American ticket sales platform Ticketmaster and parent company Live Nation Entertainment received widespread public criticism and political scrutiny over blunders in selling tickets to the United States leg of the Eras Tour (2023), the sixth concert tour by singer-songwriter Taylor Swift, in November 2022.
Media outlets described the demand for the Eras Tour's tickets as "astronomical", [1] with 3.5 million people registering for the Ticketmaster's Verified Fan pre-sale program in the U.S. When the sale went online on November 15, 2022, the website crashed in an hour, with users logged out or in a frozen queue; however, 2.4 million tickets were sold, breaking the record for the highest single-day ticket sales ever by an artist. Ticketmaster attributed the crash to heavy site traffic—"historically unprecedented demand with millions showing up"—but users complained about poor customer service. [2] Live Nation blamed Swift's "staggering" demand "overwhelming" them beyond capacity, canceled the general sale due to "insufficient" inventory, [3] and published an apology.
Scalpers had purchased a large number of tickets and put them on ticket resale websites for exorbitant prices. Numerous fans and consumer groups alleged that Ticketmaster is deceitful. In response, several U.S. Congress members voiced to revert the 2010 merger of Ticketmaster and Live Nation, [note 1] which they dubbed a monopoly lacking competitive pressure, leading to substandard service and extortionate prices. The U.S. Department of Justice initiated a federal probe. Swift's tour promoter, AEG Presents, said Ticketmaster's exclusive deals with the majority of U.S. live venues coerced AEG into working with them. In December 2022, several fans sued Ticketmaster for many violations such as intentional deception, fraud, price fixing, and antitrust.
Publications opined that the controversy highlighted one of the longstanding issues in the music industry. Ticketmaster distributed invalid tickets for the World's Hottest Tour of Puerto Rican rapper Bad Bunny in Mexico City, which led to overcrowding at the venue, attracting more criticism. The PROFECO fined Ticketmaster 10 percent of its 2021 income. In 2023, the U.S. Senate Judiciary Committee examined the fiasco with a hearing, where bipartisan senators castigated Ticketmaster. States such as New York, Texas, Massachusetts, and California outlawed scalper bots and regulated pricing models. Following pressure from Joe Biden, the U.S. president, Ticketmaster and other ticket platforms agreed to abolish junk fees and show consumers all the fees upfront. The Federal Trade Commission decided to impose a federal ban on all deceptive, surprise fees. Ticketmaster again faced criticism in mid-2023 when the U.K. and French sales of the Eras Tour experienced similar issues.
Ticketmaster Entertainment, Inc. is an American ticket sales and distribution company based in Beverly Hills, California with operations in many countries around the world. It was founded in Phoenix, Arizona in 1976 [5] by college staffers Peter Gadwa and Albert Leffler, as well as businessman Gordon Gunn III. [6] [7]
In 1994, American rock band Pearl Jam filed a complaint with the antitrust division of the U.S. Department of Justice, claiming that Ticketmaster has a "virtually absolute monopoly on the distribution of tickets to concerts" and attempted to book its tour only at venues that did not use Ticketmaster. However, no action was taken on Ticketmaster. In the 21st century, Ticketmaster became the largest ticket sales company in the world. [8] [9]
In February 2009, Ticketmaster entered into an agreement to merge with the world's largest event promoter, Live Nation, to form Live Nation Entertainment. [10] The deal was cleared by the U.S. Justice Department in January 2010 under the condition that the company sell Paciolan to Comcast Spectacor or another firm, and license its software to Anschutz Entertainment Group (AEG), its biggest competitor. [11] The new company, which would be called Live Nation Entertainment, would also be subject to provisions for 10 years that prevented it from retaliating against venues that partnered with competing ticketing firms. [11] Live Nation CEO Michael Rapino was named CEO of the new company. [12]
Ticketmaster was a subject of several controversies, such as anti-competition claims, deceitful relationships with scalpers, data breach, deceptive pricing, and dynamic pricing. [13] According to consumer organizations, Ticketmaster and Live Nation control over 70% of the primary ticketing and live event venues market. [14] The merger has faced longstanding criticism. [9] [15] Earlier in 2022, both Ticketmaster and Live Nation received backlash and media attention on their dynamic pricing and "platinum" ticket model when tickets for Bruce Springsteen's and Blink-182's 2023 tours (both of which were being promoted by Live Nation) went on sale in July and October respectively. Fans of both acts criticized the price of random seats across the venue going for hundreds or even thousands of dollars during pre-sales or general public sales. [16] [17]
American singer-songwriter Taylor Swift released her tenth studio album, Midnights , on October 21, 2022, to widespread commercial success and critical acclaim. On November 1, she announced on Good Morning America and through her social media accounts that her sixth concert tour, in support of Midnights and all of her previous albums, would be called the Eras Tour. [note 2] Its U.S. leg, which initially consisted of 27 dates across 20 cities, started on March 17, 2023, in Glendale, Arizona, and will conclude on August 9, 2023, in Inglewood, California, with tickets sold via Ticketmaster. [19] This marks Swift's first shows in the U.S. since her Reputation Stadium Tour in 2018, which broke the record for the highest grossing U.S. tour in history. [20] Some of the dates, such as those in Glendale, were sold via SeatGeek. [21] Following popular demand, on November 4, Swift added eight extra U.S. dates to existing cities, bringing the total number of concerts to 35. [22] Higher demand prompted 17 more shows to be added the following week, making the Eras Tour the biggest U.S. tour of Swift's career, with 52 dates, surpassing Reputation Stadium Tour's 38 dates. [23]
The U.S. tickets were set to go on sale to the general public on November 18, 2022. Capital One cardholders had presale access on November 15. [24] Fans registered for the Ticketmaster Verified Fan program from November 1 through 9 to receive a presale code that granted exclusive access to the TaylorSwiftTix Presale on November 15. [25] [26] Swift abandoned the "platinum ticket" model for the tour. [27] According to Ticketmaster, the TaylorSwiftTix Presale provided "the best opportunity to get more tickets into the hands of fans who want to attend the show" by evading bots and scalpers. [28] It noted that if the demand exceeds supply, it is possible that "verified fans may be selected at random to participate in the presale." [29] USA Today reported that the listing for the Nashville dates included the disclaimer that "ticket prices may fluctuate, based on demand, at any time." [30]
The Eras Tour recorded an incredibly high demand for tickets. [31] On November 15, the day of the pre-sale, Ticketmaster's website crashed following "historically unprecedented demand with millions showing up", halting the presale. [2] In less than an hour of availability, the ticketing platform's servers were "unable to answer", with users experiencing turbulence—"either completely logged out or in a queue 2,000-plus people strong that appeared frozen." Ticketmaster immediately published a statement saying they are working to fix the issues "as the site was unprepared to accommodate the sheer force of hundreds of thousands of Swift fans", [18] and subsequently reported that "hundreds of thousands of tickets" had already been sold and postponed the remainder of the presale, including the Capital One presale to November 16. [32] The public on-sale was later canceled due to "extraordinarily high demands on ticketing systems and insufficient remaining ticket inventory to meet that demand". [33] The Eras Tour sold over two million tickets on its first day of presale alone, breaking the all-time record for the most concert tickets sold by an artist in a single day. [3]
During and immediately after the website crash, Ticketmaster was widely criticized by fans and customers on social media for its ticketing model that obstructed purchasing. [34] According to The New York Times , the ticket sale failure "broke the internet". [4] "Ticketmaster" trended number one worldwide on various social media platforms such as Twitter and TikTok. [35] CNN Business stated that the "astronomical" demand indicated Swift's popularity. [1] However, Fortune and Bloomberg News attributed the criticism to Ticketmaster's "oft-confusing multistep buying process plagued with additional fees", as well as "long waits, technical problems, and poor customer service". [14] [36]
Greg Maffei, chairman of Live Nation, spoke to CNBC on November 16. He claimed that Ticketmaster prepared for 1.5 million verified fans but 14 million showed up: "we could have filled 900 stadiums." [37] In a detailed statement, Ticketmaster explained that 3.5 million fans pre-registered for the Verified Fan program—the largest in platform history—two million of whom were placed on the waitlist while 1.5 million were allowed to purchase first, as only "40% of invited fans actually show up and buy tickets, and most purchase an average of 3 tickets." However, the website was overwhelmed by the "staggering" number of fans as well as bots without presale codes, resulting in "3.5 billion total system requests—[four times the site's] previous peak." Therefore, Ticketmaster attempted to slow down the sale by waitlisting more customers "to stabilize the systems", which in turn prolonged the queue and waiting time. [3] The company confirmed on November 17 that the November 18 public on-sale was canceled as well, citing inability to meet demand. [38]
Maffei also claimed that "AEG, our competitor, who is the promoter for Taylor Swift, chose to use us because, in reality, we are the largest and most effective ticket seller in the world ... Even our competitors want to come on our platform." [15] However, AEG rejected Maffei's claim that AEG chose to work with Ticketmaster, stating that AEG was forced to work with Ticketmaster since "Ticketmaster's exclusive deals with the vast majority of venues on the Eras Tour required us to ticket through their system." [39]
Swift released a statement on November 18, 2022, via her Instagram story; she stated that she is "pissed off" and found the fiasco "excruciating". [40] She asserted that she is protective of her fans and wanted to assure a quality experience and claimed that it had been difficult to "trust an outside entity with these relationships and loyalties". She noted that she was "not going to make excuses for anyone because we asked [Ticketmaster], multiple times, if they could handle this kind of demand and we were assured they could." [41]
Later that same day, Ticketmaster issued an apology "to Taylor and all of her fans" via their Twitter account, [42] but remarked that "less than 5% of the tickets for the tour have been sold or posted for resale on the secondary market" such as StubHub. [43] Ticketmaster also dismissed accusations of anti-competitive practices, noting it remains "under a consent decree with the Justice Department following its 2010 merger with Live Nation" and the absence of "evidence of systemic violations of the consent decree." [44]
Former Ticketmaster CEO Fred Rosen was unmoved by fans' outrage, telling the Los Angeles Times : "The public brought all this on itself ... I have no sympathy for people whining about high ticket prices ... They helped create this situation where artists have to make all their money on tour. Artists and the market set the prices, and you can't pay a Motel 6 price and stay at the Four Seasons." Rosen argued that all proposed solutions risked leaving fans even worse off: "Ticketmaster got thrown under the bus because it's easy to throw them under the bus ... There is no solution that won't piss people off more." [45]
Swift's fans, known as "Swifties", were particularly upset with the fiasco, some of whom proceeded with legal action. Lawyers who were fans of Swift mobilized a grassroots group called Vigilante Legal LLC., a play on Swift's 2022 song "Vigilante Shit"; its core group consists of over 50 professionals with law, government, public relations, and computer science backgrounds—"anyone from lawyers, to people who work in finance or banking, to those with antitrust experience." The group was founded by American attorney and a fan of Swift, Blake Barnett. She reported that she had received over 1,200 responses as of November 18, 2022. Vigilante Legal also began gathering evidence from fans who experienced "discriminatory and questionable service" from Ticketmaster, including a potential violation of the Americans with Disabilities Act of 1990. The group has been collecting the complaints to bring forward to the Federal Trade Commission and the attorneys general within each U.S. state. [47] [48] [49]
Voters of Tomorrow, a political activist organization led by generation Z, opened an antitrust initiative called "S.W.I.F.T." (Swifties Working to Increase Fairness from Ticketmaster) on November 17, with aims to "bring together Gen Z organizers to advocate for legislation expanding federal authority to oversee and prevent future monopolies around entertainment." [50]
In order to evade scalpers, some fans used their "tight-knit community" across social media platforms to form accounts such as "@ErasTourResell" and "TS Tour Connect" to organize a network of spreadsheets, Google Forms, and online bulletin boards, which facilitated exchanges of tickets at face-value costs from fans who wanted to re-sell to fans who wanted to buy. Volunteers of the initiative worked through ticket submissions, verified them via screen recordings and confirmation emails, and posted out the listings of tickets. ErasTourResell is headed by three fans of Swift, namely Courtney Johnston, Channette Garay, and Angel Richards. According to The New York Times, ErasTourResell alone has arranged over 1,300 ticket transactions between fans as of March 2023. According to The Wall Street Journal , ErasTourResell has helped over 3,000 fans get tickets at face value as of July 2023. [46] [51]
Barfuss v. Live Nation Entertainment Inc and Ticketmaster LLC
Sterioff v. Live Nation Entertainment Inc and Ticketmaster LLC
On December 12, 2022, Ticketmaster began mailing select registered fans—"identified as [fans] who received a boost during the Verified Fan presale but did not purchase tickets"—and notified them of a second ticket-purchasing opportunity, [60] with which they can buy a maximum of two tickets each. [61] Ticketmaster stated that Swift's team asked the company to create this opportunity for fans. [34] Billboard reported that Ticketmaster opted to sell the remaining 170,000 unsold seats over four weeks through Ticketstoday, a ticketing platform that was originally built for Dave Matthews Band's fanclub in the 2000s but was later sold to Live Nation, to "significantly reduce fan wait times" and avoid high website traffic. [62]
Following widespread social media posts by customers upset with the website crash, several U.S. lawmakers and consumer groups took notice of the issue. [63] [34] The timeline is as follows:
The three-hour hearing of the issue by the Senate judiciary committee was titled "That's the Ticket: Promoting Competition and Protecting Consumers in Live Entertainment", to analyze "the long-simmering dissatisfaction over the 2010 consent decree governing the merger of Ticketmaster and Live Nation". [79] [78] The hearing was telecast live. Various media outlets reported that both the Democrat and Republican senators "grilled" Ticketmaster's representative, Joe Berchtold, the company's chief financial officer. The senators questioned Berchtold over Ticketmaster's monopolistic practices, policies, ticket costs, lack of transparency, lack of defense against bots, and insensitivity to music artists. Berchtold, despite apologizing for the debacle, denied accusations of monopoly and fraud, but accepted that "there are several things we could have done better—including staggering the sales over a longer period of time and doing a better job setting fan expectations for getting tickets" and continued to blame "industrial-scale ticket scalping" and "unprecedented number of bots". The witnesses prosecuting Ticketmaster included Jerry Mickelson, the president of JAM Creative Productions; and Jack Groetzinger, co-founder of SeatGeek. [80] [81] Live Nation cited several letters of support within its testimony, including one from American country singer Garth Brooks. [82] Several senators also quoted Swift's lyrics in their arguments, including her 2022 single "Anti-Hero". [83] [84] [85] Free Britney America, a D.C. organization that was part of the Free Britney movement, protested outside the U.S. Capitol during the hearing "in support of ending Ticketmaster-Live Nation's monopoly over the live event and ticketing industry." [86]
Following the hearing, Billboard stated that politicians of both the political parties, who see criticizing Ticketmaster as a "winning political issue and an opportunity to reach constituents who have long complained about the ticketing giant", are more of a threat to Ticketmaster than Swift herself. According to the magazine, the senators' perspective during the hearing is that "if the Live Nation-owned platform didn't have such market dominance (around 80% of large venues in the U.S. have exclusive Ticketmaster deals), greater competition would force the company to innovate and improve its services—potentially avoiding the kinds of issues that spoiled the Swift sale", and added that Ticketmaster is widely "despised" by the public, making an "easy target for rare bipartisan political action". [87] The Washington Post columnist Helaine Olen opined the Ticketmaster fiasco "was so bad it united the parties", [88] whereas CNN journalist Allison Morrow, in an article titled "One Nation, Under Swift", wrote that Swift's fans have united the two parties in a way "the Founding Fathers failed to anticipate". [89]
The controversy and "Swift's star power" has inspired a string of law bills. According to Carolyn Sloane, assistant professor of economics of the University of California, Riverside, the fiasco spurred mass political action because Swift "has scaled her talent through demographic technology". [90] [91]
In a statement to The Washington Post, Ticketmaster refused to comment on any alleged negotiations with lawmakers regarding the bills, but noted it had to "ramp up our engagement with policymakers because they are being inundated with misinformation peddled by scalpers." [91]
Various journalists highlighted the spotlight the controversy brought on monopolies and how it could bode well for the music industry. Fortune said the controversy "set off a fan political movement to take down Ticketmaster". [48] Pitchfork asked, "Is there any other artist [other than Swift] who could force urgency into the federal investigation of a music industry monopoly just by going on tour?" [98] Arwa Mahdawi wrote in The Guardian , "Swift has had an incredibly impressive career. But you know what? If she gets people to sit up and pay attention to the disgraceful state of antitrust laws in the U.S., I reckon that will be her finest achievement." [99] Brooke Schultz of Associated Press discussed how Swift's fans magnified a website crash into a political movement and considered them an influential voter demographic during elections: "the sheer power and size of Swift's fandom has spurred conversations about economic inequality, merely symbolized by Ticketmaster". [100] Variety noted that Ticketmaster–Live Nation did not admit culpability for the issue, "unapologetically defending itself" against federal investigation and only apologizing after "a resultant drop in Live Nation shares of nearly 8% in trading Friday (November 18, 2022)." [43]
American concert business publication Pollstar projected Swift to gross a $728 million sum across her 52 U.S. dates and "a mind-boggling billion dollars" internationally, surpassing Ed Sheeran's all-time record with less than half of his ÷ Tour's 255 dates; it would become the first tour in history to gross a billion-dollar sum. The publication wrote, "To put it another way: if Taylor Swift was a country and its economy was solely based on ticket sales, it would be the 199th largest economy on earth, equivalent to a small Caribbean nation." [101]
A December 2022 episode of Impact, a weekly program by Nightline on Hulu that provides "an in-depth look at the stories and issues dominating the zeitgeist" by spotlighting the "real people being impacted by the issue", titled "Taylor's Ticketmaster Disaster", focused on the controversy. [102] [103]
On December 8, 2022, Slate published a critical discourse analysis of the controversy, and concluded that Swift's fans are right about Ticketmaster "screwing them over" for profit. Statistical data, of a sample size of over 2,200 users, showed that those who had the special Verified Fan "boosts"—including codes offered to customers who had previously bought tickets to the canceled Lover Fest and were supposed to be prioritized—were less successful in securing tickets than those who did not have any type of boosts. The report concluded "It appears boosts not only didn't help, they actively harmed", but also underscored that the boosting "worked as expected" for SeatGeek users only. [104]
On December 12, The Wall Street Journal , "according to people familiar with the matter", published data about the crash. It said that there were 2.6 million seats for the tour, for which 3.5 million people registered through the fan program, 1.5 million of whom got the pre-sale codes, which would generally translate to 1.8 million tickets sold. Instead, 12 million unique entities, including scalper bots, visited the website that day, and gave 3.5 billion user requests to the site, leading to the crash; 2.4 million tickets were sold before the website completely crashed, and 163,300 tickets that had been allocated for the canceled general sale remain—six percentage of the total seats. The Wall Street Journal also opined that if Ticketmaster had not opened a bulk of the tickets to sale on a single day and had rather split the sale in a staggered manner over several days based on venues, similar to what the platform did for the Reputation Stadium Tour, the pre-sale would not have crashed. [105]
On January 3, 2023, The Guardian reported that Live Nation–Ticketmaster is spending "big" on its lobbying campaign on the Department of Justice, as well as legislations aimed at "greater transparency around ticket sales." [106]
On January 23, The Los Angeles Times published an article titled "How Ticketmaster became the most hated name in music", in which it claimed that a "high-ranking concert executive", speaking on condition of anonymity, stated that "Ticketmaster erred in placing all the Eras tickets on sale at once and allowing fans to pick their own seats, which led to bottlenecked traffic" and that "the Verified Fan database was rife with resellers with fake email addresses." [45]
Forbes and The Hollywood Reporter named Swift as one of 2022's most powerful women in entertainment. [107] [108] Entertainment Weekly listed "Swifties vs. Ticketmaster" as one of the biggest pop culture moments of 2022. The magazine's Allaire Nuss wrote, "If there was ever an artist with enough pop-culture prowess to bring down the music industry's most hated monopoly, it's Taylor Swift." [109] Due to the controversy, The Washington Post proclaimed that 2022 is another year Swift dominated, maintaining "an unbreakable hold on our increasingly fractured world—and its discourse—in a way that almost no one else can." [110] Vox depicted the controversy in its year-end montage summarizing the important world events of 2022. [111] The A.V. Club listed "Ticketmaster faces the wrath of the Swifties" as one of the 30 biggest popular culture news stories of 2022. [112]
Following the controversy, Ticketmaster's technical failures in various other concert tours have received media attention and fan criticism, often compared to the U.S. Eras Tour fiasco. [52]
Ticketmaster Entertainment, LLC is an American ticket sales and distribution company based in Beverly Hills, California with operations in many countries around the world. In 2010, it merged with Live Nation under the name Live Nation Entertainment.
Ticket resale is the act of reselling tickets for admission to events. Tickets are bought from licensed sellers and then sold for a price determined by the individual or company in possession of the tickets. Tickets sold through secondary sources may be sold for less or more than their face value depending on demand, which tends to vary as the event date approaches. When the supply of tickets for a given event available through authorized ticket sellers is depleted, the event is considered "sold out", generally increasing the market value for any tickets on offer through secondary sellers. Ticket resale is common in both sporting and musical events.
Tour promoters are the individuals or companies responsible for organizing a live concert tour or special event performance. The tour promoter makes an offer of engagement to a particular artist, usually through the artist's agent or music manager. The promoter and agent then negotiate the live performance contract. The majority of live performance contracts are drawn up using the American Federation of Musicians (AFM) standard contract format known as the AFM Performance Agreement.
StubHub is an American ticket exchange and resale company. It provides services for buyers and sellers of tickets for sports, concerts, theater, and other live entertainment events. By 2015, it was the world's largest ticket marketplace. While the company does not currently disclose its financials, in 2015 it had over 16 million unique visitors and nearly 10 million live events per month.
Live Nation Entertainment is an American multinational entertainment company that was founded in 2010 following the merger of Live Nation and Ticketmaster. The company promotes, operates, and manages ticket sales for live entertainment in the United States and internationally. It also owns and operates entertainment venues and manages the careers of music artists.
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SeatGeek is a mobile-focused ticket platform that enables users to buy and sell tickets for live sports, concerts, and theater events. SeatGeek allows both mobile app and desktop users to browse events, view interactive color-coded seatmaps, complete purchases, and receive electronic or print tickets. Originally launched as an aggregator of listings on the secondary ticketing market, the company now operates as both a secondary marketplace and primary ticket outlet for sports teams and live event venues.
Songkick is a concert discovery service owned by Warner Music Group. The service allows users to search for upcoming concert events in their area, and also track individual artists to receive notifications of upcoming shows in their area. It also provides services for artist teams to manage and promote tour dates globally.
The Reputation Stadium Tour was the fifth concert tour by American singer-songwriter Taylor Swift, launched in support of her sixth studio album Reputation (2017). The all-stadium tour began on May 8, 2018, in Glendale, Arizona, and concluded on November 21, 2018, in Tokyo, consisting of 53 shows. The tour received 2.88 million attendees and grossed $345.7 million in revenue. It marked Swift's most successful tour to-date and broke numerous boxscore records, becoming the third highest-grossing female concert tour of all time and the highest-grossing tour ever in the United States and North America.
Swifties are the fandom of American singer-songwriter Taylor Swift. Regarded by journalists as one of the largest and most devoted fanbases, Swifties are known for their high levels of participation, creativity and fanaticism. They are a subject of widespread coverage in the mainstream media.
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Midnights is the tenth studio album by American singer-songwriter Taylor Swift, released on October 21, 2022, via Republic Records. Announced at the 2022 MTV Video Music Awards, Midnights marked Swift's first new body of work since her 2020 indie folk albums, Folklore and Evermore. It is a moody concept album about nocturnal ruminations, written and produced by Swift with longtime collaborator Jack Antonoff.
The Eras Tour is the ongoing sixth concert tour by American singer-songwriter Taylor Swift, who described it as a journey through all of her musical "eras". An homage to her albums, the Eras Tour is her most expansive tour yet, with 146 dates across five continents. It is her second all-stadium tour after the 2018 Reputation Stadium Tour.
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The Renaissance World Tour was the ninth concert tour by American singer-songwriter Beyoncé. Her highest grossing tour to date, it was announced on February 1, 2023, in support of her seventh studio album, Renaissance (2022). The all-stadium concert run began on May 10, 2023, in Stockholm, Sweden, and concluded on October 1, 2023, in Kansas City, Missouri. It was her first solo tour since The Formation World Tour in 2016.
Suga Agust D Tour is the first worldwide concert tour by South Korean rapper Suga, also known as Agust D, in support of his debut studio album, D-Day. The tour began on April 26, 2023, in New York City, and ended on August 6, 2023, in Seoul, South Korea.
American musician Taylor Swift has made an impact on popular culture with her music, artistry, performances, image, views, and actions, often referred to as the Taylor Swift effect by publications. Debuting as a 16-year-old independent singer-songwriter in 2006, Swift steadily amassed fame, success, and public curiosity throughout her career, becoming a cultural figure.
Publications and critics have reported on and analyzed the economic, commercial, political and cultural influence of the Eras Tour, the 2023–2024 concert tour by American singer-songwriter Taylor Swift. Accompanied by a fan frenzy called the Swiftmania, the tour's social effects are considered an effect of Swift's wider influence on the 21st-century popular culture. Pollstar called the tour "The Greatest Show on Earth".
Taylor Swift: The Eras Tour is an upcoming American concert film documenting the Eras Tour, a 2023–2024 concert tour by singer-songwriter Taylor Swift. Directed by Sam Wrench, produced by Swift, and distributed by AMC Theatres and Cinemark Theatres, the film is scheduled to premiere in Los Angeles on October 11, 2023, and be released in theaters worldwide on October 13.
The Guts World Tour is the upcoming second concert tour by American singer-songwriter and actress Olivia Rodrigo in support of her second studio album, Guts (2023). It will begin on February 23, 2024 in Palm Springs, and conclude on August 17, 2024 in Inglewood, comprising 77 shows across North America and Europe. The Breeders, Chappell Roan, PinkPantheress, and Remi Wolf will serve as supporting acts.
Sometimes the world really does revolve around Taylor Swift: Is there any other artist who could force urgency into the federal investigation of a music industry monopoly just by going on tour?