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Cueva de los Casares | |
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Native name Spanish: Cueva de los Casares | |
Location | Riba de Saelices, Spain |
Coordinates | 40°57′27″N2°17′27″W / 40.9575°N 2.290928°W |
Official name | Cueva de los Casares |
Type | Non-movable |
Criteria | Monument |
Designated | 1935 |
Reference no. | RI-51-0001089 |
Cueva de los Casares is a cave in Riba de Saelices (Province of Guadalajara, Castile-La Mancha, Spain). Discovered in 1933, it contains a number of paleolithic cave paintings, and is most notable for a series of paintings depicting what some have argued is the earliest representation of human understanding of the reproductive process, featuring images of copulation (perhaps mediated by a mysterious shaman figure), pregnancy, childbirth, and family life. Mammoths and other animals feature frequently in the illustrations. It was declared Bien de Interés Cultural in 1935. [1]
There are many representations of animals, anthropomorphs (human-like figures), and ideograms (including penises, vulvas, tools, and more abstract images).
The cave and its paintings are little known to scholars outside Spain.
Lascaux is a network of caves near the village of Montignac, in the department of Dordogne in southwestern France. Over 600 parietal wall paintings cover the interior walls and ceilings of the cave. The paintings represent primarily large animals, typical local contemporary fauna that correspond with the fossil record of the Upper Paleolithic in the area. They are the combined effort of many generations and, with continued debate, the age of the paintings is now usually estimated at around 17,000 years. Because of the outstanding prehistoric art in the cave, Lascaux was inducted into the UNESCO World Heritage List in 1979, as an element of the Prehistoric Sites and Decorated Caves of the Vézère Valley.
In archaeology, cave paintings are a type of parietal art, found on the wall or ceilings of caves. The term usually implies prehistoric origin, and the oldest known are more than 40,000 years old and found in the caves in the district of Maros. The oldest are often constructed from hand stencils and simple geometric shapes. More recently, in 2021, cave art of a pig found in Sulawesi, Indonesia, and dated to over 45,500 years ago, has been reported.
In the history of art, prehistoric art is all art produced in preliterate, prehistorical cultures beginning somewhere in very late geological history, and generally continuing until that culture either develops writing or other methods of record-keeping, or makes significant contact with another culture that has, and that makes some record of major historical events. At this point ancient art begins, for the older literate cultures. The end-date for what is covered by the term thus varies greatly between different parts of the world.
The Cave of Altamira is a cave complex, located near the historic town of Santillana del Mar in Cantabria, Spain. It is renowned for prehistoric cave art featuring charcoal drawings and polychrome paintings of contemporary local fauna and human hands. The earliest paintings were applied during the Upper Paleolithic, around 36,000 years ago. The site was discovered in 1868 by Modesto Cubillas and subsequently studied by Marcelino Sanz de Sautuola.
The Chauvet-Pont-d'Arc Cave in the Ardèche department of southeastern France is a cave that contains some of the best-preserved figurative cave paintings in the world, as well as other evidence of Upper Paleolithic life. It is located near the commune of Vallon-Pont-d'Arc on a limestone cliff above the former bed of the river Ardèche, in the Gorges de l'Ardèche.
Cueva de las Manos is a cave and complex of rock art sites in the province of Santa Cruz, Argentina, 163 km (101 mi) south of the town of Perito Moreno. It is named for the hundreds of paintings of hands stenciled, in multiple collages, on the rock walls. The art was created in several waves between 7,300 BC and 700 AD, during the Archaic period of pre-Columbian South America. The age of the paintings was calculated from the remains of bone pipes used for spraying the paint on the wall of the cave to create the artwork, radiocarbon dating of the artwork, and stratigraphic dating.
The Cave of the Trois-Frères is a cave in southwestern France famous for its cave paintings. It is located in Montesquieu-Avantès, in the Ariège département. The cave is named for three brothers, Max, Jacques, and Louis Begouën, who, along with their father Comte Henri Begouën, discovered it in 1914. The drawings of the cave were made famous in the publications of the Abbé Henri Breuil. The cave art appears to date to approximately 13,000 BC.
Oxtotitlán is a natural rock shelter and archaeological site in Chilapa de Álvarez, Mexican state of Guerrero that contains murals linked to the Olmec motifs and iconography. Along with the nearby Juxtlahuaca cave, the Oxtotitlán rock paintings represent the "earliest sophisticated painted art known in Mesoamerica", thus far. Unlike Juxtlahuaca, however, the Oxtotitlán paintings are not deep in a cave system but rather occupy two shallow grottos on a cliff face.
Cueva de La Pasiega, or Cave of La Pasiega, situated in the Spanish municipality of Puente Viesgo, is one of the most important monuments of Paleolithic art in Cantabria. It is included in the UNESCO World Heritage List since July 2008, as part of the inscription: Cave of Altamira and Paleolithic Cave Art of Northern Spain.
The Caves of Nerja are a series of caverns close to the town of Nerja in the Province of Málaga, Spain. Stretching for almost 5 kilometres (3.1 mi), the caverns are one of Spain's major tourist attractions. Concerts are regularly held in one of the chambers, which forms a natural amphitheatre.
The Coves de l'Aranya are a group of caves in the municipality of Bicorp in València, eastern Spain. The caves are in the valley of the river Escalona and were used by prehistoric people who left rock art. They are known for painted images of a bow and arrow goat hunt and for a scene depicting a human figure foraging honey, the earliest known depiction of bees and the oldest evidence of honey consumption by Homo sapiens.
The group of over 700 sites of prehistoric Rock art of the Iberian Mediterranean Basin, also known as Levantine art, were collectively declared a World Heritage Site by UNESCO in 1998. The sites are in the eastern part of Spain and contain rock art dating to the Upper Paleolithic or Mesolithic periods of the Stone Age. The art consists of small painted figures of humans and animals, which are the most advanced and widespread surviving from this period, certainly in Europe, and arguably in the world, at least in the earlier works. It is notable for the number of places included, the largest concentration of such art in Europe. Its name refers to the Mediterranean Basin; however, while some sites are located near the sea, many of them are inland in Aragon and Castilla–La Mancha; it is also often referred to as Levantine Art.
The art of the Upper Paleolithic represents the oldest form of prehistoric art. Figurative art is present in Europe and Southeast Asia, beginning between about 40,000 to 35,000 years ago. Non-figurative cave paintings, consisting of hand stencils and simple geometric shapes, are somewhat older, at least 40,000 years old, and possibly as old as 64,000 years. This latter estimate is due to a controversial 2018 study based on uranium-thorium dating, which would imply Neanderthal authorship and qualify as art of the Middle Paleolithic.
The Cantabrian caves' unique location make them an ideal place to observe the settlements of early humans thousands of years ago. The magnificent art in the caves includes figures of various animals of the time such as bison, horses, goats, deer, cattle, hands and other paintings. Archaeologists have found remains of animals such as bears, the remains of arrows and other material indicating a human presence; these artifacts are now found mostly in the Regional Museum of Prehistory and Archaeology of Cantabria.
The archaeological site Peñas de Cabrera, containing numerous rock shelters, is located in the municipality of Casabermeja (Spain). The entire surrounding area of Las Peñas de Cabrera, rife with natural minerals, rocks and fossils, is named after one of its districts of the same name. The entire complex of mountains and valleys consists of many shelters revealing rock art of paintings and engravings.
The Tito Bustillo Cave is a prehistoric rock shelter located in the small town of Ribadesella, in the autonomous community of Asturias, Spain. The cave was inhabited by humans (cro-magnon) before the year 10,000 BC. Due to the collapse of the rock, the original entrance to the cave was sealed thousands of years ago, which made it possible for preservation of objects, tools and wall paintings that were discovered in 1968. Based on those objects found in the cave, it is known that there was a significant human presence during the Magdalenian culture of the Upper Palaeolithic, but the cave was probably inhabited before that time.
The La Garma cave complex is a parietal art-bearing paleoanthropological cave system in Cantabria, Spain. It is located just north of the village of Omoño, part of the municipality of Ribamontán al Monte. The cave complex is noted for one of the best preserved floors from the Paleolithic containing more than 4,000 fossils and more than 500 graphical units. It is part of the Cave of Altamira and Paleolithic Cave Art of Northern Spain World Heritage Site.
Ojo Guareña is a karst complex located in the Cantabrian Mountains of Castile and Leon, Spain, declared a natural monument by the government of Castile and Leon in 1996. It is composed of over 90 kilometres (56 mi) of galleries and passages within an area of some 13,850 hectares. The limestone formation containing the system is approximately 100 metres (330 ft) thick and sits on a massive water-resistant layer of marl. The caves were formed in the limestone by erosion sometime within the Coniacian Age. Ojo Guareña was considered the greatest karst system of the Iberian Peninsula until 2009, when a significant length of new passages was discovered in the Mortillano system.