Afro-pessimism is a critical framework that describes the ongoing effects of racism, colonialism, and historical processes of enslavement in the United States, including the transatlantic slave trade and their impact on structural conditions as well as the personal, subjective, and lived experience and embodied reality of African Americans; it is particularly applicable to U.S. contexts.
According to the 2018 Oxford Bibliography entry on Afro-pessimism written by Patrice Douglass, Selamawit D. Terrefe, and Frank B. Wilderson III, Afro-pessimism can be understood as "a lens of interpretation that accounts for civil society's dependence on anti-Black violence—a regime of violence that positions Black people as internal enemies of civil society". They argue this violence "cannot be analogized with the regimes of violence that disciplines the Marxist subaltern, the postcolonial subaltern, the colored but nonblack Western immigrant, the nonblack queer, or the nonblack woman". [1] According to Wilderson, the scholar who coined the term as it functions most popularly today, [2] Afro-pessimism theorizes Blackness as a position of, using the language of scholar Saidiya Hartman, "accumulation and fungibility", that is as a condition of, or relation to, ontological death, as opposed to a cultural identity or human subjectivity. [3]
Jared Sexton locates the foundational thread of Afro-pessimism in the "motive force of a singular wish inherited in no small part from Black women's traditions of analysis, interpretation, invention, and survival". [4] As opposed to humanist anthropologists, historians, sociologists, and political scientists who engage the history of Black subjectivity as one of entrenched political discrimination and social ostracization, Afro-pessimists across disciplines have argued that Black people are constitutively excluded from the category of the self-possessing, rights-bearing human being of modernity. Wilderson writes that "Blacks do not function as political subjects; instead, our flesh and energies are instrumentalized for postcolonial, immigrant, LGBT, and workers' agendas." [5]
Wilderson has cited the work of Saidiya Hartman, Zakiyyah Iman Jackson, Joy James, Achille Mbembe, Christina Sharpe, Hortense Spillers, and Sylvia Wynter as influences and predecessors of the framework, although not of all these scholars agree with such characterization of their own work. [6] [7] Sharpe has named Dionne Brand, particularly her 2001 work A Map to the Door of No Return: Notes to Belonging, as writing in conversation with the concepts of Afro-pessimism by "mapping and creating a language for thinking, for articulating Black (social) life lived alongside, under, and in the midst of the ordinary and extraordinary terror of enforced Black social death". [8]
Other accounts have traced similar lines of thinking to Frantz Fanon and 20th-century Black revolutionary movements, such as the Black Power movement. [9] In the late 20th century, scholars including Derrick Bell, Lewis Gordon, and Cornel West developed concepts of antagonism and abjection that bear similarities to components of Afro-pessimism but without reaching the same conclusions. [10]
Orlando Patterson's book Slavery and Social Death, first published in 1982, forms a theoretical point of departure for almost all strands of Afro-pessimism. In a 2018 interview about the Kerner Report, Patterson had this to say about Afro-pessimism:
We're going through a period of extreme despair about the situation of African-Americans. The most extreme form of this despair is a movement called Afro-pessimism, which holds that Black Americans are still viewed as they were viewed in the slavery days as different, inferior, and as outsiders. I find myself in an odd situation because the Afro-pessimists draw heavily on one of my books, 'Slavery and Social Death,' which is ironic, because I'm not a pessimist. I don’t think we're in a situation of social death, because one of the elements of social death is that you're not recognized as an integral member of the civic community, the public sphere, and we certainly are, on the political and cultural levels. And we're very integrated in the military, which is the quintessence of what defines who belongs. The Afro-pessimists are right, though, to point to persisting segregation in the private sphere. [11]
Pessimism is a mental attitude in which an undesirable outcome is anticipated from a given situation. Pessimists tend to focus on the negatives of life in general. A common question asked to test for pessimism is "Is the glass half empty or half full?"; in this situation, a pessimist is said to see the glass as half empty, or in extreme cases completely empty, while an optimist is said to see the glass as half full. Throughout history, the pessimistic disposition has had effects on all major areas of thinking.
Frantz Omar Fanon was a French Afro-Caribbean psychiatrist, political philosopher, and Marxist from the French colony of Martinique. His works have become influential in the fields of post-colonial studies, critical theory, and Marxism. As well as being an intellectual, Fanon was a political radical, Pan-Africanist, and Marxist humanist concerned with the psychopathology of colonization and the human, social, and cultural consequences of decolonization.
By any means necessary is an English phrase, or a translation of a French phrase that has been attributed to at least three famous sources. The earliest of these three sources is French leftist intellectual Jean-Paul Sartre in his 1948 play Dirty Hands where he used a French equivalent of the phrase. The second is Martinican anticolonialist intellectual Frantz Fanon who used another French equivalent of the phrase in his 1960 address to the Positive Action Conference in Accra, Ghana. The English phrase entered American civil rights culture through a speech given by Muslim minister Malcolm X at the Organization of Afro-American Unity's founding rally on 28 June 1964 in Manhattan, New York.
Narrative of the Life of Frederick Douglass, an American Slave is an 1845 memoir and treatise on abolition written by African-American orator and former slave Frederick Douglass during his time in Lynn, Massachusetts. It is the first of Douglass's three autobiographies, the others being My Bondage and My Freedom (1855) and Life and Times of Frederick Douglass.
Afro-Caribbean or African Caribbeanpeople are Caribbean people who trace their full or partial ancestry to Africa. The majority of the modern Afro-Caribbean people descend from the Africans taken as slaves to colonial Caribbean via the trans-Atlantic slave trade between the 15th and 19th centuries to work primarily on various sugar plantations and in domestic households. Other names for the ethnic group include Black Caribbean, Afro- or Black West Indian, or Afro- or Black Antillean. The term West Indian Creole has also been used to refer to Afro-Caribbean people, as well as other ethnic and racial groups in the region, though there remains debate about its use to refer to Afro-Caribbean people specifically. The term Afro-Caribbean was not coined by Caribbean people themselves but was first used by European Americans in the late 1960s.
Anti-Black racism, also called anti-Black sentiment, anti-Blackness, colourphobia or Negrophobia, is characterised by prejudice, collective hatred, and discrimination or extreme aversion towards people who are racialised as Black people, especially those people from sub-Saharan Africa and its diasporas, as well as a loathing of Black culture worldwide. Such sentiment includes, but is not limited to: the attribution of negative characteristics to Black people; the fear, strong dislike or dehumanization of Black men; and the objectification of Black women.
Black Skin, White Masks is a 1952 book by philosopher-psychiatrist Frantz Fanon. The book is written in the style of autoethnography, with Fanon sharing his own experiences while presenting a historical critique of the effects of racism and dehumanization, inherent in situations of colonial domination, on the human psyche.
Michael Neocosmos is a South African Marxist philosopher. He is an emeritus professor in humanities at Rhodes University, Distinguished Visiting Scholar at the University of Connecticut Humanities Institute and a fellow at the Centre for Humanities Research at the University of the Western Cape.
Saidiya Hartman is an American academic and writer focusing on African-American studies. She is currently a professor at Columbia University in their English department. Her work focuses on African-American literature, cultural history, photography and ethics, and the intersections of law and literature.
Frank B. Wilderson III is an American writer, dramatist, filmmaker and critic. He is Chancellor's Professor of African American studies at the University of California, Irvine. He received his BA in government and philosophy from Dartmouth College, his Master of Fine Arts from Columbia University and his PhD in rhetoric and film studies from the University of California, Berkeley.
The long, hot summer of 1967 refers to the more than 150 race riots that erupted across major cities in the United States during the summer of 1967. In June there were riots in Atlanta, Boston, Cincinnati, and Tampa. In July there were riots in Birmingham, Chicago, Detroit, Minneapolis, Milwaukee, Newark, New Britain, New York City, Plainfield, Rochester, and Toledo.
For a history of Afro-Caribbean people in the UK, see British African Caribbean community.
Hortense J. Spillers is an American literary critic, Black Feminist scholar and the Gertrude Conaway Vanderbilt Professor at Vanderbilt University. A scholar of the African diaspora, Spillers is known for her essays on African-American literature, collected in Black, White, and In Color: Essays on American Literature and Culture, published by the University of Chicago Press in 2003, and Comparative American Identities: Race, Sex, and Nationality in the Modern Text, a collection edited by Spillers published by Routledge in 1991.
Anti-African sentiment, Afroscepticism, or Afrophobia is prejudice, hostility, discrimination, or racism towards people and cultures of Africa and of the African diaspora.
Carlota Lucumí, also known as La Negra Carlota was an African-born enslaved Cuban woman of Yoruba origin. Carlota, alongside fellow enslaved Lucumí Ferminia, was known as a leader of the slave rebellion at the Triunvirato plantation in Matanzas, Cuba during the Year of the Lash in 1843–1844. Together with Ferminia Lucumí, Carlota led the slave uprising of the sugar mill "Triunvirato" in the province of Matanzas, Cuba on November 5, 1843.
Cynthia R. Nielsen is an American philosopher and Professor of Philosophy at the University of Dallas. She is known for her expertise in the field of hermeneutics, the philosophy of music, aesthetics, ethics, and social philosophy. Since 2015 she has taught at the University of Dallas. Prior to her appointment at the University of Dallas, she taught at Villanova University as a Catherine of Sienna Fellow in the Ethics ProgramArchived 2018-12-19 at the Wayback Machine. Nielsen serves on the executive committee of the North American Society for Philosophical Hermeneutics.
Christina Elizabeth Sharpe is an American academic who is a professor of English literature and Black Studies at York University in Toronto, Canada. Christina Sharpe is Canada Research Chair in Black Studies in the Humanities at York University, and in 2024 she was awarded the John Simon Guggenheim Memorial Foundation fellowship.
Autotheory is a literary tradition involving the combination of the narrative forms of autobiography, memoir, and critical theory. Works of autotheory involve a first-person account of an author’s life blended with research investigations. Works of autotheory might bring in broader questions in philosophy, literary theory, social structures, science and culture to interpret the politics and history within personal experiences.