Liber Usualis

Last updated

A copy of the Liber Usualis A copy of the Liber Usualis.jpg
A copy of the Liber Usualis

The Liber Usualis (Usual book) is a book of commonly used Gregorian chants in the Catholic tradition, compiled by the monks of the Abbey of Solesmes in France. According to Willi Apel, the chants in the Liber Usualis originated in the 11th century. [1]

This 1,900-page book contains most versions of the ordinary chants for the Mass (Kyrie, Gloria, Credo, Sanctus, and Agnus Dei), as well as the common chants for the Divine Office (daily prayers of the Church) and for every commonly celebrated feast of the Church year—including more than two hundred pages for Holy Week alone—as practiced prior to the 1969 liturgical reforms of Pope Paul VI. The "usual book" or "common book" also contains chants for specific rituals, such as nuptial Masses, Requiem Masses and the Office of the Dead, ordinations, and Benediction. This modal, monophonic Latin music has been sung in the Catholic Church since at least the sixth century to the present day. An extensive introduction explains how to read and interpret the medieval musical notation (square notation of neums or neumes). A complete index makes it easy to find specific pieces.

The Liber was first edited in 1896 by Solesmes Abbot Dom André Mocquereau (1849–1930). Its use has decreased since the Second Vatican Ecumenical Council (opened by Pope John XXIII in 1962), where the constitution on the liturgy ( Sacrosanctum Concilium ), allowed the vernacular to be used in Church rites, even though the same council mandated that Gregorian chant should retain "pride of place" in the liturgy ( Sacrosanctum Concilium , 116).

Related Research Articles

<i>Sacrosanctum Concilium</i> Catholic Constitution on the Liturgy

Sacrosanctum Concilium, the Constitution on the Sacred Liturgy, is one of the constitutions of the Second Vatican Council. It was approved by the assembled bishops by a vote of 2,147 to 4 and promulgated by Pope Paul VI on 4 December 1963. The main aim was to revise the traditional liturgical texts and rituals to reflect more fully fundamental principles, and be more pastorally effective in the changed conditions of the times, clarifying not only the role of ordained ministers but the modalities of appropriate participation of lay faithful in the Catholic Church's liturgy, especially that of the Roman Rite. The title is taken from the opening lines of the document and means "This Sacred Council".

Plainsong or plainchant is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony.

<span class="mw-page-title-main">Gregorian chant</span> Form of song

Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant.

<span class="mw-page-title-main">Mass (music)</span> Form of sacred musical composition

The Mass is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy, known as the Mass.

<span class="mw-page-title-main">Neume</span> System of medieval musical notation

A neume is the basic element of Western and some Eastern systems of musical notation prior to the invention of five-line staff notation.

<span class="mw-page-title-main">Gradual</span> Christian liturgical chant

The gradual is a certain chant or hymn in liturgical Christian worship. It is practiced in the Catholic Mass, Lutheran Divine Service, Anglican service and other traditions. It gets its name from the Latin gradus because it was once chanted on the step of the ambo or altar. It is customarily placed after a reading of scripture.

The Little Office of the Blessed Virgin Mary, also known as Hours of the Virgin, is a liturgical devotion to the Blessed Virgin Mary, in imitation of, and usually in addition to, the Divine Office in the Catholic Church. It is a cycle of psalms, hymns, scripture and other readings.

<span class="mw-page-title-main">Liturgical music</span> Music that was part of a religious ceremony

Liturgical music originated as a part of religious ceremony, and includes a number of traditions, both ancient and modern. Liturgical music is well known as a part of Catholic Mass, the Anglican Holy Communion service and Evensong, the Lutheran Divine Service, the Orthodox liturgy, and other Christian services, including the Divine Office.

<span class="mw-page-title-main">Antiphonary</span> Catholic liturgical book

An antiphonary or antiphonal is one of the liturgical books intended for use in choro, and originally characterized, as its name implies, by the assignment to it principally of the antiphons used in various parts of the Latin liturgical rites.

Ambrosian chant is the liturgical plainchant repertory of the Ambrosian rite of the Roman Catholic Church, related to but distinct from Gregorian chant. It is primarily associated with the Archdiocese of Milan, and named after St. Ambrose much as Gregorian chant is named after Gregory the Great. It is the only surviving plainchant tradition besides the Gregorian to maintain the official sanction of the Roman Catholic Church.

Armenian chant is the melismatic monophonic chant used in the liturgy of the Armenian Apostolic Church and the Armenian Catholic Church.

<span class="mw-page-title-main">Beneventan chant</span>

Beneventan chant is a liturgical plainchant repertory of the Roman Catholic Church, used primarily in the orbit of the southern Italian ecclesiastical centers of Benevento and Monte Cassino distinct from Gregorian chant and related to Ambrosian chant. It was officially supplanted by the Gregorian chant of the Roman rite in the 11th century, although a few Beneventan chants of local interest remained in use.

<span class="mw-page-title-main">Kyriale</span> Collection of Gregorian chant settings

The Kyriale is a collection of Gregorian chant settings for the Ordinary of the Mass. It contains eighteen Masses, six Credos, and several ad libitum chants. This collection is included in liturgical books such as the Graduale Romanum and Liber Usualis, and it is also published as a separate book by the monks of Solesmes Abbey.

<span class="mw-page-title-main">Catholic liturgy</span> Customary public worship service

Catholic liturgy means the whole complex of official liturgical worship, including all the rites, ceremonies, prayers, and sacraments of the Church, as opposed to private devotions. In this sense the arrangement of all these services in certain set forms is meant. Liturgy encompasses the entire service: prayer, reading and proclamation, singing, gestures, movement and vestments, liturgical colours, symbols and symbolic actions, the administration of sacraments and sacramentals.

Tra le sollecitudini was a motu proprio issued 22 November 1903 by Pope Pius X that detailed regulations for the performance of music in the Roman Catholic Church. The title is taken from the opening phrase of the document. It begins: "Among the concernsof the pastoral office, ... a leading one is without question that of maintaining and promoting the decorum of the House of God in which the august mysteries of religion are celebrated...." The regulations pointed toward more traditional music and critiqued the turn toward modern, orchestral productions at Mass.

<span class="mw-page-title-main">Veni Sancte Spiritus</span> Chant in the Roman Liturgy for Pentecost

Veni Sancte Spiritus, sometimes called the “Golden Sequence” is a sequence sung in honour of God the Holy Spirit, prescribed in the Roman Rite for the Masses of Pentecost Sunday. It is usually attributed to either the 13th-century Pope Innocent III, or to the Archbishop of Canterbury, Stephen Langton, among others.

<i>Roman Gradual</i> Liturgical book of the Roman Catholic Church

The Roman Gradual is an official liturgical book of the Roman Rite of the Roman Catholic Church containing chants, including the proper and many more, for use in Mass.

The Liber Brevior is a book of commonly used Gregorian chants in the Catholic tradition. It is an abbreviation of the Liber Usualis and differs from that compendium of chant music in that it contains only the chants required for use at sung Mass, omitting the chants used in the chanting of the Divine Office. It could be said that the Liber Brevior is “the layman’s Liber,” designed and intended to be used in parish settings by small Catholic choirs, rather than for use by clergy and religious bound to chant the Office in choir or in common.

<span class="mw-page-title-main">Gregorio (software)</span> Open source scorewriter for Gregorian chant

Gregorio is a free and open-source scorewriter computer program especially for Gregorian chant in square notation. Gregorio was adopted by many abbeys and large projects.

<span class="mw-page-title-main">Graduale Simplex</span>

Graduale simplex is a gradual in Latin and in Gregorian chant, published by the Vatican in 1967 following the Second Vatican Council, so that the use of Gregorian chant can adapt to smaller parishes and churches or to those who lack experienced choirs.

References

  1. Apel, Willi (1958). Gregorian chant. Bloomington: Indiana University Press. p. 417. ISBN   9780253326508. OCLC   608792.