Buhaina's Delight | ||||
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Studio album by Art Blakey and the Jazz Messengers | ||||
Released | Early July 1963 [1] | |||
Recorded | November 28 & December 18, 1961 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 40:09 | |||
Label | Blue Note Records BST 84104 | |||
Producer | Alfred Lion | |||
Art Blakey chronology | ||||
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The Jazz Messengers chronology | ||||
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Review scores | |
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Source | Rating |
Down Beat | [2] |
Allmusic | [3] |
The Rolling Stone Jazz Record Guide | [4] |
The Penguin Guide to Jazz Recordings | [5] |
Buhaina's Delight is a jazz album released by Art Blakey and the Jazz Messengers in 1963. [6] Produced by Alfred Lion, the album was recorded in two sessions on November 28, 1961 and December 18, 1961 at Van Gelder Studio in Englewood Cliffs, New Jersey. [7] The album was released by Blue Note Records in July 1963 after Blakey had moved to Riverside Records in late 1962. [8]
"Buhaina" is a reference to the Muslim name, Abdullah ibn Buhaina, Blakey received upon conversion to Islam in 1948 while traveling in West Africa. Although he stopped practicing Islam in the 1950s, Blakey continued to use the name, which became titular on two albums.
Arthur Blakey was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s.
A Night in Tunisia is a studio album by Art Blakey and the Jazz Messengers, released in May 1961 through Blue Note Records. It was recorded in August 1960 at Van Gelder Studio in Englewood Cliffs, New Jersey.
The Freedom Rider is an album by jazz drummer Art Blakey and his group the Jazz Messengers, recorded in 1961 and released in 1964 by Blue Note Records. Continuing Blakey's distinct brand of hard bop, this album features compositions from Wayne Shorter, Lee Morgan, Blakey himself, and Kenny Dorham, a former Jazz Messenger. This was the final album by this particular edition of the Jazz Messengers, who had been together for 18 months, as Lee Morgan left after this album and was replaced by Freddie Hubbard.
Free for All is a jazz album by Art Blakey & the Jazz Messengers released on Blue Note. Recorded in February 1964, it was released the following year. It was originally titled Free Fall.
Indestructible is a jazz album by drummer Art Blakey and his Jazz Messengers. It was recorded in 1964 but not released until 1966, and was Blakey's last recording for Blue Note. The bonus track featured on the CD reissue was originally issued on Pisces.
Orgy in Rhythm, Volumes One & Two are a pair of separate but related albums by American jazz drummer Art Blakey, recorded on March 7, 1957 and released on Blue Note later that same year in May and October respectively.
Roll Call is an album by jazz tenor saxophonist Hank Mobley. It features trumpeter Freddie Hubbard, pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey.
The African Beat is a jazz album by Art Blakey and the Afro-Drum Ensemble recorded for Blue Note on January 24, 1962 and released later that year.
Roots & Herbs is a jazz album by Art Blakey & the Jazz Messengers, recorded in 1961 at the same sessions which produced The Freedom Rider, but not released on the Blue Note label until 1970. The CD reissue features three alternate takes, two of which originally released in 1979 on Pisces.
Caravan is a jazz album released by Art Blakey and the Jazz Messengers in February 1963. It was Blakey's first album for Riverside Records after he signed with them in October 1962. The songs were recorded at the Plaza Sound Studio in New York City, on October 23–24, 1962 The producer was Orrin Keepnews who also supervised the album's remastered re-release on CD.
Mosaic is a studio album by Art Blakey & the Jazz Messengers recorded for Blue Note on October 2, 1961 and released the following year. The sextet features horn section Wayne Shorter, Freddie Hubbard and Curtis Fuller and rhythm section Cedar Walton, Jymie Merritt and Art Blakey.
Art Blakey and the Jazz Messengers is a studio album by Art Blakey and the Jazz Messengers, released on September 1, 1961, through Impulse! Records. Expanding to a sextet for the first time, it was the group's final recording with Bobby Timmons, who would be replaced by Cedar Walton.
Like Someone in Love is an album by Art Blakey and The Jazz Messengers. It was recorded in August 1960, at the same sessions which produced A Night in Tunisia, but was released on Blue Note only in August 1967. It features performances by Blakey with Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt.
A Jazz Message is a jazz album recorded by Art Blakey's Quartet in 1964. The album was Blakey's second and last album for the Impulse! label.
Kyoto is an album by Art Blakey's Jazz Messengers, recorded in 1964 and released on the Riverside label.
'S Make It is a recording by the hard bop Art Blakey jazz ensemble. It was recorded in Los Angeles in 1964 and issued on the Limelight label. Following the departure of stars from his 1961 to 1964 band, Freddie Hubbard, Wayne Shorter and Cedar Walton, it includes previous Blakey alumni and newer players. This was trombonist Curtis Fuller's last recording as a regular member of the group, though he would return to record sporadically with Blakey in the 1970s and 80s. The album was re-released on Verve in 2004.
Buhaina is an album by drummer Art Blakey and The Jazz Messengers recorded in 1973 and released on the Prestige label. The name comes from the name Blakey took for himself after conversion to Islam.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
The Art of Jazz: Live in Leverkusen is a live album by Art Blakey's Jazz Messengers at the Leverkusen Jazz Festival in Germany on October 9, 1989. To commemorate Blakey's 70th birthday, the concert featured many special guests—most of whom were former Messengers. Singer Michelle Hendricks sang a song – "Mr. Blakey"—composed for the occasion by founding Messenger Horace Silver.
A Midnight Session with the Jazz Messengers is a live album by Art Blakey & the Jazz Messengers originally released on the Elektra label in 1957. The album masters were sold to Savoy and re-released as Art Blakey and the Jazz Messengers in 1960 and Mirage in 1977.