A list of films produced by the Marathi language film industry based in Maharashtra in the year 1932.
A list of films produced by the Marathi language film industry based in Maharashtra in the year 1932.
A list of Marathi films released in 1932.
| Year | Film | Director | Cast | Release Date | Production | Notes | Source |
|---|---|---|---|---|---|---|---|
| 1932 | Agnikankan: Branded Oath | Rajaram Vankudre Shantaram | Shankarrao Bhosle, Kamaladevi, Master Vinayak, Budasaheb, Nimbalkar, Leela, Baburao Pendharkar and Gajanan Jagirdar | Prabhat Films | [ citation needed ] | ||
| Ayodhyecha Raja | Rajaram Vankudre Shantaram | Govindrao Tembe, Durga Khote, Baburao Pendharkar, Master Vinayak, Nimbalkar, Shankarrao Bhosle | 23 January 1932 | Prabhat Films | First Marathi Sound film | [1] | |
| Shyam Sundar | Bhalji Pendharkar | Shahu Modak, Shanta Apte,Bandopant Sohoni,Baburao Ketkar, Raja Sandow,Bapurao Apte | Saraswati Cinetone | It became the first movie to celebrate silver jubilee. [2] | [3] | ||
| Maya Machhindra | Shantaram Rajaram Vankudre | Govindrao Tembe, Durga Khote, Master Vinayak | Prabhat Films | Simultaneously made in Marathi and Hindi | [3] | ||
| Setu Bandhan | Dhundiraj Govind Phalke | Babu Rao, Udit Singh, Harban | Hindustan Cinema Film Company | Simultaneously made in Marathi and Hindi | [ citation needed ] |
Raja Harishchandra is a 1913 Indian silent film directed and produced by Dadasaheb Phalke. It is often considered the first full-length Indian feature film. Raja Harishchandra features Dattatraya Damodar Dabke, Anna Salunke, Bhalchandra Phalke. and Gajanan Vasudev Sane. It is based on the legend of Harishchandra, with Dabke portraying the title character. The film, being silent, had English, Marathi, and Hindi-language intertitles.
Smita Patil was an Indian film and theatre actress who primarily worked in Hindi and Marathi films. Regarded among the finest and greatest actresses in the history of Indian cinema, Patil appeared in over 80 films, in a career that spanned over a decade. Patil was the recipient of two National Film Awards, a Filmfare Award, a Maharashtra State Film Award, two Filmfare Awards Marathi. She received the Padma Shri, India's fourth-highest civilian honour in 1985.
Durga Khote was an Indian actress, beginning as one of the foremost leading ladies of her time. She remained active in Hindi and Marathi cinema, as well as theatre, for over 50 years, starring in around 200 films and numerous theatre productions.
Shantaram Rajaram Vankudre, referred to as V. Shantaram or Shantaram Bapu, was an Indian film director, film producer, screenwriter and actor known for his work in Hindi and Marathi films. He is most known for films such as Dr. Kotnis Ki Amar Kahani (1946), Amar Bhoopali (1951), Jhanak Jhanak Payal Baaje (1955), Do Aankhen Barah Haath (1957), Navrang (1959), Duniya Na Mane (1937), Pinjara (1972), Chani, Iye Marathiche Nagari and Zunj.
Marathi Cinema, also known as Marathi film industry, is the segment of Indian cinema, dedicated to the production of motion pictures in the Marathi language widely spoken in the state of Maharashtra. It is based in Mumbai. It is the oldest film industry of India and one of the leaders in filmmaking in the Indian film industry.
Ajay-Atul is an Indian music composer duo comprising brothers Ajay Ashok Gogavale and Atul Ashok Gogavale. They won the Best Music Direction award at the 56th National Film Awards from the Government of India for their music in the Marathi film Jogwa in 2008. They made their debut in the 2015 Forbes India Celebrity 100 List securing a position of 82 and were placed 22nd in 2019. They have composed music for many hit Marathi & Hindi films.
Ayodhyecha Raja, literally "The King of Ayodhya", was the first Marathi talkie, released in 1932, directed by Shantaram Rajaram Vankudre. It is based on the puranic story of Raja Harishchandra of Ayodhya and his test by sage Vishwamitra, as recounted in Valmiki's epic, Ramayana.
Uttara Baokar was an Indian stage, film, and television actress. She acted in several notable plays, such as Padmavati in Mukyhamantri, Mena in Mena Gurjari, Desdemona in Shakespeare's Othello, the mother in playwright Girish Karnad's Tughlaq, the nautch girl in Chhote Saiyad Bade Saiyad, and the lead role of Umrao in Umrao Jaan. In 1978, she directed Jaywant Dalvi's play Sandhya Chhaya, translated to Hindi by Kusum Kumar.
Chhatrapati Shivaji Maharaj, was the founder of the Maratha Empire in India. He is considered a prominent historical figure in India. A number of films, books, plays and television serials have been produced about his life and about figures associated with him.
Netaji Palkar is a 1927 Indian biopic historical silent film directed by V. Shantaram. Kaishavrao Dhaiber who was an apprentice with Damle, co-directed the film. He was to become the chief cinematographer for Shantaram in his later films. Made under the Maharashtra Film Company, Kolhapur, it was the first film directed by Shantaram. The director of photography was S. Fattelal and the cast included Ansuya, Balasaheb Yadav, Ganpat Bakre and Zunzarrao Pawar.
Chandrasena is a 1935 Hindi/Marathi mythology drama film directed by V. Shantaram for his Prabhat Film Company. The film was the first Indian trilingual film to be made simultaneously in Hindi, Marathi. The cinematographer was K. Dhiaber and the story and dialogue were by Shivram Vashikar. The music direction was by Keshavrao Bhole, with lyrics written by K. Narayan Kale. The cast included Nalini Tarkhud, Sureshbabu Mane, Kelkar, Rajani, Shantabai and Azurie.
Shejari is also known as Padosi in Hindi version as. Padosi is a 1941 Indian social drama film directed by V. Shantaram. It was produced by Prabhat Film Company and the bilingual film in Marathi and Hindi was the last film Shantaram made for Prabhat before venturing to form his Rajkamal Kalamandir. The film is cited as one of the three social classics Shantaram made at Prabhat. The other two were Duniya Na Mane (1937) and Aadmi (1939). The story and dialogue were by Vishram Bedekar in the Marathi version, while the dialogues in the Hindi version were by Pandit Sudarshan, who also wrote the lyrics. The music director was Master Krishnarao. The famous character artist Radhakrishan made his acting debut in the film as a villain. The film starred Mazhar Khan, Gajanan Jagirdar, Anees Khatoon, Radha Kishan, Lajwanti, Sumitra, Gopal and Balak Ram.
Sinhagad is a 1933 Marathi historical fact film directed by V. Shantaram. The production company was Prabhat Film Company. The story was based on Hari Narayan Apte's literary classic novel "Gad Ala Pan Sinha Gela". Apte was a famous Marathi novelist of the early twentieth century. The story's screenplay and dialogue were written by Narayan Hari Apte. The cinematographers were V. Avadhoot and Keshavrao Dhaiber. The cast included Master Vinayak, Baburao Pendharkar, Keshavrao Dhaiber, Leela Chandragiri, Shinde, Prabhavati, Budasaheb and Shankarrao Bhosle.
Dharmatma is a 1935 Indian social devotional biopic directed by V. Shantaram. The film was a bilingual made in Marathi and Hindi. This was the only devotional film directed by Shantaram, though he had made several mythological films. The story and screenplay were by K. Narayan Kale and the music was composed by Master Krishnarao. The cast included Bal Gandharva in his debut role and Chandra Mohan as the villain, with Master Chhotu, K. Narayan Kale, Ratnaprabha, Vasanti and Hari Pandit.
Manoos, also called Life's for Living, is a 1939 Indian Marathi social melodrama film directed by V. Shantaram. The movie was simultaneously made in Hindi as Aadmi. The film was based on a short story called "The Police Constable". The story was by A. Bhaskarrao, with screenplay and dialogue by Anant Kanekar. The cinematographer was V. Avadhoot and the music was composed by Master Krishna Rao, with lyrics by Kanekar. The cast included Shahu Modak, Shanta Hublikar, Sundara Bai, Ram Marathe, Narmada, Ganpatrao and Raja Paranjpe.
Shanta Apte (1916–1964) was an Indian actress-singer who worked in Marathi and Hindi cinema. Renowned for her roles in films like Duniya Na Mane/Kunku (1937) and Amar Jyoti (1936) under the Prabhat Films banner, she was active in Indian cinema from 1932 to 1958. Apte's impact on Marathi cinema "paralleled" that of Kanan Devi in Bengali cinema. Along with Kanan Devi, Apte is cited as one of the "great singing stars" from before the playback singing era. Apte began her career in films playing the role of a young Radha in the Marathi film Shyamsunder (1932). She joined Prabhat Films acting in her first Hindi language film Amrit Manthan in (1934).
Homi Master (?–1949) was an actor-director of early Indian cinema. His work extended from the silent era to the talkie era and up to his death. He produced his best films for Kohinoor Film Company and he has been referred to as "silent cinema's most successful film-maker".
