Part of a series on |
Tibetan Buddhism |
---|
A namtar (Tibetan : རྣམ་ཐར་, Wylie : rNam-thar), sometimes spelled namthar, is a spiritual biography or hagiography in Tibetan Buddhism.
Namtar is a contraction of nampar tharpa (Tibetan : རྣམ་པར་ཐར་པ་, Wylie : rnam-par thar-pa), which literally means 'complete liberation'. [1] This name refers to the fact that the texts tell stories of yogis or Indo-Tibetan Mahasiddha who attained complete enlightenment. If Namtars do not justify a literal chronology of events, how could they function as a kind of learning example that hits the key points of the yogi's spiritual life? Such a text would serve as an example of buddhahood for any practitioner of Vajrayana and complement the tantras in imparting instructions on specific tantric spiritual practices. According to Janice D. Willis, the focus on spiritual practice forms an essential difference between Christian and Tibetan hagiography. [1] [2]
In her book Women of Wisdom, Tsultrim Allione voices it thus:
The sacred biography is called 'rNam.thar' in Tibetan, which literally means 'complete liberation.' The 'rNam.thar' are specially geared to provide records for those on a spiritual quest, in much the same way that someone about to climb a high mountain would seek out the chronicles of those who had made the climb before. The sacred biographer is primarily concerned with providing information which will be helpful and inspirational for someone following in the footsteps of the spiritual adept or 'saint.' Establishing a mythical ideal and the communication of the sacred teachings takes precedence over providing a narrative portrait or "likeness" of the subject as a personality. The personality is stressed only in so far as it relates to the spiritual process of the individual. [3]
Western academic tradition often portrays this type of text in an unfavourable light. It mainly criticizes the Tibetan hagiography for its inclusion of miraculous events and repetition of the protagonist's sanctity. Some scholars have therefore proposed that the Namtar has no historical value whatsoever. [4]
All Tibetan Namtar consist of three parts: [5]
Mainly the third of these levels has caused western scholars to criticize this form of literature. [5] [4] Willis however defends their historical value by arguing that the miraculous parts of the secret biography may be interpreted as a metaphor for tantric practice. [6]
Mahasiddha is a term for someone who embodies and cultivates the "siddhi of perfection". A siddha is an individual who, through the practice of sādhanā, attains the realization of siddhis, psychic and spiritual abilities and powers.
Gampopa Sönam Rinchen was the main student of Milarepa, and a Tibetan Buddhist master who codified his own master's ascetic teachings, which form the foundation of the Kagyu educational tradition. Gampopa was also a doctor and tantric master. He authored the first Lamrim text, Jewel Ornament of Liberation, and founded the Dagpo Kagyu school. He is also known as Dvagpopa, and by the titles Dakpo Lharjé "the physician from Dakpo" and Daö Zhönnu, "Candraprabhakumara".
Nāropā or Abhayakirti was an Indian Buddhist Mahasiddha. He was the disciple of Tilopa and brother, or some sources say partner and pupil, of Niguma. As an Indian Mahasiddha, Naropa's instructions inform Vajrayana, particularly his six yogas of Naropa relevant to the completion stage of anuttarayogatantra. He was also one of the gatekeepers of Vikramashila monastery which is located in Bihar.
Yeshe Tsogyal, also known as "Victorious Ocean of Knowledge", "Knowledge Lake Empress", or by her Sanskrit name Jñānasāgara "Knowledge Ocean", or by her clan name "Lady Kharchen", attained enlightenment in her lifetime and is considered the Mother of Tibetan Buddhism. Yeshe Tsogyal is the highest woman in the Nyingma Vajrayana lineage. Some sources say she, as Princess of Karchen, was either a wife or consort of Tri Songdetsen, emperor of Tibet, when she began studying Buddhism with Padmasambhava, who became her main karmamudrā consort. Padmasambhava is a founder-figure of the Nyingma tradition of Tibetan Buddhism, and is considered as a second buddha of our era. She is known to have revealed terma with Padmasambhava and was also the main scribe for these terma. Later, Yeshe Tsogyal also hid many of Padmasambhava's terma on her own, under the instructions of Padmasambhava for future generations.
A ganacakra is also known as tsok, ganapuja, cakrapuja or ganacakrapuja. It is a generic term for various tantric assemblies or feasts, in which practitioners meet to chant mantra, enact mudra, make votive offerings and practice various tantric rituals as part of a sādhanā, or spiritual practice. The ganachakra often comprises a sacramental meal and festivities such as dancing, spirit possession, and trance; the feast generally consisting of materials that were considered forbidden or taboo in medieval India like meat, fish, and wine. As a tantric practice, forms of gaṇacakra are practiced today in Hinduism, Bön and Vajrayāna Buddhism.
A kartika or drigug is a small, crescent-shaped, hand-held ritual flaying knife used in the tantric ceremonies of Vajrayana Buddhism. The kartari is said to be "one of the quintessential attributes of the wrathful Tantric deities." It is commonly known as the "knife of the dakinis." Its shape is similar to the Inuit ulu or woman's knife, which is used for many things including cleaning skins.
Dark retreat is a spiritual retreat in a space that is completely absent of light, which is an advanced practice of Tibetan Buddhism and Bön.
Machig Labdrön, or "Singular Mother Torch from Lab", 1055–1149) was a female Tibetan Buddhist monk believed to be a reincarnation of Yeshe Tsogyal, and the renowned 11th-century Tibetan tantric Buddhist master and yogini that originated several Tibetan lineages of the Vajrayana practice of Chöd.
Chöd is a spiritual practice found primarily in the Yundrung Bön tradition as well as in the Nyingma and Kagyu schools of Tibetan Buddhism. Also known as "cutting through the ego," the practices are based on the Prajñāpāramitā or "Perfection of Wisdom" sutras, which expound the "emptiness" concept of Buddhist philosophy.
Semde (Tibetan: སེམས་སྡེ, Wylie: sems sde; Sanskrit: cittavarga, "mind division", "mind class" or "mind series" is the name of one of three scriptural and lineage divisions within the Dzogchen tradition. The Nyingma school of Tibetan Buddhism traditionally classifies its Dzogchen teaching into three main divisions: Semde, Longdé and Menngagde.
Longdé is the name of one of three scriptural divisions within Dzogchen, which is itself the pinnacle of the ninefold division of practice according to the Nyingma school of Tibetan Buddhism.
Saraha, Sarahapa, Sarahapāda, was known as the first sahajiya and one of the Mahasiddhas. The name Saraha means "the one who has shot the arrow.". According to one, scholar, "This is an explicit reference to an incident in many versions of his biography when he studied with a dakini disguised as a low-caste arrow smith. Metaphorically, it refers to one who has shot the arrow of non duality into the heart of duality."
Milarepa is a 2006 Tibetan-language film about the life of the most famous Tibetan tantric yogi, the eponymous Milarepa. The film was shot in the Spiti Valley, high in the Himalayas in the Zanskar region close to the border between India and Tibet due to the location's resemblance to the Tibetan landscape.
Lopön Tenzin Namdak is a Tibetan religious leader and the most senior teacher of Bon, in particular of Dzogchen and the Mother Tantras.
Mandarava was, along with Yeshe Tsogyal, one of the two principal consorts of great 8th-century Indian Vajrayana teacher Padmasambhava, a founder-figure of Tibetan Buddhism. Mandarava is considered to be a female guru-deity in Tantric Buddhism or Vajrayana.
Songs of realization, or Songs of Experience, are sung poetry forms characteristic of the tantric movement in both Vajrayana Buddhism and in Hinduism. Doha is also a specific poetic form. Various forms of these songs exist, including caryagiti, or 'performance songs' and vajragiti, or 'diamond songs', sometimes translated as vajra songs and doha, also called doha songs, distinguishing them from the unsung Indian poetry form of the doha. According to Roger Jackson, caryagiti and vajragiti "differ generically from dohās because of their different context and function"; the doha being primarily spiritual aphorisms expressed in the form of rhyming couplets whilst caryagiti are stand-alone performance songs and vajragiti are songs that can only be understood in the context of a ganachakra or tantric feast. Many collections of songs of realization are preserved in the Tibetan Buddhist canon, however many of these texts have yet to be translated from the Tibetan language.
Dampa Sangye was a Buddhist mahasiddha of the Indian Tantra movement who transmitted many teachings based on both Sutrayana and Tantrayana to Buddhist practitioners in Tibet in the late 11th century. He travelled to Tibet more than five times. On his third trip from India to Tibet he met Machig Labdrön. Dampa Sangye appears in many of the lineages of Chöd and so in Tibet he is known as the Father of Chod, however perhaps his best known teaching is "the Pacification". This teaching became an element of the Mahamudra Chöd lineages founded by Machig Labdrön.
The name Karma Chagme refers to a 17th-century Tibetan Buddhist (Vajrayāna) lama and to the tülku lineage which he initiated. Including the first, seven Karma Chagme tülkus have been recognized. The Neydo Kagyu sub-school of the Karma Kagyu was established by the first Karma Chagme, Rāga Asya.
Geshey Gendün Rinchen was the 69th Je Khenpo of Bhutan.
Tibetan autobiography, or, rangnam, is a form of autobiography native to Tibetan Buddhism.