Visual album

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A visual album is a type of concept album in which the album is accompanied by a feature-length film or individual music videos for every song. Usually, the film, or "visuals", emphasize the album's overall theme and serve as the "visual vehicle" that enhances the experience. [1]

Contents

Though music films and videos accompanying albums are not new in popular culture, the term achieved prominence in modern usage after the release of American singer Beyoncé's 2013 self-titled album. [2] [3] Prior to Beyoncé, she had also released music videos for thirteen tracks from her second studio album B'Day (2006); all videos were included in B'Day Anthology Video Album (2007). [4] [5] Jonna Lee's project iamamiwhoami is said to have been promoting the "audio-visual album" format since 2009, [6] and the band Animal Collective had similarly earlier described their experimental 2010 album ODDSAC as a "visual record". [7]

Definitions

The definition of what constitutes a visual album remains a subject of debate. Being a largely experimental medium, its execution varies from artist to artist. According to Screen Rant's Megan Summers, "visual albums are linked music videos or films released in conjunction with a record". [8] In one of the first articles written about the artform, Landon Palmer of Film School Rejects notes that "visual albums stage, sometimes with interruptions, the majority of a musician or band’s LP...proclaiming albums to be cohesive works of musical artistry rather than conveniently divisible bits of audio information". [9] According to Judy Berman of Pitchfork, visual albums result from the "synergistic connection between music and cinema that dates back to the latter art form’s birth". [10] While films like Purple Rain and A Hard Day's Night are classics that combine music and longform visuals, Kylie Lynne of AllMusic argues that such films "had the corresponding album as a soundtrack with the majority of focus on the storyline and dialogue when the music was not playing", separating them from visual albums in which the music is the primary audio component. [11]

History and development

Pre-MTV era

The synergy between music and cinema has existed since cinema's early history, with the first talkie in 1927, The Jazz Singer , being a musical. When it became clear that talkies were to become the dominant form of cinema, there was a significant rise in musicians making use of the visual medium to bring their music to new audiences. Artists like Bessie Smith and Fred Astaire took advantage of this and appeared on television performing their songs. Soon enough, the music film as a concept would become a cultural phenomenon in 1964, at the height of Beatlemania, when the Beatles released A Hard Day's Night. [12] The following decade saw a massive leap in the music industry's use of visual media, with Blondie's Eat to the Beat , released in 1979, being the first album in the rock era to be accompanied by videos for every song. [10]

MTV era and the longform film

The rise of MTV and the popularity of Michael Jackson in the 80s cemented the status of music videos as integral to the music industry. Jackson would eventually stretch his cinematic ambitions to feature-film length with 1988's Moonwalker, just as Prince had done four years earlier with Purple Rain. Janet Jackson also released a similar form of visual album with her Rhythm Nation 1814 film short in 1989. While these were important in the eventual development of the visual album, none of these would fit into the modern definition of the term. Lemon Jelly's 2005 album '64-'95 , and Beck's 2006 album The Information were both released with videos for each track. Beyoncé's B'Day Anthology Video Album marked another significant release in this era, which companioned the deluxe edition of 2006's B'Day and featured videos for every song. [13]

Streaming era

The beginning of the streaming era offered artists several options of making their musical projects easily accessible to fans. The Swedish electropop group iamamiwhoami published a series of music videos in 2010. Described as an audiovisual project, [14] it was later released on their "audiovisual album" Bounty . [15] The band continued the tradition, releasing Kin in 2012, Blue in 2014, and their subsequent albums in an audiovisual format. [16] [17] [18] R.E.M.'s final studio album, 2011's Collapse into Now also featured at least one music video for every song, spearheaded by vocalist Michael Stipe. [19]

The next instance of a visual album was Beyoncé's 2013 self-titled release. Having started recording the album in the summer of 2012, she had the idea to make it a visual album in early 2013 [20] and hence began filming videos for every song secretly across the globe as she embarked on The Mrs. Carter Show World Tour. [21] The album, having had no prior announcement or promotion, was then released as a complete surprise in the early hours of December 13, 2013. Unlike B'day's year-long wait for a complete visual companion in 2007, Beyoncé and its 17 videos were made available exclusively through the iTunes Store immediately upon release. [20] The music and videos were "designed to be consumed as a comprehensive audio/visual piece". [2]

“Lemonade” draws from the prolific literary, musical, cinematic, and aesthetic sensibilities of black cultural producers to create a rich tapestry of poetic innovation. The audacity of its reach and fierceness of its vision challenges our cultural imagination, while crafting a stunning and sublime masterpiece about the lives of women of color and the bonds of friendship seldom seen or heard in American popular culture.

Peabody Entertainment Awards on " Lemonade " [22]

Beyoncé would reinvent the visual album format again with her following studio album Lemonade in 2016. [23] Instead of filming separate videos for every song, she opted to create an hour-long feature film to companion the album. Releasing a cryptic trailer 6 days before the film's exclusive premiere on HBO, Lemonade was described as a "world premiere event". [24] The project's true purpose as a companion film for Beyoncé's sixth studio album was revealed on April 23, 2016 as the film premiered. [25] The film has since exclusively streamed on Tidal. [26] It was nominated for four Primetime Emmy Awards [27] and won a Peabody Award for its "contributions to the greater cultural landscape." [28]

The third studio album by the English musician Thom Yorke, Anima, was released on 27 June 2019 in conjunction with a 15-minute visual album of the same name on Netflix. [29] Ed Sheeran's sixth studio album, - ("Subtract"), was released on 5 May 2023 with music videos for every song.

Other artists like Frank Ocean, [10] Kanye West, [10] Solange, Halsey, Twenty One Pilots, [30] and Sia [31] have all released projects described as visual albums to different streaming services. Though the films often accompany the albums, the visuals are at times released at a later date, as in the case of Black Is King (2020), the visual accompaniment to Beyoncé's The Lion King: The Gift (2019) . [32]

Related Research Articles

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<i>BDay</i> 2006 studio album by Beyoncé

B'Day is the second studio album by American singer-songwriter Beyoncé. It was released on August 31, 2006, by Columbia Records, Music World Entertainment and Sony Urban Music. Originally set to be released in 2004, B'Day was planned as a follow-up to Beyoncé's solo debut Dangerously in Love (2003); however, it was delayed to accommodate the recording of Destiny's Child's final studio album Destiny Fulfilled (2004) and Beyoncé's starring role in the 2006 film Dreamgirls. While on vacation after filming Dreamgirls, Beyoncé began contacting various producers and rented Sony Music Studios, completing the album within two weeks. Most of the lyrical content of the album was inspired by Beyoncé's role in the film, with its musical style ranging from 1970s–1980s funk influences and balladry to urban contemporary elements such as hip hop, pop, and R&B. Live instrumentation was employed in recording most of the tracks as part of Beyoncé's vision of creating a record using live instruments.

<span class="mw-page-title-main">Ring the Alarm</span> 2006 single by Beyoncé

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<span class="mw-page-title-main">Upgrade U</span> 2006 promotional single by Beyoncé featuring Jay-Z

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<i>BDay Anthology Video Album</i> 2007 video by Beyoncé

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<span class="mw-page-title-main">Jonna Lee (singer)</span> Swedish musician (born 1981)

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<i>Kin</i> (iamamiwhoami album) 2012 album by iamamiwhoami

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Blue is the third studio album by Swedish audiovisual project iamamiwhoami, led by singer and songwriter Jonna Lee. It was released on 7 November 2014 on Lee's label To whom it may concern. The album was announced on 8 July 2014 through a trailer on YouTube, and on the same day, it was made available for pre-order on To whom it may concern.'s website. Blue was musically produced by Claes Björklund and visually directed by Swedish collective Wave, with costume design by Mathieu Mirano.

<i>Lemonade</i> (album) 2016 studio album by Beyoncé

Lemonade is the sixth studio album by American singer-songwriter Beyoncé. It was released on April 23, 2016, by Parkwood Entertainment and Columbia Records, accompanied by a 65-minute film of the same title. It follows her self-titled fifth studio album (2013), and is a concept album with a song cycle that relates Beyoncé's emotional journey after her husband's infidelity in a generational and racial context. Primarily an R&B and art pop album, Lemonade encompasses a variety of genres, including reggae, blues, rock, hip hop, soul, funk, Americana, country, gospel, electronic, and trap. It features guest vocals from Jack White, the Weeknd, James Blake and Kendrick Lamar, and contains samples and interpolations of a number of hip hop and rock songs.

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<i>Lemonade</i> (2016 film) 2016 film and visual album by Beyoncé

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"Freedom" is a song recorded by American singer Beyoncé featuring American rapper Kendrick Lamar for her sixth studio album, Lemonade (2016). The song was written by Jonny Coffer, Beyoncé, Carla Marie Williams, Dean McIntosh and Lamar; it contains samples of "Let Me Try", written by Frank Tirado, performed by Kaleidoscope; samples of "Collection Speech/Unidentified Lining Hymn", recorded by Alan Lomax in 1959, performed by Reverend R.C. Crenshaw; and samples of "Stewball", recorded by Alan Lomax and John Lomax, Sr. in 1947, performed by Prisoner "22" at Mississippi State Penitentiary at Parchman. Its production was handled by Beyoncé, Coffer and veteran hip hop record producer Just Blaze.

<i>In Concert</i> (iamamiwhoami album) 2010 live album by iamamiwhoami

In Concert is the first live audiovisual performance installation by Swedish audiovisual project iamamiwhoami, and also their first full-length release. The performance video was streamed on the website of the project's independent label, To whom it may concern., on 16 November 2010, and released as a digital album on 4 December, the same year, the project's one-year anniversary. For the project's seven-year anniversary, in 2016, the film was made available for download and streaming, and released on DVD on 17 April 2017.

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