The Sticky & Sweet Tour was the eighth concert tour by American singer Madonna, to promote her eleventh studio album, Hard Candy (2008). It was Madonna's first major venture under a new ten-year 360 deal with Live Nation. Following a series of promotional appearances in support of Hard Candy, the tour was announced in May 2008, with concerts in Europe and North America; additionally, it marked the singer's first dates in Latin America in fifteen years. The first part of the tour began on August 23, 2008, at the Millennium Stadium in Cardiff, Wales, and ended on December 21 at the Morumbi Stadium in São Paulo, Brazil. Afterwards, it was announced that Madonna had decided to resume the tour in the summer of 2009, with twenty-seven more concerts, mostly in European markets she had either never played in or visited in several years; the 2009 extension started on July 4 at the O2 Arena in London, England, and concluded on September 2 at the Yarkon Park in Tel Aviv, Israel. Though initially planned, the tour did not visit Australia and East Asia due to financial problems and the financial recession. The show was described as a "rock driven dancetastic journey" and, like previous tours by the singer, was divided into different thematic acts: Pimp, Old School, Gypsy, and Rave.
It received generally positive reviews from critics, who praised the production, the singer's energy, and the performances. Besides positive reviews, the tour broke many records in terms of its ticket sales, commercial gross and audience attendance. After the 2008 leg, it became the highest-grossing tour by a solo artist, earning US$282million ($399.07 in 2023 dollars[1]) and breaking the previous record Madonna herself had set with her Confessions Tour two years earlier. With an additional $129million generated from the 2009 extension, the final gross was reported to be $411 million ($583.7 in 2023 dollars[1]), making it the second highest-grossing tour in history at the time, then behind only the Rolling Stones' A Bigger Bang Tour. It remained the highest-grossing tour ever by a female artist for 15 years. The Sticky & Sweet Tour won Top Boxscore, Top Draw and Top Manager for Guy Oseary at the 2009 Billboard Touring Awards.
Madonna performing during the BBC Radio 1's Big Weekend, two months before kicking off the Sticky & Sweet Tour.
In October 2007, Madonna announced her departure from Warner Bros. Records, and signed a $120million, ten-year 360 deal with Live Nation; the deal would encompass her future music-related businesses, including touring, merchandising and associated sponsorship agreements, among other things.[2] In March 2008, The Sunday Telegraph reported that Madonna was preparing to visit Australia as part of an upcoming concert tour; music promoter and manager Michael Chugg stated that a 2008–2009 world tour, including Australia, "will happen" and was "being talked about [....] there is a promoter trying to put it together".[3] During an interview with radio station Z100-FM, Madonna said there was a possibility she would tour during the fall of 2008;[4] one month later, the Daily Mirror reported that the tour would kick off on September at London's Wembley Stadium, and that Madonna was in "final negotiations" with organizers to sort out dates.[5]
Hard Candy, Madonna's final studio album with Warner Bros., was released on April 29, 2008.[6] One day after the album's release, she offered a small concert in New York City's Roseland Ballroom, where she sang songs from the album in front of an audience of 2,200 people.[7] Furthermore, she performed on Paris'Olympia hall and closed the first night of the BBC Radio 1's Big Weekend.[8][9] On May 1, during a visit to On Air with Ryan Seacrest, the singer confirmed a tour for the fall.[10] Titled Sticky & Sweet Tour, it was officially announced one week later by Live Nation executive Arthur Fogel; the first major manifestation of the ten-year deal between Madonna and Live Nation.[11] Set to begin in August, it would visit Europe until the end of September, before moving on to North America in October and November, followed by South America in early December.[11] It was Madonna's first visit to Mexico and South America since the Girlie Show in 1993.[12][13]
In November 2008, The Sunday Telegraph reported that the singer would offer concerts on Sydney's ANZ Stadium and Melbourne's Telstra Dome in late January 2009, but said concerts were eventually cancelled; promoter Michael Coppel explained that, "[Madonna] was coming to Australia, the dates were resolved, then economics got in the way".[14] On January 30, it was announced that Madonna had decided to resume the tour in the summer of 2009, with twenty-seven more concerts across Europe.[15] The Sticky & Sweet Tour officially kicked off on Cardiff's Millennium Stadium on August 23, 2008, and wrapped up at the Morumbi Stadium on São Paulo on December 2.[16][17] The 2009 extension started at London's The O2 Arena on July 4 and ended on September 2 in Tel Aviv, Israel.[15][18]
Development
View of the stage, flanked by two giant letters 'M' (top), and the cylindrical ceiling screen used in performances such as "Beat Goes On" (bottom).
The stage was smaller than the one for the Confessions Tour; it was T-shaped and included a runway with a conveyor belt that led to a B-stage, and was flanked by two giant pink 'M's, embroidered with $2-million worth of Swarovski crystals.[24][25] 17 high-definition video screens—the three largest were 20x20 ft―formed the backdrops.[26] Throughout the show, the screens moved to create a single seamless display 60ft wide and 20ft high; the largest screens were controlled by XLNT's InMotion3D software running on a CyberHoist FPS full production system with dual Apple Mac Pros, that were handled by senior programmer and project manager Martin Hoop.[27] Also present were moving screens which Madonna used on several numbers, such as "Beat Goes On" and "4 Minutes", which featured video duets with Pharrell Williams and Justin Timberlake, respectively.[26]
One of the show's most "engaging" elements was a pair of concentric cylindrical stealth screens that descended from the ceiling for numbers such as "Beat Goes On" and "Devil Wouldn't Recognize You". Video engineer Jason Harvey explained that the screen was "not really meant to be circular"; it was made up of several flat panels that were customized to give it a round shape using "cable ties and a couple small uprights".[26] For the visuals, Henry also used Mac Pros. Footage would be sent from places such as London, New York and Los Angeles;[26] video backdrops included one with brightly colored, childlike animations in the style Keith Haring, used for the performance of "Into the Groove".[28] For "Human Nature", a video featuring Britney Spears trapped in an elevator was used.[29] Madonna explained that the visual was meant to be video an analogy for the state of Spears' career back then: "Didn't that explain what I thought? 'I'm not your bitch, don't hang your shit on me'", the singer recalled.[30]Marilyn Minter's Green Pink Caviar, which showed a giant tongue licking and spitting out neon-colored icing, was used as backdrop for the performance of "Candy Shop" during the 2009 extension.[31] Props used on the show included an M-shaped throne, a 1935 Auburn Speedster, and a boxing ring.[32][33]
Designers working on the tour include Arianne Phillips, Riccardo Tisci for Givenchy, Stella McCartney, and Jeremy Scott, among others.[34] For the first act, Pimp, Madonna wore clothes created by Givenchy; a reference to gangsta pimp, Art Deco and her "longest-running fashion inspiration", the dominatrix, this look consisted of a frock coat in black stretch satin, trimmed with pleated black silk organza and embroidered with jet beads, as well as a black satin waistcoat trimmed with black silk fringes.[35] She also wore thigh-high boots by Stella McCartney.[36] Created for the Old School segment, Jeremy Scott's outfit was a nod to the singer's early days in 1980s New York, and included custom sneakers decorated with art by Keith Haring. Scott recalled that "[Haring] and Madonna were friends. If he were alive, it would be his 50th birthday as well. So I thought, 'What if we revisited that?'".[37][36] Tisci also created the clothes for the Gypsy act, which featured a long-hooded cape in black silk taffeta, lined in fuchsia silk taffeta and embroidered with jet stones, and a black stretch chiffon dress trimmed with multi-colored ribbons and fuchsia colored metal chains, worn with a matching necklace.[35] The final act, Rave, had "lots of Japanese influences", with the singer wearing sequined shoulder pads.[37][38] Additional clothes included shoes by Miu Miu, Moschino sunglasses and accessories by Roberto Cavalli; Tom Ford created bespoke clothes for the band.[34][36] Arianne Phillips concluded that "[Madonna] always wants to push the envelope. There are no vanity considerations based on her age [...] She looks good in everything".[37]
For the 2009 extension, a new outfit was created by Tisci for the opening Pimp act; it consisted of a feathered "super couture, sensual, goth, bondage"-inspired look.[39][40] Tisci explained that he wanted to "give a very iconic view of Madonna [...] She's wearing an outfit that will make history. I wanted to do something even stronger [than what he designed for the 2008 leg] because she wants to be stronger". The male dancers also wore new clothes by Brooks Brothers, including tennis collar white tuxedo shirts.[40]
Concert synopsis
"Candy Shop" was performed as the show's opening number and featured different outfits and backdrops for the 2008 (left) and 2009 (right) legs.
The concert was divided into four thematic segments: Pimp, Old School, Gypsy, and Rave. It began with "The Sweet Machine", a 3D animation video displaying candy being manufactured and used as a Pinball. As the video ended, "Candy Shop" began with Madonna appearing on the M-shaped throne in the Givenchy-designed dress, sitting with her legs spread apart and holding a staff in her hands. She was accompanied by her dancers in bondage themed costumes as images of gumdrops and candy flashed on the backdrops. For "Beat Goes On", the singer and dancers rode on the Auburn Speedster while Pharrell Williams and Kanye West appeared on the screens. A remixed "Human Nature", with Madonna playing electric guitar, followed; the video of Britney Spears trapped in an elevator played on the screens behind her. A mashup of "Vogue" and "4 Minutes", and a video interlude of "Die Another Day" ―featuring Madonna as a boxer on screen, and dancers mimicking a boxing match onstage― closed the act.
The Old School segment began with "Into the Groove": Madonna was dressed in gym shorts, jumped rope and did a double Dutch dance interlude which led to "Heartbeat". During that song, the singer's dance movements were controlled by back-up dancers as if they were puppeteers. Next came a rock rendition of "Borderline", with Madonna playing guitar. For "She's Not Me", footage of her past videos flashed onscreen; it also saw her making fun of her past incarnations and styles, with four dancers dressed like her in the "Like a Virgin", "Material Girl", "Open Your Heart", and "Vogue" music videos. The act ended with "Music", which sampled Fedde Le Grand's "Put Your Hands Up 4 Detroit" (2006) and Indeep's "Last Night a DJ Saved My Life" (1982). The backdrops depicted a New York City subway train covered with graffiti and, towards the end, the singer and dancers disappeared behind two screens mimicking the subway's doors.
Madonna performing "She's Not Me" during the concert's second act, Old School.
An interlude of "Rain", remixed with Eurythmics's "Here Comes the Rain Again" (1984), opened the Gypsy act. The video showed an animated pixie finding shade under a petal during a rainstorm and had duo Hamutsun Serve doing an Asian-inspired choreography. "Devil Wouldn't Recognize You" featured Madonna atop a piano, cloaked in a black shroud; she was surrounded by the cylindrical video screen, which showed imagery of waves splashing and rainfall. Madonna then performed "Spanish Lesson", which had Vadim Kolpakov doing a flamenco-influenced dance solo. She played guitar once again for "Miles Away" as images of airports flashed on the background. "La Isla Bonita" featured the Ukrainian-gypsy group Kolpakov Trio, and incorporated lyrical elements of gypsy song "Lela Pala Tute". At the end of the song, Madonna marched ahead with a band of violin players to the front of the stage, and sat aside with her dancers for a solo performance from Kolpakov Trio, who sang a song titled "Doli Doli". The act ended with "You Must Love Me", the Academy Award winning song from Evita (1996), which saw Madonna playing guitar as scenes of the movie played on the screens.
"Get Stupid" was the video interlude that opened the Rave segment; set to a remixed "Beat Goes On", it depicted images of global warming, famine and other global issues, while juxtaposing John McCain with Hitler and Barack Obama with Gandhi. Madonna then appeared on stage for "4 Minutes", wearing the sequined shoulder pads and a fringed wig. The performance had Justin Timberlake and Timbaland appearing on screens. A remix of "Like a Prayer" followed, featuring elements from "Feels Like Home" and the screens depicting messages from the Bible, the Quran, the Torah and the Talmud. The singer again played electric guitar for "Ray of Light". Afterwards, she sought audience participation, asking them to request for "an oldie but goodie"; she then would usually sing the first verse and chorus of the requested song, before moving onto a rock version of "Hung Up". After a brief video featuring a modern take on classic arcade games was played, Madonna returned on stage for the final performance, "Give It 2 Me", which ended with a sing-along of the chorus. The show ended with the words "Game Over" appearing on the video screens.
2009 revisions
Several changes were made for the 2009 extension; Green Pink Caviar was used as backdrop during the opening "Candy Shop", which also saw Madonna dressed in the new Givenchy outfit.[31][40] "Heartbeat" was replaced by "Holiday", which incorporated elements of her then-latest single "Celebration", and her first single "Everybody".[41] The number included a tribute to Michael Jackson, who had passed shortly before the tour began;[42] a medley of his songs "Billie Jean" and "Wanna Be Startin' Something" played as dancer Kento Mori, dressed in Jackson's trademark black and white outfit, with a wide-brimmed hat and white gloves, began performing his most famous moves, including moonwalking across the stage.[43] "Dress You Up" replaced "Borderline"; it featured musical elements of the Knack's "My Sharona" and "God Save the Queen" by the Sex Pistols.[41] "Hung Up" was removed and instead, a house rendition of "Frozen" was performed.[44][45] It sampled Calvin Harris' "I'm Not Alone" and included lyrical elements of Madonna's own "Open Your Heart";[46][22] video outtakes from the song's music video, directed by Chris Cunningham, were used as backdrops during this performance.[47] On the screens, the phrase "If you want to make the world a better place look inside yourself and make a change", taken from Jackson's 1988 song "Man in the Mirror", flashed before the performance of "Ray of Light"; for the encore of "Give It 2 Me", Madonna and her dancers all donned jeweled gloves on their right hand, another nod to Jackson.[48]
The Sticky & Sweet Tour was positively received by critics. The Guardian's Amelia Hill said that, "[Madonna] may have turned 50, but the opening show of her world tour in Cardiff proved the queen of pop is still into the groove".[16] Similarly, Ian Youngs from BBC News opined that Madonna was "proving to fans that she can still cut it on stage at the age of 50", and said the show had the "feel of a giant nightclub - and that is something that some purists didn't like".[50] For CTV News, Darcy Wintonyk said that "the entire two-hour show was truly a testament to the unstoppable energy of a pop icon who celebrated her 50th birthday only two months ago".[51] From This Is London, John Aizlewood noted that the tour was "less overtly sexual than its predecessors, but like them it's an all-singing, all-leaping, thrillingly choreographed extravaganza".[52] On her review of the concert at East Rutherford, Nekesa Mumbi Moody from USA Today referred to Sticky & Sweet as a "show defined by throbbing dance music, tight choreography, spectacular stage sets and stunning visuals", noting that "even the superstar's most cynical critics couldn't walk away from her two-hour extravaganza without [...] being thoroughly wowed".[53] The New York Post's Dan Aquilante deemed it Madonna's best tour, and highlighted the "terrific" production and "well-thought-out" dance routines that "showed off [Madonna's] ability to move to the music she makes".[54] Production was also applauded by The Patriot Ledger's Jay N. Miller, who called it "world class", and George Varga from SignOn San Diego, who hailed it "eye-popping".[55][56] According to the Boston Herald's Jed Gottlieb, Sticky & Sweet proved to be "a stage show no one can touch - not JT, not MJ, not Pink Floyd: epic lasers, moving video screens, fast and flawless costume changes, all done with grace and energy".[57]
Dan DeLuca from The Philadelphia Inquirer called it "aerobically relentless".[28] Neseka Mumbi Moody concluded that Madonna "is not the world's most gifted singer or dancer or even musician, but she may be its greatest performer", who "proved to be more than relevant".[53] Scott Cronik from The Press of Atlantic City wrote: "At 50 years old, Madonna remains the single most relevant female pop star in the world. If the 'Sticky & Sweet Tour' affirms one thing, it's that [she] still holds the title of "Queen of Pop." And it looks like she's not ready to relinquish it any time soon".[33] Dan Aquilante said that with Sticky & Sweet, Madonna "lived up to her reputation as the queen of pop".[54] Darcy Wintonyk expressed that, "if there was ever any question that Madonna was still the Queen of pop, it was settled once and for all at her sold out show last night at B.C. Place".[51] Jed Gottlieb concluded that, "Madonna may not make great movies or marriages but she makes great music. And even in her (almost) golden years she's still a ray of light".[57] For the Orlando Sentinel's Matthew Palm, "the one-time Material Girl delivered the goods with an energetic, visually stimulating show that kept the crowd roaring until after midnight".[58]Greg Kot, writing for the Chicago Tribune, praised the singer's mood and noted that she seemed to be enjoying herself more than on previous tours; "Madonna having fun on stage? Exuding warmth rather than wielding a riding crop? Yes, it happened, a refreshing break from recent tours which presented a woman on a take-no-prisoners mission".[59]
Many critics singled out the performances of Madonna's "classic" singles such as "Like a Prayer" (left) and "La Isla Bonita" (right).
From Blast magazine, Dinah Alobeid felt the Hard Candy cuts "translated well to dance-filled stage numbers" and singled out "Heartbeat", "She's Not Me", and "Give It 2 Me".[60] This opinion was shared by the Toronto Sun's Jane Stevenson, who felt it was the new material that "shone brightest", and also singled out the performance of "Heartbeat".[24]The Denver Post's Ricardo Baca highlighted "Into the Groove" and "La Isla Bonita" as a "delightful explosion of color" and "the show's brightest, boldest, most daring moment [...] a triumph of reinvention", respectively.[61] George Varga applauded the "lively" renditions of "Human Nature", "Vogue", "Into the Groove", and "Heartbeat".[56] Nekesa Mumbi Moody noted that many of the singer's "classics", such as "La Isla Bonita", "Like a Prayer", and "Ray of Light", "weren't relegated to short renditions during the retrospective medley part of the show, like many veterans do", but were given "full attention with colorful, dazzling displays and new arrangements that made them seem as exciting and fresh as when they first made their debut".[53] Isabel Albiston from The Daily Telegraph also singled out "La Isla Bonita", the "striking" New York subway train visuals on "Music", and the "high-energy, crowd-pleasing" "Hung Up".[62]Slant Magazine's Paul Schrodt pointed out that, "a little bit of her Erotica-era cheekiness reappears" in numbers such as "Vogue" and "Into the Groove".[63] Critics also praised the visuals during the performance of "Devil Wouldn't Recognize You".[25][24] Sonia Murray concluded that, "Madonna, The Pop Star of a quarter century now, still put on an impressive stage show, reimagining catalog hits like 'Vogue' and 'Borderline' with new musical vibrance".[64] The performance of "Like a Prayer" and Madonna's vocals during "You Must Love Me" were also singled out for praise.[24][53][61][65]
Jim Harrington from East Bay Times wrote: "Gone are the days of convoluted storylines (2001's Drowned World Tour), heavy-handed themes (2004's Re-Invention Tour) and controversial antics (2006's Confessions, during which Madonna hung herself on a huge cross). This time around, the Material Girl just wants to [...] show her fans a good time". Harrington further pointed out that, "by Madonna standards, [Sticky & Sweet] was a fairly straightforward 24-song affair. In fact the most shocking thing about the show was that there was nothing really shocking about it!".[32] In a similar note, Kitty Empire from The Guardian expressed that, "usually, the first few dates of a world tour staged by Michigan's biggest export since the automobile are rife with controversy [...] this year's Sticky & Sweet world tour feels different. Less sticky, perhaps".[66]
The performance of "Human Nature", which had Madonna playing electric guitar, was negatively received by The Province's Stuart Derdeyn, who panned it as "brutal" and criticized her "terrible" vocals.
In more critical reviews, Isabel Albiston pointed out the times when, "[Madonna] seemed strained and lacked the effortless confidence of previous years. In the opening half of the show, she struggled to involve the crowd, who responded half-heartedly to her newer tracks".[62] Greg Kot opined that, "in many ways, [Sticky & Sweet] is more of the same. But it was less muddled by high-concept statements, and threw itself into a low-concept sweat. [...] Big ideas were conspicuously absent"; Kot was not fond of the Gypsy act either.[59] Also criticized were the numbers in which Madonna played guitar; Paul Schrodt deemed them "uninspired rock-star moments" while Jon Pareles found them awkward.[63][49] Stuart Derdeyn concluded his review: "When [Sticky & Sweet] worked well, and it mostly did, we got the star revelling in her power and some engaging staging and songs. When it bombed, what was on stage was the kind of uncontrollable ego that is the product of believing that the way you are worshipped allows you to make grand statements and 'get deep'".[65] Finally, for Aidin Vaziri from the San Francisco Chronicle, "[the concert] was OK. Even if the new songs feel a little like Gwen Stefani's leftovers, suggesting that, for once, [Madonna] has actually fallen behind the pop-culture curve she always capitalized on so brilliantly".[67]
Critical reception for the 2009 extension ranged from positive to mixed. On his review of the concert at London's O2 Arena, The Guardian's Alex Macpherson highlighted the Michael Jackson tribute during "Holiday", but criticized the "mundanity" of performances such as "She's Not Me", and the cameos of Kanye West, Britney Spears, and Justin Timberlake; "trying to prove her youthfulness, trendiness and good heart are goals which should be beneath Madonna. She has a back catalogue like no other, and it serve[d] her well enough to redeem tonight's show".[68] From La Vanguardia, Lourdes López dismissed the Barcelona concert as a "low intensity live show from which more was expected", and criticized Madonna's "irregular" vocals.[69] Lisa Verrico, writing for The Times, opined that the concert "delivered in spades from start to finish. Madonna was magnificent [...] remaining the primary focus of a show that had more props and moving parts than a magicians' convention could muster". However, the review noted that the singer relied heavily on pre-recorded vocals, and the music was "frequently driven by synthesised beats than her smartly-attired, five-piece band". The author concluded that, "to criticize Madonna for placing style over substance is missing the point of the Queen Of Pop [...] The music may have come second, but the highest-earning tour of 2008 still sparkles".[70]
On their rankings of Madonna's concert tours, VH1's Christopher Rosa and The Odyssey's Rocco Papa placed Sticky & Sweet in the sixth and seventh position, respectively; the former called it "so damn fun" and "a tireless display of showmanship. A sugar rush, really", while the latter highlighted the "sense of fun and connection to the audience that was consistent throughout the show".[71][72] It also came in seventh on Billboard's 2024 ranking: "After a first act that didn't quite live up to the lofty standards Madonna had previously set, [Sticky & Sweet] eventually hit its stride. The Gypsy and Rave segments [...] were as exhilarating as any of her previous tours' best moments", wrote Sal Cinquemani.[73]The Advocate's Gina Vivinetto placed it fifth on her ranking.[74]
Arthur Fogel explained that price for tickets would be "basically the same as they've been the past two tours," ranging from $55 to $350.[11] According to Event Ticket Report, by June 2008, two months before starting, tour tickets were already 90% sold out.[75]Billboard predicted the singer would "break her own record", and surpass her Confessions Tour as the highest-grossing tour for a female artist with over $200million in ticket sales.[76] The Sticky & Sweet Tour broke many records in terms of gross and revenue; on August 30, 2008, Madonna performed to a sell-out crowd of over 72,000 in a single concert in Zürich, which became the largest audience ever for a concert in Switzerland.[77] On September 11, the sole concert at Wembley Stadium drew 74,000 fans and grossed over $12million, surpassing all previous grosses at both the old and new Wembley Stadiums.[77] The concert at Paris' Stade de France sold 80,000 tickets in less than ten days, prompting organizers to add a second date, which also sold out; overall, the two concerts grossed $17.5million and drew 138,163 people.[78]
Upon completion, the Sticky & Sweet Tour broke many records in terms of revenue, until it eventually became the highest-grossing tour by a female artist and the tenth highest-grossing tour of all time. In the images, Madonna sings "Holiday" (left) and "Frozen" (right) during the tour's 2009 extension.
The American leg was also a success. Concerts in Oakland, Las Vegas and Denver sold out almost instantly, leading to second dates being added.[76] 50,000 tickets for the concert at Vancouver's BC Place Stadium were sold in 29 minutes.[79] Due to instant sellouts in Toronto and Montreal, second shows were added in both cities.[79] Further sell-outs included New York City, Boston and Chicago.[76] Madonna's four shows at Madison Square Garden added up to a record breaking 23 sold-out performances since 2001 at that venue—a record for most appearances for a single artist that decade.[17] Brian Garrity from the New York Post reported that tickets for the US stadium dates sold slower than for other venues; just over half of the 43,000 seats available for the concert at Los Angeles'Dodger Stadium – around 27,000 – were sold out on its first three weeks of going on sale. The shows at Petco Park in San Diego and Miami's Dolphin Stadium also saw slow sales.[80] The 96,000 tickets available for the Mexico concerts were sold out in just 132 minutes.[81] In November 2008, Billboard reported that Sticky & Sweet had grossed 162million ($229.25 in 2023 dollars[1]) and included it third on its list of top Boxscores for the year.[82] One month later, it was named the biggest grossing music tour of 2008 in North America by Pollstar.[83]
The Latin American concerts proved to be particularly successful. 60,000 tickets for one of the concerts in Buenos Aires'River Plate Stadium sold out in just three hours.[84] Due to strong sales, additional dates were added in Rio de Janeiro, São Paulo and Santiago de Chile.[85] Upon completion, the 2008 leg of the Sticky & Sweet Tour grossed $282 million ($399.07 in 2023 dollars[1]), making it the most lucrative tour of 2008; it also became the highest-grossing tour for a solo artist.[17]
Just days after the 2009 leg was announced, Billboard reported that over 1 million tickets worth $100million were already sold out.[86] Tickets for the London and Manchester shows sold out in just minutes.[87] Over 70,000 tickets were sold for the Belgium concert in a "one-day sell-out event", while all entrances for the Oslo show were sold in under 30 minutes.[87] All 70,300 for the Tallinn were sold out within a day; Madonna broke a record previously held by Metallica, whose tickets for their 2006 concert, at the same venue, sold out in three days.[88] In Helsinki, she set a record for the highest paid attendance for a single show by an artist in the Nordic countries,[89] playing in front of an audience of 85,354.[90] The first date in Gothenburg was an immediate sell-out with over 55,000 tickets sold in two hours.[87] Due to high demand, a second concert in Tel Aviv was added.[91] The 2009 extension grossed in $222,017,248 from 46 sold-out concerts.[92] After finishing, Sticky & Sweet became the highest-grossing tour by a solo artist, grossing over $400million ($579.44 in 2023 dollars[1]) from 85 shows in 52 countries, with an attendance of 3.5 million; it was the second highest-grossing tour of all time, only behind the Rolling Stones' A Bigger Bang Tour (2005–07) which earned $558 million ($819.94 in 2023 dollars[1]).[18]Pollstar reported a gross of US$411million ($583.7 in 2023 dollars[1]).[93] It won Top Boxscore, Top Draw and Top Manager for Guy Oseary at the 2009 Billboard Touring Awards.[94] For 15 years, Sticky & Sweet was the highest-grossing tour ever for a female artist, until being overtaken by Taylor Swift's the Eras Tour in 2023.[95]
The "Get Stupid" video caused controversy in the political world, as it showed then-Republicanpresidential candidateJohn McCain alongside pictures of Adolf Hitler and Robert Mugabe. Tucker Bounds, spokesperson for McCain, said that, "the comparisons are outrageous, unacceptable and crudely divisive all at the same time". By contrast, another part of the video depicted then-Democratic candidate Barack Obama with pictures of John Lennon, Mahatma Gandhi and Al Gore; Tommy Vetor, spokesperson for Obama's camp, also spoke out against the video and deemed it "outrageous and offensive [with] no place in the political process".[96] During the concert at San Diego's Petco Park, Madonna celebrated Obama's win for presidency, shouting, "I'm so fucking happy right now! Are you as happy as I am?", to the crowd. "Let's hear it for [Barack] Obama! It's the best day of my life". The video screens showed images of Obama along with the message "We Won".[97] Madonna also publicly voiced her opposition for then-Republican vice presidential candidateSarah Palin; on the New Jersey concert, she shouted: "Sarah Palin can't come to my party. Sarah Palin can't come to my show. It's nothing personal. [...] Here's the sound of Sarah Palin's husband's snowmobile when it won't start", followed by a loud screeching noise.[98] When she sang "I Love New York" at Madison Square Garden, she playfully told the audience, "You know who can get off of my street? Sarah Palin! I'm gonna kick her ass if she don't get off of my street". She then mocked Palin's Alaskan accent before finally telling the audience that she "love[s] her".[98] While attending the premiere of her directorial debut Filth and Wisdom, Madonna dismissed her threats to Palin as a metaphor.[99]
In London, Madonna was fined £135,000 for exceeding her allotted stage time at Wembley.[100] During her show at Rome's Stadio Olimpico, she dedicated "Like a Virgin" to Pope Benedict XVI; before performing the song, she said, "I dedicate this song to the Pope, because I'm a child of God". Italian newspaper Corriere della Sera said it was a "provocation that will certainly be discussed".[101] At the concert in Bucharest, Romania—included on the tour's 2009 extension—the singer addressed Romani discrimination, saying: "it has been brought to my attention ... that there is a lot of discrimination against Romanies and Gypsies in general in Eastern Europe. [...] It made me feel very sad". Immediately, boos and jeers resounded from the audience, prompting Madonna to add that "[w]e don't believe in discrimination [...] we believe in freedom and equal rights for everyone". Liz Rosenberg, her publicist, issued a statement saying that "[Madonna] has been touring with a phenomenal troupe of Roma musicians who made her aware of the discrimination toward them in several countries so she felt compelled to make a brief statement. She will not be issuing a further statement".[102]
Marseille incident
The planned concert at Marseille's Stade Vélodrome (pictured) was cancelled following an incident that killed two people.
On July 16, 2009, at around 17:15 GMT, while production was being set up for the July 19 show at Marseille's Stade Vélodrome, the stage collapsed, injuring eight workers and killing two: 53-year-old Charles Criscenzo, who died on the spot, and 23-year-old Charles Prow from Headingley, Leeds, who died overnight at a hospital. According to firefighters, the roof of the stage became unbalanced as it was being lifted by four cranes, eventually toppling one of them.[103] Marseille city councillor Maurice de Nocera explained that, since the collapse didn't happen right away, several people were able to get out unharmed.[103] The concert was cancelled following the incident.[104]
During her concert in Udine, Madonna paid tribute to the deceased technicians with a speech: "Two men lost their lives, which is a great tragedy to me [...] I feel so devastated to be in any way associated with anyone's suffering. So let's all just take a moment to say a prayer for Charles Criscenzo and Charlie Prow".[105] The day of the planned concert, Madonna arrived in Marseille to visit Criscenzo's family and pay her respects, before visiting the injured workers at the hospital.[104] She also issued the following statement: "I am devastated to have just received this tragic news. My prayers go out to those who were injured and their families along with my deepest sympathy to all those affected by this heartbreaking news".[103] The singer was not, however, given permission to visit the stadium, as the accident investigation was taking place.[105]
Almost twelve years later, in February 2021, a French court convicted four people of involuntary manslaughter and injuries, while acquitting three others ordered to stand trial: Jacqueline Bitton, then head of the French division of Live Nation, received a suspended two-year prison term and a fine of €20,000. Tim Norman, head of Edwin Shirley Group that owned the stage, received a suspended two-year term as well as a €15,000 fine; a manager at a French subcontractor hired by Edwin Shirley Group was given a suspended 18-month sentence and a €10,000 fine, while a British foreman hired by Edwin Shirley Group got an 18 months suspension. Finally, Live Nation France was ordered to pay a €150,000 fine, and Tour Concept €50,000.[106]
Madonna and the dancers performing the tour's final song, "Give It 2 Me".
On December 3, 2008, Madonna released a statement announced the rescheduling of the concerts in Buenos Aires; the statement also said the shows would "continue to be filmed for later broadcast".[107]Sky1 acquired the rights to broadcast the tour, which was aired as Madonna: Sticky & Sweet on July 4, 2009; a Live Nation production, it was directed by Nathan Rissman, who had worked with the singer on the documentary I Am Because We Are.[108] On September 19, DirecTV's Cityvibe aired the special and, one month later, it was broadcast through American network EPIX; executive Mark Greenberg wanted to launch the channel with an "iconic" event that would "set the bar for what we believe our brand should be". The special aired multiple times on the channel and was also available through its website EPIXhd.com.[109][110][111] To promote the broadcast on EPIX, Billboard published the performance of "Into the Groove" on its website.[112]Madonna: Sticky & Sweet also aired on VH1 on April 2, 2010.[113]
On January 12, 2010, Madonna's official website confirmed a video release.[114] The singer was not involved in putting together the DVD as she was too busy working on her directorial debut, W.E. (2011).[115]Sticky & Sweet Tour was released on DVD, Blu-ray and CD on March 30; it included 30 minutes of backstage footage as bonus material.[114] Upon release, it received generally mixed review from critics, who felt it was "lifeless" and not among Madonna's best live albums, but praised numbers like "Into the Groove".[116][117][118] It became Madonna's 19th top-ten album on the Billboard 200.[119] Additionally, a picture book titled Madonna: Sticky & Sweet was created by Guy Oseary and released on February through powerHouse Books.[120]
Set list
Set lists, samples and notes adapted per Madonna's official website, the notes and track listing of Sticky & Sweet Tour, and additional sources.[41][46][50][121][122][123]
During the 2008 leg, Madonna took requests from the audience and did a capella renditions of past songs; these included "Holiday", "Like a Virgin", "Material Girl", "Dress You Up", "Open Your Heart", "Express Yourself", "Secret", "Beautiful Stranger", "American Life", and "Sorry".[c]
Madonna sang "I Love New York" on the October 7 concert in New York City.[98]
On the third concert in New York, Madonna dedicated "You Must Love Me" to her daughter Lourdes, as it was her twelfth birthday. Additionally, she was joined by Pharrell Williams for both "Beat Goes On" and "Give It 2 Me".[127]
In Los Angeles, Madonna was joined onstage by Britney Spears and Justin Timberlake for "Human Nature" and "4 Minutes", respectively. Prior to the show, an equipment malfunction caused damage to the top of the stage, thus some of the lighting didn't work; Madonna released a statement, saying: "Even though my stage roof was damaged and some lights and effects aren't working, I want to do the show anyway because I don't want to disappoint my fans".[128]
The Blond Ambition World Tour was the third concert tour by American singer Madonna. It supported her fourth studio album Like a Prayer (1989), and the soundtrack album to the 1990 film Dick Tracy, I'm Breathless. The 57-show tour began on April 13, 1990, at the Chiba Marine Stadium in Chiba, Japan, and concluded on August 5 at the Stade Charles-Ehrmann in Nice, France. Additionally, it marked Madonna's first concerts in Sweden and Spain. Originally planned as the Like a Prayer World Tour, it was supposed to be sponsored by soft drink manufacturer Pepsi. However, the company cancelled the contract following the controversy surrounding the music video of "Like a Prayer".
The Virgin Tour was the debut concert tour by American singer-songwriter Madonna. The tour supported her first two studio albums, Madonna (1983) and Like a Virgin (1984). It started on April 10, 1985, at the Paramount Theatre in Seattle, United States, and ended on June 11 of the same year at the Madison Square Garden in New York City. Although initially planned for an international audience, the tour was restricted to the United States and Canada. Warner Bros. Records decided to send Madonna on tour after Like a Virgin became a success. After an official announcement on March 15, 1985, Madonna and her team began production plans. She wanted the tour to be a reflection of her own self and collaborated with designer Maripol for the costumes.
The Girlie Show was the fourth concert tour by American singer and songwriter Madonna, in support of her fifth studio album, Erotica (1992). It began on September 25, 1993, at the Wembley Stadium in London, England, and ended on December 19 of the same year at the Tokyo Dome in Tokyo, Japan.
The Re-Invention World Tour was the sixth concert tour by American singer-songwriter Madonna, in support of her ninth studio album American Life (2003). The tour began on May 24, 2004, at The Forum in Inglewood, United States, and ended on September 14 at the Pavilhão Atlântico in Lisbon, Portugal. Additionally, it marked Madonna's first concerts in Portugal and Ireland. Rumors of a concert tour first began circulating in October 2003, but nothing was confirmed until March 2004. According to some, the title Re-Invention was a dig at Madonna's critics who, throughout her career, had talked about her "reinventing herself"; the singer said she chose this name because she wanted to "re-invent" her old material. A number of songs were rehearsed for the tour, with twenty-four making the final setlist. Like past Madonna tours, Re-Invention was divided into different thematic acts: Marie Antoinette, Military, Circus, Acoustic, and Scottish-Tribal. The wardrobe was created by designers Arianne Phillips, Stella McCartney, Christian Lacroix, and Karl Lagerfeld.
The Who's That Girl World Tour was the second concert tour by American singer and songwriter Madonna. The tour supported her 1986 third studio album True Blue, as well as the 1987 soundtrack Who's That Girl. It started on June 14, 1987, at the Osaka Stadium in Osaka, Japan, and ended on September 6 of the same year at the Stadio Artemio Franchi in Florence, Italy. It was Madonna's first world tour and marked her first visits to Japan and Europe. Musically and technically superior to her previous Virgin Tour, Who's That Girl incorporated multimedia components to make the show more appealing.
The Confessions Tour was the seventh concert tour by American singer-songwriter Madonna, launched in support of her tenth studio album, Confessions on a Dance Floor (2005). The tour began on May 21, 2006, at The Forum in Inglewood, United States, and ended on September 21 at the Tokyo Dome in Tokyo, Japan, visiting North America and Eurasia. Additionally, it marked Madonna's first concerts in Russia, Czech Republic and Denmark. Like past tours of the singer, it was divided into different thematic acts: Equestrian, Bedouin, Never Mind the Bollocks, and Disco. It received generally positive reviews, although Madonna's performance of her 1986 single "Live to Tell", which found her hanging on a giant mirrored cross wearing a crown of thorns, was met with strong negative reaction from religious groups; the performance at Rome's Stadio Olimpico was condemned as an act of hostility toward the Roman Catholic Church by religious leaders. Madonna responded saying that her main intention with the performance was to bring attention to the millions of children dying in Africa.
Janet World Tour was the second concert tour by American recording artist Janet Jackson. It was launched in support of her fifth studio album Janet (1993). It began in November 1993 and continued through April 1995. Concerts were held in North America, Europe, Asia, and Australia. It is believed shows were performed in South America. However, there are not exact details and most information is unknown.
The Madly in Anger with the World Tour was a concert tour by American heavy metal band Metallica. It supported the band's eighth studio album, St. Anger. The tour lasted over 12 months, beginning in the fall of 2003, performing over 100 shows.
The Wildest Dreams Tour is the ninth concert tour by singer Tina Turner. The tour supported her ninth studio album Wildest Dreams (1996). The tour is Turner's biggest outing to date, performing over 250 shows in Europe, North America and Australasia—surpassing her Break Every Rule Tour. Lasting nearly 16 months, the tour continued her success as a major concert draw. The European leg alone sold 3 million tickets and generated an estimated US$100 million. The tour further grossed around US$30 million in North America. It was sponsored by Hanes, as Turner became the spokesperson for their new hosiery line.
The Let's Talk About Love World Tour was the eighth concert tour by Canadian recording artist Celine Dion. Visiting North America, Asia and Europe; the trek supported Dion's fifth English and fifteenth studio album Let's Talk About Love (1997). and her eleventh French and sixteenth studio album, S'il suffisait d'aimer (1998). The tour marks Dion's last worldwide tour until her Taking Chances World Tour in 2008–2009. Initially planned for 1998, the success of the tour continued into 1999. In 1998, the tour earned nearly $30 million from its concerts in North America alone. In Japan, tickets were immediately sold out on the first day of public sale. It was also nominated for "Major Tour of the Year" and "Most Creative Stage Production" at the Pollstar Industry Awards. According to Pollstar, the tour grossed about $91.2 million from 69 reported shows. The total gross for its overall 97 dates is estimated at $133 million, making it the highest-grossing female tour of the 1990s.
A New Day... was the first concert residency performed by Canadian singer Celine Dion in The Colosseum at Caesars Palace in Las Vegas, Nevada, United States. It was created and directed by Franco Dragone to support her seventh English-language and eighteenth studio album A New Day Has Come (2002). The show premiered on 25 March 2003 and ended on 15 December 2007.
Break Every Rule World Tour is the sixth concert tour by singer Tina Turner. The tour supported her sixth solo album Break Every Rule (1986). It was sponsored by Pepsi-Cola and broke box office records in 13 different countries: United Kingdom, Germany, Netherlands, Switzerland, Belgium, Norway, Sweden, Spain, Italy, Austria, France, Ireland and Denmark. It was the third highest-grossing tour by a female artist in North America in 1987 and the highest-grossing female tour of the 1980s with a total of $11.3 million . Her show in Rio de Janeiro remains the largest paying concert audience by a female artist with 180,000 spectators.
Cher was the second concert residency by American singer-actress Cher at Caesars Palace in Las Vegas, Nevada. For the three-year engagement, Cher received $60 million. Performing at The Colosseum at Caesars Palace, the first show occurred on May 6, 2008 and the last show was on February 5, 2011. The show included 14 dancers and four aerialists, with a total of 17 costumes designed by Bob Mackie. The residency grossed over $97 million during its three-year run.
Tina!: 50th Anniversary Tour was the eleventh and final concert tour by singer Tina Turner. It was the first tour by Turner in eight years, following her record-breaking "Twenty Four Seven Tour". The trek marked the singer's 50th year in music—since joining Ike Turner and the Kings of Rhythm in St. Louis, Missouri. In conjunction with the tour, Turner released the compilation album, Tina!. Beginning October 1, 2008, and concluded on May 5, 2009.
The Moment of Truth World Tour was the second worldwide tour by American recording artist Whitney Houston and supported her multi-platinum hit album Whitney. The trek started on July 4, 1987 in North America and continued overseas during 1988 in Europe, Asia and Australia.
I Am... Tour was the fourth concert tour by American performer and singer-songwriter Beyoncé Knowles, in support of her third studio album, I Am... Sasha Fierce (2008), consisting of 110 concerts across six continents. Two months of preparations for the tour began eight months prior to its commencement, with daily twelve-hour rehearsals. The tour was announced in October 2008, and began in March 2009 with five preliminary ’rehearsal’ shows in North America. Knowles has described the I Am... World Tour as her best and most theatrical of all of her tours.
The Secrets Tour was the debut concert tour by American pop/R&B singer Toni Braxton. The tour was in support of her album, Secrets. The tour began during the summer of 1996 in theatres. Jazz saxophonist Kenny G joined the tour September 18, 1996. Remaining shows in the U.S. were billed as An Evening with Kenny G & Toni Braxton.
NSYNC in Concert is the second concert tour by American boy band, NSYNC. Primarily visiting North America, the tour supported the band's debut studio album, 'N Sync. The trek lasted eighteen months, playing over two hundred concerts in over one hundred cities. In 1998, the tour was nominated for "Best New Artist Tour" by Pollstar Concert Industry Awards. It also became one of the biggest tours in 1999, earning over $50 million. Supporting the band on the tour were newcomers Britney Spears, B*Witched and Mandy Moore along with music veterans Jordan Knight, Shanice and The Sugarhill Gang.
The MDNA Tour was the ninth concert tour by American singer Madonna, launched in-support of her twelfth studio album, MDNA (2012). Comprising 88 shows, the tour began on May 31, 2012, at the Ramat Gan Stadium in Tel Aviv District, Israel, and concluded on December 22 of the same year at the Estadio Mario Alberto Kempes in Córdoba, Argentina. Rumors of the singer embarking on a concert tour first began in October 2011, but nothing was confirmed until four months later, following her performance at the Super Bowl XLVI halftime show. As Madonna's fifth tour with Live Nation, the MDNA Tour visited not only Eurasia and the Americas, but marked the first time she performed in the United Arab Emirates, Ukraine and Colombia. Additionally, it was her first visit to Turkey since 1993's the Girlie Show. An Australian leg was planned for January 2013, but was cancelled.
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