Tōnalpōhualli

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Page 11 reverse from Codex Magliabechiano
, showing four day-symbols of the tonalpohualli
: (ce = one) Flint/Knife tecpatl
, (ome = two) Rain quiahuitl
, (eyi = three) Flower xochitl
, and (nahui = four) Caiman/Crocodile (cipactli
), with Spanish descriptions. Codex Magliabechiano 11R.jpg
Page 11 reverse from Codex Magliabechiano , showing four day-symbols of the tōnalpōhualli: ( ce = one) Flint/Knife tecpatl , ( ōme = two) Rain quiahuitl , ( ēyi = three) Flower xōchitl , and ( nāhui = four) Caiman/Crocodile ( cipactli ), with Spanish descriptions.
Above is the Codex Telleriano-Remensis: Folio 10r annotated to identify the day signs (Tonalpohualli) and counts on the page. This page includes the later half of a Trecena, starting with 6 grass (6 Malinalli) and ending with 13 rain (13 Quiyahuitl). The Trecena progresses from the second row and the first column and continues to the right. Once it is five columns in the order it progresses downward until the fifth column and fifth row. The Codex Telleriano-Remensis was produced in the sixteenth century with European influence and supplies. Codex Telleriano Remensis- Folio 10.png
Above is the Codex Telleriano-Remensis: Folio 10r annotated to identify the day signs (Tonalpohualli) and counts on the page. This page includes the later half of a Trecena, starting with 6 grass (6 Malinalli) and ending with 13 rain (13 Quiyahuitl). The Trecena progresses from the second row and the first column and continues to the right. Once it is five columns in the order it progresses downward until the fifth column and fifth row. The Codex Telleriano-Remensis was produced in the sixteenth century with European influence and supplies.
Above is the Codex Borbonicus Folio 13 with annotations to highlight the day signs (Tonalpohualli) within the Trecena which is shown on the page. The Trecena begins at the bottom leftmost corner with 1 movement (1 Olin) and continues through the full 13 day cycle until 13 water (13 Atl) at the top box on the inner column. Each day sign is paired with their respective deity, for example 2 flint is presented by Chalchiuhtotolin. Annotated Codex Borbonicus.png
Above is the Codex Borbonicus Folio 13 with annotations to highlight the day signs (Tonalpohualli) within the Trecena which is shown on the page. The Trecena begins at the bottom leftmost corner with 1 movement (1 Olin) and continues through the full 13 day cycle until 13 water (13 Atl) at the top box on the inner column. Each day sign is paired with their respective deity, for example 2 flint is presented by Chalchiuhtotolin.

The tōnalpōhualli (Nahuatl pronunciation: [toːnaɬpoːˈwalːi] ), meaning "count of days" in Nahuatl, is a Mexica version of the 260-day calendar in use in pre-Columbian Mesoamerica. This calendar is solar and consists of 20 13-day ( trecena ) periods. Each trecena is ruled by a different deity. Graphic representations for the twenty day names have existed among certain ethnic, linguistic, or archaeologically identified peoples. [1]

Contents

Description

Tonalpohualli
calendar representation AACTonal.1.jpg
Tonalpōhualli calendar representation

The term for the Aztec day signs, tōnalpōhualli, comes from the root word Tona which means to give light or heat. [2] Tōnalpōhualli refers to the count of the days, made up of 20 day signs and a 260 day cycle. In Aztec society there were multiple intertwining calendars, the tōnalpōhualli, and the xiuhpōhualli which refers to the solar year of 365 days. The xiuhpōhualli was divided into eighteen twenty day months, and then an extra five days at the end of the cycle. Each day denoted by a different day sign and number, the double calendars were intertwined so that every 52 years the same combination of day signs and numbers would appear again. [2] The full tōnalpōhualli cycle would take place over 260 days and since each day was unique in number and symbol each had its own intrinsic meaning. [3] It is likely that the root of these units comes from the human body: the Aztecs would count using all digits on their body consisting of the 20 day signs. [4] The 260 cycle likely originated from womans’ gestational cycle, as from the time of the first missed menstruation cycle to the time of giving birth is roughly 260 days. [4]

The tōnalpōhualli as aforementioned consists of twenty different day signs or Trecenas, which in almost all representations are accompanied with a glyph depicting its character. The Aztec form of writing is largely pictorial and was a semasiographic system, meaning writing existed separately from spoken word. [5] The glyphs were recognizable to their meaning, and members of the population would understand what day it was and their current position in time. [5] Since the Trecenas would repeat every twenty days they were accompanied by a number from 1-13. Usually the day count was depicted by small circles next to the main glyph adding up to the juncture of that day. [2] The glyphs had to be understood by the population so there is a strong level of similarity in depiction of each trecena. However, the day count seems to be up to the discretion of the artist. [2]   The first day of the 13 day cycle would be one crocodile (Cipactli) and continue until 13 reeds (Acatl). The next 13 day cycle would begin with one jaguar (Ocelotl) and continue until 13 death (Miquiztli). During this cycle the Trecenas would repeat making the day eight crocodile (Cipactli) and so forth. This pattern would continue until all 20 day signs had been associated with numbers 1 through 13. The Trecenas and numbers were two separate identities, the day five deer (Mazatl) did not represent there being five deer, nor was there any significance to the number five other than as a defining number. The five relates to the juncture of the day, it comes after day 4 and before day 6 in this specific 13 day cycle. [4] The 13 day cycles are subdivisions of the larger 260 day calendar, and they pertain to different rituals and times of the year. [6] The order of the days related to all aspects of life, they dictated when was the right time to plant maize and when to harvest. People felt that they would be vulnerable if the plantings and festivals didn't take place on the specified days. [3] The gods were also associated with different days, dictating when to hold a feast in each one's honor and which god to pray to. [4] For example, One reed is associated with Quetzalcoatl , while two reeds are associated with Omacatl. [7] The larger rituals would be on the first half of the 13 day cycles, but other important religious activities were done on specific Tonalpohualli days. [4] For instance, the feast of the sun was held on four movement. [4] Most things in day to day life were dependent on the correlating tōnalpōhualli—even given name. When born, formal names would be the day you were born; for example, 5 lizard (Cuetzpalin), and this would determine the child’s destiny. [4] Furthermore, marriages were dependent on the compatibility of the couple’s day signs and numbers.

Day signs

[ citation needed ]

TrecenaGlyph [8] SpiritCardinal point
11 Cipactli (Caiman or aquatic monster) Cipactli.jpg Tōnacātēcuhtli East
21 Ehēcatl (Wind) Ehecatl2.jpg Quetzalcoatl North
31 Calli (House) Calli.jpg Tepēyōllōtl West
41 Cuetzpalin (Lizard) Cuetzpalin.jpg Huēhuecoyōtl South
51 Cōātl (Snake) Coatl.jpg Chalchiuhtlicue East
61 Miquiztli (Death) Miquiztli.jpg Tecuciztecatl North
71 Mazātl (Deer) Mazatl.jpg Tlāloc West
81 Tōchtli (Rabbit) Tochtli.jpg Mayahuel South
91 Ātl (Water) Atl3.jpg Xiuhtecuhtli East
101 Itzcuintli (Dog) Itzcuintli.jpg Mictlāntēcutli North
111 Ozomahtli (Monkey) Ozomatli.jpg Xochipilli West
121 Malīnalli (Grass) Malinalli.jpg Patecatl South
131 Ācatl (Reed) Acatl.jpg Tezcatlipōca East
141 Ocēlōtl (Ocelot or Jaguar) Ocelotl.jpg Tlazōlteōtl North
151 Cuāuhtli (Eagle) Cuauhtli.jpg Xīpe Totēc West
161 Cōzcacuāuhtli (Vulture) Cozcacuauhtli.jpg Itzpapalotl South
171 Olīn (Movement or Earthquake) Olin (Aztec glyph from the Codex Magliabechiano).jpg Xolotl East
181 Tecpatl (Flint or Knife) Tecpatl.jpg Chalchiuhtotolin North
191 Quiyahuitl (Rain) Quiahuitl.jpg Tōnatiuh West
201 Xōchitl (Flower) Xochitl.jpg Xōchiquetzal South

Note that the symbols are arranged counterclockwise around the calendar stone.

See also

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References

  1. Macri, Martha J. "Day-Signs." In David Carrasco (ed). The Oxford Encyclopedia of Mesoamerican Cultures. : Oxford University Press, 2001
  2. 1 2 3 4 Neumann, Franke J. (1976). "The Experience of Time in Nahuatl Religion". Journal of the American Academy of Religion. 44 (2): 255–263. doi:10.1093/jaarel/XLIV.2.255. ISSN   0002-7189. JSTOR   1462338.
  3. 1 2 "The Aztec Calendar Systems". rubens.anu.edu.au. Retrieved 2023-04-21.
  4. 1 2 3 4 5 6 7 "2 Time, the Ritual Calendar, and Divination", Cycles of Time and Meaning in the Mexican Books of Fate, University of Texas Press, pp. 13–32, 2007-12-31, doi:10.7560/712638-006, ISBN   9780292795280, S2CID   240129657 , retrieved 2023-04-21
  5. 1 2 Hill Boone, Elizabeth. Stories in Red and Black : Pictorial Histories of the Aztecs and Mixtecs. ISBN   978-0-292-79184-8. OCLC   1286806608.
  6. Vail, Gabrielle; Hernandez, Christine (2013), "Mexican Codices and Mythological Traditions", Re-Creating Primordial Time: Foundation Rituals and Mythology in the Postclassic Maya Codices, University Press of Colorado, pp. 23–43, doi: 10.5876/9781607322214.c02 , ISBN   9781607322214 , retrieved 2023-04-21
  7. Dibble, Charles E. (1984-01-01). "Sahagún's Tonalpohualli". Indiana. 9: 115–122. doi:10.18441/ind.v9i0.115-122. ISSN   2365-2225.
  8. The glyphs shown are taken from the Codex Magliabechiano