Kill Bill (SZA song)

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"Kill Bill"
"Kill Bill" is polyrhythmic, with a midtempo, groovy production that employs boom bap–influenced drum machines, guitars, and a bassline from an electric guitar tuned down an octave. Flute-like sounds from a Prophet-6 synthesizer give it its detuned melody.
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"Kill Bill" incorporates prominent, basic eighth notes [16] and is built around a midtempo, groovy rhythm [5] [17] [18] and a detuned melody. [19] [20] The song has a retro, late 1990s–early 2000s sound, influenced by a subgenre of hip hop music called boom bap. [21] Music journalists have described the song as a blend of pop, R&B, [19] [22] and hip hop; [23] some observed elements of associated genres like psychedelic pop, pop-soul, [24] and doo-wop. [25] [26] Will Dukes of Rolling Stone wrote the "eerie chords [exuded] modish late-Sixties cool". [27]

"Kill Bill" was produced by Rob Bisel and Carter Lang, who wrote the song with SZA. [28] Its creation, by SZA's account, was "super easy", and she deemed it a "one take, one night" type of song. [note 1] While work on SOS had begun by 2019, "Kill Bill" was recorded in 2022 alongside a significant number of other tracks due to bursts of productivity from time pressure. Lang commented, "that's when [we] started feeling like, hey, 'We gotta do this shit like, it's been some years.' We bottled up that energy and everything was just sort of a preparation for that moment." [28]

Production began around May 2022 when Bisel, in his Los Angeles home's Ponzu Studios, played some chords on his Prophet-6 synthesizer. With it, he used Ableton to sample the synthesizer's flute-like sound. After adding a bassline from an electric guitar tuned down an octave, Bisel was unsure where he wanted the song to go, so he sent the Ableton clip to Lang for assistance. [21] [28] Lang's first approach to the beat consisted of a singular rhythm, which was an electronic fusion of bouncy bass drums, Roland TR-808 snares, and 16th-note hi-hat beats. [30] Settling on a polyrhythmic production with a swing style, he took more beats from a separate, vintage drum machine and made them twice as slow as the first approach, and he added more guitars and bass on top. [21] [31] The two also incorporated a choir and backing vocals into the song. Most of the final version's instruments were recorded at Lang's home studio in Chicago. [21]

Bisel asked Punch, president of SZA's label Top Dawg Entertainment, if he could mix "Kill Bill" on his own, to which Punch agreed. To Bisel, if anyone else took the task, the sonic vision he conjured for the song would get diluted: "I really wanted to see it through all the way to the end." His mentality for the sessions, which consisted of 120 tracks, was mixing the song "as if [he] had never heard the song before", a departure from his usual approach. Since reinforcing the song's boom bap influences was his primary goal, part of the task was making the drums from the rough recordings louder. [21]

"Kill Bill", which was under the working title "Igloo", had five or six different demos from which Bisel and Lang had to pick for SZA. [21] When she listened to the demos one night in July 2022, [32] she immediately gravitated towards the boom bap beat, which Bisel and Lang happened to like the most. [21] About a week later, [21] on July 13, [33] SZA was alone with Bisel in the studio for recording sessions, [28] asking him to loop the beat in the background. [21] He left her alone in a corner to give her space to ideate. It took five to ten minutes for SZA to come up with the hook's melody and lyrics, which she wrote on her phone. [21] [32] Humming the melodies, she turned to Bisel to say about the lyrics, "I have an idea. This might be a little too crazy, but let me know what you think." [28] Within one day, the entire song was finished—SZA needed only one or two takes to record the vocals. [30] [32]

Lyrics

SZA told Glamour in 2022 that many tracks in SOS centered around themes of revenge, heartbreak, and "being pissed": "I've never raged the way that I should have. This is my villain era, and I'm very comfortable with that. It is in the way I say no [...] It's in the fucked up things that I don't apologize for." [34] The premise of "Kill Bill" is heavily based on the Kill Bill films, a reimagining of Thurman's tale of revenge. Shaad D'Souza of The Guardian wrote that unlike the films, however, the song "provides no real emotional payoff; its narrative is a cry of pure fatalism, with no return for its narrator other than a split-second of bloodlust". [26]

"Kill Bill" was written during one of what SZA called "palate cleanser" moments, sessions where she would quickly write full songs in between ones she took more seriously and wanted to meticulously finish. [35] With "Kill Bill", she wrote all of the lyrics on-the-spot in under an hour. [32] What resulted was a song about a protagonist who goes on a quest to avenge her broken heart by murdering her ex-boyfriend for quickly moving on from their relationship. [15] [17] The violent lyrics are juxtaposed by SZA's soft, croon-like vocals, suggesting wholesomeness. [36] Due to the violence, some radio stations played a censored version of "Kill Bill" with the word "kill" replaced by the sound of a slashing blade. [37]

In the first verse, the protagonist acts analogously to Bill, resentful about the new girlfriend that her ex-boyfriend has met: "Hate to see you with some other broad, know you happy / Hate to see you happy if I'm not the one drivin'." [15] Restraining her murderous urges, she tries to look at the situation from a rational perspective. [17] In a Slant Magazine review, Paul Attard writes that SZA explores how intense love and intense anger towards somebody can often coexist with one another. In spite of her fury, her love for her ex-boyfriend persists. [10] She tries to navigate her issues through consultations with a therapist, making her dryly say she is mature and mockingly congratulate herself for it. [17] [38] [39]

Her therapist has advised her to seek other men, but she loves her ex-boyfriend to such a degree that she would rather still be with him than with anyone else. According to her, if she cannot have him back, then "no one should". [20] [40] What follows is the hook, in which she openly fantasizes about killing him and his new girlfriend. She acknowledges, self-aware, that her intrusive thoughts are unhealthy and wonders "how'd I get here?" [41] [42] Some critics argued that SZA amplifies the hook's unsettling nature and criminal themes using melodies evocative of lullabies. [5] [42] [43] For Philippine Daily Inquirer journalist Carl Martin Agustin, the hook conjures the imagery of "the bride preparing her mark for his eternal slumber". [16] Thurman's character manifests itself within SZA in the hook, moving the perspective away from Bill's. Despite hesitations, she begins her plans for revenge. SZA ends the hook with the line "Rather be in jail than alone." [15]

The song's next lyrics narrate how she carefully peruses past messages with her ex-boyfriend that might implicate her in the murder. [17] The final hook contains several line changes [15] that mark the culmination of the violent ideations that manifested in the first hook. SZA enacts the double homicide, solidifying the song's nature as a murder ballad. [44] Reasoning with herself, she claims what she did to her ex-boyfriend was an act of love [27] and is not something that she regrets doing. [20] Music journalists from Triple J [45] and Pitchfork found this humorous; Pitchfork's Julianne Escobedo Shepherd wrote: "It's so funny to imagine killing someone and his new girl and then have a fleeting second thought about it. Like, 'Maybe I shouldn't have done that. Oh well!'" [44]

The last lyric of the final hook, and the last lyric of the song, contrasts with the first hook. "I might kill my ex, not the best idea / His new girlfriend's next," becomes "I just killed my ex, not the best idea / Killed his girlfriend next." [15] This final lyric shows her admission she would pick damnation in hell over his absence from her life. The "Rather be in jail than alone" from the previous hooks becomes "Rather be in hell than alone." [15] [46] Some critics wrote that the last line unveiled the song's underlying tones of loneliness and turned "Kill Bill" into a tragedy. [44] [47] In Nylon , Steffanee Wang thought it "will make you wonder how SZA can generate such devastation from such simplicity". [48]

Release

Original

From April to May 2022, SZA told media outlets that she had recently finished the album in Hawaii and said it was coming soon. [49] During a Billboard cover story published in November, SZA revealed the album title and release date, which was scheduled sometime next month. [50] On December 5, 2022, she posted the album's track list on Twitter, and SOS was released four days later. Out of 23 songs, "Kill Bill" appears as the second track; [51] [52] following its success on streaming platforms, RCA Records chose it as the next radio single from the album. [53]

RCA and Top Dawg sent the song to US pop, [54] [55] rhythmic, [56] and urban radio [57] on January 10, 2023, as the fifth single from SOS. [58] [note 2] Originally, only "Nobody Gets Me" (2023) was scheduled to impact pop radio on January 10. However, RCA and various radio programmers eventually decided to promote the two songs simultaneously despite the intricacies of planning dual singles, citing the large streaming numbers that "Kill Bill" gained in December and the radio-friendly appeal of the lyrics and production. [37] "Kill Bill" became one of the week's most-added songs on pop and rhythmic formats, [60] with 2,257 plays from 129 pop radio stations. [37] Top Dawg and RCA pushed it to R&B radio stations three weeks later. [61]

On January 13, 2023, Top Dawg and RCA released a four-track bundle of the song to digital download and streaming platforms. [62] Apart from the original version of "Kill Bill", the release contains a sped-up version, an instrumental version, and an a cappella version. [63] An acoustic version of the song, with a different cover art, was released on January 24. [64] The sped-up version capitalizes and is based on a viral trend on TikTok where users would increase the pitch and tempo of certain songs and post them on the application. One user shared a sped-up audio of "Kill Bill" upon the release of SOS, and it was viewed over 21.7 million times, liked over 1.9 million times, and reposted in over 1.1 million videos, [65] [60] boosting streams for the song. [66]

Remix

Doja Cat featured on the official remix for "Kill Bill", their second collaboration after "Kiss Me More". Doja Cat Planet Her Day Party 1 (cropped).jpg
Doja Cat featured on the official remix for "Kill Bill", their second collaboration after "Kiss Me More".

In 2021, SZA collaborated with American rapper Doja Cat for the song "Kiss Me More", [67] serving as the lead single from the latter's third studio album, Planet Her (2021). [68] Their next collaboration was set to be "Shirt", SOS's third single. [69] Three months after SZA teased "Shirt" was a collaboration, Punch told Complex that Doja Cat was to feature not on the song's original version, but on a remix instead. [70] Because of an emergency vocal surgery that Doja Cat underwent, the remix's release did not happen. SZA reacted in disappointment, and she hoped that she can work with her again on other projects. [71]

On April 14, 2023, Doja Cat hinted at another collaboration with SZA on Instagram, tagging her on a post that read "9 pm." On Twitter, the two had a public, back-and-forth interaction. Doja Cat told SZA "sis... I did something bad", to which SZA responded "Jesus.. What is it." [72] A remix of "Kill Bill", featuring Doja Cat, was surprise-released hours later at 9 pm, [73] [74] with a rap verse that opens the song and continues the storyline of the original version. [75] With the release came an animated video posted to YouTube that shows a pixelated Doja Cat as she uses a ball and chain to fight enemies. [76]

Commercial performance

"Kill Bill" saw massive commercial success, buoyed strongly by its streaming numbers. [30] [77] According to the International Federation of the Phonographic Industry, it was the third best-selling single of 2023, earning 1.84 billion units based on streams and digital sales, [78] and it was Spotify's second most-streamed song of 2023. [79] It spent two weeks atop the Billboard Global 200 chart, which tracks songs' performance on streaming and download platforms, [80] and four weeks atop US Streaming Songs. [81] It was SZA's first song to top the Billboard Global 200, and it did so in early January 2023, bolstered by around 64 million international streams. [82] [83] The week prior, it debuted atop Streaming Songs with 36.9 million US streams for the December 24, 2022, issue. It was her first number-one there and the first non-holiday song since 2018 to be the top entry on the chart for the week of Christmas. [84]

With "Kill Bill" and "Nobody Gets Me", SZA acquired her sixth and seventh top 10 songs in the United States. [85] Meanwhile, in Canada, "Kill Bill" debuted at number 5 and later peaked at number 3. [86] [87] SZA achieved her highest debut on the US Billboard Hot 100 when the song entered the chart as an album track in December 2022, at number three. [88] Once it was sent to radio, "Kill Bill" became SZA's first top 10 entry on the Radio Songs chart, [89] where it reached number two. [90] It was her third and fastest song to top Rhythmic Airplay, the first radio chart "Kill Bill" topped, [91] and her first in a lead credit to top Pop Airplay. [92]

The song spent 17 of its first 18 weeks on the Billboard Hot 100 in the top 10. Of those 18 weeks, 8 were spent at number two. [93] Three songs kept "Kill Bill" from the top spot: "Anti-Hero" (2022) by Taylor Swift, [94] "Flowers" (2023) by Miley Cyrus, and "Last Night" (2023) by Morgan Wallen. [26] After 8 weeks at number two, "Kill Bill" topped the Billboard Hot 100, becoming SZA's first number-one in the United States, boosted by the remix. It tied with three other songs for the second-most weeks at number two before reaching the top, behind "Bad Guy" (2019) by Billie Eilish (9 weeks). [90] On US Hot R&B/Hip-Hop Songs, "Kill Bill" was SZA's second number-one debut, after "I Hate U" in 2021, [95] and was at number one for 21 weeks. It broke the record for the longest time a song spent atop the chart, surpassing Lil Nas X's "Old Town Road" (2019). [96] "Kill Bill" ended 2023 as the third best-performing song in the US, [97] and it has been certified quintiple platinum by the Recording Industry Association of America for selling 5,000,000 units. [98]

The song peaked within the top 5 of the Middle East and North Africa (MENA) region, and it had more several top 5 peaks in the Asia-Pacific. "Kill Bill" spent multiple weeks at number one in New Zealand [99] and Singapore, [100] [101] and it was the highest-charting international song in Malaysia for over a week. [102] [103] It also went number one in Indonesia and the Philippines, [104] and it reached number 4 and number 3 in Vietnam and the MENA's regional chart, respectively. [105] [106] "Kill Bill" was SZA's first chart-topping song in Australia, [107] where it was certified six times platinum for selling over 420,000 units, [108] and was the country's third-biggest song of 2023. [109] It received a platinum certification in New Zealand for selling over 30,000 units. [110]

On the UK Singles Chart, "Kill Bill" debuted within the top 15 in mid–December 2022. [111] It rose to the top 10, SZA's first solo song to do so, in early 2023, once Christmas songs had left the chart. [53] [112] Peaking at number 3, "Kill Bill" tied "Kiss Me More" as her highest-charting song in the UK; [53] [113] ended the year with over 100 million streams [114] and 1,069,727 total sales; [115] and was the country's seventh best-performing song. [116] Elsewhere in Europe, it reached the top 20 in Ireland, the Nordic countries, Lithuania, Portugal, Slovakia, Switzerland, Hungary, the Netherlands, Germany, and Austria. [note 3]

Critical reception

Reviews

"Kill Bill" was highly lauded by music critics. Many of them called "Kill Bill" a highlight of SOS, [note 4] and Sophie Williams of NME attributed the choice to its vivid, detail-heavy storytelling. [119] Compliments toward the lyrics revolved around its cinematic narrative, [23] [120] [121] poetic quality, and raw honesty. [10] [122] Some praised it for demonstrating SZA's lyrical versatility, capable of not only relishing in sadness but also expressing anger. [122] [123] Meanwhile, Vulture 's Zoe Guy, Pitchfork's Jill Mapes, and Rolling Stone's Mankaprr Conteh lauded "Kill Bill" as an exemplar of how to blend pop-culture references with internal struggles and candid self-reflection to create a lyrically memorable song. [41] [124] [125] Other critics pointed towards the lyrics' melodrama and relatability despite the extreme violence, [3] [122] [126] and Billboard writers cited these qualities as the reason for the song's critical and commercial success: "people just love violence, and seem to have a weird fascination with 'crazy in love' relationship dynamics." [66]

Some critics praised "Kill Bill" for its novel approach to revenge songs, [122] such as Giselle Au-Nhien Nguyen of The Sydney Morning Herald , who wrote that SZA provided a refreshing and "intoxicating" take to very common tropes associated with murder ballads. [38] Referencing the break-up songs that blocked the song from number one, "Flowers" and "Last Night", D'Souza argued that "Kill Bill" was a standout among its commercially successful contemporaries that, in his view, had more boilerplate and "easily digestible" lyrics about heartbreak. He continued that "SZA's success feels like a win for a kind of pop music that's in short supply right now." [26]

Music journalists commended the song for its catchiness. [127] [128] [129] Lyndsey Havens for Billboard said that "Kill Bill" was good for singalongs, [97] and in The Atlantic , Spencer Kornhaber wrote: "As if her evil genius was in doubt, [it] will have millions of people doing their holiday shopping with a serial-killer confession stuck in their head." [130] Other critics praised her vocals, writing that its softness elevated the song's vulnerability and intimacy, [17] [42] and its production, with two describing its melody as smooth as water. [131] [132]

Rankings

The original version appeared in best-of-2023 song listicles published on USA Today (unranked) [23] and Pitchfork (6), [122] and it was placed at number one by Heran Mamo on Billboard's. [133] Year-end rankings that featured the remix included ones published by Rolling Stone (16) [125] and BBC News (6). [134]

"Kill Bill" placed at number 267 at the February 2024 iteration of Rolling Stone's 500 Greatest Songs of All Time list, which wrote that it was "the epitome of what makes [SZA] one of this generation's greatest songwriters". [135] Billboard ranked the song as the 222nd best pop song of all time in October 2023, [136] as well as the 4th best breakup song of all time in February 2024. [137] On their 2023 listicle, the magazine wrote that "Kill Bill" marked SZA's "official crossover from subversive R&B tastemaker to bona fide pop star". [136]

Accolades

"Kill Bill"
SZA - Kill Bill.png
Single by SZA
from the album SOS
WrittenMay 2022 (2022-05)–July 13, 2022 (2022-07-13)
ReleasedJanuary 10, 2023 (2023-01-10)
RecordedJuly 13, 2022 (2022-07-13)
Studio
  • Ponzu (Los Angeles)
  • Carter Lang's home studio (Chicago)
Genre
Length2:35
Label
Songwriter(s)
Producer(s)
SZA singles chronology
"Nobody Gets Me"
(2023)		"Kill Bill"
(2023)		"Special" (remix)
(2023)
Music video
"Kill Bill" on YouTube
List of awards and nominations received by "Kill Bill"
YearAwardCategoryResultRef.
2023 BET Awards Video of the Year Won [138]
Viewer's Choice Award Nominated
2023 MTV Video Music Awards Video of the Year Nominated [139]
Song of the Year Nominated
Best Direction Nominated
Best Editing Nominated
Song of Summer Nominated [140]
2023 MTV Europe Music Awards Best Song Nominated [141]
Best Video Nominated
2023 UK Music Video Awards Best R&B/Soul Video – InternationalNominated [142] [143]
2023 Billboard Music Awards Top Hot 100 Song Nominated [144]
Top Streaming Song Nominated
Top Billboard Global 200 SongNominated
Top R&B Song Won
2023 Soul Train Music Awards Song of the Year Nominated [145]
Video of the Year Nominated
The Ashford and Simpson Songwriter's Award Nominated
2024 Grammy Awards Record of the Year Nominated [146]
Song of the Year Nominated
Best R&B Performance Nominated
2024 Brit Awards Best International Song Nominated [147]
2024 iHeartRadio Music Awards Song of the YearWon [148]
Pop Song of the YearNominated
Best Music Video Nominated
2024 BMI Pop Awards Most Performed Songs of the YearWon [149]
2024 BMI R&B/Hip-Hop Awards Most Performed Songs of the YearWon [150]
Song of the YearWon

Music video

Background

Vivica A. Fox, one of the starring actresses in the Kill Bill films, makes a cameo in the music video. Vivica A. Fox (33845756800) (cropped).jpg
Vivica A. Fox, one of the starring actresses in the Kill Bill films, makes a cameo in the music video.

SZA expressed her gratitude for fans' warm reception of "Kill Bill" by posting a 20-second teaser of the music video to Twitter on December 29, 2022, [59] [151] having alluded to its creation around a week prior during an interview with Entertainment Weekly . [152] The video was directed by Christian Breslauer and produced by Luga Podesta through his production company London Alley Entertainment. [153] It premiered on YouTube the same day as the song's release, briefly going private after its first 10 minutes of availability before being made public again. [154]

With the video, SZA aimed to create something more narrative-centric compared to her past music videos which, while containing a few story beats, did not have full, coherent plotlines. In Breslauer's words, she wanted "less performance and [more] acting"; the result was a short action film heavily inspired by the Kill Bill duology. [153] The music video recreates several scenes and plot points from the films, with SZA appearing as a recreation of the Bride. She appears in a red and black jumpsuit similar to the Bride's yellow and black one, and she uses a katana as her fighting weapon. [59] [155] Vivica A. Fox, the actress who starred in Kill Bill as a Deadly Viper and the Bride's enemy Vernita Green, makes a cameo in the video. [156] [157] Her scenes were the last ones filmed during production; [153] prior to Fox, the casting crew considered Uma Thurman, the actress for the Bride, for the cameo role. [158]

Pre-production began in the middle of December 2022, when Top Dawg approached London Alley to produce the video, and principal photography took place six days later. The scheduled period for filming was one day before the company's Christmas break, so all scenes had to be completed within 19 or 20 hours, in contrast to the usual two or three days allocated for similar music videos. [153] The video is a blend of visual techniques from several film genres. [159] For example, it contains an anime-style interlude that was added in post-production, and it incorporates many split-screen shots, a choice inspired by the cinematography of several 1970s films. [153] Regarding this, Breslauer said: "Tarantino is the ultimate chop and screw hybrid filmmaker in how he grabs from so many films and genres, so wanted to do a little of that here as well." [159]

SZA had prominent authority in the creative direction; [153] for example, she performed most of her stunts despite little time to choreograph, learning them in less than four hours. [159] She had been promoting specific tracks from SOS by using the outros of her music videos to tease an upcoming song, [66] [note 5] and she wanted to continue the trend with the "Kill Bill" video. Her choice for the outro song was the album track "Seek & Destroy". It contains the line "I had to do it to you", which she deemed fitting because when applied in the context of "Kill Bill", the lyrics captured SZA's celebration of revenge and the glory it brought her. For the video's outro, she asked someone with expertise in shibari to tie her upside down. [153]

Plot

The opening scene, set to "Nobody Gets Me", contains the first out of many Kill Bill references, set in a trailer reminiscent of the one in which Budd, another of Thurman's sworn enemies, resided. During this, the boyfriend breaks up with SZA and leaves her in the trailer before he tells his gunmen, who act as the video's Deadly Vipers, to shoot her dead while she is inside. [154] [162] She survives the assault and gets in a car driven by Fox's character, who takes her to a warehouse where she prepares to enact vengeance on the hitmen. [58] [156] SZA dresses up in the jumpsuit, gets a katana which she uses to decapitate a dummy, and drives on a motorcycle to find her ex-boyfriend. [155] [162]

SZA arrives at a location analogous to the films' House of Blue Leaves, a Japanese bar that served as the headquarters for O-Ren Ishii, a high-ranking assassin of the Deadly Vipers. In there, she confronts several yakuza bodyguards who represent Ishii's Crazy 88, kill them one by one, and enter a room to face her ex-boyfriend. [163] [154] [164] The confrontation scene, the anime-style interlude, alludes to the animated sequence that introduced Ishii's backstory in Volume 1 . [58] [153] The video ends as SZA approaches the man, rips his heart out, and licks it, fulfilling her revenge. A naked and tied-up SZA, hung upside down from the warehouse ceiling, appears in the outro while a snippet of "Seek & Destroy" plays. [164] [165]

Live performances

SZA performing "Kill Bill" during Glastonbury 2024 Glaston2024 2806 300624 (168 of 173) (53837667726) (cropped).jpg
SZA performing "Kill Bill" during Glastonbury 2024

SZA first performed "Kill Bill" live on the SOS Tour, during a concert in Columbus, Ohio. It took place at the Schottenstein Center on February 21, 2023. [166] A live performance at one of the New York City shows was released as part of a video series on Apple TV+ covering the tour. [167] When the tour's concerts neared their end, she would change her outfit to wear red biker pants and a motor suit, similar to her look for the music video. Recreating the Crazy 88 sequence, SZA had a spiked ball and chain in one of her hands that she swung across the stage. Her prop was a callback to the fight scene in Volume 1 between Thurman and one of Ishii's fighters [168] [169] —the fighter in question was Gogo Yubari, who armed herself with a meteor hammer, a weapon consisting of a chain and a weight attached to both ends. [170]

At the 2023 iHeartRadio Jingle Ball, held in early December, SZA included "Kill Bill" as part of her headlining set. She, along with a group of backup dancers, brandished machetes on stage to complement the lyrics. [171] Before she performed the song at the 66th Annual Grammy Awards in February 2024, the broadcast showed a woman in the audience who was standing on a table and swinging a sword. The woman joined SZA and other dancers with swords for the performance, [172] [173] which featured a fight sequence involving one man whom SZA threw across the stage [174] and another man whom she pushed to the floor as red fabric fell towards her. [175] Her headlining set on Glastonbury 2024, where she performed on June 30, also featured "Kill Bill", and she specifically played it during the set's "Robot World" section. [176]

Credits

Adapted from Sound on Sound [21] and the liner notes of SOS [177]

Recording and management

Personnel

Note

  1. ↑ Cited to The Line of Best Fit , [3] NME , [4] The Daily Telegraph , [5] The New Yorker , [6] and Consequence [7]
  2. ↑ Mellotron's sounds came from Prophet-6 synthesizer

Charts

Certifications

Certifications for "Kill Bill"
RegionCertification Certified units/sales
Australia (ARIA) [108] 6× Platinum420,000‡
Austria (IFPI Austria) [261] Platinum30,000‡
Belgium (BEA) [262] Platinum40,000‡
Brazil (Pro-Música Brasil) [263] 2× Diamond320,000‡
Canada (Music Canada) [264] 8× Platinum640,000‡
Denmark (IFPI Danmark) [265] Platinum90,000‡
France (SNEP) [266] Platinum200,000‡
Hungary (MAHASZ) [267] 2× Platinum8,000‡
Italy (FIMI) [268] Platinum100,000‡
Mexico (AMPROFON) [269] Platinum140,000‡
New Zealand (RMNZ) [110] 4× Platinum120,000‡
Poland (ZPAV) [270] Platinum50,000‡
Portugal (AFP) [271] 3× Platinum30,000‡
Spain (PROMUSICAE) [272] Platinum60,000‡
Switzerland (IFPI Switzerland) [273] Platinum20,000‡
United Kingdom (BPI) [274] 2× Platinum1,200,000‡
United States (RIAA) [98] 5× Platinum5,000,000‡
Streaming
Greece (IFPI Greece) [275] 2× Platinum4,000,000†
Sweden (GLF) [276] Platinum8,000,000†

‡ Sales+streaming figures based on certification alone.
† Streaming-only figures based on certification alone.

Release history

Release history and formats for "Kill Bill"
RegionDateFormatVersionLabel(s)Ref.
United StatesJanuary 10, 2023 Contemporary hit radio Original [55]
Rhythmic contemporary radio [56]
Urban contemporary radio [57]
VariousJanuary 13, 2023Four-track single [62]
January 24, 2023Acoustic [277]
United StatesJanuary 31, 2023 Urban adult contemporary radio Original [61]
ItalyFebruary 3, 2023 Radio airplay Sony Italy [278]
VariousApril 14, 2023
  • Digital download
  • streaming
 Doja Cat remix
  • Top Dawg
  • RCA
 [279]
ItalyRadio airplaySony Italy [280]

See also

Notes

  1. ↑ When "Kill Bill" broke her record for highest-charting song in the United States, she was furious that the song that achieved such success was not one that took much effort to make. She said in Billboard: "I knew it would be something that pissed me off. It's always a song that I don't give a fuck about that's just super easy, not the shit that I put so much heart and energy into." [29]
  2. ↑ Following "Good Days", "I Hate U", "Shirt", and "Nobody Gets Me" [59]
  3. ↑ See the charts section for the exact peaks.
  4. ↑ Cited to multiple reviews [20] [45] [117] [118]
  5. ↑ It began with the inclusion of a snippet of "Good Days" (2020), SOS's lead single, at the end of the video for standalone single "Hit Different" (2020). "Shirt" (2022), the album's third single, was teased at the outro for the "Good Days" music video; the "Shirt" video itself features a teaser of the album track "Blind" (2022). [160] [161]

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"PSA" is a song by American singer-songwriter SZA from Lana, the deluxe reissue of her second studio album SOS (2022). It is an orchestral song with a simple, stringed production, consisting of pianos and harps alongside vocal harmonies. The lyrics are delivered in a rap cadence and with braggadocio; SZA demands that people call her nothing but number-one and serve her, says she takes pleasure in angering people, and mocks those she views as "bottom feeders". "PSA" was used for the official teaser for SOS, yet despite this, the song did not appear on the final track list for the standard edition.

<i>SOS</i> (SZA album) 2022 studio album by SZA

SOS is the second studio album by American singer-songwriter SZA. It was released on December 9, 2022, by Top Dawg Entertainment and RCA Records. The album features guest appearances from Don Toliver, Phoebe Bridgers, Travis Scott, and the late Ol' Dirty Bastard. SZA worked with a variety of record producers and songwriters such as Babyface, Jeff Bhasker, Rob Bisel, Benny Blanco, Darkchild, DJ Dahi, Ant Clemons, and Lizzo. It serves as the follow-up to SZA's debut album Ctrl (2017).

"Nobody Gets Me" is a song by American singer-songwriter SZA and the fourth single from her second studio album, SOS (2022). It was sent to Italian radio on January 6, 2023, and US contemporary hit radio four days later. The song peaked at number 10 on the US Billboard Hot 100, the Canadian Hot 100, and the Official New Zealand Music Chart.

<span class="mw-page-title-main">Snooze (SZA song)</span> 2023 single by SZA

"Snooze" is a song by American singer-songwriter SZA and the sixth single from her second studio album, SOS (2022). It is an R&B and pop song with a midtempo rhythm, featuring an instrumental that consists of bass, guitars, drums, and synthesizers. The main vocals are complemented by several layers of harmonies beneath, and a riff appears at the song's beginning. The lyrics are about SZA's obsessive devotion to a love interest who does not reciprocate her intense feelings of yearning, despite her willingness to prove her love with violence. "Snooze" was sent to radio on April 25, 2023, and a four-track single was released on digital streaming platforms on August 25. An acoustic version featuring Justin Bieber followed on September 15.

"Low" is a song by American singer-songwriter SZA from her second album, SOS (2022). It was written alongside Jozzy and producers Rob Bisel, Aire Atlantica, & Alessandro Buccellati, and features adlibs from fellow American singer and rapper Travis Scott. It charted in the United States, Canada, Australia, New Zealand, Ireland, and the United Kingdom, with a number 24 peak on the Billboard Global 200. The song received a nomination for the Grammy Award for Best Melodic Rap Performance at the 66th ceremony.

"F2F" is a song by American singer-songwriter SZA from her second studio album, SOS (2022). "F2F" is a rock song that draws influence from genres such as country, pop rock, and grunge. SZA wrote the song with Lizzo, who provides background vocals, and producers Rob Bisel and Carter Lang. The song was one of around five rock-inspired songs SZA created for SOS, out of a desire to experiment with various genres outside of her usual R&B music. The song begins with acoustic guitar strums before transitioning into a chorus backed by drums and power chords from electric guitars. The lyrics talk about having sex with someone to cope with breaking up with a former partner.

"Open Arms" is a song by American singer-songwriter SZA from her second studio album, SOS (2022), featuring American rapper Travis Scott. It is a ballad backed by an acoustic guitar, conceived as part of an effort to explore soundscapes outside of SZA's usual R&B-leaning music. The lyrics are addressed to a former lover, whom the narrator leaves for the sake of her self-esteem despite her persistent feelings of attachment to him. A tribute to SZA's deceased grandmother, Norma Rowe, begins the song, done in the form of a skit; Rowe's vocals featured prominently on SZA's debut album, Ctrl (2017)

<span class="mw-page-title-main">Rob Bisel</span> American producer, engineer, songwriter and musician

Rob Bisel is an American music producer, engineer, mixer and songwriter. A Grammy award winner and 13-time nominee, he has worked with artists including SZA, Doja Cat, Kendrick Lamar, Travis Scott, Harry Styles and Don Toliver.

<span class="mw-page-title-main">Saturn (SZA song)</span> 2024 single by SZA

"Saturn" is a song by American singer-songwriter SZA, released as the lead single from the reissue of her second studio album, SOS (2022), titled Lana (2024). It is a song about nihilism and escapism, discussing one's lamentations about why bad things happen to good people and wishes to leave Earth for another planet, Saturn, where they could possibly live a better life. "Saturn" features a twinkly instrumental, a result of a combination of arpeggios and beaming synthesizers. The song was surprise-released on February 22, 2024, after its official debut at the year's Grammy Awards ceremony over two weeks prior. "Saturn" is nominated at the 67th Annual Grammy Awards for Best R&B Song and Best R&B Performance. The cover is a reference to the cover of her song "Love Galore" (2017).

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