Cave of El Castillo

Last updated
Cave of El Castillo
Cueva del Castillo
Cueva del Castillo interior.jpg
Main room
Spain Cantabria location map.svg
Archaeological site icon (red).svg
location in Spain
Relief Map of Spain.png
Archaeological site icon (red).svg
Cave of El Castillo (Spain)
Alternative nameCave of the Castle
Location Puente Viesgo (Cantabria), Spain
Coordinates 43°17′32″N3°57′55″W / 43.29222°N 3.96528°W / 43.29222; -3.96528
TypeCave
Part of Caves of Monte Castillo
Official nameMonte Castillo - El Castillo
TypeCultural
Criteriai, iii
Designated1985 (9th session)
Part of Cave of Altamira and Paleolithic Cave Art of Northern Spain
Reference no. 310-009
Region Europe and North America
Official nameCueva del Castillo
TypeNon-movable
CriteriaMonument
Designated25 April 1924
Reference no.RI-51-0000267

The Cueva del Castillo, or Cave of the Castle, is an archaeological site within the complex of the Caves of Monte Castillo, in Puente Viesgo, Cantabria, Spain.

Contents

Engraved and perforated stag antler baton (pendant?) of upper Magdalenian age, carved with image of stag Baston perforado-Cueva del Castillo (Espana).jpg
Engraved and perforated stag antler baton (pendant?) of upper Magdalenian age, carved with image of stag

The archaeological stratigraphy has been divided into around 19 layers, depending on the source they slightly deviate from each other, however the overall sequence is consistent, beginning in the Proto-Aurignacian, and ending in the Bronze Age.[ citation needed ]

The El Castillo cave contains the oldest known cave painting: a large red stippled disk in the Panel de las Manos was dated to more than 40,000 years old using uranium-thorium dating in a 2012 study. [1] This is consistent with the tradition of cave painting originating in the Proto-Aurignacian, with the first arrival of anatomically modern humans in Europe. [2] A 2013 study of finger length ratios in Upper Paleolithic hand stencils found in France and Spain determined that the majority were of female hands, overturning the previous widely held belief that this art form was primarily a male activity. [3]

Cueva del Castillo was discovered in 1903 by Hermilio Alcalde del Río, a Spanish archaeologist, who was one of the pioneers in the study of the earliest cave paintings of Cantabria. The entrance to the cave was smaller in the past and has been enlarged as a result of archaeological excavations. Alcalde del Río found an extensive sequence of images executed in charcoal and red ochre on the walls and ceilings of multiple caverns.[ citation needed ] The paintings and numerous markings and graffiti span from the Lower Paleolithic to the Bronze Age, and even into the Middle Ages.[ citation needed ] There are over 150 depictions already catalogued, including those that emphasize the engravings of a few deer, complete with shadowing.[ citation needed ]

See also

Related Research Articles

<span class="mw-page-title-main">Cave painting</span> Paintings, often prehistoric, on cave walls and ceilings

In archaeology, cave paintings are a type of parietal art, found on the wall or ceilings of caves. The term usually implies prehistoric origin, and the oldest known are more than 40,000 years old and found in the caves in the district of Maros. The oldest are often constructed from hand stencils and simple geometric shapes. More recently, in 2021, cave art of a pig found in Sulawesi, Indonesia, and dated to over 45,500 years ago, has been reported.

<span class="mw-page-title-main">Cave of Altamira</span> Cave and archaeological site with prehistoric paintings in Spain

The Cave of Altamira is a cave complex, located near the historic town of Santillana del Mar in Cantabria, Spain. It is renowned for prehistoric cave art featuring charcoal drawings and polychrome paintings of contemporary local fauna and human hands. The earliest paintings were applied during the Upper Paleolithic, around 36,000 years ago. The site was discovered in 1868 by Modesto Cubillas and subsequently studied by Marcelino Sanz de Sautuola.

<span class="mw-page-title-main">Aurignacian</span> Archaeological culture

The Aurignacian is an archaeological industry of the Upper Paleolithic associated with Early European modern humans (EEMH) lasting from 43,000 to 26,000 years ago. The Upper Paleolithic developed in Europe some time after the Levant, where the Emiran period and the Ahmarian period form the first periods of the Upper Paleolithic, corresponding to the first stages of the expansion of Homo sapiens out of Africa. They then migrated to Europe and created the first European culture of modern humans, the Aurignacian.

<span class="mw-page-title-main">Upper Paleolithic</span> Subdivision of the Paleolithic or Old Stone Age

The Upper Paleolithic is the third and last subdivision of the Paleolithic or Old Stone Age. Very broadly, it dates to between 50,000 and 12,000 years ago, according to some theories coinciding with the appearance of behavioral modernity in early modern humans, until the advent of the Neolithic Revolution and agriculture.

<span class="mw-page-title-main">Franco-Cantabrian region</span>

The Franco-Cantabrian region is a term applied in archaeology and history to refer to an area that stretches from Asturias, in northern Spain, to Aquitaine and Provence in Southern France. It includes the southern half of France and the northern strip of Spain looking at the Bay of Biscay.

<span class="mw-page-title-main">Santimamiñe</span> Cave and archaeological site with prehistoric paintings in Spain

Santimamiñe cave, Kortezubi, Biscay, Basque Country, Spain, is one of the most important archaeological sites of the Basque Country, including a nearly complete sequence from the Middle Paleolithic to the Iron Age.

<span class="mw-page-title-main">Cave of La Pasiega</span> Cave and archaeological site with prehistoric paintings in Spain

Cueva de La Pasiega, or Cave of La Pasiega, situated in the Spanish municipality of Puente Viesgo, is one of the most important monuments of Paleolithic art in Cantabria. It is included in the UNESCO World Heritage List since July 2008, as part of the inscription: Cave of Altamira and Paleolithic Cave Art of Northern Spain.

<span class="mw-page-title-main">Puente Viesgo</span> Municipality in Cantabria, Spain

Puente Viesgo is a municipality in Cantabria, Spain. Caves have been discovered near Puente Viesgo that contain rock art and artefacts dating back to the Middle and Upper Paleolithic.

<span class="mw-page-title-main">Art of the Middle Paleolithic</span>

The oldest undisputed examples of figurative art are known from Europe and from Sulawesi, Indonesia, dated about 35,000 years old . Together with religion and other cultural universals of contemporary human societies, the emergence of figurative art is a necessary attribute of full behavioral modernity.

<span class="mw-page-title-main">Art of the Upper Paleolithic</span> Oldest form of prehistoric art

The art of the Upper Paleolithic represents the oldest form of prehistoric art. Figurative art is present in Europe and Southeast Asia, beginning between about 40,000 to 35,000 years ago. Non-figurative cave paintings, consisting of hand stencils and simple geometric shapes, are somewhat older, at least 40,000 years old, and possibly as old as 64,000 years. This latter estimate is due to a controversial 2018 study based on uranium-thorium dating, which would imply Neanderthal authorship and qualify as art of the Middle Paleolithic.

<span class="mw-page-title-main">Caves in Cantabria</span> Caves with prehistoric paintings in Spain

The Cantabrian caves' unique location make them an ideal place to observe the settlements of early humans thousands of years ago. The magnificent art in the caves includes figures of various animals of the time such as bison, horses, goats, deer, cattle, hands and other paintings. Archaeologists have found remains of animals such as bears, the remains of arrows and other material indicating a human presence; these artifacts are now found mostly in the Regional Museum of Prehistory and Archaeology of Cantabria.

<span class="mw-page-title-main">Cave of Altamira and Paleolithic Cave Art of Northern Spain</span> Cave with prehistoric art

The Cave of Altamira and Paleolithic Cave Art of Northern Spain is a grouping of 18 caves of northern Spain, which together represent the apogee of Upper Paleolithic cave art in Europe between 35,000 and 11,000 years ago. In 2008, they were collectively designated a World Heritage Site by UNESCO.

<span class="mw-page-title-main">Caves of Monte Castillo</span> Caves with prehistoric art in Spain

The Caves of Monte Castillo, located in the Cantabrian town of Puente Viesgo, contain one of the most important Paleolithic sites in the region. The complex of karstic caves is on the slopes of Monte Castillo, a hill south of Puente Viesgo, with an elevation of 354 m. It includes four out of the eighteen caves listed as World Heritage of UNESCO since July 2008 under the title of Cave of Altamira and Paleolithic Cave Art of Northern Spain: El Castillo, Las Chimeneas, and La Pasiega and Las Monedas. In addition, the complex includes a minor fifth cave, La Flecha. The caves are located along the Pas river in the Castillo mountain, squarely at the intersection of three valleys and near the coast.

<span class="mw-page-title-main">Caves in the Maros-Pangkep karst</span> Cave and archaeological site in Indonesia

The caves in the Maros-Pangkep karst are situated in South Sulawesi, Indonesia, and contain paintings from the Paleolithic considered to be the earliest figurative art in the world, dated to at least 43,900 years ago.

<span class="mw-page-title-main">El Mirón Cave</span> Cave and archaeological site in Spain

The El Mirón Cave is a large cave in the upper Asón River valley towards the eastern end of Cantabria in northern Spain, near the border of the Basque country. It is an archeological site in Ramales de la Victoria. It is known for a skeleton belonging to a woman nicknamed The Red Lady of El Mirón. She is estimated to have died around 18,700 years ago, during the Upper Paleolithic (Magdalenian). The skeleton is estimated to be that of a woman between 35 and 40 years. Her bones were coated with ochre, a red iron-based pigment, hence, her name.

<span class="mw-page-title-main">La Garma cave complex</span> Cave complex and archaeological site with prehistoric paintings in Spain

The La Garma cave complex is a parietal art-bearing paleoanthropological cave system in Cantabria, Spain. It is located just north of the village of Omoño, part of the municipality of Ribamontán al Monte. The cave complex is noted for one of the best preserved floors from the Paleolithic containing more than 4,000 fossils and more than 500 graphical units. It is part of the Cave of Altamira and Paleolithic Cave Art of Northern Spain World Heritage Site.

<span class="mw-page-title-main">Vasco-Cantabria</span> Territory on the northern coast of Spain with definitory archaeological and environmental features

Vasco-Cantabria, in archaeology and the environmental sciences, is an area on the northern coast of Spain. It covers similar areas to the northern parts of the adjacent modern regions of the Basque country and Cantabria. In geology the "Vasco-Cantabrian Basin" or "Basque-Cantabrian Basin" covers the area and the seas off the coast in the Bay of Biscay, an area between the Iberian and European tectonic plates.

<span class="mw-page-title-main">Cave of Maltravieso</span> Cave and archaeological site in Spain

<span class="mw-page-title-main">Paleolithic Iberia</span>

Paleolithic in the Iberian peninsula is the longest period of its prehistory, starting c. 1.3 million of years (Ma) ago and ending almost at the same time as Pleistocene, first epoch of Quaternary, c. 11.500 years or 11.5 ka ago. It was a period characterized by climate oscillations between ice ages and small interglacials, producing heavy changes in Iberia's orography. Cultural change within the period is usually described in terms of lithic industry evolution, as described by Grahame Clark.

References

  1. Pike, A. W. G.; Hoffmann, D. L.; Garcia-Diez, M.; Pettitt, P. B.; Alcolea, J.; De Balbin, R.; Gonzalez-Sainz, C.; de las Heras, C.; Lasheras, J. A.; Montes, R.; Zilhao, J. (14 June 2012). "U-Series Dating of Paleolithic Art in 11 Caves in Spain". Science. 336 (6087): 1409–1413. doi:10.1126/science.1219957. PMID   22700921. S2CID   7807664.. "We present uranium-series disequilibrium dates of calcite deposits overlying or underlying art found in 11 caves, including the United Nations Educational, Scientific, and Cultural Organization (UNESCO) World Heritage sites of Altamira, El Castillo, and Tito Bustillo, Spain. The results demonstrate that the tradition of decorating caves extends back at least to the Early Aurignacian period, with minimum ages of 40.8 thousand years for a red disk, 37.3 thousand years for a hand stencil, and 35.6 thousand years for a claviform-like symbol. These minimum ages reveal either that cave art was a part of the cultural repertoire of the first anatomically modern humans in Europe or that perhaps Neanderthals also engaged in painting caves." The El Castillo red stippled disk (sample O-83) was dated to 41.40±0.57 ka (95% CI, corrected). Table 1: Ages are corrected for detritus by using an assumed 232Th/238U activity of 1.250±0.625 and 230Th/238U and 234U/238U at equilibrium. See also: "Spain claims top spot for world's oldest cave art : Nature News & Comment". Nature.com. Retrieved January 19, 2017.
  2. "If the earliest cave paintings appeared in the region shortly before 40.8 ka, this would, assuming that the Proto-Aurignacian cultural complex was made exclusively by Homo sapiens, support the notion that cave art coincided with their arrival in western Europe ~41.5 ka and that the exploration and decorating of caves was part of their cultural package. However, because the 40.8-ky date for the disk is a minimum age, it cannot be ruled out that the earliest paintings were symbolic expressions of the Neanderthals, which were present in Cantabrian Spain until at least 42 ka." (Pike et al. 2012, p. 1412).
  3. Snow, Dean R. "Sexual Dimorphism in European Upper Paleolithic Cave Art" (PDF). American Antiquity . 78 (4): 746-761. JSTOR   43184971.