The Bayard–Condict Building at 65 Bleecker Street between Broadway and Lafayette Street, at the head of Crosby Street in the NoHo neighborhood of Manhattan, New York City is the only work of architect Louis Sullivan in New York City. It was built between 1897 and 1899 in the Chicago School style; the associate architect was Lyndon P. Smith. The building was originally known as the Condict Building before being renamed the Bayard Building. The building was considered to be a radical design for its time, since it contravened the strictures of American Renaissance architecture which were the accepted status quo, but had little influence on architectural design in New York City, because of its location in the industrial area that Bleecker Street was during that period. It is located in the NoHo Historic District.
The Bouwerie Lane Theatre is a former bank building which became an Off-Broadway theatre, located at 330 Bowery at Bond Street in Manhattan, New York City. It is located in the NoHo Historic District.
The Kitchen, Montross & Wilcox Store at 85 Leonard Street between Broadway and Church Street in the TriBeCa neighborhood of Manhattan, New York City was built in 1861 in the Italianate style for a company which dealt in dry goods. The cast iron for the building's facade came from James Bogardus's ironworks, one of the few surviving buildings for which that is the case. The building's columns are referred to as "sperm-candle style" from their resemblance to candles made from spermaceti.
The design [of the building] combines classically-inspired elements with the non-classical emphasis on lightness, openness, and verticality which characterizes cast-iron architecture.
The E. V. Haughwout Building is a five-story, 79-foot-tall (24 m) commercial loft building in the SoHo neighborhood of Manhattan, New York City, at the corner of Broome Street and Broadway. Built in 1857 to a design by John P. Gaynor, with cast-iron facades for two street-fronts provided by Daniel D. Badger's Architectural Iron Works, it originally housed Eder V. Haughwout's fashionable emporium, which sold imported cut glass and silverware as well as its own handpainted china and fine chandeliers, and which attracted many wealthy clients – including Mary Todd Lincoln, who had new official White House china painted here. It was also the location of the world's first successful passenger elevator.
The Cary Building at 105-107 Chambers Street, extending along Church Street to Reade Street, in the Tribeca neighborhood of Manhattan, New York City, was built in 1856-1857 and was designed by Gamaliel King and John Kellum in the Italian Renaissance revival style, with the cast-iron facade provided by Daniel D. Badger's Architectural Iron Work. The five-story twin-facaded building was constructed for William H. Cary's Cary, Howard & Sanger, a dry goods firm.
The Wilbraham at 282–284 Fifth Avenue or 1 West 30th Street, in the NoMad neighborhood of Manhattan, New York City, was built in 1888–90 as a bachelor apartment hotel. Its "bachelor flats" each consisted of a bedroom and parlor, with bathroom but no kitchen; the communal dining room was on the eighth floor. The building's refined and "extraordinarily well detailed" design in commercial Romanesque revival style – which owed much to the Richardsonian Romanesque developed by H.H. Richardson – was the work of the partners David and John Jardine. The Real Estate Record and Guide in 1890 called it "quite an imposing piece of architecture".
63 Nassau Street is a landmark building located on Nassau Street between Fulton and John Streets in the Financial District of Manhattan, New York City. It was built in the Italianate style c.1844, and had its cast-iron facade, attributed to James Bogardus, added in 1857-59, making it one of the first cast-iron buildings in the city. The attribution to Bogardus, a pioneer in the architectural use of cast iron, comes because of medallions of Benjamin Franklin identical to those on four other Bogardus projects, all now demolished. George Washington was also once represented with medallions.
254–260 Canal Street, also known as the Bruce Building, is a building on the corner of Lafayette Street in the Chinatown neighborhood of Manhattan, New York City. It was constructed in 1856–57 and designed in the Italian Renaissance revival style. The cast-iron elements of the facade may have been provided by James Bogardus, a pioneer in the use of cast iron in architecture. The building was constructed for George Bruce, a prosperous printer and inventor of new technologies in the printing industry, which was then one of New York's leading industries. It was converted to offices in 1987 by architect Jack L. Gordon.
The Robbins & Appleton Building is a historic building at 1–5 Bond Street between Broadway and Lafayette Street in the NoHo neighborhood of Manhattan in New York City. Built in 1879–1880, it was designed by architect Stephen Decatur Hatch in the Second Empire style. The building features an ornate cast iron facade and mansard roof; it was originally used for the manufacture of watch cases and by publisher D. Appleton & Company. It was converted in 1986 to residential use.
56 Pine Street – originally known as the Wallace Building after its developer, James Wallace – at 56-58 Pine Street between Pearl and William Streets in the Financial District of Manhattan, New York City, was built in 1893-94 and was designed by Oscar Wirz in the Romanesque Revival style.
Cast Iron House at the corner of Franklin Street and Broadway in the Tribeca neighborhood of Manhattan, New York City, formerly known as the James White Building, was built in 1881-82 and was designed by W. Wheeler Smith in the Italianate style. It features a cast-iron facade, and is a good example of late cast-iron architecture. The building was renovated by architect Joseph Pell Lombardi in 2000, and a restoration of the facade began in 2009. The building once housed the offices of Scientific American from 1884 to 1915, but it was primarily used in connection with the textile trade.
The Dorilton is a luxury residential housing cooperative on the Upper West Side of Manhattan, New York City, built from 1900 to 1902.
The Joseph Raphael De Lamar House is a mansion at 233 Madison Avenue at the corner of 37th Street in the Murray Hill neighborhood of Manhattan, New York City. The house, currently the Consulate General of Poland, New York City, was built in 1902–1905 and was designed by C. P. H. Gilbert in the Beaux-Arts style. The De Lamar Mansion marked a stark departure from Gilbert's traditional style of French Gothic architecture and was instead robustly Beaux-Arts, heavy with rusticated stonework, balconies, and a colossal mansard roof. The mansion is the largest in Murray Hill, and one of the most spectacular in the city; the interiors are as lavish as the exterior.
The David S. Brown Store at 8 Thomas Street between Broadway and Church Street in the TriBeCa neighborhood of Manhattan, New York City was built in 1875-76 for a soap manufacturer. It was designed by J. Morgan Slade in the Victorian Gothic style, as influenced by John Ruskin and French architectural theory. The building has been called "An elaborate confection of Romanesque, Venetian Gothic, brick, sandstone, granite, and cast-iron parts..."
The Schermerhorn Building at 376–380 Lafayette Street on the corner of Great Jones Street in the NoHo neighborhood of Manhattan, New York City, was built in 1888–1889 by William C. Schermerhorn on the site of the Schermerhorn mansion, and rented by him to a boys' clothing manufacturer. The Romanesque Revival loft building was designed by Henry Hardenbergh, architect of the Plaza Hotel and The Dakota. The building is constructed of brownstone, sandstone, terra-cotta and wood, and has dwarf columns made of marble.
Gilsey House is a former eight-story 300-room hotel located at 1200 Broadway at West 29th Street in the NoMad neighborhood of Manhattan, New York City. It is a New York City landmark and on the National Register of Historic Places.
Stephen Decatur Hatch (1839–1894) was a prominent late-19th century architect who was responsible for a number of historically or architecturally significant buildings in Manhattan, New York City and elsewhere. He primarily designed commercial buildings.
Daniel D. Badger was an American founder, working in New York City under the name Architectural Iron Works. With James Bogardus, he was one of the major forces in creating a cast-iron architecture in the United States. Christopher Gray of The New York Times remarks: "Most cast-iron buildings present problems of authorship – it is hard to tell if it was the founder or the architect who actually designed the facade."
Joseph Collins Wells (1814–1860) was an English-born architect who practiced in New York City from 1839 to 1860. He was a founding member of the American Institute of Architects, and several of his works have been listed on the National Register of Historic Places. Two of his works, the Henry C. Bowen House and the Jonathan Sturges House, have been designated as U.S. National Historic Landmarks. He also designed First Presbyterian Church, a New York City Landmark in Greenwich Village.
90–94 Maiden Lane is a cast-iron building on Gold Street between William and Pearl Streets in the Financial District of Manhattan, New York City. It was built in 1870-71 in the French Second Empire style and is attributed to Charles Wright.
