Editor | Miroljub Todorović |
---|---|
Publisher | Signalism, international avant-garde movement |
Founder | Miroljub Todorović |
First issue | September 1, 1970 |
Final issue Number | 2004 30 |
Country | Yugoslavia / Serbia |
Based in | Belgrade |
Language | multilingual (Serbian, English, Hungarian etc) |
Magazine Signal with the subtitle "International Review of Signalist Research" was the periodical of Signalism, international avant-garde creative movement. The magazine was founded in 1970 in Belgrade. [1] Founder and editor-in-chief was Miroljub Todorović.
The movement was significantly boosted by the magazine, publishing multilingual works of neo avant-garde poets, fiction writers, essayists and visual artists from Europe, North and South America, Japan and Australia.
Nine issues of Signal appeared between 1970 and 1973, [2] presenting a number of domestic and international artists, as well as printing bibliographical data about the avant-garde publications all around the world. From 1973 until 1995 magazine could not be published, mainly for financial reasons.
From 1995 to 2004 another 21 issues of Signal appeared. [3] The new release of Signal revitalized the Signalist movement and brought numerous young artists into the movement in 21st century.
Dada or Dadaism was an anti-establishment art movement that developed in 1915 in the context of the Great War and the earlier anti-art movement. Early centers for dadaism included Zürich and Berlin. Within a few years, the movement had spread to New York City and a variety of artistic centers in Europe and Asia.
In the arts and literature, the term avant-garde identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an advance guard identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times.
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern.
Neo-Dada was a movement with audio, visual and literary manifestations that had similarities in method or intent with earlier Dada artwork. It sought to close the gap between art and daily life, and was a combination of playfulness, iconoclasm, and appropriation. In the United States the term was popularized by Barbara Rose in the 1960s and refers primarily, although not exclusively, to work created in that and the preceding decade. There was also an international dimension to the movement, particularly in Japan and in Europe, serving as the foundation of Fluxus, Pop Art and Nouveau réalisme.
Isidore Isou, born Isidor Goldstein, was a Romanian-born French poet, dramaturge, novelist, film director, economist, and visual artist. He was the founder of Lettrism, an art and literary movement which owed inspiration to Dada and Surrealism.
György Galántai is a Hungarian neo-avant-garde and fluxus artist, organizer of the events of the Chapel Studio in Balatonboglár which run from 1970 to 1973 and founder of the Artpool Art Research Center Budapest. During the Communist Era of Hungary, he organized illegal, underground avant-garde exhibitions and therefore he was considered to be a "dangerous element" by the Party for spreading western propaganda, and was monitored by secret police, who opened the file "Painter" solely documenting his activity. From the late seventies he started an intense correspondence with fellow artists all over the world, joining into the network of mail art despite the Iron Curtain limiting his access for information. In 1979 he created an archive for these correspondences and other documents which he collected on Hungarian neo-avantgarde movements and initiated Artpool which became the largest archive of new mediums such as fluxus, visual poetry, artists' book, mail art, artistamp etc. in Central Europe.
The Devětsil was an association of Czech avant-garde artists, founded in 1920 in Prague. From 1923 on there was also an active group in Brno. The movement discontinued its activities in 1930.
Lajos Kassák was a Hungarian poet, novelist, painter, essayist, editor, theoretician of the avant-garde, and occasional translator. He was among the first genuine working-class writers in Hungarian literature.
Anton Podbevšek was a Slovenian avant-garde poet. He was an important influence to the poet Srečko Kosovel. He was one of the participants of the artistic activity known as the Novo Mesto Spring in 1920, which marked the beginning of Slovenian modernism. The poet Miran Jarc portrayed him in the semi-autobiographical novel Novo mesto in the character of Andrej Vrezec.
291 was an arts and literary magazine that was published from 1915 to 1916 in New York City. It was created and published by a group of four individuals: photographer/modern art promoter Alfred Stieglitz, artist Marius de Zayas, art collector/journalist/poet Agnes E. Meyer and photographer/critic/arts patron Paul Haviland. Initially intended as a way to bring attention to Stieglitz's gallery of the same name (291), it soon became a work of art in itself. The magazine published original art work, essays, poems and commentaries by Francis Picabia, John Marin, Max Jacob, Georges Ribemont-Dessaignes, de Zayas, Stieglitz and other avant-garde artists and writers of the time, and it is credited with being the publication that introduced visual poetry to the United States.
Dom Pierre-Sylvester HouédardWED-ar, also known by the initials 'dsh', was a British Benedictine priest, theologian and noted concrete poet.
Dragan Aleksić was a Serbian Dadaist poet, author, journalist and filmmaker. He was the founder of the Yugoslavian branch of Dadaism, termed "Yugo-Dada".
Gregory Betts is a Canadian scholar, poet, editor and professor.
Marko Ristić was a Serbian surrealist poet, writer, publicist and ambassador.
Miroljub Todorović is a Serbian poet and artist. He is the founder and theoretician of Signalism, an international avant-garde literary and artistic movement. He is also editor-in-chief of the International review "Signal".
Signalism represents an international neo-avant-garde literary and art movement. It gathered wider support base both in former Yugoslavia and the world in the late 1960s and the beginning of the 1970s.
Anna Aleksandrovna Tarshis, better known as Ry Nikonova or Rea Nikonova, was a Russian artist, poet, and writer. Many of her artworks are held in private and public collections throughout the world.
Milivoje Pavlović is an awarded Serbian writer and university professor, as well as literature, culture and media scholar.
Poetism was an artistic program in Czechoslovakia which belongs to the avant-garde; it has never spread abroad. It was invented by members of the avant-garde association Devětsil, mainly Vítězslav Nezval and Karel Teige. It is mainly known in the literature form, but it was also intended as a lifestyle. Its poems were apolitical, optimistic, emotional, and proletaristic, describing ordinary, real things and everyday life, dealing mainly with the present time. It uses no punctuation.
Mihajlo S. Petrov (1902-1983) was a Serbian-Yugoslavian avant-garde painter, graphic artist, illustrator, etcher, and art critic.