In archaeology, cave paintings are a type of parietal art, found on the wall or ceilings of caves. The term usually implies prehistoric origin. These paintings were often created by Homo sapiens, but also Denisovans and Neanderthals; other species in the same Homo genus. Discussion around prehistoric art is important in understanding the history of the Homo sapiens species and how Homo sapiens have come to have unique abstract thoughts. Some point to these prehistoric paintings as possible examples of creativity, spirituality, and sentimental thinking in prehistoric humans.
The San peoples, or Bushmen, are the members of any of the indigenous hunter-gatherer cultures of southern Africa, and the oldest surviving cultures of the region. Their recent ancestral territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho, and South Africa.
In archaeology, rock arts are human-made markings placed on natural surfaces, typically vertical stone surfaces. A high proportion of surviving historic and prehistoric rock art is found in caves or partly enclosed rock shelters; this type also may be called cave art or parietal art. A global phenomenon, rock art is found in many culturally diverse regions of the world. It has been produced in many contexts throughout human history. In terms of technique, the four main groups are:
The Venus of Brassempouy is a fragmentary ivory figurine from the Upper Palaeolithic, apparently broken from a larger figure at some time unknown. It was discovered in a cave at Brassempouy, France in 1894. About 25,000 years old, it is one of the earliest known realistic representations of a human face.
Tassili n'Ajjer is a national park in the Sahara desert, located on a vast plateau in southeastern Algeria. Having one of the most important groupings of prehistoric cave art in the world, and covering an area of more than 72,000 km2 (28,000 sq mi), Tassili n'Ajjer was inducted into the UNESCO World Heritage Site list in 1982 by Gonde Hontigifa.
Sympathetic magic, also known as imitative magic, is a type of magic based on imitation or correspondence.
The Sorcerer is one name for an enigmatic cave painting found in the cavern known as 'The Sanctuary' at the Cave of the Trois-Frères, Ariège, France, made around 13,000 BCE. The figure's significance is unknown, but it is usually interpreted as some kind of great spirit or master of animals. The unusual nature of The Sanctuary's decoration may also reflect the practice of magical ceremonies in the chamber. In his sketches of the cave art, Henri Breuil drew a horned humanoid torso and the publication of this drawing in the 1920s influenced many subsequent theories about the figure. However, Breuil's sketch has also come under criticism in recent years. A single prominent human figure is unusual in the cave paintings of the Upper Paleolithic, where the great majority of representations are of animals.
Henri Édouard Prosper Breuil, often referred to as Abbé Breuil, was a French Catholic priest, archaeologist, anthropologist, ethnologist and geologist. He is noted for his studies of cave art in the Somme and Dordogne valleys as well as in Spain, Portugal, Italy, Ireland, China with Teilhard de Chardin, Ethiopia, British Somali Coast Protectorate, and especially southern Africa.
The Brandberg is Namibia's highest mountain.
Reinhard Maack was a German explorer, geologist, and geographer.
In prehistoric art, finger flutings are lines that fingers leave on a soft surface. Considered a form of cave painting, they occur in caves throughout southern Australia, New Guinea, and southwestern Europe, and were presumably made over a considerable time span including some or all of the Upper Paleolithic. Most are not obvious figures or symbols but, rather, appear to many observers as enigmatic lines. They are also called tracés digitaux or finger tracings and meanders, macaroni, and serpentines. The term finger fluting was coined by Robert G. Bednarik.
Twyfelfontein, officially known as ǀUi-ǁAis, is a site of ancient rock engravings in the Kunene Region of north-western Namibia. It consists of a spring in a valley flanked by the slopes of a sandstone table mountain that receives very little rainfall and has a wide range of diurnal temperatures.
James David Lewis-Williams is a South African archaeologist. He is best known for his research on southern African San (Bushmen) rock art. He is the founder and previous director of the Rock Art Research Institute and is currently professor emeritus of cognitive archaeology at the University of the Witwatersrand (WITS).
Henri Lhote was a French explorer, ethnographer, and discoverer of prehistoric cave art. He is credited with the discovery of an assembly of 800 or more works of primitive art in a remote region of Algeria on the edge of the Sahara desert.
The art of the Upper Paleolithic represents the oldest form of prehistoric art. Figurative art is present in Europe and Southeast Asia, beginning around 50,000 years ago. Non-figurative cave paintings, consisting of hand stencils and simple geometric shapes, are somewhat older, at least 40,000 years old, and possibly as old as 64,000 years. This latter estimate is due to a controversial 2018 study based on uranium-thorium dating, which would imply Neanderthal authorship and qualify as art of the Middle Paleolithic.
The San, or Bushmen, are indigenous people in Southern Africa particularly in what is now South Africa and Botswana. Their ancient rock paintings and carvings are found in caves and on rock shelters. The artwork depicts non-human beings, hunters, and half-human half-animal hybrids. The half-human hybrids are believed to be medicine men or healers involved in a healing dance. Gall writes, "The Laurens van der Post panel at Tsodilo is one of the most famous rock paintings." High on this rock face in Botswana is the image of a "magnificent red eland bull" painted, according to Van der Post, "only as a Bushman who had a deep identification with the eland could have painted him." Also on this rock face is a female giraffe that is motionless, as if alarmed by a predator. Several other images of animals are depicted there, along with the flesh blood-red handprints that are the signature of the unknown artist. The Drakensberg and Lesotho are particularly well known for their San rock art. Tsodilo was recognised as a UNESCO World Heritage Site in 2001; not all the art covered by this is by San people or their ancestors.
The San religion is the traditional religion and mythology of the San people. It is poorly attested due to their interactions with Christianity.
The Apollo 11 Cave is an archeological site in the ǀAi-ǀAis/Richtersveld Transfrontier Park of south-western Namibia, approximately 250 km (160 mi) southwest of Keetmanshoop. The name given to the surrounding area and presumably the cave by the Nama people was "Goachanas". However, the cave was given its name by German archaeologist Wolfgang Erich Wendt (1934-2015) in reference to Apollo 11's then recent return to Earth.
Culture in Namibia is a blend of many different people and its culture and customs have absorbed both African and European elements and fused them into a blend of the two. Although the country is urbanising rapidly, a majority of Namibians still live in rural areas and lead largely impoverished lives. It is among these people, however, that cultural tradition survive most strongly.
The popularly called Tassili mushroom figures are Neolithic petroglyphs and cave paintings discovered in Tassili n'Ajjer, Algeria, which contain features resembling mushrooms. Hypothesized to date back to 7000–5000 BC, they are considered by some researchers to be figures that have shamanic connotations and one of the strongest pieces of evidence for ethnomycological data. It is possibly the oldest example of rock art used to claim the ritual use of fungi in prehistory, with Tassili being the first site that likely may contain representations of the genus Psilocybe. However, interpretations of Tassili's drawings are disputed and it is unknown whether they actually represent mushrooms or specific natural or cultural elements.
