Mandarin is by far the largest branch of the Sinitic languages. Mandarin varieties are spoken by 70 percent of all Chinese speakers over a large geographical area that stretches from Yunnan in the southwest to Xinjiang in the northwest and Heilongjiang in the northeast. Its spread is generally attributed to the greater ease of travel and communication in the North China Plain compared to the more mountainous south, combined with the relatively recent spread of Mandarin to frontier areas.
Middle Chinese or the Qieyun system (QYS) is the historical variety of Chinese recorded in the Qieyun, a rime dictionary first published in 601 and followed by several revised and expanded editions. The Swedish linguist Bernhard Karlgren believed that the dictionary recorded a speech standard of the capital Chang'an of the Sui and Tang dynasties. However, based on the preface of the Qieyun, most scholars now believe that it records a compromise between northern and southern reading and poetic traditions from the late Northern and Southern dynasties period. This composite system contains important information for the reconstruction of the preceding system of Old Chinese phonology.
Fanqie is a method in traditional Chinese lexicography to indicate the pronunciation of a monosyllabic character by using two other characters, one with the same initial consonant as the desired syllable and one with the same rest of the syllable . The method was introduced in the 3rd century AD and is to some extent still used in commentaries on the classics and dictionaries.
A rime table or rhyme table is a Chinese phonological model, tabulating the syllables of the series of rime dictionaries beginning with the Qieyun (601) by their onsets, rhyme groups, tones and other properties. The method gave a significantly more precise and systematic account of the sounds of those dictionaries than the previously used fǎnqiè analysis, but many of its details remain obscure. The phonological system that is implicit in the rime dictionaries and analysed in the rime tables is known as Middle Chinese, and is the traditional starting point for efforts to recover the sounds of early forms of Chinese. Some authors distinguish the two layers as Early and Late Middle Chinese respectively.
The Qieyun is a Chinese rime dictionary that was published in 601 during the Sui dynasty. The book was a guide to proper reading of classical texts, using the fanqie method to indicate the pronunciation of Chinese characters. The Qieyun and later redactions, notably the Guangyun, are important documentary sources used in the reconstruction of historical Chinese phonology.
A rime dictionary, rhyme dictionary, or rime book is a genre of dictionary that records pronunciations for Chinese characters by tone and rhyme, instead of by graphical means like their radicals. The most important rime dictionary tradition began with the Qieyun (601), which codified correct pronunciations for reading the classics and writing poetry by combining the reading traditions of north and south China. This work became very popular during the Tang dynasty, and went through a series of revisions and expansions, of which the most famous is the Guangyun (1007–1008).
Historical Chinese phonology deals with reconstructing the sounds of Chinese from the past. As Chinese is written with logographic characters, not alphabetic or syllabary, the methods employed in Historical Chinese phonology differ considerably from those employed in, for example, Indo-European linguistics; reconstruction is more difficult because, unlike Indo-European languages, no phonetic spellings were used.
Zhongyuan Yinyun, literally meaning "Rhymes of the central plain", is a rime book from the Yuan dynasty compiled by Zhou Deqing (周德清) in 1324. An important work for the study of historical Chinese phonology, it testifies many phonological changes from Middle Chinese to Old Mandarin, such as the reduction and disappearance of final stop consonants and the reorganization of the Middle Chinese tones. Though often termed a "rime dictionary", the work does not provide meanings for its entries.
A checked tone, commonly known by the Chinese calque entering tone, is one of the four syllable types in the phonology of Middle Chinese. Although usually translated as "tone", a checked tone is not a tone in the phonetic sense but rather a type of syllable that ends in a stop consonant or a glottal stop. Separating the checked tone allows -p, -t, and -k to be treated as allophones of -m, -n, and -ng, respectively, since they are in complementary distribution. Stops appear only in the checked tone, and nasals appear only in the other tones. Because of the origin of tone in Chinese, the number of tones found in such syllables is smaller than the number of tones in other syllables. Chinese phonetics have traditionally counted them separately.
The Yunjing is one of the two oldest existing examples of a Chinese rime table – a series of charts which arrange Chinese characters in large tables according to their tone and syllable structures to indicate their proper pronunciations. Current versions of the Yunjing date to AD 1161 and 1203 editions published by Zhang Linzhi (張麟之). The original author(s) and date of composition of the Yunjing are unknown. Some of its elements, such as certain choices in its ordering, reflect features particular to the Tang dynasty, but no conclusive proof of an actual date of composition has yet been found.
Standard Cantonese pronunciation originates from Guangzhou, also known as Canton, the capital of Guangdong Province. Hong Kong Cantonese is closely related to the Guangzhou dialect, with only minor differences. Yue dialects spoken in other parts of Guangdong and Guangxi provinces, such as Taishanese, exhibit more significant divergences.
Chóngniǔ or rime doublets are certain pairs of Middle Chinese syllables that are consistently distinguished in rime dictionaries and rime tables, but without a clear indication of the phonological basis of the distinction.
Menggu Ziyun is a 14th-century rime dictionary of Old Mandarin Chinese as written in the 'Phags-pa script that was used during the Yuan dynasty (1271–1368). The only surviving examplar of this dictionary is an 18th-century manuscript copy that belonged to Stephen Wootton Bushell (1844–1908), and is now held at the British Library. As the only known example of a 'Phags-pa script dictionary of Chinese, it is important both as an aid for interpreting Yuan dynasty texts and inscriptions written in Chinese using the 'Phags-pa script, and as a source for the reconstructed pronunciation of Old Mandarin.
Scholars have attempted to reconstruct the phonology of Old Chinese from documentary evidence. Although the writing system does not describe sounds directly, shared phonetic components of the most ancient Chinese characters are believed to link words that were pronounced similarly at that time. The oldest surviving Chinese verse, in the Classic of Poetry (Shijing), shows which words rhymed in that period. Scholars have compared these bodies of contemporary evidence with the much later Middle Chinese reading pronunciations listed in the Qieyun rhyme dictionary published in 601 AD, though this falls short of a phonemic analysis. Supplementary evidence has been drawn from cognates in other Sino-Tibetan languages and in Min Chinese, which split off before the Middle Chinese period, Chinese transcriptions of foreign names, and early borrowings from and by neighbouring languages such as Hmong–Mien, Tai and Tocharian languages.
The Karlgren–Li reconstruction of Middle Chinese was a representation of the sounds of Middle Chinese devised by Bernhard Karlgren and revised by Li Fang-Kuei in 1971, remedying a number of minor defects.
William H. Baxter's transcription for Middle Chinese is an alphabetic notation recording phonological information from medieval sources, rather than a reconstruction. It was introduced by Baxter as a reference point for his reconstruction of Old Chinese phonology.
In Middle Chinese, the phonological system of medieval rime dictionaries and rime tables, the final is the rest of the syllable after the initial consonant. This analysis is derived from the traditional Chinese fanqie system of indicating pronunciation with a pair of characters indicating the sounds of the initial and final parts of the syllable respectively, though in both cases several characters were used for each sound. Reconstruction of the pronunciation of finals is much more difficult than for initials due to the combination of multiple phonemes into a single class, and there is no agreement as to their values. Because of this lack of consensus, understanding of the reconstruction of finals requires delving into the details of rime tables and rime dictionaries.
Mandarin was the common spoken language of administration of the Chinese empire during the Ming and Qing dynasties. It arose as a practical measure, due to the mutual unintelligibility of the varieties of Chinese spoken in different parts of China. Knowledge of this language was thus essential for an official career, but it was never formally defined. The language was a koiné based on Mandarin dialects. The southern variant spoken around Nanjing was prevalent in the late Ming and early Qing eras, but a form based on the Beijing dialect became dominant by the mid-19th century and developed into Standard Chinese in the 20th century. In some 19th-century works, it was called the court dialect.
Although Old Chinese is known from written records beginning around 1200 BC, the logographic script provides much more indirect and partial information about the pronunciation of the language than alphabetic systems used elsewhere. Several authors have produced reconstructions of Old Chinese phonology, beginning with the Swedish sinologist Bernhard Karlgren in the 1940s and continuing to the present day. The method introduced by Karlgren is unique, comparing categories implied by ancient rhyming practice and the structure of Chinese characters with descriptions in medieval rhyme dictionaries, though more recent approaches have also incorporated other kinds of evidence.
Eastern Han Chinese is the stage of the Chinese language attested in poetry and glosses from the Eastern Han period. It is considered an intermediate stage between Old Chinese and the Middle Chinese of the 7th-century Qieyun rime dictionary.
