Cary Building | |
Location | 105–107 Chambers St., Manhattan, New York City |
---|---|
Coordinates | 40°42′55″N74°00′30″W / 40.71528°N 74.00833°W Coordinates: 40°42′55″N74°00′30″W / 40.71528°N 74.00833°W |
Built | 1856-57 |
Architect | King & Kellum Daniel D. Badger |
Architectural style | Italian Renaissance revival |
NRHP reference No. | 83001719 |
NYCL No. | 1224 |
Significant dates | |
Added to NRHP | September 15, 1983 [1] |
Designated NYCL | August 24, 1982 |
The Cary Building at 105-107 Chambers Street, extending along Church Street to Reade Street, in the Tribeca neighborhood of Manhattan, New York City, was built in 1856-1857 and was designed by Gamaliel King and John Kellum ("King & Kellum") [2] in the Italian Renaissance revival style, with the cast-iron facade provided by Daniel D. Badger's Architectural Iron Work. The five-story twin-facaded building was constructed for William H. Cary's Cary, Howard & Sanger, a dry goods firm. [3] [4]
Although built as a commercial structure, the Cary Building is now residential. As a result of the widening of Church Street in the 1920s, a 200-foot-long wall of unadorned brick is now exposed on the east side of the building; as Christopher Gray observed in The New York Times , comparing the structure to cast-iron buildings with facades obscured by modern signage, "There is not too little of the Cary Building but too much." [3]
In 1973, the artist Knox Martin was commissioned to create a 280-foot canopy [5] that wrapped around the building. Ada Louise Huxtable wrote in The New York Times: "...credited Knox Martin with the graphics, including the supersign on the building's side and the continuous, brightly patterned abstract awning sheltering the shops. It is a fine example of combining new with old for practicality, continuity and art." [6]
The building was designated a New York City landmark in 1982, and was listed on the U.S. National Register of Historic Places in 1983. [1] The building was once home to The New York Sun.
The Jefferson Market Branch of the New York Public Library, once known as the Jefferson Market Courthouse, is a National Historic Landmark located at 425 Avenue of the Americas, on the southwest corner of West 10th Street, in Greenwich Village, Manhattan, New York City, on a triangular plot formed by Greenwich Avenue and West 10th Street. It was originally built as the Third Judicial District Courthouse from 1874 to 1877, and was designed by architect Frederick Clarke Withers of the firm of Vaux and Withers.
The Bouwerie Lane Theatre is a former bank building which became an Off-Broadway theatre, located at 330 Bowery at Bond Street in Manhattan, New York City. It is located in the NoHo Historic District.
The Tweed Courthouse is a historic courthouse building at 52 Chambers Street in the Civic Center of Manhattan in New York City. It was built in the Italianate style with Romanesque Revival interiors. William M. "Boss" Tweed – the corrupt leader of Tammany Hall, a political machine that controlled the New York state and city governments when the courthouse was built – oversaw the building's erection. The Tweed Courthouse served as a judicial building for New York County, a county of New York state coextensive with the New York City borough of Manhattan. It is the second-oldest city government building in the borough, after City Hall.
75 Murray Street, also known as the Hopkins Store, is a historic building between West Broadway and Greenwich Street in the TriBeCa neighborhood of Manhattan, New York City. It was built in 1857-58 and features a cast-iron facade in the Venetian Renaissance style from the foundry of James Bogardus, one of the earliest of the few remaining facades created by the self-described inventor of cast-iron architecture.
The Kitchen, Montross & Wilcox Store at 85 Leonard Street between Broadway and Church Street in the TriBeCa neighborhood of Manhattan, New York City was built in 1861 in the Italianate style for a company which dealt in dry goods. The cast iron for the building's facade came from James Bogardus's ironworks, one of the few surviving buildings for which that is the case. The building's columns are referred to as "sperm-candle style" from their resemblance to candles made from spermaceti.
The design [of the building] combines classically-inspired elements with the non-classical emphasis on lightness, openness, and verticality which characterizes cast-iron architecture.
The E. V. Haughwout Building is a five-story, 79-foot-tall (24 m) commercial loft building in the SoHo neighborhood of Manhattan, New York City, at the corner of Broome Street and Broadway. Built in 1857 to a design by John P. Gaynor, with cast-iron facades for two street-fronts provided by Daniel D. Badger's Architectural Iron Works, it originally housed Eder V. Haughwout's fashionable emporium, which sold imported cut glass and silverware as well as its own handpainted china and fine chandeliers, and which attracted many wealthy clients – including Mary Todd Lincoln, who had new official White House china painted here. It was also the location of the world's first successful passenger elevator.
John Kellum (1809–1871) was an American architect in practice in New York City.
Gamaliel King was an American architect who practiced in New York City and the adjacent city of Brooklyn, where he was a major figure in Brooklyn civic and ecclesiastical architecture for several decades.
63 Nassau Street is a landmark building located on Nassau Street between Fulton and John Streets in the Financial District of Manhattan, New York City. It was built in the Italianate style c.1844, and had its cast-iron facade, attributed to James Bogardus, added in 1857-59, making it one of the first cast-iron buildings in the city. The attribution to Bogardus, a pioneer in the architectural use of cast iron, comes because of medallions of Benjamin Franklin identical to those on four other Bogardus projects, all now demolished. George Washington was also once represented with medallions.
254–260 Canal Street, also known as the Bruce Building, is a building on the corner of Lafayette Street in the Chinatown neighborhood of Manhattan, New York City. It was constructed in 1856–57 and designed in the Italian Renaissance revival style. The cast-iron elements of the facade may have been provided by James Bogardus, a pioneer in the use of cast iron in architecture. The building was constructed for George Bruce, a prosperous printer and inventor of new technologies in the printing industry, which was then one of New York's leading industries. It was converted to offices in 1987 by architect Jack L. Gordon.
The Robbins & Appleton Building is a historic building at 1–5 Bond Street between Broadway and Lafayette Street in the NoHo neighborhood of Manhattan in New York City. Built in 1879–1880, it was designed by architect Stephen Decatur Hatch in the Second Empire style. The building features an ornate cast iron facade and mansard roof; it was originally used for the manufacture of watch cases and by publisher D. Appleton & Company. It was converted in 1986 to residential use.
Cast Iron House at the corner of Franklin Street and Broadway in the Tribeca neighborhood of Manhattan, New York City, formerly known as the James White Building, was built in 1881-82 and was designed by W. Wheeler Smith in the Italianate style. It features a cast-iron facade, and is a good example of late cast-iron architecture. The building was renovated by architect Joseph Pell Lombardi in 2000, and a restoration of the facade began in 2009. The building once housed the offices of Scientific American from 1884 to 1915, but it was primarily used in connection with the textile trade.
The David S. Brown Store at 8 Thomas Street between Broadway and Church Street in the TriBeCa neighborhood of Manhattan, New York City was built in 1875-76 for a soap manufacturer. It was designed by J. Morgan Slade in the Victorian Gothic style, as influenced by John Ruskin and French architectural theory. The building has been called "An elaborate confection of Romanesque, Venetian Gothic, brick, sandstone, granite, and cast-iron parts..."
Gilsey House is a former eight-story 300-room hotel located at 1200 Broadway at West 29th Street in the NoMad neighborhood of Manhattan, New York City. It is a New York City landmark and on the National Register of Historic Places.
Daniel D. Badger was an American founder, working in New York City under the name Architectural Iron Works. With James Bogardus, he was one of the major forces in creating a cast-iron architecture in the United States. Christopher Gray of The New York Times remarks: "Most cast-iron buildings present problems of authorship – it is hard to tell if it was the founder or the architect who actually designed the facade."
John Butler Snook (1815–1901) was an American architect who practiced in New York City and was responsible for the design of a number of notable cast-iron buildings, most of which are now in and around the SoHo neighborhood of Manhattan, as well as the original Grand Central Depot, which preceded the current Grand Central Terminal.
15 Union Square West is a residential building on East 15th Street overlooking Union Square in Manhattan, New York City. Originally Tiffany & Company’s 19th-century headquarters, it was refurbished and reopened in 2008 as high-end apartments.
452 Fifth Avenue is an office building at the southwest corner of Fifth Avenue and 40th Street in the Midtown Manhattan neighborhood of New York City. The building includes the 30-story, 400-foot (120 m) HSBC Tower, completed in late 1985 and designed by Attia & Perkins. The 10-story Knox Building, a Beaux-Arts office building designed in 1902 by John H. Duncan, is preserved at the base of the skyscraper. 452 Fifth Avenue faces Bryant Park immediately to the north.
The Bennett Building is a cast-iron building in the Financial District of Lower Manhattan in New York City. The building is on the western side of Nassau Street, spanning the entire block from Fulton Street to Ann Street. While the Bennett Building contains a primary address of 93-99 Nassau Street, it also has entrances at 139 Fulton Street and 30 Ann Street.
90–94 Maiden Lane is a cast-iron building on Gold Street between William and Pearl Streets in the Financial District of Manhattan, New York City. It was built in 1870-71 in the French Second Empire style and is attributed to Charles Wright.
Notes