The Kitchen, Montross & Wilcox Store at 85 Leonard Street between Broadway and Church Street in the TriBeCa neighborhood of Manhattan, New York City was built in 1861 in the Italianate style for a company which dealt in dry goods. The cast iron for the building's facade came from James Bogardus's ironworks, one of the few surviving buildings for which that is the case. The building's columns are referred to as "sperm-candle style" from their resemblance to candles made from spermaceti.
The design [of the building] combines classically-inspired elements with the non-classical emphasis on lightness, openness, and verticality which characterizes cast-iron architecture.
The E. V. Haughwout Building is a five-story, 79-foot-tall (24 m) commercial loft building in the SoHo neighborhood of Manhattan, New York City, at the corner of Broome Street and Broadway. Built in 1857 to a design by John P. Gaynor, with cast-iron facades for two street-fronts provided by Daniel D. Badger's Architectural Iron Works, it originally housed Eder V. Haughwout's fashionable emporium, which sold imported cut glass and silverware as well as its own handpainted china and fine chandeliers, and which attracted many wealthy clients – including Mary Todd Lincoln, who had new official White House china painted here. It was also the location of the world's first successful passenger elevator.
The Cary Building at 105-107 Chambers Street, extending along Church Street to Reade Street, in the Tribeca neighborhood of Manhattan, New York City, was built in 1856–1857 and was designed by Gamaliel King and John Kellum in the Italian Renaissance revival style, with the cast-iron facade provided by Daniel D. Badger's Architectural Iron Work. The five-story twin-facaded building was constructed for William H. Cary's Cary, Howard & Sanger, a dry goods firm.
63 Nassau Street is a landmark building located on Nassau Street between Fulton and John Streets in the Financial District of Manhattan, New York City. It was built in the Italianate style c.1844, and had its cast-iron facade, attributed to James Bogardus, added in 1857-59, making it one of the first cast-iron buildings in the city. The attribution to Bogardus, a pioneer in the architectural use of cast iron, comes because of medallions of Benjamin Franklin identical to those on four other Bogardus projects, all now demolished. George Washington was also once represented with medallions.
254–260 Canal Street, also known as the Bruce Building, is a building on the corner of Lafayette Street in the Chinatown neighborhood of Manhattan, New York City, United States. It was constructed in 1856–57 and designed in the Italian Renaissance revival style. The cast-iron elements of the facade may have been provided by James Bogardus, a pioneer in the use of cast iron in architecture. The building was constructed for George Bruce, a prosperous printer and inventor of new technologies in the printing industry, which was then one of New York's leading industries. It was converted to offices in 1987 by architect Jack L. Gordon.
The Robbins & Appleton Building is a historic building at 1–5 Bond Street between Broadway and Lafayette Street in the NoHo neighborhood of Manhattan in New York City. Built in 1879–1880, it was designed by architect Stephen Decatur Hatch in the Second Empire style. The building features an ornate cast iron facade and mansard roof; it was originally used for the manufacture of watch cases and by publisher D. Appleton & Company. It was converted in 1986 to residential use.
56 Pine Street – originally known as the Wallace Building after its developer, James Wallace – at 56-58 Pine Street between Pearl and William Streets in the Financial District of Manhattan, New York City, was built in 1893-94 and was designed by Oscar Wirz in the Romanesque Revival style.
Cast Iron House at the corner of Franklin Street and Broadway in the Tribeca neighborhood of Manhattan, New York City, formerly known as the James White Building, was built in 1881–82 and was designed by W. Wheeler Smith in the Italianate style. It features a cast-iron facade, and is a good example of late cast-iron architecture. The building was renovated by architect Joseph Pell Lombardi in 2000, and a restoration of the facade began in 2009. The building once housed the offices of Scientific American from 1884 to 1915, but it was primarily used in connection with the textile trade.
The Church of the Incarnation is a historic Episcopal church at 205–209 Madison Avenue at the northeast corner of 35th Street in the Murray Hill neighborhood of Manhattan, New York City. The church was founded in 1850 as a chapel of Grace Church located at 28th Street and Madison. In 1852, it became an independent parish, and in 1864–1865 the parish built its own sanctuary at its current location.
The Joseph Raphael De Lamar House is a mansion at 233 Madison Avenue at the corner of 37th Street in the Murray Hill neighborhood of Manhattan, New York City. The house, currently the Consulate General of Poland, New York City, was built in 1902–1905 and was designed by C. P. H. Gilbert in the Beaux-Arts style. The De Lamar Mansion marked a stark departure from Gilbert's traditional style of French Gothic architecture and was instead robustly Beaux-Arts, heavy with rusticated stonework, balconies, and a colossal mansard roof. The mansion is the largest in Murray Hill, and one of the most spectacular in the city; the interiors are as lavish as the exterior.
The Edward Mooney House is a building at 18 Bowery, at the corner of Pell Street, in the Chinatown neighborhood of Manhattan, New York City. It was built between 1785 and 1789 for wealthy butcher Edward Mooney on land he purchased after it was confiscated from British Loyalist James De Lancey.
The David S. Brown Store at 8 Thomas Street between Broadway and Church Street in the TriBeCa neighborhood of Manhattan, New York City was built in 1875-76 for a soap manufacturer. It was designed by J. Morgan Slade in the Victorian Gothic style, as influenced by John Ruskin and French architectural theory. The building has been called "An elaborate confection of Romanesque, Venetian Gothic, brick, sandstone, granite, and cast-iron parts..."
The Odd Fellows Hall is a building at 165–171 Grand Street between Centre and Baxter Streets, in the Little Italy and SoHo neighborhoods of Manhattan, New York City. It was built in 1847–1848 and designed by the firm of Trench & Snook in the Italianate style, one of the city's earliest structures in this style, which Joseph Trench had brought to New York with his design for 280 Broadway in 1845. His partner, John B. Snook, was responsible for many cast-iron buildings in SoHo. The mansard roof was an addition, designed by John Buckingham and built in 1881–1882. The Independent Order of Odd Fellows used the building until the 1880s, when they moved uptown with the city's population. The building was afterwards converted for commercial and industrial use.
The Schermerhorn Building is a historic structure at 376–380 Lafayette Street, on the northwest corner with Great Jones Street, in the NoHo neighborhood of Manhattan in New York City. It was built in 1888–1889 by William C. Schermerhorn on the site of the Schermerhorn mansion, and rented by him to a boys' clothing manufacturer. The Romanesque Revival loft building was designed by Henry Hardenbergh, architect of the Plaza Hotel and The Dakota. The building is constructed of brownstone, sandstone, terra-cotta and wood, and has dwarf columns made of marble.
The James F. D. Lanier Residence, also known as the James F. D. and Harriet Lanier House is a historic house at 123 East 35th Street between Park and Lexington Avenues in the Murray Hill neighborhood of Manhattan, New York City.
Gilsey House is an eight-story, 300-room former hotel at 1200 Broadway at West 29th Street in the NoMad neighborhood of Manhattan, New York City. It is a New York City landmark and on the National Register of Historic Places.
The Century Building is a Queen Anne style building at 33 East 17th Street between Park Avenue South and Broadway in Union Square, Manhattan, New York City. It was designed by William Schickel and built in 1880–1881 by Arnold Constable & Company. The Century Building consists of five floors topped by a 1+1⁄2-story attic.
Stephen Decatur Hatch (1839–1894) was a prominent late-19th century architect who was responsible for a number of historically or architecturally significant buildings in Manhattan, New York City and elsewhere. He primarily designed commercial buildings.
Daniel D. Badger was an American founder, working in New York City under the name Architectural Iron Works. With James Bogardus, he was one of the major forces in creating a cast-iron architecture in the United States. Christopher Gray of The New York Times remarks: "Most cast-iron buildings present problems of authorship – it is hard to tell if it was the founder or the architect who actually designed the facade."
90–94 Maiden Lane is a cast-iron building on Gold Street between William and Pearl Streets in the Financial District of Manhattan, New York City. It was built in 1870-71 in the French Second Empire style and is attributed to Charles Wright.
