Frodo Lives!

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"Frodo Lives!" was a popular counterculture slogan in the 1960s and 1970s, referring to the character Frodo Baggins from J. R. R. Tolkien's fantasy novel The Lord of the Rings , commonly associated with the hippie movement.

The phrase was used frequently in graffiti, buttons, bumper-stickers, T-shirts, and other materials. It was the title of a 1967 single released under the band name "The Magic Ring" by Smash Records. [1] It was later displayed during the activation of a computer virus in the early 1990s, in large letters with a moving border. [2]

Hippies who may be pushing thirty wear buttons that read "Frodo Lives" and decorate their pads with maps of Middle Earth ...

Theodore Roszak [3]

The term first became popular following release of the Ballantine Books paperback edition of the books in 1965, exposing them to a larger number of readers. [4] While no longer as pervasive as it once was, the term continues to appear in newspaper articles and popular culture related to Tolkien's stories, [5] [6] and was used in merchandising items for the early-2000s New Line Cinema The Lord of the Rings film trilogy.

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Frodo Baggins is a fictional character in J. R. R. Tolkien's writings, and one of the protagonists in The Lord of the Rings. Frodo is a hobbit of the Shire who inherits the One Ring from his cousin Bilbo Baggins, described familiarly as "uncle", and undertakes the quest to destroy it in the fires of Mount Doom in Mordor. He is mentioned in Tolkien's posthumously published works, The Silmarillion and Unfinished Tales.

<span class="mw-page-title-main">One Ring</span> Magical ring in The Lord of the Rings

The One Ring, also called the Ruling Ring and Isildur's Bane, is a central plot element in J. R. R. Tolkien's The Lord of the Rings (1954–55). It first appeared in the earlier story The Hobbit (1937) as a magic ring that grants the wearer invisibility. Tolkien changed it into a malevolent Ring of Power and re-wrote parts of The Hobbit to fit in with the expanded narrative. The Lord of the Rings describes the hobbit Frodo Baggins's quest to destroy the Ring.

Christianity is a central theme in J. R. R. Tolkien's fictional works about Middle-earth, but the specifics are always kept hidden. This allows for the books' meaning to be personally interpreted by the reader, instead of the author detailing a strict, set meaning.

The presence of sexuality in The Lord of the Rings, a bestselling fantasy novel by J. R. R. Tolkien, has been debated, as it is somewhat unobtrusive. However, love and marriage appear in the form of the warm relationship between the hobbits Sam Gamgee and Rosie Cotton; the unreturned feelings of Éowyn for Aragorn, followed by her falling in love with Faramir, and marrying him; and Aragorn's love for Arwen, described in an appendix rather than in the main text, as "The Tale of Aragorn and Arwen". Multiple scholars have noted the symbolism of the monstrous female spider Shelob. Interest has been concentrated, too, on the officer-batman-inspired same-sex relationship of Frodo and his gardener Sam as they travel together on the dangerous quest to destroy the Ring. Scholars and commentators have interpreted the relationship in different ways, from close but not necessarily homosexual to plainly homoerotic, or as an idealised heroic friendship.

J. R. R. Tolkien's presentation of heroism in The Lord of the Rings is based on medieval tradition, but modifies it, as there is no single hero but a combination of heroes with contrasting attributes. Aragorn is the man born to be a hero, of a line of kings; he emerges from the wilds and is uniformly bold and restrained. Frodo is an unheroic, home-loving Hobbit who has heroism thrust upon him when he learns that the ring he has inherited from his cousin Bilbo is the One Ring that would enable the Dark Lord Sauron to dominate the whole of Middle-earth. His servant Sam sets out to take care of his beloved master, and rises through the privations of the quest to destroy the Ring to become heroic.

<span class="mw-page-title-main">Psychological journeys of Middle-earth</span> Analysis of J. R. R. Tolkiens fictional characters

Scholars, including psychoanalysts, have commented that J. R. R. Tolkien's Middle-earth stories about both Bilbo Baggins, protagonist of The Hobbit, and Frodo Baggins, protagonist of The Lord of the Rings, constitute psychological journeys. Bilbo returns from his journey to help recover the Dwarves' treasure from Smaug the dragon's lair in the Lonely Mountain changed, but wiser and more experienced. Frodo returns from his journey to destroy the One Ring in the fires of Mount Doom scarred by multiple weapons, and is unable to settle back into the normal life of his home, the Shire.

References

  1. The Magic Ring – Frodo Lives / Yellow Horses (Vinyl) , retrieved 2021-06-15
  2. Malware Example: Q FRODO.COM , retrieved 2021-06-01
  3. Roszak, Theodore (1995). The Making of a Counter Culture: Reflections on the Technocratic Society and Its Youthful Opposition. University of California Press. p. 40. ISBN   0-520-20122-1.
  4. Carpenter, Humphrey (1977). J. R. R. Tolkien: A Biography . New York: Ballantine Books. ISBN   978-0-04-928037-3.
  5. Kempley, Rita (2001-12-19). "Frodo Lives! A Spirited 'Lord of the Rings'". The Washington Post. Archived from the original on 2018-08-12. Retrieved 2010-05-03.
  6. "The Bastards Have Landed! The Official Peter Jackson Fanclub". Archived from the original on 2009-02-04. Retrieved 2007-07-19.