japan, and also the Arctic Ocean). [2]

They appear in the classical novels like The Investiture of the Gods and Journey to the West . In Ramayana Ocean King Varuna (Ao-Run) [63] assists Rama to create the Ram-setu. [64]

In Fengshen Yanyi and Journey to the West where each of them has a proper name, and they share the surname Ao (, meaning "playing" or "proud"). The origin of their family name, Ao (敖), however, remains unclear. The names of the Dragon Kings also vary according to the stories they are featured in.

Dragon of the Eastern Sea

His proper name is Ao Guang (敖廣 or 敖光), and he is the patron of the East China Sea. He is often directly associated with the Dragon King Sagara. [65]

Dragon of the Western Sea

His proper names are Ao Run (敖閏), Ao Jun (敖君) or Aó Jí (敖吉). He is the patron of Qinghai Lake, sometimes also the Indian Ocean, Bay of Bengal and beyond. Naga king Varuna is associated with him many times due to relations with Chinese Western Religion. [63] [66]

Dragon of the Southern Sea

He is the patron of the South China Sea, West Philippine Sea and his proper name is Ao Qin (敖欽).

Dragon of the Northern Sea

His proper names are Ao Shun (敖順) or Ao Ming (敖明), and his body of water is Lake Baikal, Sea of Japan sometimes also, the Arctic Ocean.

Worship of the Dragon God

Worship of the Dragon God is celebrated throughout China with sacrifices and processions during the fifth and sixth moons, and especially on the date of his birthday the thirteenth day of the sixth moon. [11] A folk religious movement of associations of good-doing in modern Hebei is primarily devoted to a generic Dragon God whose icon is a tablet with his name inscribed on it, utilized in a ritual known as the "movement of the Dragon Tablet". [67] The Dragon God is traditionally venerated with dragon boat racing.

In coastal regions of China, Korea, Vietnam, traditional legends and worshipping of whales (whale gods) have been referred to Dragon Kings after the arrival of Buddhism. [68]

Buddhism

"There were eight dragon kings [69] , the dragon king Nanda, the dragon king Upananda, the dragon king Sagara, the dragon king Vasuki , the dragon king Takshaka , the dragon king Anavatapta, the dragon king Manasvin, the dragon king Utpalaka, each with several hundreds of thousands of followers." - Dragon King Sutra [70] [71] [2]

In chapter 12 of the Lotus Sutra(Devadatta), The eight-year-old daughter(Longnü) of the dragon king Sagara (Ao-Guang) attained Enlightenment after offering a jewel to Buddha Sakyamuni and hearing Bodhisattva Manjushri and Avalokiteśvara (Bodhisattva Guanyin) preach the sutra in place of her father. [72] [73] In the Budhhist folk tale Complete Tale of Avalokiteśvara and the Southern Seas, the third son of the Dragon king was accidentally captured by a fisherman and later saved by Bodhisattva Avalokiteśvara. To show gratitude for saving her brother, Longnü offers the "Pearl of light" to Avalokiteśvara and became a disciple of him and later Longnü attains Niravana. [74]

Tibetan Buddhism, the nāgas are the followers of Virūpākṣa (Pāli: Virūpakkha), one of the Four Heavenly Kings who guards the western direction. They act as guards upon Mount Sumeru, protecting the dēvas of Trāyastriṃśa from attacks by the asuras. (Main article Nāgaraja, Virūpākṣa)

Apalāla (Pali, Sanskrit) is a water-dwelling Nāga-king in Buddhist mythology. The story of conversion to Buddhism by the Buddha (Pali: Apalāladamana) can be found in Buddhist texts such as Samantapāsādikā and Divyāvadāna. [75]

Some Buddhist traditions describe a figure named Duo-luo-shi-qi, or Talasikhin, as a Dragon King who resides in a palace located in a pond near the legendary kingdom of Ketumati. It is said that at midnight, he would drizzle in this pond to cleanse himself of dust. [76]

Buddhist literature features a Nāga King named Dhṛtarāṣṭra(Sanskrit; Pali: Dhataraṭṭha), he is one of the four Heavenly kings who guards the east. He was the father of Gautama Buddha in a past life when Budhha was bodhisattva named Bhūridatta. He is mentioned in Buddhist texts Bhūridatta Jātaka, the Mahamayuri Vidyarajni Sutra and the Mahāmegha Sūtra. [77]

Artistic depictions

Japan

As already mentioned, Esoteric Buddhists in Japan who initially learned their trade from Tang dynasty China engaged in rainmaking ritual prayers invoking dragon kings under a system known as shōugyōhō  [ ja ] or shōugyō [no] hō, established in the Shingon sect founded by the priest Kūkai, who learned Buddhism in Tang China. It was first performed by Kūkai in the year 824 at Shinsen'en, according to legend, but the first occasion probably took place historically in the year 875, then a second time in 891. The rain ritual came to be performed regularly. [81] [82] [83]

The shōugyōhō ritual used two mandalas that featured dragon kings. The Great Mandala that was hung up was of a design that centered around Sakyamuni Buddha, surrounded by the Eight Great Dragon Kings  [ ja ], the ten thousand dragon kings, Bodhisattvas (based on the 大雲輪請雨經; Dayunlun qingyu jing, "Scripture of [Summoning] Great Clouds and Petitioning for Rain"). [83] [84] [85] The other one was a "spread-out mandala" (shiki mandara敷曼荼羅) laid flat out on its back, and depicted five dragon kings, which were one-, three-, five-, seven-, and nine-headed (based on the Collected Dhāraṇī Sūtras). [83]

Also, there was the "Five Dragons Festival/ritual" (Goryūsai五龍祭) that was performed by onmyōji or yin-yang masters. [45] [86] The oldest mention of this in literature is from Fusō Ryakuki , the entry of Engi 2/902AD, 17th day of the 6th moon. [86] Sometimes, the performance of the rain ritual by Esoteric Buddhists (shōugyōhō) would be followed in succession by the Five Dragons Ritual from the Yin-Yang Bureau  [ ja ]. [87] The Five Dragon rites performed by the onmyōji or yin yang masters had their heyday around the 10–11th centuries. [86] There are mokkan, or inscribed wooden tablets, used in these rites that have been unearthed (e.g., from an 8–10th century site and a 9th-century site). [88]

In Japan, there also developed a legend that the primordial being Banko (Pangu of Chinese myth) sired the Five Dragon Kings, who were invoked in the ritual texts or saimon  [ ja ] read in Shinto or Onmyōdō rites, but the five beings later began to be seen less as monsters and more as wise princes. [89]

Dragon Kings of Bhutan

Also the Kings of Bhutan are called the Dragon King as Bhutan in its native language is known as Drukyul which translates as "The Land of Dragon". Thus, while kings of Bhutan are known as Druk Gyalpo meaning Dragon King (Bhutan), the Bhutanese people call themselves the Drukpa, meaning "people of Druk (Bhutan)". Present King Jigme Khesar Namgyel Wangchuck is the 5th Dragon King. [90]

See also

Explanatory notes

  1. In a modern local ritual (cf. Changli County), the inscription reads "[...] Dragon King of the Four Seas, Five Lakes, Eight Rivers and Nine Streams (in sum, the lord of all the waters) [...]". [10]
  2. Yellow Emperor is sometimes considered an incarnation of the Yellow dragon. [28]
  3. The title gives wulong or five dragons, but the figure with a pair of hands growing out of eye socket is Yangjian taisui aka Yang Yin (Investiture of the Gods)  [ zh ], and the other figures are the azure dragon, tiger, and vermillion bird from the Four Symbols.
  4. Unique, as far as Monta is aware. [35] It gives the names of the for the dragon kings of the five colors and five directions. [36]
  5. Cf. Tradition that emphasizes esoteric practices and rituals aimed at rapid spiritual awakening.
  6. Or "The Most High Dongyuan Scripture of Divine Spells"

References

Citations

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  3. "Dragon Deity" also, dragon god. A deification of the dragon, one of the eight kinds of nonhuman beings held to be guardians of Buddhism. Dragon deities are said to have various powers, such as the ability to cause rain. Chapter: Dragon Deity, Soka Gakkai Nichiren Buddhism Library
  4. "Dragon Kings of the seas". Soka Gakkai Nichiren Buddhism Library.
  5. "Dragon King of the East Sea - Tibetan Buddhist Encyclopedia". tibetanbuddhistencyclopedia.com. Retrieved 2025-08-18.
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  12. Overmyer (2009), p. 21.
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  42. Faure (2005), pp. 76–77.
  43. Anzhai shenzhou jing ("Sūtra of the divine formula for pacifying a house"). The spell invokes the white and black dragon kings, and three by name, [39] but the names don't really match those given by the Foshuo guanding jing.
  44. Faure (2005), p. 72 (abstract); pp. 76–77: "the gods of the Five Directions, called the Five Dragons (goryū五龍) or the Five Emperors (gotei五帝). "
  45. 1 2 Drakakis, Athanathios (2010). "60. Onmōdō and Esoteric Buddhism". In Orzech, Charles; Sørensen, Henrik H.; Payne, Richard (eds.). Esoteric Buddhism and the Tantras in East Asia. BRILL. p. 687. ISBN   9789004204010.
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  53. 1 2 Monta (2012), p. 14.
  54. Yamaguchi, citing the Daizōkyō zenkaisetsu daijiten: "[『仏説灌頂経』は]仏典ではあるが、 「中国の俗信仰的要素が認められる」(雄山閣『大蔵経全解説大事典』)". [36]
  55. Higashi, Shigemi [in Japanese] (2006). Yamanoue-no-Okura no kenkyū山上憶良の研究. Kanrin shobō. pp. 824–825. ISBN   9784877372309.
  56. Trenson (2002), p. 468.
  57. Ariga (2020), pp. 179–178.
  58. "Longwang pin / Weimyao shangping" 龍王品・微妙上品  . Taishang donyuan shenzhou jing 太上洞淵神呪經. Vol. 13 via Wikisource.
  59. 1 2 3 4 Sakade (2010), pp. 61–65.
  60. "... that is to say, canglong [blue-green dragon] to the east in spring, the red dragon tp the south in summer, the yellow dragon to the center in late summer (jìxià), white dragon to the west in autumn, and black dragon to the north in winter ..すなわち、春は蒼龍を東に、夏は赤龍を南に、季夏は黄龍を中央に、秋は白龍を西に、冬は黒龍を北にそれぞれ配置するとされている". [53]
  61. Ariga (2020), p. 173.
  62. Raiyu  [ ja ]'s edited work Hishō mondō秘鈔問答 quotes from this sutra: "As the Collected Dhāraṇī Sūtras, 11 states, this altar should have a single-walled and four-gated boundary be made around its field. And on the East gate of the altar, the gate officer should be crafted out of mud, in the embodiment of the dragon king 其壇界畔作一重而開四門。壇之東門将以泥土作、龍王身". [61]
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