"What's Going On" | ||||
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Single by Marvin Gaye | ||||
from the album What's Going On | ||||
B-side | "God Is Love" | |||
Released | January 20, 1971 [1] | |||
Recorded | June 1, July 6, 7 and 10, September 21, 1970 [2] | |||
Studio | Hitsville USA Studio A (main tracks), Studio B (supporting tracks), Motown Center (mixdown) [3] | |||
Genre | ||||
Length | 3:53 3:40 (7-inch version) | |||
Label | Tamla (T 54201) | |||
Songwriter(s) | ||||
Producer(s) | Marvin Gaye | |||
Marvin Gaye singles chronology | ||||
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"What's Going On" is a song by American singer-songwriter Marvin Gaye, released in 1971 on the Motown subsidiary Tamla. It is the opening track of Gaye's studio album of the same name. Originally inspired by a police brutality incident witnessed by Renaldo "Obie" Benson, the song was composed by Benson, Al Cleveland, and Gaye and produced by Gaye himself. The song marked Gaye's departure from the Motown Sound towards more personal material. Later topping the Hot Soul Singles chart for five weeks and crossing over to number two on the Billboard Hot 100, it would sell over two million copies, becoming Gaye's second-most successful Motown song to date. [4] It was ranked at number 4 in Rolling Stone's 500 Greatest Songs of all Time in 2004 and 2010. [5] [6]
The song's inspiration came from Renaldo "Obie" Benson, a member of the Motown vocal group the Four Tops, after he and the group's tour bus arrived at Berkeley on May 15, 1969. [7] [ better source needed ] While there, Benson witnessed police brutality and violence in the city's People's Park during a protest held by anti-war activists in what was hailed later as "Bloody Thursday". [8] Upset by the situation, Benson said to author Ben Edmonds that as he saw this, he asked, "'What is happening here?' One question led to another. Why are they sending kids so far away from their families overseas? Why are they attacking their own children in the streets?" [8] [9]
Upset, he discussed what he witnessed with friend and songwriter Al Cleveland, who in turn wrote and composed a song to reflect Benson's concerns. Benson wanted to give the song to his group but the other Four Tops turned down the request. [8] "My partners told me it was a protest song", Benson said later, "I said 'no man, it's a love song, about love and understanding. I'm not protesting, I want to know what's going on.'" [8] In 1970, Benson presented the untitled song to Marvin Gaye, who added a new melody and revised the song to his liking, adding in his own lyrics. Benson later said Gaye tweaked and enriched the song, "added some things that were more ghetto, more natural, which made it seem like a story than a song... we measured him for the suit and he tailored the hell out of it." [10] Gaye titled it "What's Going On". When Gaye initially thought the song's moody feel would be appropriate to be recorded by The Originals, Benson convinced Gaye to record it as his own song.
Gaye, himself, had been inspired by social ills committed in the United States, citing the 1965 Watts Riot as a turning point in his life in which he asked himself, "'With the world exploding around me, how am I supposed to keep singing love songs?'" [11] Gaye was also influenced by emotional conversations shared between him and his brother Frankie, who had returned from three years of service at the Vietnam War and his namesake cousin's death while serving troops. [11] During phone conversations with Berry Gordy, who was vacationing in the Bahamas at the time, Gaye had told Gordy that he wanted to record a protest record, to which Gordy said in response, "Marvin, don't be ridiculous. That's taking things too far." [10]
Gaye entered the recording studio, Hitsville USA, on June 1, 1970, to record "What's Going On". Instead of relying on other producers to help him with the song, Gaye, inspired by recent successes of his productions for the vocal act, the Originals, decided to produce the song himself, mixing up original Motown in-house studio musicians such as James Jamerson and Eddie Brown with musicians he recruited himself. [10] The opening soprano saxophone line, provided by musician Eli Fontaine, was not originally intended. Once Gaye heard Fontaine's riff, he told Fontaine to go home. When Fontaine protested that he was just "goofing around", Gaye replied "you goof off exquisitely, thank you." [10] The laid-back atmosphere in the studio was brought on by constant smoking of marijuana by Gaye and other musicians. [10]
Jamerson was pulled into the session after Gaye located him playing with a band at a local bar. Respected Motown arranger and conductor David Van De Pitte said later to Ben Edmonds that Jamerson "always kept a bottle of [the Greek spirit] Metaxa in his bass case. He could really put that stuff away, and then sit down and still be able to play. His tolerance was incredible. It took a hell a lot to get him smashed." The night Jamerson entered the studio to record the bass lines to the song, Jamerson could not sit properly in his seat and, according to one of the members of the Funk Brothers, lay on the floor playing his bass riffs. [3] De Pitte recalled that it was a track that Jamerson greatly respected: "On 'What's Going On' though, he just read the [bass] part down like I wrote it. He loved it because I had written Jamerson licks for Jamerson." Annie Jamerson recalls that when he returned home that night, he declared that the song they had been working on was a "masterpiece", one of the few occasions where he had discussed his work so passionately with her. [12] Gaye also added his own instrumentation, playing piano and keyboards while also playing a box drum to help accentuate Chet Forest's drumming. [3]
To add more to the song's laid-back approach, Gaye invited the Detroit Lions players Mel Farr and Lem Barney to Motown Studio B and, along with Gaye and the Funk Brothers, added in vocal chatter, engaging in a mock conversation. Musician and songwriter Elgie Stover, who later served as a caterer for Bill Clinton and was then a Motown staffer and confidante of Gaye's, was the man who opened the song's track with the words, "hey, man, what's happening?" and "everything is everything". [13] Later Gaye brought Lem Barney and Mel Farr as well as Bobby Rogers of the Miracles to record the song's background vocal track. [14] The rhythm tracks and the song's overdubs were done at Hitsville, while strings, horns, lead and background vocals were recorded at Studio B. The song was mixed in stereo at Motown Center studio on Woodward Avenue. [3]
On hearing a playback of the song, Gaye asked his engineer Kenneth Sands to give him his two vocal leads to compare what he wanted to use for the song's release. Sands ended up mixing the leads together, by accident. However, when he heard it, Gaye was so impressed with the double-lead feel that he kept it, influencing his later recordings in which he mastered vocal multi-layering adding in three different vocal parts. Before presenting the song to Gordy, he produced a false fade to the song, bringing the song back for a few seconds after it was initially to have ended. The song was also notable for its use of major seventh and minor seventh chords, which was uncommon at the time. [9] Gaye recorded the song's B-side, "God Is Love", on the same day.
After Gordy heard the song when Gaye presented it to him in California, he turned down Gaye's request to release it, telling Gaye that he felt it was "the worst thing I ever heard in my life." [10] When Harry Balk requested the song be released, Gordy told him the song featured "that Dizzy Gillespie stuff in the middle, that scatting, it's old." [15] Gaye responded to this rejection by refusing to record further unless the song was released, going on strike until, he felt, Gordy saw sense in releasing it. [10]
Anxious for Marvin Gaye product, Balk got Motown's sales vice president Barney Ales to release the song on January 17, 1971, pressing 100,000 copies and promoting the single to radio stations across the country. The initial success of this led to a further 100,000 to answer demand, selling over 200,000 copies within a week. [3] Though it was issued without Gordy's knowledge, [16] he was satisfied with the high-volume sales. The song eventually became a huge success, reaching the top of the charts within a month in March of the year, staying at number one for five weeks on the Billboard R&B charts and one week at number one on the Cashbox pop chart. On the Billboard Hot 100, it reached number two, [16] behind both "Just My Imagination (Running Away with Me)" by the Temptations and "Joy to the World" by Three Dog Night. [17] Billboard ranked it as the No. 21 song for 1971. The song eventually sold more than two million copies, becoming the fastest-selling Motown single at the time. The song's success forced Gordy to allow Gaye to produce his own music, giving him an ultimatum to complete an album by the end of March, later resulting in the What's Going On album itself. [10]
The song was reviewed by Slant magazine as a song that presented a contradictory sound, with the song's mournful tone going in contrast to the party atmosphere of the vocal chatter. [18] In reviewing the What's Going On album, Rolling Stone critic Vince Aletti stated that while the song's lyrics were "hardly brilliant", the song itself helped to set the mood for the rest of the album, and that "without overreaching they capture a certain aching dissatisfaction that is part of the album's mood." [19] Record World called it "a tasteful message song that's sure to go across the board" and said that "mellow and rhythmic, [Gaye's] performance perfectly matches the brilliant production here." [20] Cash Box said "Marvin Gaye shows a new sound off in this fine release. Incorporating elements of jazz vocal and his old-fashioned smooth style, the artist is reborn." [21] Billboard said that "this easy beat rocker has it to put [Gaye] right up the Hot 100 and Soul charts." [22]
"What's Going On" was nominated for two Grammy Awards in 1972 including Best Male R&B Vocal Performance and Best Arrangement Accompanying Vocalist(s), but failed to win in any of the categories.
Although "What's Going On" does not appear in the 1983 film The Big Chill it is included on both the Original Motion Picture Soundtrack and More Songs from the Big Chill.
In 2004 and 2010, "What's Going On" was ranked number 4 on the Rolling Stone list of "The 500 Greatest Songs of All Time", making it the highest Marvin Gaye song on the list. [5] [6] It was ranked number 6 in Rolling Stone's 2021 edition of the list. [23] In 2016, it was voted number 2 in "Detroit's 100 Greatest Songs", [24] a project based on voting by music experts and the public, conducted by the Detroit Free Press .
In 1999, music writers Paul Gambaccini and Kevin Howlett listed the song number 74 on BBC Radio 2's Songs of the Century. [25] In 2003, Q magazine placed the song 64th out of its 1001 Best Songs Ever. In 2004, the Detroit publication Metro Times named it the "Greatest Detroit Song of All Time" out of 100 songs on the list. It also reached number 14 on VH1's 100 Greatest Rock Songs of All Time. In March 2012, New Musical Express named it the number 33 Greatest 1970s song on their list. [26]
The song topped Detroit's Metro Times list of the 100 Greatest Detroit Songs of All Time, [27] and in 2004, Rolling Stone magazine ranked it the fourth-greatest song of all time; in its updated 2011 list, the song remained at that position. [6] It is included in the Rock & Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list, along with two other songs by the singer. [28] It was also listed at number fourteen on VH-1's 100 Greatest Rock Songs. [29]
Production
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [40] Sales since November 18, 2004 | Gold | 400,000‡ |
‡ Sales+streaming figures based on certification alone. |
List | Publisher | Rank | Year of Publication |
---|---|---|---|
500 Greatest Songs of All Time | Rolling Stone | 4 | 2010 |
Detroit's 100 Greatest Songs [24] | Detroit Free Press | 2 | 2016 |
100 Greatest Rock Songs | VH1 | 14 | 2000 |
100 Songs That Changed the World | Q | 39 | 2003 |
1001 Best Songs Ever | Q | 64 | 2003 |
500 Songs That Shaped Rock | Rock & Roll Hall of Fame | N/A | 1995 |
365 Songs of the Century | RIAA | 65 | 2001 |
"What's Going On" | ||||
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Single by Cyndi Lauper | ||||
from the album True Colors | ||||
B-side | "One Track Mind" | |||
Released | March 2, 1987 [41] | |||
Recorded | 1986 | |||
Genre | Synth-pop [42] | |||
Length | 4:41 | |||
Label | Epic | |||
Songwriter(s) | ||||
Producer(s) |
| |||
Cyndi Lauper singles chronology | ||||
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Cyndi Lauper covered "What's Going On" on her second album, True Colors , in 1986. In March 1987, it was released as the third single from the album. On the album version, the song starts off with a series of gunshots in reference to the Vietnam War while the single release is a remix with an alternate vocal used in the intro. It is the single version that most often appears on Lauper compilations. Lauper's cover was a hit worldwide. Thanks to club remixes by Shep Pettibone, the song reached number 17 on the U.S. dance chart. However, the song failed to reach the US top ten unlike Lauper's previous two singles from her True Colors album, the title track and "Change of Heart", reaching number 12. The video for the song, directed by Andy Morahan, [43] was nominated for an MTV Video Music Award.
The pan-European magazine Music & Media named Cyndi's cover of "What's Going On" one of its "records of the week" in its issue dated March 14, 1987 and noted that Cyndi was in "better vocal form" than on her previous single "Change of Heart". [44]
Chart (1987) | Peak position |
---|---|
Australia (Kent Music Report) [45] | 52 |
Belgium (Ultratop 50 Flanders) [46] | 27 |
Canadian Singles Chart ( RPM ) | 30 |
Chilean Singles Chart [47] | 19 |
Netherlands (Single Top 100) [48] | 39 |
Netherlands (Dutch Top 40) [49] | 30 |
New Zealand RIANZ Singles Chart [50] | 30 |
UK Singles (OCC) | 57 |
US (Billboard Hot 100) | 12 |
US Billboard Adult Contemporary [51] | 29 |
US Billboard Hot Dance Music Maxi Single Sales [52] | 7 |
US Billboard (Dance Club Songs) | 17 |
U.S. Cash Box Top 100 Singles | 15 |
"What's Going On" | |
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Single by Live Aid Armenia | |
A-side | "What's Going On" |
B-side | "A Cool Wind Is Blowing" |
Released | 1989 |
Recorded | 1989 |
Genre | Pop |
Length | 8:48 |
Label | Epic |
Songwriter(s) | Al Cleveland, Renaldo Benson, Marvin Gaye |
Producer(s) | Steve Levine (producer) Fraser Kennedy and Jon Dee (executive producers) |
The remake of "What's Going On" was the first of the Rock Aid Armenia releases in aid of those suffering from the 1988 Armenian earthquake. The version credited to Live Aid Armenia featured Aswad, Errol Brown, Richard Darbyshire, Gail Ann Dorsey, Boy George, David Gilmour, Nick Heyward, Mykaell S. Riley, Labi Siffre, Helen Terry, Ruby Turner, Elizabeth Westwood and the Reggae Philharmonic Orchestra. The B-side was "A Cool Wind Is Blowing", Armenian duduk music played by Djivan Gasparyan. The record was produced by Steve Levine and the executive producers were Fraser Kennedy and Jon Dee. This was released as a single on Island Records.
7" Single
12" Single
"What's Going On" | |
---|---|
Single by Music Relief '94 | |
Released | October 24, 1994 [53] |
Genre | Soul |
Length | 3:52 |
Label | Jive |
Songwriter(s) | |
Producer(s) |
|
In 1994, the song was covered in the Music Relief '94. This cover was released as a benefit single released in memory of the Rwandan genocide. The singers who participated in the project were C. J. Lewis, Roachford, Yazz, Aswad, Edwin Starr, Peter Cunnah of D Ream, Kim Appleby, Mick Jones of BAD, Rozalla, Tony Di Bart, Paul Young, Paul Carrack, Angie Brown of Ramona 55, Jimmy Ruffin, Omar, Apache Indian, Worlds Apart, Kaos, the Pasadenas, Gus Isidore, Jools Holland, Mark King of Level 42, Nik Kershaw, Larry Adler, and Dannii Minogue. [54]
Chart (1994–1995) | Peak position |
---|---|
Germany (GfK) [55] | 72 |
UK Singles (OCC) [56] | 70 |
"What's Going On" | |
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Single by Artists Against AIDS Worldwide | |
Released | October 30, 2001 |
Studio | Battery (New York City) |
Length | 4:19 (original mix) |
Label | Play-Tone, Columbia |
Songwriter(s) | Al Cleveland, Renaldo Benson, Marvin Gaye |
Producer(s) | Jermaine Dupri, Bono, the Neptunes, Moby |
Licensed audio | |
"What's Going On Feat. Chuck D (Dupri Original Mix)" on YouTube |
On October 30, 2001, a group of popular recording artists under the name "Artists Against AIDS Worldwide" released a single containing multiple versions of "What's Going On" to benefit AIDS programs in Africa and other impoverished regions. [57] The single contains "What's Going On" along with eight additional remixes. The song was recorded shortly before the September 11, 2001 attacks, and it was decided afterwards that a portion of the song's proceeds would benefit the American Red Cross' September 11 fund as well.
Jermaine Dupri and Bono produced the radio single version, whose performers included Destiny's Child, Backstreet Boys, Britney Spears, Christina Aguilera, NSYNC, Darren Hayes of Savage Garden, Jennifer Lopez, Ja Rule, Nas, Lil' Kim, Sean Combs, Mary J Blige, Alicia Keys, Eve, Gwen Stefani, Nelly Furtado, Fred Durst of Limp Bizkit, Aaron Lewis of Staind, Michael Stipe of R.E.M., Wyclef Jean and Gaye's own daughter Nona, among other artists.
The collaboration was a success worldwide, peaking within the top 10 on the charts of Denmark, Ireland, and the United Kingdom and the top 20 on the charts of Flanders, Ireland, New Zealand, Sweden and Switzerland. In New Zealand, it went Gold for selling over 5,000 units. On the US Billboard Hot 100, the cover peaked at number 27, and it additionally reached number 24 on both the Billboard Mainstream Top 40 and Rhythmic charts. A music video was directed by Jake Scott.
US maxi-CD single [58]
UK CD single [59]
UK cassette single [60]
European CD single [61]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
New Zealand (RMNZ) [87] | Gold | 5,000* |
* Sales figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United States | October 30, 2001 | CD |
| [57] |
United Kingdom | November 5, 2001 |
| Columbia | [88] |
What's Going On is the eleventh studio album by the American soul singer Marvin Gaye. It was released on May 21, 1971, by the Motown Records subsidiary label Tamla. Recorded between 1970 and 1971 in sessions at Hitsville U.S.A., Golden World, United Sound Studios in Detroit, and at The Sound Factory in West Hollywood, California, it was Gaye's first album to credit him as producer and to credit Motown's in-house session musicians, known as the Funk Brothers.
"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the Billboard R&B Singles chart and number two on the Billboard Pop Singles chart and shortly became the biggest selling Motown single up to that time.
Let's Get It On is the thirteenth studio album by the American soul singer, songwriter, and producer Marvin Gaye. It was released on August 28, 1973, by the Motown subsidiary label Tamla Records on LP.
"Let's Get It On" is a song by soul musician Marvin Gaye, released June 15, 1973, on Motown-subsidiary label Tamla Records. The song was recorded at Hitsville West in Los Angeles, California. The song features romantic and sexual lyricism and funk instrumentation by The Funk Brothers. The title track of Gaye's album of the same name, it was written by Marvin Gaye and producer Ed Townsend. "Let's Get It On" became Gaye's most successful single for Motown and one of his most well-known songs. With the help of the song's sexually explicit content, "Let's Get It On" helped give Gaye a reputation as a sex symbol during its initial popularity. "Let's Get It On" is written and composed in the key of E-flat major and is set in time signature of common time with a tempo of 82 beats per minute.
"Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the Billboard Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance.
"Mercy Mercy Me (The Ecology)" is the second single from American singer-songwriter Marvin Gaye's 1971 album, What's Going On. Following the breakthrough of the title track's success, the song, written solely by Gaye, became regarded as one of popular music's most poignant anthems of sorrow regarding the environment. Led by Gaye playing piano, strings conducted by Paul Riser and David Van De Pitte, multi-tracking vocals from Gaye and the Andantes, multiple background instruments provided by the Funk Brothers and a leading sax solo by Wild Bill Moore, the song rose to number 4 on Billboard's Pop Singles chart and number one for two weeks on the R&B Singles charts on August 14 through to August 27, 1971. The distinctive percussive sound heard on the track was a wood block struck by a rubber mallet, drenched in studio reverb. The song also brought Gaye one of his rare appearances on the Adult Contemporary chart, where it peaked at number 34. In Canada, "Mercy Mercy Me" spent two weeks at number 9.
"I Want You" is a song written by Leon Ware and Arthur "T-Boy" Ross and performed by American singer and songwriter Marvin Gaye. It was released as a single in 1976 on his fourteenth studio album of the same name (1976) on his Tamla label. The song introduced a change in musical styles for Gaye, who before then had been recording songs with a funk edge. "I Want You", among other similar songs, gave him a disco audience. Ware, who produced the song alongside Gaye, also was attributed with the single's success.
"Your Precious Love" is a popular song that was a 1967 hit for Motown singers Marvin Gaye and Tammi Terrell. The song was written by Nickolas Ashford and Valerie Simpson, and produced by Harvey Fuqua and Johnny Bristol. The doo-wop styled recording features background vocals by Fuqua, Gaye, Terrell and Bristol, and instrumentals by the Funk Brothers with the Detroit Symphony Orchestra. The song peaked at No. 5 on the Billboard Pop singles chart, No. 2 on Billboard's R&B singles chart, and the top 40 on Billboard's Easy Listening survey. The song was later sampled by Gerald Levert in the song "Your Smile" on his 2002 album, The G Spot.
"Distant Lover" is the sixth song issued on singer Marvin Gaye's 1973 album, Let's Get It On and the B-side of the second single from that album, "Come Get to This". A live recording was issued as a single in 1974. The live version of the song was Gaye's most successful single during the three-year gap between Let's Get It On and his following 1976 album, I Want You.
"Time After Time" is a song by American singer Cyndi Lauper from her debut studio album, She's So Unusual (1983). It was released as the album's second single in March 1984, by Epic and Portrait Records. Written by Lauper and Rob Hyman, who also provided backing vocals, the song was produced by Rick Chertoff. It was written in the album's final stages, after "Girls Just Want to Have Fun", "She Bop" and "All Through the Night" had been written or recorded. The writing began with the title, which Lauper had seen in TV Guide, referring to the 1979 film Time After Time.
"Please Mr. Postman" is a song written by Georgia Dobbins, William Garrett, Freddie Gorman, Brian Holland and Robert Bateman. It is the debut single by the Marvelettes for the Tamla (Motown) label, notable as the first Motown song to reach the number-one position on the Billboard Hot 100 singles chart. The single achieved this position in late 1961; it hit number one on the R&B chart as well. "Please Mr. Postman" became a number-one hit again in early 1975 when The Carpenters' cover of the song reached the top position of the Billboard Hot 100. "Please Mr. Postman" has been covered several times, including by the British rock group the Beatles in 1963. The 2017 song "Feel It Still" by Portugal. The Man draws on "Please Mr. Postman" and includes a credit for Brian Holland.
Diana & Marvin is a duets album by American soul musicians Diana Ross and Marvin Gaye, released October 26, 1973 on Motown. Recording sessions for the album took place between 1971 and 1973 at Motown Recording Studios in Hollywood, California. Gaye and Ross were widely recognized at the time as two of the top pop music performers.
"Shop Around" is a song originally recorded by the Miracles on Motown Records' Tamla subsidiary label. It was written by Miracles lead singer Smokey Robinson and Motown Records founder Berry Gordy. It became a smash hit in 1960 when originally recorded by the Miracles, reaching number one on the Billboard R&B chart, number one on the Cashbox Top 100 Pop Chart, and number two on the Billboard Hot 100 chart. It was the Miracles' first million-selling hit record, and the first-million-selling hit for the Motown Record Corporation.
In the Groove is the eighth studio album by American soul musician Marvin Gaye, released on August 26, 1968, on the Motown-subsidiary label Tamla Records. It was the first solo studio album Gaye released in two years, in which during that interim, the singer had emerged as a successful duet partner with female R&B singers such as Kim Weston and Tammi Terrell. In the Groove was reissued and retitled as I Heard It Through the Grapevine after the unexpected success of Gaye's recording of the same name, which had been released as a single from the original album.
"For Once in My Life" is a song written by Ron Miller and Orlando Murden for Motown Records' Stein & Van Stock publishing company, and first recorded in 1965.
"Beechwood 4-5789" is a song written by Marvin Gaye, William "Mickey" Stevenson and George Gordy. It was a 1962 hit single for the Motown girl group the Marvelettes on Motown's Tamla subsidiary record label. The song became a hit again when it was covered by the pop duo the Carpenters in 1982.
"The Bells" is a 1970 single recorded by The Originals for Motown's Soul label, produced by Marvin Gaye and co-written by Gaye, his wife Anna Gordy Gaye, Iris Gordy, and Elgie Stover.
"Pops, We Love You " is a 1978 single recorded and released by Motown stars Diana Ross, Marvin Gaye, Smokey Robinson and Stevie Wonder, as a tribute to Berry "Pops" Gordy Sr., who had died that year from cancer.
"How Sweet It Is (To Be Loved by You)" is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!"
You're the Man is the fourth posthumous studio album by American singer Marvin Gaye, originally intended to be released in 1972 as the follow-up to What's Going On. It was released on March 29, 2019, through Motown, Universal Music Enterprises, and Universal Music Group to celebrate what would have been Gaye's 80th birthday on April 2, 2019. The album includes the single of the same name, as well as the intended original album in full and other songs Gaye recorded at the time.
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