Written Cantonese

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Written Cantonese
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Script type
Time period
1910s (or earlier) to present
Languages Yue Chinese
Related scripts
Sister systems
Written Hokkien
 This article contains phonetic transcriptions in the International Phonetic Alphabet (IPA).For an introductory guide on IPA symbols, see Help:IPA.For the distinction between [ ], / / and  , see IPA § Brackets and transcription delimiters.

Written Cantonese is the most complete written form of a Chinese language after that for Mandarin Chinese and Classical Chinese. Written Chinese was the main literary language of China until the 19th century. Written vernacular Chinese first appeared in the 17th century, and a written form of Mandarin became standard throughout China in the early 20th century. [1] Cantonese is a common language in places like Hong Kong and Macau. While the Mandarin form can to some extent be read and spoken word for word in other Chinese varieties, its intelligibility to non-Mandarin speakers is poor to incomprehensible because of differences in idioms, grammar and usage. Modern Cantonese speakers have therefore developed new characters for words that do not exist and have retained others that have been lost in standard Chinese.

Contents

With the advent of the computer and standardization of character sets specifically for Cantonese, many printed materials in predominantly Cantonese-speaking areas of the world are written to cater to their population with these written Cantonese characters.

Written Cantonese on the packaging of Hong Kong beverage brand Vitasoy Vicmac1.jpg
Written Cantonese on the packaging of Hong Kong beverage brand Vitasoy

History

Early history

Before the 20th century, the standard written language of China was Classical Chinese, with a grammar and vocabulary based on the Old Chinese of the Spring and Autumn period, of the 8th to the 5th century BCE. [2] While this written standard remained essentially static for over two thousand years, the actual spoken language diverged ever further. The formation of Yue Chinese occurring among the Han population in the Pearl River Delta across many centuries, with the main linguistic influences being the Middle Chinese of the tenth century CE, corresponding to the end of the Tang dynasty, and that of the thirteenth century CE or late Song dynasty, as well as the Tai-Kadai substrate and some influence from pre-Tang Sinitic varieties. [3]

The first Cantonese writings belong to a literary form specific to Canton, called mukjyusyu (木魚書, Jyutping: muk6 jyu4 syu1, Hanyu Pinyin: mùyúshū, literally 'wooden fish book'), that supposedly has its roots in Buddhist chants accompanied by wooden fish. Mukjyu texts were popular light reading, their primary audience were women, as female (and overall) literacy was unusually high in that region. [4] The mukjyus were intended to be sung, similar to other genres such as naamyam , although without musical instruments. [5]

The earliest known mukjyusyu work with elements of written Cantonese, Faazin Gei (花箋記, Jyutping: Faa1zin1 Gei3, Hanyu Pinyin: Huājiān Jì, literally "The Flowery Paper"), was composed by an unknown author during the late Ming dynasty; its oldest extant edition is dated to 1713. [5] [4] The Faazin Gei is an example of the "scholar and beauty" genre popular at the time, with its story set in Suzhou. Its text, while still being close to Literary Chinese, contains a lot of specific Cantonese wording and even Cantonese vernacular characters, especially in the dialogue sentences, but also in the narrative text. Other such renowned early works include Ji-Hofaa Si (二荷花史, Jyutping: Ji6 Ho4faa1 Si2, "The Two Lotus Flowers") and Gamso-Jyunjoeng Saanwusin Gei (金鎖鴛鴦珊瑚扇記, Jyutping: Gam1so2 Jyun1joeng1 Saan1wu4sin3 Gei3, "Coral Fan and Golden-lock Mandarin-ducks Pendant"). [5]

The naamyam (南音; Jyutping: naam4 jam1, Hanyu Pinyin: nányīn, literally "southern songs"), a genre of song that flourished from the late Ming dynasty and frequently sung in Canton's brothels with accompanying string instruments, possessed language that was generally very literary, with only occasional instances of colloquial Cantonese words. The purpose of such inclusions is debated; they were likely added purely for rhythmic purposes. An example of such practice is Haaktou Cauhan (客途秋恨, Jyutping: Haak3tou4 Cau1han6, "The Traveler's Autumn Regrets") written in the first decade of 1800s, which is considered one of the most outstanding examples of the naamyam genre. [5]

Written Cantonese vocabulary was used much more extensively in the lungzau (龍舟, Jyutping: lung4zau1, "Dragon boat") songs, performed mainly by beggars on the streets. These songs were considered the least prestigious genre and were rarely published, and then only after careful editing to make them less vernacular in style. [5]

An important landmark in the history of written Cantonese was the publication of Jyut-au (粵謳, Jyutping: jyut6au1, Hanyu Pinyin: yuè'ōu, literally: "Cantonese love songs") by Zhao Ziyong (招子庸, Jyutping: Ziu1 Zi2jung4, Hanyu Pinyin: Zhāo Zǐyōng) in 1828, marking the beginning of an extremely popular genre. Being an educated juren , Zhao Ziyong earned some prestige and respect for the previously rejected "heavy" vernacular literature. [5]

Modern times

In the early 20th century, Chinese reformers like Hu Shih saw the need for language reform and championed the development of a vernacular that allowed modern Chinese to write the language the same way they speak. The vernacular language movement took hold, and the written language was standardized as vernacular Chinese. Mandarin was chosen as the basis for the new standard.

The standardization and adoption of written Mandarin preempted the development and standardization of vernaculars based on other varieties of Chinese. No matter which dialect one spoke, they still wrote in standardized Mandarin for everyday writing. However, Cantonese is unique amongst the non-Mandarin varieties in having a widely used written form. Cantonese-speaking Hong Kong used to be a British colony isolated from mainland China before 1997, so most HK citizens do not speak Mandarin. Written Cantonese has developed as a means of informal communication. Still, Cantonese speakers must use standard written Chinese, or even literary Chinese, in most formal written communications, since written Cantonese may be unintelligible to speakers of other varieties of Chinese.

Written Cantonese advertising banner in mainland China Written-Cantonese-advertising-banner-in-Mainland-China-(Kaiping-City)-2008.jpg
Written Cantonese advertising banner in mainland China

By the 1920s, with the rise of fully written libretti (Chinese :劇本; pinyin :jùběn; Jyutping :kek6 bun2) for Cantonese opera, a well-recognised system had arisen for the use of written Cantonese. The theatrical art form became popularised further through the 1950s with the post-war Hong Kong film industry, during which one third of all cinema production was devoted to Cantonese opera. [4] With the consistent use of on-screen subtitles, the film-going audiences regularly encountered written Cantonese at the cinema, as well as on the backs of phonograph records and later audiocassette and CD cases. [4]

Historically, written Cantonese has been used in Hong Kong for legal proceedings in order to write down the exact spoken testimony of a witness, instead of paraphrasing spoken Cantonese into standard written Chinese. However, its popularity and usage has been rising in the last two decades, the late Wong Jim being one of the pioneers of its use as an effective written language. Written Cantonese has become quite popular in certain tabloids, online chat rooms, instant messaging, and even social networking websites; this would be even more evident since the rise of localism in Hong Kong from the 2010s, where the articles written by those localist media are written in Cantonese. Although most foreign movies and TV shows are subtitled in Standard Chinese, some, such as The Simpsons , are subtitled using written Cantonese. Newspapers have the news section written in Standard Chinese, but they may have editorials or columns that contain Cantonese discourses, and Cantonese characters are increasing in popularity on advertisements and billboards.

It has been stated that written Cantonese remains limited outside Hong Kong, including other Cantonese-speaking areas in Guangdong Province. [5] However, colloquial Cantonese advertisements are sometimes seen in Guangdong, suggesting that written Cantonese is widely understood and is regarded favourably, at least in some contexts. Attitudes toward written Cantonese in Guangzhou have been found to be in general positive, though this was limited to the informal and casual domains of life, where the social value of written Cantonese as a marker of cultural solidarity is highest. [6]

Some sources will use only colloquial Cantonese forms, resulting in text similar to natural speech. However, it is more common to use a mixture of colloquial forms and standard Chinese forms, some of which are alien to natural speech. Thus the resulting "hybrid" text lies on a continuum between two norms: standard Chinese and colloquial Cantonese as spoken. It has been found that female gender and a middle class-income are demographic factors that promote a clear separation between standard written Chinese and written Cantonese. On the other hand, men, and both blue-collar workers and college-educated high-income demographics, are factors that tend towards a convergence to standard written Chinese. [6]

Cantonese characters

Early sources

A good source for well documented written Cantonese words can be found in the scripts for Cantonese opera. Readings in Cantonese colloquial: being selections from books in the Cantonese vernacular with free and literal translations of the Chinese character and romanized spelling (1894) by James Dyer Ball has a bibliography of printed works available in Cantonese characters in the last decade of the nineteenth century. A few libraries have collections of so-called "wooden fish books" written in Cantonese characters. Facsimiles and plot precis of a few of these have been published in Wolfram Eberhard's Cantonese Ballads. See also Cantonese love-songs, translated with introduction and notes by Cecil Clementi (1904) or a newer translation of these by Peter T. Morris in Cantonese love songs : an English translation of Jiu Ji-yung's Cantonese songs of the early 19th century (1992). Cantonese character versions of the Bible, Pilgrims Progress, and Peep of Day, as well as simple catechisms, were published by mission presses. The special Cantonese characters used in all of these were not standardized and show wide variation.

Characters today

Written Cantonese contains many characters not used in standard written Chinese in order to transcribe words not present in the standard lexicon, and for some words from Old Chinese when their original forms have been forgotten. Despite attempts by the government of Hong Kong in the 1990s to standardize this character set, culminating in the release of the Hong Kong Supplementary Character Set (HKSCS) for use in electronic communication, there is still significant disagreement about which characters are correct in written Cantonese, as many of the Cantonese words existed as descendants of Old Chinese words, but are being replaced by some new invented Cantonese words.

Vocabulary

General estimates of vocabulary differences between Cantonese and Mandarin range from 30 to 50 percent.[ citation needed ] Donald B. Snow, the author of Cantonese as Written Language: The Growth of a Written Chinese Vernacular, wrote that "It is difficult to quantify precisely how different" the two vocabularies are. [5] Snow wrote that the different vocabulary systems are the main difference between written Mandarin and written Cantonese. [5] Ouyang Shan made a corpus-based estimate concluding that one third of the lexical items used in regular Cantonese speech do not exist in Mandarin, but that between the formal registers the differences were smaller. He analyzed a radio news broadcast and concluded that of its lexical items, 10.6% were distinctly Cantonese. [5] Here are examples of differing lexical items in a sentence:

Written Cantonese and standard written Chinese equivalents with corresponding Jyutping romanization
GlossWritten CantoneseStandard Written Chinese
is hai6 si6(Mandarin: shì)
not m4 bat1(Mandarin: bù)
they/them佢哋 keoi5-dei6他們 taa1-mun4(Mandarin: tāmen)
(possessive marker) ge3 dik1(Mandarin: de)
Is it theirs?係唔係佢哋嘅?

hai6-m4-hai6 keoi5-dei6 ge3?

是不是他們的?

Si6-bat1-si6 taa1-mun4 dik1?
(Mandarin: Shì bùshì tāmen de?)

The two Chinese sentences are grammatically identical, using an A-not-A question to ask "Is it theirs?" (referring to an aforementioned object). Though the characters correspond 1:1, the actual glyphs used are all different.

Cognates

There are certain words that share a common root with standard written Chinese words. However, because they have diverged in pronunciation, tone, and/or meaning, they are often written using a different character. One example is the doublet loi4 (standard) and lei4 (Cantonese), meaning "to come." Both share the same meaning and usage, but because the colloquial pronunciation differs from the literary pronunciation, they are represented using two different characters. Some people argue that representing the colloquial pronunciation with a different (and often extremely complex) character is superfluous, and would encourage using the same character for both forms since they are cognates (see Derived characters below).

Native words

Some Cantonese words have no equivalents in Mandarin, though equivalents may exist in classical or other varieties of Chinese. Cantonese writers have from time to time reinvented or borrowed a new character if they are not aware of the original one. For example, some suggest that the common word leng3, meaning pretty in Cantonese but also looking into the mirror in Mandarin, is in fact the character ling3. [7]

Today those characters can mainly be found in ancient rime dictionaries such as Guangyun . Some scholars have made some "archaeological" efforts to find out what the "original characters" are. Often, however, these efforts are of little use to the modern Cantonese writer, since the characters so discovered are not available in the standard character sets provided to computer users, and many have fallen out of usage.

In Southeast Asia, Cantonese people may adopt local Malay words into their daily speech, such as using the term 鐳 leoi1 to mean money rather than 錢 cin2, which would be used in Hong Kong.

Particles

Cantonese particles may be added to the end of a sentence or suffixed to verbs to indicate aspect. There are many such particles; here are a few.

Loanwords

Some Cantonese loanwords are written in existing Chinese characters.

Examples
Written Cantonese [9] Jyutping Cantonese pronunciation English word English Pronunciation Written Mandarin
巴士baa1 si2/paː˥ɕiː˧˥/bus/bʌs/公車 (Taiwan)
公共汽車、公交车 (Mainland China)
的士dik1 si2/tɪk˥ɕiː˧˥/taxi/ˈtæksi/計程車 (Taiwan)
出租車 (Mainland China)
德士 (Singapore/Malaysia)
多士do1 si6/tɔ˥ːɕi˨ː/toast/ˈtɘʊst/吐司
朱古力zyu1 gu1 lik1/tɕyː˥kuː˥lɪk˥/chocolate/ˈtʃɒklɪt/巧克力
三文治saam1 man4 zi6/saːm˥mɐn˨˩tɕiː˨/sandwich/ˈsænwɪdʒ/三明治
士多si6 do1/ɕiː˨tɔː˥/store/stɔː/商店
士巴拿si6 baa1 naa2/ɕiː˨paː˥naː˧˥/spanner (wrench)/ˈspæn.ə(ɹ)/扳手
士多啤梨si6 do1 be1 lei2/ɕiː˨tɔː˥pɛː˥lei˧˥/strawberry/ˈstrɔːbəri/草莓
啤梨be1 lei2/pɛː˥lei˧˥/pear/peər/梨子
沙士saa1 si6/saː˥ɕiː˨/ SARS /sɑːz/嚴重急性呼吸道症候群
非典 (Mainland China)
拜拜baai1 baai3/paːi˥paːi˧/bye bye/ˈbaɪbaɪ/再見
BBbi4 bi1/piː˨˩piː˥/baby/ˈbeɪbi/嬰兒
菲林fei1 lam2/fei˥lɐm˧˥/film/fɪlm/膠卷
菲屎fei1 si2/fei˥ɕiː˧˥/face (reputation)/feɪs/面子
三文魚saam1 man4 jyu4/saːm˥mɐn˨˩jyː˨˩/salmon/ˈsæmən/鮭魚
沙律saa1 leot6/sa˥ːlɵ˨t̚/salad/ˈsæləd/沙拉
taai1/tʰa˥ːi/1. tire
2. tie
1. /ˈtaɪ̯ə/
2. /taɪ/
1. 輪胎
2. 領帶
褒呔bou1 taai1/po˥utʰa˥ːi/bowtie/bəʊˈtaɪ/蝴蝶型領結
fei1/fei˥/fee (ticket)/fiː/
bo1/pɔ˥ː/ball/bɔːl/
哈囉haa1 lou3/ha˥ːlou˧/hello/həˈləʊ/哈囉
迷你mai4 nei2 [mɐi˩.nei˧˥] mini/ˈmɪni/
摩登mo1 dang1/mɔː˥tɐŋ˥/modern/ˈmɒdən/時尚、現代
肥佬fei4 lou2 [fei˩lou˧˥] fail/feɪl/不合格
咖啡gaa3 fe1/kaː˧fɛː˥/coffee/ˈkɒfi/咖啡
OKou1 kei1/ʔou˥kʰei˥/okay/ˌəʊˈkeɪ/可以
kaak1/kʰaːk̚˥/card/kɑːd/
啤牌pe1 paai2/pʰɛː˥pʰaːi˧˥/poker/ˈpəʊkə/樸克
gei1/kei˥/gay/ɡeɪ/同性戀
(蛋)撻(daan6) taat1(/taːn˨/) /tʰaːt̚˥/(egg) tart/tɑːt/(蛋)塔
可樂ho2 lok6/hɔ˧˥ː.lɔːk̚˨/cola/ˈkəʊ.lə/可樂
檸檬ning4 mung1 [neŋ˩meŋ˥] lemon/ˈlɛmən/檸檬
扑成buk1 sing4 [pok̚˥.seŋ˩] boxing/ˈbɒksɪŋ/拳擊
刁時diu1 si2 [tiːu˥.siː˧˥] deuce(before the final game of tennis) 平分
干邑gon1 jap1 [kɔːn˥.jɐp̚˥] cognac法國白蘭地酒
沙展saa1 zin2 [saː˥.tsiːn˧˥] sergeant警長
士碌架si3 luk1 gaa2 [siː˧lok̚˥.kaː˧˥] snooker彩色檯球
士撻(打)si3 taat1 (daa2) [siː˧.tʰaːt̚˥ taː˧˥] starter啟輝器
士啤si3 be1 [siː˧.pɛː˥] spare後備,備用
士啤呔si3 be1 taai1 [siː˧.pɛː˥ tʰaːi˥] spare tire備用輪胎
Often used to describe people with waist and abdomen fat
士的si3 dik1 [siː˧.tek̚˥] stick手杖,拐杖
士多房si3 do1 fong4 [siː˧.tɔː˥ fɔːŋ˩] storeroom貯藏室
山埃saan1 aai1 [saːn˥ ʔaːi˥] cyanide氰化物
叉(電)caa1 (din3) [tsʰaː˥.tiːn˧] (to) charge充電
六式碼luk3 sik1 maa2 [lok̚˧.sek̚˥ maː˧˥] Six Sigma六西格瑪
天拿水tin1 naa4 seoi2 [tʰiːn˥naː˩ sɵy˧˥] (paint) thinner稀釋劑,溶劑
比高bei2 gou1 [pei˧˥kou˥] bagel過水麵包圈 (Mainland China)

貝果 (Taiwan)

比堅尼bei2 gin1 nei4 [pei˧˥kiːn˥nei˩] bikini比基尼泳裝
巴士德消毒baa1 si1 dak1 siu1 duk6/paː˥.si˥tɐk̚˥.siːu˥.tʊk̚˨/pasteurized用巴氏法消毒過的
巴打baa1 daa2 [paː˥.taː˧˥] brother兄弟
巴黎帽baa1 lai4 mou2 [paː˥lɐi˩mou˧˥] beret貝雷帽
巴仙baa1 sin1 / pat6 sen1 [paː˥siːn˥] / /pʰɐt̚˨.sɛːn˥/percent百分之

趴(Taiwan)

古龍水gu2 lung4 seoi2 [kuː˧˥.loŋ˩ sɵy˧˥] cologne科隆香水 (Mainland China)
布冧bou3 lam1 [pou˧lɐm˥] plum洋李,李子,梅
布甸bou3 din1 [pou˧.tiːn˥] pudding布丁
打令daa1 ling2 [taː˥.leŋ˧˥] darling心愛的人
打比(打吡)daa2 bei2 [taː˧˥.pei˧˥] derby德比賽馬
kaa1 [kʰaː˥] car(火車)車廂
卡式機kaa1 sik1 gei1 [kʰaː˥.sek̚˥ kei˥] cassette盒式錄音機
卡士kaa1 si2 [kʰaː˥.siː˧˥] 1. cast
2. class
1. 演員陣容
2. 檔次,等級;上品,高檔,有品味
卡通kaa1 tung1 [kʰaː˥.tʰoŋ˥] cartoon動畫片,漫畫
卡巴kaa1 baa1 [kʰaː˥.paː˥] kebab烤腌肉串
甲巴甸gaap3 baa1 din1 [kaːp̚˧.paː˥.tiːn˥] gabardine華達呢
le1 [lɛː˥] level級,級別
叻㗎lek1 gaa4 [lɛːk̚˥.kaː˩] lacquer清漆
sin1 [siːn˥] cent
他菲亞酒taa1 fei1 aa3 zau2 [tʰaː˥.fei˥ ʔaː˧.tsɐu˧˥] tafia塔非亞酒
冬甩dung1 lat1 [toŋ˥.lɐt̚˥] doughnut炸麵餅圈 (Mainland China)
奶昔naai2 sik1 [naːi˧˥.sek̚˥] milkshake牛奶冰淇淋
安士on1 si2 [ʔɔːn˥siː˧˥] ounce盎司,英兩,啢
安哥on1 go1/ʔɛːn˥.kʰɔ˥/encore再來一個,再演奏(Song)一次

Cantonese character formation

Cantonese characters, as with regular Chinese characters, are formed in one of several ways:

Borrowings

Some characters already exist in standard Chinese, but are simply reborrowed into Cantonese with new meanings. Most of these tend to be archaic or rarely used characters. An example is the character 子, which means "child". The Cantonese word for child is represented by 仔(jai), which has the original meaning of "young animal".

Compound formation

The majority of characters used in Standard Chinese are phono-semantic compounds - characters formed by placing two radicals, one hinting as its meaning and one hinting its pronunciation. Written Cantonese continues this practice via putting the 'mouth' radical () next to a character pronounced similarly that indicates its pronunciation. As an example, the character uses the mouth radical with a , which means 'down', but the meaning has no relation to the meaning of . (An exception is , which is not pronounced like (yèuhng, sheep) but was chosen to represent the sound sheep make.) The characters which are commonly used in Cantonese writing include:

CharacterJyutpingNotesStandard Chinese equivalent
gaa3 function word
haa5function word
aak1 v. cheat, hoax
gam2function word like this, e.g., 噉就死喇這樣
gam3function word like this, e.g., 咁大件這麼
zo2function word indicates past tense
me1function word, also a contraction of 乜嘢
saai3function word indicates completion, e.g., 搬嗮 moved all, finished moving,
dei6function word, indicates plural form of a pronoun
ni1 / nei1 adv. this, these
m4adv. not, no, cannot; originally a function word
ngaam1 / aam1 [10] adv. just, nearly
adv. correct, suitable
di1 genitive , similar to 's but pluralizing i.e., 呢個 this → 呢啲 these, 快點 = 快啲 = "hurry!", ,
juk1v. to move
hai2prep. at, in, during (time), at, in (place)
go2adv. that, those
ge3 genitive , similar to 's; sometimes function word,
mak1n. mark, trademark; transliteration of "mark"
laak3function word
laa3function word
je5n. thing, stuff東西, 事物
saai1v. to waste浪費
lei4 / lai4v. to come; sometimes function word
gau6function word a piece of
lo1 / lo3function word
tau2v. to rest
haam3v. to cry
mai5 / mai6v. not be, contraction of 唔係 m4 hai6, used following 係 in yes–no questions; also other uses,
aa1final particle expressing consent and denial, liveliness and irritation, etc.

There is evidence that the mouth radical in such characters can, over time, be replaced by a different one. For instance, (lām, "bud"), written with the determinative ("cover"), is instead written in older dictionaries as , with the mouth radical.

Derived characters

Other common characters are unique to Cantonese or are different from their Mandarin usage, including: 乜, 冇, 仔, 佢, 佬, 俾, 靚 etc. The characters which are commonly used in Cantonese writing include:

The words represented by these characters are sometimes cognates with pre-existing Chinese words. However, their colloquial Cantonese pronunciations have diverged from formal Cantonese pronunciations. For example, ("without") is normally pronounced mou4 in literature. In spoken Cantonese, mou5 has the same usage, meaning, and pronunciation as , except for tone. represents the spoken Cantonese form of the word "without", while represents the word used in Classical Chinese and Mandarin. However, is still used in some instances in spoken Cantonese, such as 無論如何 ("no matter what happens"). Another example is the doublet 來/嚟, which means "come". loi4 is used in literature; lei4 is the spoken Cantonese form.

Workarounds

Though most Cantonese words can be found in the current encoding system, input workarounds are commonly used both by those unfamiliar with them, and by those whose input methods do not allow for easy input (similar to how some Russian speakers might write in the Latin script if their computing device lacks the ability to input Cyrillic). Some Cantonese writers use simple romanization (e.g., use D as 啲), symbols (add a Latin letter "o" in front of another Chinese character; e.g., 㗎 is defined in Unicode but will not display if not installed on the device in use, hence the proxy o架 is often used), homophones (e.g., use 果 as 嗰), and Chinese characters which have different meanings in Mandarin (e.g., 乜, 係, 俾; etc.) For example,

Character喇,嘢。
Substitutiono係la,D野。
Glossyoubeingtheregood(final particle),thousandpraydon'tmess withhe/she(genitive particle)things/stuff.
TranslationYou'd better stay there, and under no circumstances mess with his/her stuff.

See also

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<span class="mw-page-title-main">Chinese language</span> National language of China

Chinese is a group of languages spoken natively by the ethnic Han Chinese majority and many minority ethnic groups in China. Approximately 1.35 billion people, or around 16% of the global population, speak a variety of Chinese as their first language.

<span class="mw-page-title-main">Standard Chinese</span> Standard form of Chinese and official language of China

Standard Chinese is a modern standard form of Mandarin Chinese that was first codified during the republican era (1912‒1949). It is designated as the official language of mainland China and a major language in the United Nations, Singapore, and Taiwan. It is largely based on the Beijing dialect. Standard Chinese is a pluricentric language with local standards in mainland China, Taiwan and Singapore that mainly differ in their lexicon. Hong Kong written Chinese, used for formal written communication in Hong Kong and Macau, is a form of Standard Chinese that is read aloud with the Cantonese reading of characters.

<span class="mw-page-title-main">Yue Chinese</span> Primary branch of Chinese spoken in southern China

Yue is a branch of the Sinitic languages primarily spoken in Southern China, particularly in the provinces of Guangdong and Guangxi.

<span class="mw-page-title-main">Jyutping</span> Romanization scheme for Cantonese

The Linguistic Society of Hong Kong Cantonese Romanization Scheme, also known as Jyutping, is a romanisation system for Cantonese developed in 1993 by the Linguistic Society of Hong Kong (LSHK).

<span class="mw-page-title-main">Lion-Eating Poet in the Stone Den</span> Chinese one-syllable poem

"Lion-Eating Poet in the Stone Den" is a short narrative poem written in Classical Chinese that is composed of about 94 characters in which every word is pronounced shi when read in present-day Standard Mandarin, with only the tones differing.

<span class="mw-page-title-main">Cantonese</span> Variety of Yue Chinese

Cantonese is a language within the Chinese (Sinitic) branch of the Sino-Tibetan languages originating from the city of Guangzhou and its surrounding Pearl River Delta. It is the traditional prestige variety of the Yue Chinese group, which has over 82.4 million native speakers. While the term Cantonese specifically refers to the prestige variety, it is often used to refer to the entire Yue subgroup of Chinese, including related but partially mutually intelligible varieties like Taishanese.

<span class="mw-page-title-main">Languages of Hong Kong</span> Summary and statistics of languages used in Hong Kong

During the British colonial era, English was the sole official language until 1978. Today, the Basic Law of Hong Kong states that English and Chinese are the two official languages of Hong Kong. All roads and government signs are bilingual, and both languages are used in academia, business and the courts, as well as in most government materials today.

Cantonese is an analytic language in which the arrangement of words in a sentence is important to its meaning. A basic sentence is in the form of SVO, i.e. a subject is followed by a verb then by an object, though this order is often violated because Cantonese is a topic-prominent language. Unlike synthetic languages, seldom do words indicate time, gender and number by inflection. Instead, these concepts are expressed through adverbs, aspect markers, and particles, or are deduced from the context. Different particles are added to a sentence to further specify its status or intonation.

<span class="mw-page-title-main">Taiwanese Mandarin</span> Forms of Mandarin Chinese spoken in Taiwan

Taiwanese Mandarin, frequently referred to as Guoyu or colloquially as Huayu, is the variety of Mandarin Chinese spoken in Taiwan. A large majority of the Taiwanese population is fluent in Mandarin, though many also speak a variety of Min Chinese known as Taiwanese Hokkien, commonly called Minnanyu, Southern Min, or Hokkien. This language has had a significant influence on Mandarin as spoken on the island.

<span class="mw-page-title-main">Languages of Taiwan</span>

The languages of Taiwan consist of several varieties of languages under the families of Austronesian languages and Sino-Tibetan languages. The Formosan languages, a geographically designated branch of Austronesian languages, have been spoken by the Taiwanese indigenous peoples for thousands of years. Owing to the wide internal variety of the Formosan languages, research on historical linguistics recognizes Taiwan as the Urheimat (homeland) of the whole Austronesian languages family. In the last 400 years, several waves of Han emigrations brought several different Sinitic languages into Taiwan. These languages include Taiwanese Hokkien, Hakka, and Mandarin, which have become the major languages spoken in present-day Taiwan.

Hong Kong Cantonese is a dialect of the Cantonese language of the Sino-Tibetan family.

<span class="mw-page-title-main">Amoy dialect</span> Dialect of Hokkien spoken in the city of Xiamen

The Amoy dialect or Xiamen dialect, also known as Amoyese, Amoynese, Amoy Hokkien, Xiamenese or Xiamen Hokkien, is a dialect of Hokkien spoken in the city of Xiamen and its surrounding metropolitan area, in the southern part of Fujian province. Currently, it is one of the most widely researched and studied varieties of Southern Min. It has historically come to be one of the more standardized varieties.

The five most common Cantonese profanities, vulgar words in the Cantonese language are diu (屌/𨳒), gau (鳩/㞗/𨳊), lan (撚/𨶙), tsat (柒/杘/𨳍) and hai (屄/閪), where the first ("diu") literally means fuck, "hai" is a word for female genitalia and "gau" refers to male genitalia. They are sometimes collectively known as the "outstanding five in Cantonese" (廣東話一門五傑). These five words are generally offensive and give rise to a variety of euphemisms and minced oaths. Similar to the seven dirty words in the United States, these five words are forbidden to say and are bleep-censored on Hong Kong broadcast television. Other curse phrases, such as puk gai (仆街/踣街) and ham gaa caan (冚家鏟/咸家鏟), are also common.

Code-switching is a type of linguistic behaviour that juxtaposes "passages of speech belonging to two different grammatical systems or sub-systems, within the same exchange". Code-switching in Hong Kong mainly concerns two grammatical systems: Cantonese and English. According to Matrix Language Frame Model, Cantonese, as the "matrix language", contributes bound morphemes, content and function words, whereas, English, the "embedded language", contributes lexical, phrases or compound words.

Singaporean Mandarin is a variety of Mandarin Chinese spoken natively in Singapore. It is one of the four official languages of Singapore along with English, Malay and Tamil.

<span class="mw-page-title-main">Hokkien</span> Sinitic language spoken in East Asia

Hokkien is a variety of the Southern Min languages, native to and originating from the Minnan region, in the southeastern part of Fujian in southeastern mainland China. It is also referred to as Quanzhang, from the first characters of the urban centers of Quanzhou and Zhangzhou.

Standard Cantonese pronunciation is that of Guangzhou, also known as Canton, capital of Guangdong Province. Hong Kong Cantonese is related to Guangzhou dialect, and they diverge only slightly. Yue dialects in other parts of Guangdong and Guangxi provinces like Taishanese, may be considered divergent to a greater degree.

Hokkien, a Southern Min variety of Chinese spoken in Southeastern China, Taiwan and Southeast Asia, does not have a unitary standardized writing system, in comparison with the well-developed written forms of Cantonese and Vernacular Chinese (Mandarin). In Taiwan, a standard for Written Hokkien has been developed by the Republic of China Ministry of Education including its Dictionary of Frequently-Used Taiwan Minnan, but there are a wide variety of different methods of writing in Vernacular Hokkien. Nevertheless, vernacular works written in Hokkien are still commonly seen in literature, film, performing arts and music.

Malaysian Cantonese is a local variety of Cantonese spoken in Malaysia. It is the lingua franca among Chinese throughout much of the central portion of Peninsular Malaysia, being spoken in the capital Kuala Lumpur, Perak, Pahang, Selangor and Negeri Sembilan, it is also widely understood to varying degrees by many Chinese throughout the country, regardless of their ancestral language.

Hong Kong written Chinese (HKWC) is a local variety of written Chinese used in formal written communication in Hong Kong. The common Hongkongese name for this form of Chinese is "written language" (書面語), in contrast to the "spoken language" (口語), i.e. Cantonese. While, like other varieties of Written Chinese, it is largely based on Mandarin, it differs from the mainland’s national variety of Standard Chinese (Putonghua) in several aspects, for example that it is written in traditional characters, that its phonology is based on Cantonese, and that its lexicon has English and Cantonese influences. Thus it must not be confused with written Cantonese which, even in Hong Kong, enjoys much less prestige as a literary language than the "written language". The language situation in Hong Kong still reflects the pre-20th century situation of Chinese diglossia where the spoken and literary language differed and the latter was read aloud in the phonology of the respective regional variety instead of a national one.

References

Notes

  1. Mair, Victor. "How to Forget Your Mother Tongue and Remember Your National Language".
  2. Vogelsang, Kai (2021). Introduction to Classical Chinese. Oxford University Press. ISBN   978-0-19-883497-7.
  3. de Sousa, Hilário (2022). "The Expansion of Cantonese Over the Last Two Centuries". The Palgrave Handbook of Chinese Language Studies: 1–32. doi:10.1007/978-981-13-6844-8_35-2. ISBN   978-981-13-6844-8 . Retrieved 8 December 2023.
  4. 1 2 3 4 Chan, Marjorie K. M. (18 June 2022). "Vernacular Written Cantonese in the Twentieth Century: The Role of Cantonese Opera in Its Growth and Spread". Studies in Colloquial Chinese and Its History: 36–58. doi:10.5790/hongkong/9789888754090.003.0003 . Retrieved 4 April 2023.
  5. 1 2 3 4 5 6 7 8 9 10 Snow, Donald (2004). Cantonese as Written Language: The Growth of a Written Chinese Vernacular. Hong Kong University Press. ISBN   978-962-209-709-4.
  6. 1 2 Yan, Jing (February 2012). "Writing Cantonese As Everyday Lifestyle In Guangzhou (Canton City)". Chinese Under Globalization: 171–202. doi:10.1142/9789814350709_0009. ISBN   978-981-4350-69-3 . Retrieved 8 December 2023.
  7. cantonese.org.cn
  8. ctcfl.ox.ac.uk
  9. A list compiled by lbsun
  10. Wikipedia:粵語本字表 - 維基百科,自由嘅百科全書
  11. Zhifu Yu. 粵講粵過癮[100601][細路]. Foshan TV. Archived from the original on 2021-12-12. Retrieved 3 September 2013.

Further reading