Bags' Groove | ||||
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Compilation album by | ||||
Released | Early December 1957 [1] | |||
Recorded | June 29 & December 24, 1954 | |||
Studio | Van Gelder Studio Hackensack, New Jersey | |||
Genre | Jazz | |||
Length | 46:11 | |||
Label | Prestige PRLP 7109 | |||
Producer | Bob Weinstock | |||
Miles Davis chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
The Encyclopedia of Popular Music | [3] |
The Penguin Guide to Jazz Recordings | [4] |
Tom Hull | A− [5] |
Bags' Groove (PRLP 7109) is a jazz album by Miles Davis, released in 1957 by Prestige, compiling material from two 10" LPs recorded in 1954, plus two alternative takes.
Both takes of the title track come from a session on December 24, 1954, the first version having been previously released on Miles Davis All Stars, Volume 1 (PRLP 196). ("Bags" was vibraphonist Milt Jackson's nickname.) The other tracks recorded during this session may be found on Miles Davis and the Modern Jazz Giants (PRLP 7150), and all of them are also featured on the compilation album Thelonious Monk: The Complete Prestige Recordings. The rest of the album was recorded earlier in the year, on June 29, and four of the tracks had already been released as Miles Davis with Sonny Rollins (PRLP 187), with the fifth being a previously unreleased alternative take.
The title track was written by Milt "Bags" Jackson and the three compositions written by the young Sonny Rollins all went on to become jazz standards. On "Oleo", Davis uses a Harmon mute to obtain a unique timbre, one that would become an iconic aspect of his sound.
Prestige – LP 7109:
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Bags' Groove" (Take 1) | Milt Jackson | 11:16 |
2. | "Bags' Groove" (Take 2) | Jackson | 9:24 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Airegin" | Sonny Rollins | 5:01 |
2. | "Oleo" | Rollins | 5:14 |
3. | "But Not for Me" (Take 2) | 4:36 | |
4. | "Doxy" | Rollins | 4:55 |
5. | "But Not for Me" (Take 1) |
| 5:45 |
Total length: | 46:11 |
Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, Thelonious Monk and Lee Konitz.
Arthur S. Taylor Jr. was an American jazz drummer, who "helped define the sound of modern jazz drumming".
Blue Haze is a compilation album of tracks recorded in 1953 and 1954 by Miles Davis for Prestige Records.
Walkin' is a Miles Davis compilation album released in March 1957 by Prestige Records. The album compiles material previously released on two 10 inch LPs in 1954, including all of Miles Davis All-Star Sextet and most of Miles Davis Quintet. Here credited to the "Miles Davis All-Stars", the songs were recorded on April 3 and 29, 1954, by two slightly different groups led by Davis. Both sessions were recorded at Rudy Van Gelder's home studio.
Miles Davis and the Modern Jazz Giants is an album by Miles Davis, released on Prestige Records in 1959. Most of the material comes from a session on December 24, 1954, featuring Thelonious Monk and Milt Jackson, and had been previously released in the discontinued ten inch LP format. "Swing Spring" was originally released on the 10"LP Miles Davis All Stars, Volume 1, and "Bemsha Swing" and "The Man I Love" had been previously released on Volume 2. "'Round Midnight" is newly released, and comes from the same sessions by Davis's new quintet in 1956 which resulted in Steamin' with the Miles Davis Quintet and three other albums to fulfill Davis's contract with Prestige.
Miles Davis and Milt Jackson Quintet/Sextet, also known as Quintet/Sextet is a studio album by the trumpeter Miles Davis and vibraphonist Milt Jackson released by Prestige Records in August 1956. It was recorded on August 5, 1955. Credited to "Miles Davis and Milt Jackson", this was an "all-star" session, and did not feature any of the members of Davis's working group of that time. Alto saxophonist Jackie McLean appears on his own compositions “Dr. Jackle” and “Minor March”.
Django is an album by the Modern Jazz Quartet, first released on 12-inch LP in 1956.
"Airegin" is a jazz standard composed by American jazz saxophonist Sonny Rollins in 1954. Rollins chose the name "Airegin", as it is an anadrome of "Nigeria".
Amsterdam Concert is a rare live Miles Davis recording from 1957. This album was recorded at the Concertgebouw in Amsterdam on December 8, 1957, a couple of days after the recording of the movie soundtrack Ascenseur pour l'échafaud. Davis recorded the album with drummer Kenny Clarke and three French musicians: Pierre Michelot on bass, Rene Urtreger on piano, and Barney Wilen on tenor saxophone.
Blue Period is the third studio album by jazz musician Miles Davis. It was released in 1953 as a 10" LP, his second released by Prestige Records, recorded over the course of two 1951 recording sessions at New York's Apex Studio.
Miles Davis and Horns is a compilation album by the American jazz trumpeter Miles Davis. Released in 1956, by Prestige Records, it compiles material from albums previously released by Prestige in the discontinued 10 inch LP format. The fifth, sixth, and eighth tracks were originally issued on the various artists album Modern Jazz Trumpets, and had also been issued as 78rpm singles. Tracks 1–4 first appeared on Miles Davis Plays The Compositions Of Al Cohn. Track 3 was also previously released as the B-side of the "Morpheus" single. Track 7 was originally on Blue Period.
Milt Jackson and the Thelonious Monk Quintet is an album by American jazz vibraphonist Milt Jackson, recorded on July 2, 1948, July 23, 1951 and April 7, 1952 and released on Blue Note in 1956. The latter two sessions were originally released on ten-inch LP as Wizard of the Vibes (1952).
"Bags' Groove" is a jazz composition by Milt Jackson. It was first recorded by the Milt Jackson Quintet on April 7, 1952 for Blue Note Records, later released on Wizard of the Vibes. Lou Donaldson, John Lewis, Percy Heath and Kenny Clarke were on that date. Next was the Mat Mathews quintet with Herbie Mann, Bud Powell, Mat Mathews again, a bootleg version by the Modern Jazz Quartet, the Lighthouse All-Stars, bassist Buddy Banks' quartet and then Jay Jay Johnson and Kai Winding. Other important recordings include those by Ray Bryant, Oscar Peterson, Al Haig, George Russell, and Mal Waldron.
Sonny Rollins with the Modern Jazz Quartet is a 1956 compilation album by jazz saxophonist Sonny Rollins, featuring his earliest recordings for the Prestige label under his leadership, including four tracks performed by Rollins with the Modern Jazz Quartet, eight tracks where Kenny Drew and Art Blakey replace Lewis, Jackson, and Clarke, and one track with Miles Davis on piano.
Moving Out is an album by jazz saxophonist Sonny Rollins. This was his second for Prestige Records, featuring Kenny Dorham, Elmo Hope, Percy Heath, and Art Blakey, and one track with Thelonious Monk, Tommy Potter, and Art Taylor. The first 4 tracks had originally appeared on as the 10-inch LP Sonny Rollins Quintet Featuring Kenny Dorham, and the final track had appeared on the 10-inch LP Sonny Rollins and Thelonious Monk.
Monk is a 1956 compilation album by jazz pianist and composer Thelonious Monk, featuring material recorded from 1953 to 1954 for the Prestige label and performed by Monk with two quintets, one featuring Julius Watkins, Sonny Rollins, Percy Heath, and Willie Jones and one featuring Ray Copeland, Frank Foster, Curly Russell, and Art Blakey. It was originally titled both Thelonious Monk [on its 1956 cover] and Thelonious Monk Quintets [on its labels]. Over the following decade, it was also re-released as Wee See and The Golden Monk The most common cover art, is 1958 revision, designed by Reid Miles.
Thelonious Monk and Sonny Rollins is a compilation album by jazz pianist and composer Thelonious Monk and saxophonist Sonny Rollins released in 1956 by Prestige Records. The tracks on it were recorded in three sessions between 1953 and 1954. While this is its original title, and its most consistent title in its digital re-releases, it was also released on Prestige as Work! and The Genius Of Thelonious Monk, with alternative covers.
Miles Davis with Sonny Rollins is a 1954 10 inch LP album by Miles Davis, released by Prestige Records. The four tracks on this LP, along with a second take of "But Not For Me", were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on June 29, 1954.
Miles Davis All Stars, Vols. 1 & 2 are a pair of separate but related 10" LP albums by Miles Davis recorded by Rudy Van Gelder on December 24, 1954 and released on Prestige Records as Miles Davis All Stars, Vol. 1 and Miles Davis All Stars, Vol. 2 the following year.
Modern Jazz Trumpets is an album released by Prestige Records in 1951 with music by four jazz trumpeters: Fats Navarro, Dizzy Gillespie, Miles Davis and Kenny Dorham. The album was released on the 10" LP format and includes the first recordings by Davis for Prestige.