Middle Chinese finals

Last updated

In Middle Chinese, the phonological system of medieval rime dictionaries and rime tables, the final is the rest of the syllable after the initial consonant. This analysis is derived from the traditional Chinese fanqie system of indicating pronunciation with a pair of characters indicating the sounds of the initial and final parts of the syllable respectively, though in both cases several characters were used for each sound. Reconstruction of the pronunciation of finals is much more difficult than for initials due to the combination of multiple phonemes into a single class, and there is no agreement as to their values. Because of this lack of consensus, understanding of the reconstruction of finals requires delving into the details of rime tables and rime dictionaries. [1]

Contents

Finals and rhyme classes

Each final is contained within a single rhyme class, but a rhyme class may contain more than one final: [2]

Classes of finals

Karlgren noticed that classes of finals from the rime dictionaries were placed in different rows of the rime tables. As three classes of final were confined to the first, second and fourth rows respectively, he named them finals of divisions I, II and IV. The remaining finals he called "division-III finals" because they occurred in the third row of the tables. Some of these (the "pure" or "independent" division-III finals) occurred only in that row, while others (the "mixed" finals) could also occur in the second or fourth rows with some initials. [6] Karlgren disregarded the chongniu distinction, but later workers have emphasized its importance. Li Rong, in a systematic comparison of the rhyme tables with a recently discovered early edition of the Qieyun, identified seven classes of finals. The table below lists the combinations of initial and final classes that occur in the Qieyun, with the row of the rime tables in which each combination was placed: [7] [8]

div. Idiv. II"division-III" finalsdiv. IV
indep.mixedchongniu
Labials1233344
Dentalstops14
Retroflex233
Lateral1334
Dentalsibilants1444
Palatal33
Retroflex222
Velars1233344
Laryngeals1233344

The mixed and chongniu finals, though designated as division-III finals, are spread across rows 2 and 4 as well as row 3 of the tables. To handle these cases, a distinction is made between the row that the homophone class is placed in and the "division" of its final. This article distinguishes rows by Arabic numerals 1 2 3 4 and divisions by Roman numerals I II III IV. In addition, chóngniǔ finals in division III are notated in the table of final outcomes below as III/3 or III/4, depending on the row in which they occur.

Significance of the division

There are correspondences between certain divisions and the presence or absence of medial glides in later dialects, in ways that differ depending on the class of the initial (e.g. velar, labial, retroflex, etc.). There are also clear co-occurrence restrictions between initials and divisions, in that initials from certain of these same classes can occur with finals only from certain divisions. The LMC authors of this system appear to have been aware of these classes of initials, and seem to have determined the separation into divisions partly on the basis of the co-occurrence relationships and partly on the medial glides, although it is debated how the exact classification was made. It is important to remember that the authors of this system were attempting to use LMC phonology to reconstruct EMC phonology (although they probably thought of it more in terms of trying to harmonize the way that words were normally pronounced with the rather different system of rhymes and homophones as laid out in the Qieyun).

The clearest difference is between division III and other divisions, with division III generally corresponding to palatal initials and/or finals with palatal (i.e. high-front) vowels or glides. In addition, divisions I and IV allow exactly the same set of initials in EMC, suggesting that the distinction between the two postdates the EMC period. Division-IV syllables are commonly thought to reflect a diphthong containing a vocalic glide /i/ in LMC, corresponding to an EMC mid-front monophthong, variously reconstructed as /ɛ/,/e/ or ɪ. Beyond this, there is no consensus.

Karlgren, and many authors following him, suggest that neither divisions I nor II had any medial other than /w/ or /u/, with division I corresponding to back vowels and division II to front vowels. Some authors have suggested that division II corresponded not so much to front vowels as to centralized vowels. Many authors have recently suggested that division-II syllables consistently had a medial /r/ in Old Chinese, although this appeared to have already disappeared by EMC, so it's unclear exactly how this would have been carried forward into LMC. (Some have suggested that the system of divisions dates back at least to the time of the Qieyun (c. 600 AD), and reflects a medial /ɣ/ present very early on in the EMC period.)

Table of Early Middle Chinese finals

The following table lists Early Middle Chinese (EMC) reconstructed "finals" (i.e. all of the syllable other than the initial consonant), according to different authors. It also lists the corresponding Late Middle Chinese (LMC) outcomes according to Pulleyblank, and the Standard Mandarin outcomes using Pinyin spelling. The table does not explicitly list finals ending in /p/, /t/ or /k/ (the so-called "entering tone" syllables), but these can easily be derived by substituting /p/ for /m/, /t/ for /n/, and /k/ for /ŋ/. Some columns are not strictly in IPA.

Late Middle Chinese (LMC) outcomes

Codes for initial classes:

Standard Mandarin outcomes

The modern outcomes are listed using the following codes:

The outcomes are written either as individual outcomes in Pinyin, or combined outcomes in "pseudo-Pinyin" (when the outcome begins with a "-" or uppercase letter). "Pseudo-Pinyin" uses Pinyin conventions but without any of the abbreviations normally in use in Pinyin. Examples:

When not indicated, the choice of whether a velar or palatal occurs is determined by the following vowel: palatals before -i or , velars elsewhere.

Example: A listed outcome like -uo, Ge, PMo; also Ta, occ. wo means that the outcome is -e for a guttural (i.e. ge, ke, he, e); -o for a labial (i.e. po, bo, mo); -uo elsewhere; but for alveolar stops, -a also appears (i.e. either tuo, duo or ta, da), and wo occasionally appears instead of e as the outcome of MC ʔ- or ŋ- (the outcome of both is a "null initial", which is counted as a "guttural" in the modern outcomes).

These outcomes assume the normal correspondences between EMC initials and Standard Mandarin initials:

In a couple of situations where two different EMC initials have merged, the modern outcome is nonetheless different depending on the EMC initial:

Zero coda

Yunjing rhyme class Qieyun rhyme classdivisionrounding Bernhard Karlgren Li Rong Edwin G. Pulleyblank [lower-alpha 1] William H. Baxter Abraham Y.S. Chan Zhengzhang Shangfang Standard Mandarin pronunciation
EMCLMC Jinling Luoyang
(outer)Iopenɑɑa[ɑ]a[ɑ],Pua[ɑ]aɑɐɑ-uo, Ge, PMo; also Ta, occ. wo
Iclosedwa[wɑ]ua[uɑ]wa-uo; also Ge
III-mixedopeni̯ɑɨa[ɨɑ]ia[iɑ]jaɑœɨɑQie
III-mixedclosedi̯wɑiuɑua[uɑ]ya[yɑ]jwaɨuɑQüe
(outer)IIopenaa(ɛɨ)[ɑː],Gjaː[Gjɑː]ææɛɣa-a, Jia
IIclosedwauawaɨ(wɛɨ)waː[wɑː]ɣua-ua
III-mixedopeni̯aiaia[iɑ]ia[iɑ]iaJie, ŠRe
(inner)Icloseduooɔuə̆[uɔ]uuəuo-u
III-mixedclosedi̯woɨə̆iə̆[iɛ],SRəə̆[SRɤ](yə̆[yɛ],SRuə̆[SRuɔ])joœøɨʌ-ü, Fu, ŠRu
III-mixedclosedi̯uiouə̆yə̆[yɛ],SRuə̆[SRuɔ]juøøɨo

Palatal glide coda

Yunjing rhyme class Qieyun rhyme classdivisionrounding Bernhard Karlgren Li Rong Edwin G. Pulleyblank [lower-alpha 1] William H. Baxter Abraham Y.S. Chan Zhengzhang Shangfang Standard Mandarin pronunciation
EMCLMC Jinling Luoyang
(outer)Iopenɑ̌iɒiəjajojəjəjʌi-ai, Pei
Icloseduɑ̌iuɒiwəjuajwojʏjʏjuʌi-uei, PMei, lei, nei
IopenɑiɑiajajajH [lower-alpha 2] ɑjɐjɑi-ai, Pei
IclosedwɑiuɑiwajuajwajH [lower-alpha 2] wɑjwɐjuɑi-uei
IIopenə̆iɛiəɨjaːj,Gjaːjɛjɑjɛjɣɛi-ai, Qie; also Pei
IIclosedwə̆iuɛiwəɨjwaːjwɛjwɑjwɛjɣuɛiKuai
IIopenaiɛaɨjaːj,Gjaːjɛ(ɛɨ) [lower-alpha 3] ɛɛjɣɛ-ai, ya < ʔ-, Qie; also Pa
IIclosedwaiwaɨjwaːj(wɛɨ) [lower-alpha 3] wɛjɣuɛ-ua; also wai
IIopenaiaiaɨj(s) [lower-alpha 2] aːj,GjaːjæjH [lower-alpha 2] æjɛjɣai-ai, Qie
IIclosedwaiuaiwaɨj(s) [lower-alpha 2] waːjwæjH [lower-alpha 2] wæjwɛjɣuaiKuai
III/3openi̯ɛiiɛiiajiajjejH [lower-alpha 2] ejejɣiᴇi-i
III/4openjɛijiajPGjiajjiejH [lower-alpha 2] jejjejiᴇi
III/3closedi̯wɛiiuɛiwiajyajjwejH [lower-alpha 2] wejwejɣiuᴇi-uei
III/4closedjuɛijwiajPGjyajjwiejH [lower-alpha 2] wjejwjejiuᴇi
III-indepopeni̯æiiɐiɨajiajjojH [lower-alpha 2] øjøjɨɐifei, yi
III-indepclosedi̯wæiiuɐiuajyajjwojH [lower-alpha 2] wøjwøjʉɐiKuei
IVopenieieiɛjPGjiaj,Aiajejɐjɪjei-i
IVclosediweiueiwɛjGjyajwejwɐjwɪjweiKuei
(inner)III/3openieiə̆i,SRṛ,STẓjeeiɣiᴇ-i, er < ny-; occ. Pei
III/4openjejiə̆PGjijiejejiiᴇ
III/3closedwiěiuewiə̆yj,SRujjwewewiɣiuᴇ-uei, lei
III/4closedjuejwiə̆PGjyjjwiewjewjiiuᴇ
III/3openiiii,SRṛ,STẓijiiɣiɪ-i, er < ny-; occ. PMei
III/4openjijiPGjijijjiji
III/3closedwiuiwiyj,SRujwijwiwiɣiuɪ-uei, lei, yi?
III/4closedjuijwiPGjyjjwijwjiwjiiuɪ
III-mixedopeniɨi,SRṛ,STẓiieɨ-i, er < ny-
III-indepopeněiiəiɨjijɨjyjyjɨiJi, Fei
III-indepclosedwěiiuəiujyjjwɨjwyjwyjʉiGuei

Labial-velar glide coda

Yunjing rhyme class Qieyun rhyme classdivisionrounding Bernhard Karlgren Li Rong Edwin G. Pulleyblank [lower-alpha 1] William H. Baxter Abraham Y.S. Chan Zhengzhang Shangfang Standard Mandarin pronunciation
EMCLMC Jinling Luoyang
(outer)Iopenɑuɑuaw(u)awawɑwɐwɑu-ao
IIopenauauaɨwaːw,Gjaːwæwɛwɛwɣau-ao, ao < ʔ-, Jiao
III/3openi̯ɛuiɛuiawiawjewewewɣiᴇu-iao, ŠRao
III/4openjɛujiawPGjiawjiewjewjewiᴇu
IVopenieueuɛwPGjiaw,Aiawewɪwɪweu
(inner)Iopenə̆uuəwəwuwʉuəu-ou; also mu
III-mixedopeniə̆uiuuwiw,SRəw,Məwjuwyyɨu-iou, fou, mou, ŠRou; also Sou < Š-
III/4openi̯ĕuiĕujiwjiwjiwiwiwiɪu-iou

Labial codas

Yunjing rhyme class Qieyun rhyme classdivisionrounding Bernhard Karlgren Li Rong Edwin G. Pulleyblank [lower-alpha 1] William H. Baxter Abraham Y.S. Chan Zhengzhang Shangfang Standard Mandarin pronunciation
EMCLMC Jinling Luoyang -m-p
(outer)Iopenɑ̌mɒməmamomɔmɔmʌm-an-a, Ke
Iopenɑmɑmamamamɑmɐmɑm
IIopenə̆mɐməɨmaːm,Gjaːmɛmɛmɛmɣɛm-an, JianJia, Ša
IIopenamamaɨmaːm,Gjaːmæmæmɛmɣam
III/3openi̯ɛmiɛmiamiamjemememɣiᴇm-ian, ŠRan-ie, Še
III/4openjɛmjiamPGjiamjiemjemjemiᴇm
III-indepopeni̯æmiɐmɨamiamjæmømømɨɐm-ian, fan-ie, fa
III-indepclosedi̯wæmiuɐmuamiamjom/jwom?œmømʉɐm
IVopeniememɛmPGjiam,Aiamemɪmɪmem-ianQie
(inner)III/3openi̯əmiəmimim,SRəmimimimɣiɪm-in, ŠRen; also Sen < Š--i, Še < SR-
III/4openjəmjimPGjimjimjimjimiɪm

Dental codas

Yunjing rhyme class Qieyun rhyme classdivisionrounding Bernhard Karlgren Li Rong Edwin G. Pulleyblank [lower-alpha 1] William H. Baxter Abraham Y.S. Chan Zhengzhang Shangfang Standard Mandarin pronunciation
EMCLMC Jinling Luoyang -n-t
(outer)Iopenɑnɑnanananɑnɐnɑn-an-a, Ge, PMo
Icloseduɑnuɑnwanuanwanwɑnwɐnuɑn-uan, PMan-uo, PMo
IIopenananaɨnaːn,Gjaːnænænɛnɣan-an, Jian-a, Jia
IIclosedwanuanwaɨnwaːnwænwænwɛnɣuan-uanKua
IIopenə̆nɛnəɨnaːn,Gjaːnɛnɛnɛnɣɛn-an, Jian-a, Jia
IIclosedwə̆nuɛnwəɨnwaːnwɛnwɛnwɛnɣuɛnKuanGua
III/3openi̯ɛniɛnianianjenenenɣiᴇn-ian, ŠRan-ie, ŠRe
III/4openjɛnjianPGjianjienjenjeniᴇn
III/3closedi̯wɛniuɛnwianyanjwenwenwenɣiuᴇn-uan, Jüan; also lianJüe, lie, Šuo
III/4closedjuɛnjwianPGjyanjwienwjenwjeniuᴇn
III-indepopeni̯æniɐnɨanianjonønønɨɐnJian, FanJie, fa
III-indepclosedi̯wæniuɐnuanyanjwonwønwønʉɐnJüan, FanJüe
IVopenienenɛnPGjian,Aianenɪnɪnen-ian-ie
IVclosediwenuenwɛnjyanwenwɪnwɪnwenJüanQüe
(inner)IopenənənənənonənənənGenKe
Iclosedu̯ənuənwənunwonʏnʏnuən-uen, PMen-u, PMo, ne
III/3openi̯ɛniɛninSRəninininɪn-in, ŠRen; also Sen < Š--i, Še < SR-
III/3openi̯ēniēninin,SRəninininɣiɪn
III/4openjēnjinPGjinjinjinjiniɪn
III/3closedi̯wēniuēnwinynwinwinwinɣiuɪn-uen, Jün
III/3closedi̯uēniuēnwinynwinwinwinɣiuɪn
III/4closedjuēnjwinPGjynjwinjwinjwiniuɪn
欣(殷?)III-indepopeni̯əniənɨninjɨninynɨnJinJi
III-indepclosedi̯uəniuənunyn,yt,SRutjunynynɨunJün, FenJü, Fu

Velar codas

Yunjing rhyme class Qieyun rhyme classdivisionrounding Bernhard Karlgren Li Rong Edwin G. Pulleyblank [lower-alpha 1] William H. Baxter Abraham Y.S. Chan Zhengzhang Shangfang Standard Mandarin pronunciation
EMCLMC Jinling Luoyang -k
(outer)Iopenɑŋɑŋ[ɑŋ][ɑŋ]ɑŋɐŋɑŋ-ang-uo, Ge, PMo; also lao; occ. Sao
Iclosedwɑŋuɑŋwaŋ[wɑŋ]uaŋ[uɑŋ]waŋwɑŋwɐŋwɑŋKuangKuo
III-mixedopeni̯aŋiaŋɨaŋ[ɨɑŋ]iaŋ[iɑŋ],SRaːŋ[SRɑːŋ]jaŋœŋœŋɨɐŋ-iang, Fang, ŠRang; also Šuang < SR--üe, ŠRuo; also Jiao
III-mixedclosedi̯waŋiuaŋuaŋ[uɑŋ]yaŋ[yɑŋ]jwaŋwœŋwœŋʉɐŋKuangQüe
(outer)IIopenɔŋɔŋaɨwŋaːwŋ,RXLʔwaːwŋ,GjaːwŋæwŋɔŋɔŋɣʌŋQiang, Pang, Šuang < TR--uo, wo < ʔ-, Jüe, Pao; also Qiao, Po
(inner)Iopenəŋəŋəŋəə̆ŋ[ɤŋ]əŋ-eng-e, PMo; also Sei, lei
Iclosedwəŋuəŋwəŋuə̆ŋ[uɔŋ]woŋwoŋwoŋwəŋKongKuo
III-mixedopeni̯əŋiəŋiə̆ŋ[iɛŋ],iə̆k[iɛk],SRəə̆k[SRɤk]ɨŋ-ing, ŠReng-i, Še < SR-; also Se < SR-
III-mixedclosedi̯wəŋiuəŋwiŋyə̆ŋ[yɛŋ]wiŋwiŋwiŋwɨŋunobserved
(outer)IIopenæŋɐŋaɨjŋaːjŋ,GjaːjŋæŋæŋɛŋɣæŋJing, -eng; also Keng-ai, Ge; also PMo, Se < Š-
IIclosedwæŋuɐŋwaɨjŋwaːjŋwæŋwæŋwɛŋwɣæŋKengunobserved
IIopenɛŋɛŋəɨjŋaːjŋ,GjaːjŋɛŋɛŋɛŋɣɛŋJing, -eng; also Keng-ai, Ge; also Se < Š-
IIclosedwɛŋuɛŋwəɨjŋwaːjŋwɛŋwɛŋwɛŋwɣɛŋKongKuo
III/3openi̯æŋiɐŋiajŋiajŋjæŋjɛŋɣiæŋ-ing, Šeng-i
III/3closedi̯wæŋiuɐŋwiajŋyajŋjwæŋweŋwjɛŋwɣiæŋQiongunobserved
III/3openi̯ɛŋiɛŋiajŋiajŋjeŋiᴇŋ-ing, Šeng-i
III/4openjɛŋjiajŋPGjiajŋjieŋjeŋjeŋiᴇŋ
III/3closedi̯wɛŋiuɛŋwiajŋyajŋjweŋweŋweŋwiᴇŋQiong, yingyi
III/4closedjuɛŋjwiajŋjyajŋjwieŋwjeŋwjeŋwiᴇŋ
IVopenieŋɛjŋPGjiajŋ,Aiajŋɪŋɪŋ-ing-i
IVclosediweŋueŋKwɛjŋjyajŋweŋwɪŋwɪŋweŋQiongunobserved
(inner)Iclosedəwŋəwŋuwŋʉŋʉŋ-ong, weng, PMeng; occ. Seng-u; also wo
Icloseduoŋawŋəwŋowŋəŋuoŋ
III-mixedclosediuŋiuŋuwŋiwŋ,SRəwŋ,Məwŋjuwŋɨuŋ-ong, Jiong, feng; also Kong-u, Jü; also liu, ŠRou
III-mixedclosedi̯woŋioŋuawŋywŋjowŋøŋøŋɨoŋ

Notes

  1. 1 2 3 4 5 6 The table uses the notation in Pulleyblank (1991), which differs in some ways from Pulleyblank (1984).
  2. 1 2 3 4 5 6 7 8 9 10 11 12 These finals occur only in tone 3 (the "departing tone"). This is because they come from Old Chinese finals in -ts > -js, while the corresponding Old Chinese finals in -j lost the /j/. As a result, they often appear in Pulleyblank (1962) as e.g. aɨj(s) and in Baxter (1992) as e.g. æjH, where the s and H are the respective notations for tone 3.
  3. 1 2 In Baxter (1992), these finals are indicated as ɛɨ and wɛɨ, but in Baxter & Sagart (2010), they have changed to simply ɛ and .

Related Research Articles

A fricative is a consonant produced by forcing air through a narrow channel made by placing two articulators close together. These may be the lower lip against the upper teeth, in the case of ; the back of the tongue against the soft palate in the case of German ; or the side of the tongue against the molars, in the case of Welsh. This turbulent airflow is called frication.

<span class="mw-page-title-main">Middle Chinese</span> Pronunciation system for Chinese recorded in the Qieyun dictionary (601)

Middle Chinese or the Qieyun system (QYS) is the historical variety of Chinese recorded in the Qieyun, a rime dictionary first published in 601 and followed by several revised and expanded editions. The Swedish linguist Bernard Karlgren believed that the dictionary recorded a speech standard of the capital Chang'an of the Sui and Tang dynasties. However, based on the preface of the Qieyun, most scholars now believe that it records a compromise between northern and southern reading and poetic traditions from the late Northern and Southern dynasties period. This composite system contains important information for the reconstruction of the preceding system of Old Chinese phonology.

A rime table or rhyme table is a Chinese phonological model, tabulating the syllables of the series of rime dictionaries beginning with the Qieyun (601) by their onsets, rhyme groups, tones and other properties. The method gave a significantly more precise and systematic account of the sounds of those dictionaries than the previously used fǎnqiè analysis, but many of its details remain obscure. The phonological system that is implicit in the rime dictionaries and analysed in the rime tables is known as Middle Chinese, and is the traditional starting point for efforts to recover the sounds of early forms of Chinese. Some authors distinguish the two layers as Early and Late Middle Chinese respectively.

<span class="mw-page-title-main">Rime dictionary</span> Ancient type of Chinese dictionary that collates characters by tone and rhyme

A rime dictionary, rhyme dictionary, or rime book is an ancient type of Chinese dictionary that collates characters by tone and rhyme, instead of by radical. The most important rime dictionary tradition began with the Qieyun (601), which codified correct pronunciations for reading the classics and writing poetry by combining the reading traditions of north and south China. This work became very popular during the Tang dynasty, and went through a series of revisions and expansions, of which the most famous is the Guangyun (1007–1008).

Historical Chinese phonology deals with reconstructing the sounds of Chinese from the past. As Chinese is written with logographic characters, not alphabetic or syllabary, the methods employed in Historical Chinese phonology differ considerably from those employed in, for example, Indo-European linguistics; reconstruction is more difficult because, unlike Indo-European languages, no phonetic spellings were used.

Sino-Japanese vocabulary, also known as kango, is that subset of Japanese vocabulary that originated in Chinese or was created from elements borrowed from Chinese. Some grammatical structures and sentence patterns can also be identified as Sino-Japanese.

<span class="mw-page-title-main">Alveolo-palatal consonant</span> Type of consonant

In phonetics, alveolo-palatal consonants, sometimes synonymous with pre-palatal consonants, are intermediate in articulation between the coronal and dorsal consonants, or which have simultaneous alveolar and palatal articulation. In the official IPA chart, alveolo-palatals would appear between the retroflex and palatal consonants but for "lack of space". Ladefoged and Maddieson characterize the alveolo-palatals as palatalized postalveolars (palato-alveolars), articulated with the blade of the tongue behind the alveolar ridge and the body of the tongue raised toward the palate, whereas Esling describes them as advanced palatals (pre-palatals), the furthest front of the dorsal consonants, articulated with the body of the tongue approaching the alveolar ridge. These descriptions are essentially equivalent, since the contact includes both the blade and body of the tongue. They are front enough that the fricatives and affricates are sibilants, the only sibilants among the dorsal consonants.

General Chinese is a diaphonemic orthography invented by Yuen Ren Chao to represent the pronunciations of all major varieties of Chinese simultaneously. It is "the most complete genuine Chinese diasystem yet published". It can also be used for the Korean, Japanese, and Vietnamese pronunciations of Chinese characters, and challenges the claim that Chinese characters are required for interdialectal communication in written Chinese.

<i>Yunjing</i> Chinese Rhyme Table

The Yunjing is one of the two oldest existing examples of a Chinese rime table – a series of charts which arrange Chinese characters in large tables according to their tone and syllable structures to indicate their proper pronunciations. Current versions of the Yunjing date to AD 1161 and 1203 editions published by Zhang Linzhi (張麟之). The original author(s) and date of composition of the Yunjing are unknown. Some of its elements, such as certain choices in its ordering, reflect features particular to the Tang dynasty, but no conclusive proof of an actual date of composition has yet been found.

The phonology of Standard Chinese has historically derived from the Beijing dialect of Mandarin. Actual pronunciation varies widely among speakers, as they introduce elements of their native varieties. Elements of the sound system include not only the segments—e.g. vowels and consonants—of the language, but also the tones applied to each syllable. In addition to its four main tones, Standard Chinese possesses a neutral tone, used on weak syllables.

Standard Cantonese pronunciation is that of Guangzhou, also known as Canton, capital of Guangdong Province. Hong Kong Cantonese is related to Guangzhou dialect, and they diverge only slightly. Yue dialects in other parts of Guangdong and Guangxi provinces like Taishanese, may be considered divergent to a greater degree.

Chóngniǔ or rime doublets are certain pairs of Middle Chinese syllables that are consistently distinguished in rime dictionaries and rime tables, but without a clear indication of the phonological basis of the distinction.

Old Mandarin or Early Mandarin was the speech of northern China during the Jurchen-ruled Jin dynasty and the Mongol-led Yuan dynasty. New genres of vernacular literature were based on this language, including verse, drama and story forms, such as the qu and sanqu.

Scholars have attempted to reconstruct the phonology of Old Chinese from documentary evidence. Although the writing system does not describe sounds directly, shared phonetic components of the most ancient Chinese characters are believed to link words that were pronounced similarly at that time. The oldest surviving Chinese verse, in the Classic of Poetry (Shijing), shows which words rhymed in that period. Scholars have compared these bodies of contemporary evidence with the much later Middle Chinese reading pronunciations listed in the Qieyun rime dictionary published in 601 AD, though this falls short of a phonemic analysis. Supplementary evidence has been drawn from cognates in other Sino-Tibetan languages and in Min Chinese, which split off before the Middle Chinese period, Chinese transcriptions of foreign names, and early borrowings from and by neighbouring languages such as Hmong–Mien, Tai and Tocharian languages.

The Karlgren–Li reconstruction of Middle Chinese was a representation of the sounds of Middle Chinese devised by Bernhard Karlgren and revised by Li Fang-Kuei in 1971, remedying a number of minor defects.

William H. Baxter's transcription for Middle Chinese is an alphabetic notation recording phonological information from medieval sources, rather than a reconstruction. It was introduced by Baxter as a reference point for his reconstruction of Old Chinese phonology.

Although Old Chinese is known from written records beginning around 1200 BC, the logographic script provides much more indirect and partial information about the pronunciation of the language than alphabetic systems used elsewhere. Several authors have produced reconstructions of Old Chinese phonology, beginning with the Swedish sinologist Bernhard Karlgren in the 1940s and continuing to the present day. The method introduced by Karlgren is unique, comparing categories implied by ancient rhyming practice and the structure of Chinese characters with descriptions in medieval rhyme dictionaries, though more recent approaches have also incorporated other kinds of evidence.

<span class="mw-page-title-main">Eastern Han Chinese</span> Form of Chinese spoken in the Eastern Han period

Eastern Han Chinese, Later Han Chinese or Late Old Chinese is the stage of the Chinese language revealed by poetry and glosses from the Eastern Han period . It is considered an intermediate stage between Old Chinese and the Middle Chinese of the 7th-century Qieyun dictionary.

References

Footnotes
  1. Norman (1988), pp. 36–38.
  2. Baxter (1992), pp. 62–63.
  3. Schuessler (2009), pp. 8–9.
  4. Pan & Zhang (2015), pp. 86–87.
  5. Baxter (1992), pp. 75–79.
  6. Branner (2006), p. 24.
  7. Branner (2006), p. 25.
  8. Baxter (1992), pp. 63–81.
Works cited