The United States Army Art Program or U.S. Army Combat Art Program is a U.S. Army program to create artwork documenting its involvements in war and peacetime engagements. The art collection associated with the program is held by the U.S. Army Center of Military History. The United States Army Centre of Military History built the National Museum of the United States Army at Fort Belvoir that is now completed and will open when conditions allow.
The U.S. Army's official interest in art originated in World War I when eight artists (see the list at AEF artists) were commissioned as captains in the Corps of Engineers and were sent to Europe to record the activities of the American Expeditionary Forces. At the end of the war, most of the team's artwork went to the Smithsonian Institution, which at that time was the custodian of Army historical property and art.[ citation needed ]
There was no Army program for acquiring art during the interwar years, but with the advent of World War II, the Corps of Engineers, drawing on its World War I experience, established the War Art Unit in early 1943. [4] The Associated American Artists helped the Army recruit artists, and the War Department established a War Art Advisory Committee, a select group of civilian art experts who selected artists to work in the program. [5] By the spring of 1943 the committee had selected 42 artists: 23 active duty military and 19 civilians. These artists included Aaron Bohrod, Howard Cook, Joe Jones, Jack Levine, Reginald Marsh, Mitchell Siporin, Rudolph von Ripper, [6] Jack Keijo Steele, [7] and Henry Varnum Poor. [5] The first artists were sent to the Pacific Ocean theater of World War II, but in May 1943 Congress withdrew funding from the program and the War Art Unit was inactivated. The Army assigned the military artists to other units and released the civilians.[ citation needed ]
The effort to create a visual record of the American military experience in World War II was then taken up by the private sector in two different programs, one by Life magazine and one by Abbott Laboratories, a large medical supply company. When Life offered to employ civilian artists as war correspondents, the War Department agreed to provide them the same support already being given to print and film correspondents. Seventeen of nineteen civilian artists the War Art Committee had selected joined Life as war correspondents. A deal was struck between then editor of Life, Daniel Longwell, and the Secretary of War for the artists to receive the same treatment as news correspondents. [5] Abbott, in coordination with the Army's Office of the Surgeon General, commissioned twelve artists to record the work of the Army Medical Corps. These two programs resulted in a wide range of work by distinguished artists, such as Marion Greenwood and John Steuart Curry, [8] [9] who had the opportunity to observe the war firsthand.[ citation needed ]
By the end of World War II, the Army had acquired over 2,000 pieces of art. In June 1945, the Army established a Historical Properties Section to maintain and exhibit this collection, thus creating the nucleus of today's Army art Collection. On 7 December 1960, Life also presented 1,050 works by its correspondents to the Defense Department, many of which the Army later received. In 1947, the Army Art program also assumed custody of 8,000 German war art created by similar Nazi programs, [5] including four architectural renderings by Adolf Hitler.[ citation needed ]
War art continued through subsequent wars, including the Korean War, Vietnam War, Desert Storm/Desert Shield and the Global War on Terrorism as well as other operations by the Army. Although no official artists were forwarded to Korea by the Army, nine combat artists teams operated in Vietnam from 1966 to 1970 as part of the U.S. Army Vietnam Combat Artists Program. The Chief of Military History developed the Army Art Program as it is today, with specialized training for both civilian and military artists who went into the field as complete units. [10] As of November 2010 [update] , the Army Art collection comprises over 15,500 works of art from over 1,300 artists. The Army Staff Artist Program was assigned to the United States Army Center of Military History Museum Division in 1992, where it was established as a permanent part of the Museum Division's Collections Branch.
In September 2010, the National Constitution Center in Philadelphia, Pennsylvania, hosted an exhibit titled "Art of the American Soldier", featuring more than 300 works from the army art collection, one of the first times that the Army Art from the Army Art Program had been put on display en masse. [11] [ needs update ] In addition to the 300 works, soldier/artists were also allowed to submit works to be part of digital kiosks at the exhibit. The exhibit was designed to contain highly realistic works, such as those of U.S. Army artist Master Sergeant Martin Cervantez. Cervantez commented on his pieces on display in Reuters on the nature of the exhibit: "If a soldier takes his family to the museum, I want them to be able to say, 'That's what it was like.'" [12]
The USAF Art Program of the United States Air Force was begun in 1950, with the transfer of ~800 works of art from the United States Army. Today the program maintains its headquarters and museum in the NCR.
A war artist is an artist either commissioned by a government or publication, or self-motivated, to document first-hand experience of war in any form of illustrative or depictive record. War artists explore the visual and sensory dimensions of war, often absent in written histories or other accounts of warfare.
Arthur Szyk ; June 3, 1894 – September 13, 1951) was a Polish-born Jewish artist who worked primarily as a book illustrator and political artist throughout his career. Arthur Szyk was born into a prosperous middle-class Jewish family in Łódź, in the part of Poland which was under Russian rule in the 19th century. An acculturated Polish Jew, Szyk always proudly regarded himself both as a Pole and a Jew. From 1921, he lived and created his works mainly in France and Poland, and in 1937 he moved to the United Kingdom. In 1940, he settled permanently in the United States, where he was granted American citizenship in 1948.
The United States Army Ordnance Training Support Facility artifacts are used to train and educate logistic soldiers. It re-located to Fort Gregg-Adams, outside Petersburg, Virginia. Its previous incarnation was the United States Army Ordnance Museum at Aberdeen Proving Ground in Aberdeen, Maryland which closed in September 2010.
The United States Army Center of Military History (CMH) is a directorate within the United States Army Training and Doctrine Command. The Institute of Heraldry remains within the Office of the Administrative Assistant to the Secretary of the Army. The center is responsible for the appropriate use of history and military records throughout the United States Army. Traditionally, this mission has meant recording the official history of the army in both peace and war, while advising the army staff on historical matters. CMH is the flagship organization leading the Army Historical Program.
The United States Army Heritage and Education Center (USAHEC), at Carlisle Barracks, Pennsylvania, is the U.S. Army's primary historical research facility. Formed in 1999 and reorganized in 2013, the center consists of the Military History Institute (MHI), the Army Heritage Museum (AHM), the Historical Services Division (HSD), Visitor and Education Services (VES), the U.S. Army War College Library, and Collections Management (CM). The U.S. Army Heritage and Education Center is part of the United States Army War College, but has its own 56-acre (230,000 m2) campus.
Howard Brodie was a sketch artist best known for his World War II, Korean and Vietnam combat and courtroom sketches. He worked as a staff artist for Life, Yank Magazine, Collier's, Associated Press and CBS News.
The National Veterans Art Museum, formerly the National Vietnam Veterans Art Museum, located at 4041 N. Milwaukee Avenue in Chicago's six corners neighborhood, is dedicated to displaying and studying art produced by veterans from the Vietnam War and other wars and conflicts. Originally a traveling exhibition, while in Chicago it was viewed by Mayor Richard M. Daley, who was so taken by the power of the art that he immediately insisted that the city provide a permanent home for it. The entrance hall had 58,226 dog tags hanging from the ceiling, representing the US soldiers who died in Vietnam. It and the other exhibits have been described as deeply moving.
The Army Heritage Center Foundation (AHCF) is a membership-based 501(c)(3) nonprofit corporation that is coordinating a public-private partnership to assist the United States Army to develop the U.S. Army Heritage and Education Center (USAHEC) in Carlisle, Pennsylvania.
The term military medicine has a number of potential connotations. It may mean:
Horace Day, also Horace Talmage Day, was an American painter of the American scene who came to maturity during the Thirties and was active as a painter over the next 50 years. He traveled widely in the United States and continued to explore throughout his life subjects that first captured his attention as an artist in the Thirties. He gained early recognition for his portraits and landscapes, particularly his paintings in the Carolina Lowcountry.
Joseph Hirsch (1910–1981) was an American painter, illustrator, muralist and teacher. Social commentary was the backbone of Hirsch's art, especially works depicting civic corruption and racial injustice.
American official war artists have been part of the American military since 1917. Artists are unlike the objective camera lens which records only a single instant and no more. The war artist captures instantaneous action and conflates earlier moments of the same scene within one compelling image.
"We're not here to do poster art or recruiting posters... What we are sent to do is to go to the experience, see what is really there and document it—as artists."
Kristopher J. Battles is an American artist, known as the last remaining USMC combat artist in 2010.
In June 1966, the Army Vietnam Combat Artists Program was established as part of the United States Army Art Program, utilizing teams of soldier-artists to make pictorial records of U.S. Army activities in the course of the Vietnam War for the annals of military history. The concept of the Vietnam Combat Art Program had its roots in World War II when the U.S. Congress authorized the Army to use soldier-artists to record military operations in 1944.
James Pollock is an American artist living in Pierre, South Dakota. Pollock has been characterized as a painter whose work is a bridge between the abstract and the concrete. His style varies widely, sometimes drawing on the abstract styles reminiscent of artists of the early 20th-century Bauhaus school, characterized by strong lines and bold colors, sometimes resembling ancient cave paintings, and sometimes straightforward renderings of landscapes and objects." Pollock is an active plein air painter and member of the South Dakota Plein Air Artists movement.
David Fairrington is an American artist. Mostly associated with his realistic portraits, Fairrington paints a variety of subjects including landscapes, still life, and western art in a range of styles including abstract, conceptual, fantasy, figurative, impressionist, pop art and romantic. He attributes artist John Singer Sargent and famed illustrator Norman Rockwell as significant influences in his work.
James Dietz, also known as Jim Dietz, is a contemporary artist known for his history paintings, particularly of subjects from the First and Second World Wars. He has been a member of the World War I Aviation Historical Hall of Fame, served as a board member of the Automotive Fine Artists of America. He has received awards for his work from the American Society of Aviation Artists and other arts organizations.
Lora Beldon is an American artist, curator, and arts educator. Her primary body of work explores the culture, history, and the effect of combat PTSD on U.S. military brats. She is founder of the Military Kid Art Project (MKAP), which provides customized art programming for military children and teens. She lives and works in Richmond, Virginia.
Lucien Adolphe Labaudt was a French-born American painter based in San Francisco, California. His best-known work may be Powell Street (1934), a mural in fresco at Coit Tower that he created for the Public Works of Art Project.
This article incorporates public domain material from Army Art Program. United States Army Center of Military History.