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"Raghupati Raghava Raja Ram" (also called Ram Dhun) is a bhajan (devotional song) widely popularised by Mahatma Gandhi and set to tune by Vishnu Digambar Paluskar in Raga Mishra Gara . [1] [2] [3]
The precise origins of the song are not entirely clear. [4] It is believed to have been either written by Tulsidas (or based on his work Ramcharitmanas) [5] or based on a 17th-century sung-prayer by the Marathi saint-poet Ramdas. [6] [7]
It is also claimed to have been taken from Nama Ramayana (or Sri Nama Ramayanam), attributed to Lakshmanacharya. [8] [9] Nama Ramayana is a devotional song in Sanskrit, [10] [11] which narrates the Ramayana through the chanting of the many names of Rama. [12] It has 108 verses, commencing with "Shuddha Brahma Paratpara Rama" and each of its lines ending with 'Rama' [13] [14] [15] – only some versions contain the verse "Raghupati Raghava Raja Ram", [16] while others like the rendition by M. S. Subbulakshmi do not. [17] [18] [19]
Anthony Parel writes in Gandhi's Philosophy and the Quest for Harmony, [20]
[T]he origin of Ramdhun is shrouded in legend. According to the legend that he preferred it was composed by the great Hindu poet Tulsidas (1532-1623). While on a pilgrimage visiting the Vishnu temple of Dakore, Northern India, Tulsidas was moved to bargain with Vishnu. Until Vishnu revealed himself as Rama he would not bow his head in prayer. His wish was promptly granted: Rama appeared in his mind with his wife Sita, and three of their devotees. Hence, explains Gandhi, "Ramdhun, meaning intoxication with God [Ram]
There have been many versions of the Ramdhun, and the version that Mahatma Gandhi used had an "ecumenical flavour" to it. [21]
Gandhi modified the original bhajan, adding that the Ishwar of the Hindus and the Allah of the Muslims were one and the same, [22] to make the song more secular-looking and to spread the message of reconciliation between Hindus and Muslims. [23]
The song was extensively used to project a secular and composite vision of Indian society— it was sung during the 1930 Salt March. [24] After Gandhi's return from Noakhali, he replaced the refrain Bhaj man pyare Sitaram by Bhaj man pyare Rama Rahim, bhaj man pyare Krishna Karim, to better reflect the desired Hindu-Muslim unity. [25]
Some Hindus and Muslims have criticised the changes Gandhi made in his version. Muslims resented it when Gandhi started reciting the bhajan because he had put Allah on par with Ram. [26] Hindus have objected to the "distortion" of the Hindu bhajan due to the addition of Islamic elements in it. [27] [28] Srila Prabhupada was not interested in this version of the Ram Dhun because it had been popularized by Gandhi– who had deviated from the original Dhun, to appease and unite Hindus and Muslims and to gain support of the Indian population, and it was not for pure devotional service. [29]
In September 2022, PDP chief Mehbooba Mufti claimed that BJP was pushing its Hindutva agenda by forcing Muslim children in Kashmir to sing bhajans in schools, after the Government of India had issued a directive for students to recite an "all faith prayer -- Raghupati Raghav Raja Ram.. Ishwar Allah tero naam." as a part of a series of activities taking place to mark the 153rd birth anniversary of Mahatma Gandhi. [30] While National Conference chief Farooq Abdullah rejected Mufti's claims, [31] Muttahida Majlis-e-Ulema, a conglomerate of religious and social organisations in Kashmir, urged the government and education department to stop practices like 'singing of bhajans and Surya Namaskars' in schools, as they "hurt the religious sentiments of Muslims" and "undermine the Muslim identity of Kashmir". [32] Former Permanent Representative of Pakistan to the United Nations, Maleeha Lodhi, too called it an "assault on Kashmiri culture and identity". [33]
In December 2024, in an event organised in Patna, Bihar by BJP to commemorate the 100th birth anniversary of former Prime Minister, Atal Bihari Vajpayee, when folk singer Devi sang the line "Ishwar Allah tero naam" during her rendition of Raghupati Raghav Raja Ram, protests erupted among a section of the audience. She was asked to apologize, and former Union minister, Ashwini Kumar Choubey, then took the microphone from her and shouted ‘Jai Shri Ram’ to try to pacify the crowd. Former MP Shahnawaz Hussain, who was also present in the event, called the disruption “the height of intolerance”. [34] [35] [36]
In December 2011, three elementary schools in Greendale, Wisconsin, had planned to include the song in their seasonal concerts. After many parents complained, the school district ultimately removed the song due to its religious nature, as it made reference to Sita, Rama, God, and Allah. [37]
Rambola Dubey, known as Tulsidas, was a Vaishnava (Ramanandi) Hindu saint and poet, renowned for his devotion to the deity Rama. He wrote several popular works in Sanskrit, Awadhi, and Braj Bhasha, but is best known as the author of the Hanuman Chalisa and of the epic Ramcharitmanas, a retelling of the Sanskrit Ramayana, based on Rama's life, in the vernacular Awadhi language.
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The Hanuman Chalisa is a Hindu devotional hymn (stotra) in praise of Hanuman, and popularly recited by millions of Hindus everyday. It is an Awadhi language text attributed to Tulsidas, and is his best known text apart from the Ramcharitmanas. The word 'chālīsā' is derived from 'chālīs' meaning the number 'forty' in Hindi, denoting the number of verses in the Hanuman Chalisa.
The ramanama is the Hindu practice of ritually chanting the name of the deity Rama, an avatar of Vishnu. Rama's name is often chanted or sung within several traditions of Hinduism in the form of a japa, or meditative repetition.
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Jai Shri Ram is an expression in Indic languages, translating to "Glory to Lord Rama" or "Victory to Lord Rama". The proclamation has been used by Hindus as a symbol of adhering to the Hindu faith, or for projection of varied faith-centered emotions.
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Gara is a Hindustani classical raga belonging to the Khamaj Thaat. This raga is similar to raga Jaijaiwanti. Both ragas i.e. raga Jaijaiwanti and raga Gara, have the same svaras. Gara is a rare raga. It is rendered in the late evening. The raga uses all the seven notes, six in the ascent and seven in the descent. Therefore, the Jati of the raga is Shaadav-Sampurna. While some say that seven svaras are played in the ascent and seven in the descent. Therefore, the Jati then becomes Sampurna-Sampurna. It uses both, the Komal (flat) and Shuddha (full) Nishad, komal Ga, and all other notes are Shuddha (full). The derivative ragas out of this structure are grouped under the broad head of Khamaj Thaat. Gara belongs to a family of melodic entities, which were apparently derived from folk melodies, and entered art-music in association with the thumri genre. This family includes ragas like Kafi, Piloo, Jangula, Barwa, and Zilla, along with several others. This raga expresses the feeling of happiness and satisfaction of achievement, however it simultaneously conveys the sadness of losing. This raga is also a vivacious and romantic one.
The fairly well-known Ramanama ramayanam -- Suddha - Brahma- Paratpara - Ram-- also deserves a men- tion. It traverses all the cantos of the Valmiki Ramayana, including the Uttarakanda, in 108 lines, all of which end with the Ramanama.
Rarely do they bother to point to his innovation of adding Ishwar Allah Tero Naam to the Tulsidas Ram dhun Raghupati Raghav Raja Ram.
There is also Francis, a French hippie pal of Orphan, who sacrifices his life to save Bharat in a club brawl and then dies requesting, "Pour l'amour de Dieu....votre chanson" (i.e., the Gandhian anthem Raghupati Raghava Raja Ram), while cradled in Bharat and Orphan's arms in an amazing intercultural pieta.
...band of boisterous hippies who energetically throw themselves into singing, "Raghupati Raghav Raja Ram." The re-working of one of Gandhi's favourite hymn is effected through wit, humour, irony and even irreverence.