"Thunderbird and Whale" is an indigenous myth belonging to the mythological traditions of a number of tribes from the American Pacific Northwest.
The serpent, or snake, is one of the oldest and most widespread mythological symbols. The word is derived from Latin serpens, a crawling animal or snake. Snakes have been associated with some of the oldest rituals known to humankind and represent dual expression of good and evil.
A thunderbolt or lightning bolt is a symbolic representation of lightning when accompanied by a loud thunderclap. In Indo-European mythology, the thunderbolt was identified with the 'Sky Father'; this association is also found in later Hellenic representations of Zeus and Vedic descriptions of the vajra wielded by the god Indra. It may have been a symbol of cosmic order, as expressed in the fragment from Heraclitus describing "the Thunderbolt that steers the course of all things".
The Horned Serpent appears in the mythologies of many cultures including Native American peoples, European, and Near Eastern mythology. Details vary among cultures, with many of the stories associating the mystical figure with water, rain, lightning, thunder, and rebirth. Horned Serpents were major components of the Southeastern Ceremonial Complex of North American prehistory.
The Hocągara (Ho-Chungara) or Hocąks (Ho-Chunks) are a Siouan-speaking Native American Nation originally from Wisconsin and northern Illinois. Due to forced emigration in the 19th century, they now constitute two individual tribes; the Ho-Chunk Nation of Wisconsin and the Winnebago Tribe of Nebraska. They are most closely related to the Chiwere peoples, and more distantly to the Dhegiha.
Proto-Indo-European mythology is the body of myths and deities associated with the Proto-Indo-Europeans, speakers of the hypothesized Proto-Indo-European language. Although the mythological motifs are not directly attested – since Proto-Indo-European speakers lived in preliterate societies – scholars of comparative mythology have reconstructed details from inherited similarities found among Indo-European languages, based on the assumption that parts of the Proto-Indo-Europeans' original belief systems survived in the daughter traditions.
The Rainbow Serpent or Rainbow Snake is a common deity often seen as the creator God, known by numerous names in different Australian Aboriginal languages by the many different Aboriginal peoples. It is a common motif in the art and religion of many Aboriginal Australian peoples. Much like the archetypal mother goddess, the Rainbow Serpent creates land and diversity for the Aboriginal people, but when disturbed can bring great chaos.
The Piasa or Piasa Bird is a creature from Native American mythology depicted in one of two murals painted by Native Americans on cliffsides above the Mississippi River. Its original location was at the end of a chain of limestone bluffs in Madison County, Illinois, at present-day Alton, Illinois. The original Piasa illustration no longer exists; a newer 20th-century version, based partly on 19th-century sketches and lithographs, has been placed on a bluff in Alton, Illinois, several hundred yards upstream from its origin. The limestone rock quality is unsuited for holding an image, and the painting must be regularly restored. The original site of the painting was on lithographic limestone, which was quarried away in the late 1870s by the Mississippi Lime Company.
Southeastern Ceremonial Complex, abbreviated S.E.C.C., is the name given by modern scholars to the regional stylistic similarity of artifacts, iconography, ceremonies, and mythology of the Mississippian culture. It coincided with their adoption of maize agriculture and chiefdom-level complex social organization from 1200 to 1650 CE.
Snakes are a common occurrence in myths for a multitude of cultures. The Hopi people of North America viewed snakes as symbols of healing, transformation, and fertility. Snakes in Mexican folk culture tell about the fear of the snake to the pregnant women where the snake attacks the umbilical cord. The Great Goddess often had snakes as her familiars—sometimes twining around her sacred staff, as in ancient Crete—and they were worshipped as guardians of her mysteries of birth and regeneration. Although not entirely a snake, the plumed serpent, Quetzalcoatl, in Mesoamerican culture, particularly Mayan and Aztec, held a multitude of roles as a deity. He was viewed as a twin entity which embodied that of god and man and equally man and serpent, yet was closely associated with fertility. In ancient Aztec mythology, Quetzalcoatl was the son of the fertility earth goddess, Cihuacoatl, and cloud serpent and hunting god, Maxicoat. His roles took the form of everything from bringer of morning winds and bright daylight for healthy crops, to a sea god capable of bringing on great floods. As shown in the images there are images of the sky serpent with its tail in its mouth, it is believed to be a reverence to the sun, for which Quetzalcoatl was also closely linked.
An underwater panther, called Mishipeshu or Mishibijiw in Ojibwe, is one of the most important of several mythical water beings among many Indigenous peoples of the Northeastern Woodlands and Great Lakes region, particularly among the Anishinaabe.
The haietlik is a lightning spirit and legendary creature in the mythology of the Nuu-chah-nulth (Nootka) people of the Canadian Pacific Northwest Coast. According to legend, the haietlik is both an ally and a weapon of the thunderbirds, employed by them in the hunting of whales. They are described as huge serpents with heads as sharp as a knife and tongues that shoot lightning bolts. A blow from a haietlik injures a whale enough that the hunting thunderbird can carry it away as prey. The haietlik is variously described as dwelling among the feathers of the thunderbirds to be unleashed with a flap of the wings, or inhabiting the inland coastal waters and lakes frequented by the Nuu-chah-nulth people.
Manitou, akin to the Haudenosaunee orenda, is the spiritual and fundamental life force in the theologies of Algonquian peoples. It is omnipresent and manifests everywhere: organisms, the environment, events, etc. Aashaa monetoo means "good spirit", while otshee monetoo means "bad spirit". When the world was created, the Great Spirit, Aasha Monetoo, gave the land to the indigenous peoples, the Shawnee in particular.
In mythology of Andean civilizations of South America, the amaru or katari (aymara) is a mythical serpent or dragon. In Inca mythology, Amaru is a huge double-headed serpent that dwells underground, at the bottom of lakes and rivers. Illustrated with the heads of a bird and a puma, Amaru can be seen emerging from a central element in the center of a stepped mountain or pyramid motif in the Gateway of the Sun at Tiwanaku, Bolivia. When illustrated on religious vessels, amaru is often seen with bird-like feet and wings, so that it resembles a dragon. Amaru is believed to be capable of transcending boundaries to and from the spiritual realm of the subterranean world.
The eastern part of the United States state of Maine is known to have historically significant examples of prehistoric and historic rock art. The easternmost shore, particularly the shores and islands of Machias Bay, contain one of the greatest concentrations of rock art on the east coast of North America, with creation dates estimated to range from c. 1000 BCE to beyond the European contact period. Many of these sites are listed on the United States National Register of Historic Places.
Hé-no is a thunder spirit of the Iroquois and Seneca people. He is also known as Heno, Hino, Hinu or Hinun.
The Hero Twins are recurring characters from the mythologies of the indigenous peoples of the Americas. The specifics of each myth vary from tribe to tribe, but each story has a pair of twins who were born when their pregnant mother was killed by the tale's antagonist. Twins were considered unnatural in many cultures of this region, with beliefs about them having supernatural abilities.
Ojibwe religion is the traditional Native American religion of the Ojibwe people. It is practiced primarily in north-eastern North America, within Ojibwe communities in Canada and the United States. The tradition has no formal leadership or organizational structure and displays much internal variation.
