The Bouwerie Lane Theatre is a former bank building which became an Off-Broadway theatre, located at 330 Bowery at Bond Street in Manhattan, New York City. It is located in the NoHo Historic District.
George Frederick Pelham was an American architect and the son of George Brown Pelham, who was also an architect.
75 Murray Street, also known as the Hopkins Store, is a historic building between West Broadway and Greenwich Street in the TriBeCa neighborhood of Manhattan, New York City. It was built in 1857-58 and features a cast-iron facade in the Venetian Renaissance style from the foundry of James Bogardus, one of the earliest of the few remaining facades created by the self-described inventor of cast-iron architecture.
The E. V. Haughwout Building is a five-story, 79-foot-tall (24 m) commercial loft building in the SoHo neighborhood of Manhattan, New York City, at the corner of Broome Street and Broadway. Built in 1857 to a design by John P. Gaynor, with cast-iron facades for two street-fronts provided by Daniel D. Badger's Architectural Iron Works, it originally housed Eder V. Haughwout's fashionable emporium, which sold imported cut glass and silverware as well as its own handpainted china and fine chandeliers, and which attracted many wealthy clients – including Mary Todd Lincoln, who had new official White House china painted here. It was also the location of the world's first successful passenger elevator.
359 Broadway is a building on the west side of Broadway between Leonard and Franklin Streets in the Tribeca neighborhood of Manhattan, New York City. It was built in 1852 and was designed by the firm of Field & Correja in the Italianate style.
The Cary Building at 105-107 Chambers Street, extending along Church Street to Reade Street, in the Tribeca neighborhood of Manhattan, New York City, was built in 1856-1857 and was designed by Gamaliel King and John Kellum in the Italian Renaissance revival style, with the cast-iron facade provided by Daniel D. Badger's Architectural Iron Work. The five-story twin-facaded building was constructed for William H. Cary's Cary, Howard & Sanger, a dry goods firm.
The Wilbraham at 282–284 Fifth Avenue or 1 West 30th Street, in the NoMad neighborhood of Manhattan, New York City, was built in 1888–90 as a bachelor apartment hotel. Its "bachelor flats" each consisted of a bedroom and parlor, with bathroom but no kitchen; the communal dining room was on the eighth floor. The building's refined and "extraordinarily well detailed" design in commercial Romanesque revival style – which owed much to the Richardsonian Romanesque developed by H.H. Richardson – was the work of the partners David and John Jardine. The Real Estate Record and Guide in 1890 called it "quite an imposing piece of architecture".
63 Nassau Street is a landmark building located on Nassau Street between Fulton and John Streets in the Financial District of Manhattan, New York City. It was built in the Italianate style c.1844, and had its cast-iron facade, attributed to James Bogardus, added in 1857-59, making it one of the first cast-iron buildings in the city. The attribution to Bogardus, a pioneer in the architectural use of cast iron, comes because of medallions of Benjamin Franklin identical to those on four other Bogardus projects, all now demolished. George Washington was also once represented with medallions.
254–260 Canal Street, also known as the Bruce Building, is a building on the corner of Lafayette Street in the Chinatown neighborhood of Manhattan, New York City. It was constructed in 1856–57 and designed in the Italian Renaissance revival style. The cast-iron elements of the facade may have been provided by James Bogardus, a pioneer in the use of cast iron in architecture. The building was constructed for George Bruce, a prosperous printer and inventor of new technologies in the printing industry, which was then one of New York's leading industries. It was converted to offices in 1987 by architect Jack L. Gordon.
Church Street and Trinity Place form a single northbound roadway in Lower Manhattan, New York City. Its northern end is at Canal Street and its southern end is at Morris Street, where Trinity Place merges with Greenwich Street. The dividing point is Liberty Street.
The Robbins & Appleton Building is a historic building at 1–5 Bond Street between Broadway and Lafayette Street in the NoHo neighborhood of Manhattan in New York City. Built in 1879–1880, it was designed by architect Stephen Decatur Hatch in the Second Empire style. The building features an ornate cast iron facade and mansard roof; it was originally used for the manufacture of watch cases and by publisher D. Appleton & Company. It was converted in 1986 to residential use. The building next door, at 7-9 Bond Street, is an inferior imitation of its neighbor.
Cast Iron House at the corner of Franklin Street and Broadway in the Tribeca neighborhood of Manhattan, New York City, formerly known as the James White Building, was built in 1881-82 and was designed by W. Wheeler Smith in the Italianate style. It features a cast-iron facade, and is a good example of late cast-iron architecture. The building was renovated by architect Joseph Pell Lombardi in 2000, and a restoration of the facade began in 2009. The building once housed the offices of Scientific American from 1884 to 1915, but it was primarily used in connection with the textile trade.
The David S. Brown Store at 8 Thomas Street between Broadway and Church Street in the TriBeCa neighborhood of Manhattan, New York City was built in 1875-76 for a soap manufacturer. It was designed by J. Morgan Slade in the Victorian Gothic style, as influenced by John Ruskin and French architectural theory. The building has been called "An elaborate confection of Romanesque, Venetian Gothic, brick, sandstone, granite, and cast-iron parts..."
The Odd Fellows Hall is a building at 165–171 Grand Street between Centre and Baxter Streets, in the Little Italy and SoHo neighborhoods of Manhattan, New York City. It was built in 1847–1848 and designed by the firm of Trench & Snook in the Italianate style, one of the city's earliest structures in this style, which Joseph Trench had brought to New York with his design for 280 Broadway in 1845. His partner, John B. Snook, was responsible for many cast-iron buildings in SoHo. The mansard roof was an addition, designed by John Buckingham and built in 1881–1882. The Independent Order of Odd Fellows used the building until the 1880s, when they moved uptown with the city's population. The building was afterwards converted for commercial and industrial use.
Gilsey House is a former eight-story 300-room hotel located at 1200 Broadway at West 29th Street in the NoMad neighborhood of Manhattan, New York City. It is a New York City landmark and on the National Register of Historic Places.
Stephen Decatur Hatch (1839–1894) was a prominent late-19th century architect who was responsible for a number of historically or architecturally significant buildings in Manhattan, New York City and elsewhere. He primarily designed commercial buildings.
Daniel D. Badger was an American founder, working in New York City under the name Architectural Iron Works. With James Bogardus, he was one of the major forces in creating a cast-iron architecture in the United States. Christopher Gray of The New York Times remarks: "Most cast-iron buildings present problems of authorship – it is hard to tell if it was the founder or the architect who actually designed the facade."
90–94 Maiden Lane is a cast-iron building on Gold Street between William and Pearl Streets in the Financial District of Manhattan, New York City. It was built in 1870-71 in the French Second Empire style and is attributed to Charles Wright.
175 West Broadway is a building between Worth and Leonard Streets in the Tribeca neighborhood of Manhattan, New York City. Built in 1877, it was designed by Scott & Umbach, an architectural firm from Newark, New Jersey, in the polychromatic brick style. According to the New York City Landmarks Preservation Commission, the building's "corbeled window arches and the corbeled brick cornice are without parallel in New York City architecture." It was built as a rental property for the heirs of Jerome B. King, a notable manufacturer of plaster and cement products, and was occupied for many years by Harwood & Son, who manufactured and sold awnings and other products made from canvas
The Textile Building is a 14-story building at 66 Leonard Street and 239–245 Church Street in the Tribeca neighborhood of Manhattan, New York City.
