The Enlightenment in Italy (Italian: Illuminismo italiano) was a cultural and philosophical movement that began in the second half of the eighteenth century, characterized by the discussion of the epistemological, ethical, and political issues of the Enlightenment thought of the eighteenth century. [1] [2] [3]
In Italy there was no shortage of local thinkers that can be defined as pre-Enlightenment (as well as scientific experiences similar to those that had generated Empiricism), such as the Neapolitan Giambattista Vico, who, although deviating much, in many fields, from the future themes of the eighteenth century, was the model for many Enlightenment thinkers, especially those of his city.
In Italy the main centers of diffusion of the Enlightenment were Naples and Milan: [4] [5] in both cities the intellectuals took public office and collaborated with the Bourbon and Habsburg administrations. In Naples, Antonio Genovesi, Ferdinando Galiani and Gaetano Filangieri were active under the tolerant King Charles of Bourbon. However, the Neapolitan Enlightenment, like Vico's philosophy, remained almost always in the theoretical field. [6] Only later, many Enlighteners animated the unfortunate experience of the Parthenopean Republic.
In Milan, however, the movement strove to find concrete solutions to problems. The center of discussions was the magazine Il Caffè (1762–1764), founded by brothers Pietro and Alessandro Verri (famous philosophers and writers, as well as their brother Giovanni), who also gave life to the Accademia dei Pugni, founded in 1761.
Minor centers were Tuscany, Veneto and Piedmont, where among others, Pompeo Neri worked.
The Italian Enlightenment was particularly active in Naples, in this period capital of the homonymous Kingdom of Naples. The city of Naples, together with the French capital, best carried out the "century of enlightenment"; in fact, it did not simply absorb this current, on the contrary, it generated it to a great extent, giving life to new architectural forms, new philosophical thoughts and laying the foundations of modern economy and law. [7] In fact, Naples had already been the vital center of the naturalistic philosophy of the Renaissance, [8] and now it returned to give a new impetus to the thought of several exponents, such as Mario Pagano, one of the most important Italian jurists and politicians of the revolutionary era, [9] who largely drew on the work of Giambattista Vico, but eliminating the Christian aspects of his philosophy. [10]
Significant were the constructions of important public buildings, among all the Real Albergo dei Poveri (also known as Palazzo Fuga from the name of the architect who designed and built it in 1751 on commission of King Charles of Bourbon), which is among the most remarkable eighteenth-century buildings, typically Enlightenment: 354 meters long and a useful surface of 103,000 sq. m. Politically, the anti-curial and anti-feudal stances of the Neapolitan government became models of inspiration that were also successful abroad.
To be remembered also the birth of the economic school of Antonio Genovesi, who brought several innovations in the field of national economy and not only, followed also in Apulia by the man of letters Ferrante de Gemmis Maddalena, who founded an Enlightenment Academy, and by the economist Giuseppe Palmieri, director of the Supreme Council of Finance of the Kingdom of Naples at the end of the 18th century. [11] Other prominent names that laid the foundations of modern political economy, economic and monetary disciplines are: Ferdinando Galiani and Gaetano Filangeri. The latter in particular, with his science of legislation, was to inspire the architects of the French Revolution. [12] [13]
The last Neapolitan illuminists, such as Mario Pagano, Ignazio Ciaia and Domenico Cirillo, joined the Neapolitan Republic and were executed on 29 October 1799 after the restoration of Bourbon power. Others, such as Canon Onofrio Tataranni, had their lives saved because they were protected by the church itself.
The enlightenment in Lombardy took its first steps at the Accademia dei Trasformati, founded in 1743. In the academy, characterized by a predominantly aristocratic component, the new Enlightenment theories were debated, trying, however, to reconcile them with classical traditions.
Among the members of the Accademia dei Trasformati there was also Pietro Verri, who, however, soon broke away from it to create, together with his brother Alessandro, the Accademia dei Pugni in 1761, whose name was inspired by the animosity with which they discussed. Connected to the Accademia dei Pugni was the magazine Il Caffè, a cultural sheet close to the Enlightenment theories inspired by the first modern newspapers such as The Spectator.
In addition to the Verri brothers, among the students of the Accademia dei Pugni there was another of the most famous Italian Enlightenment figures: Cesare Beccaria. [14] Beccaria's is the most famous work of the Italian Enlightenment: the juridical treatise Dei delitti e delle pene published in 1763, in which, referring to the theories of the philosophes and to some recent legislations such as that of Tsarina Elisabeth Petrovna, he proposes with rigorous logic the abolition of torture and the death penalty. The work was also admired by Voltaire and the Encyclopedists and had much influence on sovereigns such as Catherine II of Russia, Maria Theresa of Austria, but especially on the Grand Duchy of Tuscany, where Peter Leopold in 1786 abolished torture and the death penalty, followed by his brother Joseph II of Austria.
The Enlightenment brought new stimuli also to art and poetry: an important poet with Enlightenment ideas was Giuseppe Parini, another great exponent of the Lombard Enlightenment, who satirized the nobility and its privileges in the poem Il Giorno (The Day), while in the theater encouraged playwrights and dramatists towards new ideas: this is the case of Vittorio Alfieri and Carlo Goldoni.
Of the enlightened Milanese school are also remembered Paolo Frisi, Ruggero Boscovich, Alfonso Longo and Gian Rinaldo Carli, all contributors to the Caffè. In the Duchy of Milan the Empress Maria Theresa and her son Giuseppe II gave great impulse to the spread of the new Enlightenment theories and in particular through the rebirth of the University of Pavia, in fact the sovereigns, inspired by the principles of enlightened absolutism, made significant administrative reforms to the university, which became one of the best in Europe, they provided it with new buildings and laboratories and called to teach professors of continental fame, such as Alessandro Volta, Antonio Scarpa, Lazzaro Spallanzani and Lorenzo Mascheroni. The new ideas had repercussions not only in teaching, but also in rights, so much so that in 1777 Maria Pellegrina Amoretti graduated from Pavia, the first woman to receive a degree in law from an Italian university.
Cesare Bonesana di Beccaria, Marquis of Gualdrasco and Villareggio was an Italian criminologist, jurist, philosopher, economist, and politician who is widely considered one of the greatest thinkers of the Age of Enlightenment. He is well remembered for his treatise On Crimes and Punishments (1764), which condemned torture and the death penalty, and was a founding work in the field of penology and the classical school of criminology. Beccaria is considered the father of modern criminal law and the father of criminal justice.
Ferdinando Galiani was an Italian economist, a leading Italian figure of the Enlightenment. Friedrich Nietzsche referred to him as "a most fastidious and refined intelligence" and "the most profound, discerning, and perhaps also the filthiest man of his century."
Count Pietro Verri was an Italian economist, historian, philosopher and writer. Among the most important personalities of the 18th-century Italian culture, he is considered among the fathers of the Lombard reformist Enlightenment and the most important pre-Smithian authority on cheapness and plenty.
Antonio Genovesi was an Italian writer on philosophy and political economy.
Vincenzo Cuoco was an Italian writer. He is mainly remembered for his Saggio Storico sulla Rivoluzione Napoletana del 1799. He is considered as one of the precursors of the realist school and Italian liberalism. Cuoco adapted the critique of political rationalism of Edmund Burke and Joseph de Maistre for liberal ends, and has been described as a better historian than either of them. He influenced many subsequent Italian intellectuals, from Ugo Foscolo and Alessandro Manzoni to Bertrando and Silvio Spaventa to Benedetto Croce and Antonio Gramsci.
Alessandro Verri was an Italian author.
Giuseppe Maria Galanti (1743–1806) was an Italian historian and economist, in the Kingdom of Naples.
Francesco Mario Pagano was an Italian jurist, author, thinker, and the founder of the Neapolitan school of law. He is regarded as one of the most influential Enlightenment thinkers. A moderate reformist, he is seen as a forerunner of the Italian unification.
In music history, the Neapolitan School is a group, associated with opera, of 17th and 18th-century composers who studied or worked in Naples, Italy, the best known of whom is Alessandro Scarlatti, with whom "modern opera begins". Francesco Provenzale is generally considered the school's founder. Others significant composers of this school are Giambattista Pergolesi, Domenico Cimarosa and Giovanni Paisiello.
It is with the Neapolitan school...that the History of Modern Music commences—insofar as that music speaks the language of the feelings, emotions, and passions.
Francesco Saverio Salfi or Franco Salfi was an Italian writer, politician and librettist.
The 1700s refers to a period in Italian history and culture which occurred during the 18th century (1700–1799): the Settecento. The Settecento saw the transition from Late Baroque to Neoclassicism: great artists of this period include Vanvitelli, Canaletto and Canova, as well as the composer Vivaldi and the writer Goldoni.
Gian Carlo Passeroni was an Italian satirical poet, the most important of the 18th-century Nice poets. He was an ordained priest and for much of his career lived an ascetic life in Milan. He is best known for his lengthy satirical poem II Cicerone.
Sebastiano Biancardi, known by the pseudonym Domenico Lalli, was an Italian poet and librettist. Amongst the many libretti he produced, largely for the opera houses of Venice, were those for Vivaldi's Ottone in villa and Alessandro Scarlatti's Tigrane. A member of the Accademia degli Arcadi, he also wrote under his arcadian name "Ortanio". Lalli was born and raised in Naples as the adopted son of Fulvio Caracciolo but fled the city after being implicated in a bank fraud. After two years wandering about Italy in the company of Emanuele d'Astorga, he settled in Venice in 1710 and worked as the "house poet" of the Grimani family's theatres for the rest of his career. In addition to his stage works, Lalli published several volumes of poetry and a collection of biographies of the kings of Naples. He died in Venice at the age of 62.
Giuseppe Palmieri was an Italian economist and politician of the 18th century.
Aurora Sanseverino was an Italian noblewoman, salon-holder, patron and poet. One of the most celebrated women in the highest rank of the Neapolitan aristocracy, she was known for her great cultural activity as a patron and mecenat of art and for her famous cultural salon in Naples, and correspondent of several contemporary culture personalities that made her a central figure in baroque Italy.
Marcello Papiniano Cusani was an Italian archbishop, professor of both civil law and canon law as well as founder and rector of the University of Altamura.
Pietro Napoli Signorelli was an Italian scholar of classic literature, mainly drama, and historian.
Trojano or Troiano Spinelli was an Italian nobleman, philosopher, economist, and historian, active in Naples.
Il Caffè was magazine headquartered in Milan between 1764 and 1766. It was the most significant publication of the Enlightenment period in the country.