 | This article needs additional citations for verification .(February 2019) |
A list of films produced by the Bollywood film industry based in Mumbai in 1974:
| | This article needs additional citations for verification .(February 2019) |
A list of films produced by the Bollywood film industry based in Mumbai in 1974:
The top ten grossing films at the Indian Box Office in 1974: [1]
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Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood is a portmanteau of "Bombay" and "Hollywood". The industry is a part of the larger Indian cinema, which also includes South Indian cinema and other smaller film industries. The term 'Bollywood', often mistakenly used to refer to Indian cinema as a whole, only refers to Hindi-language films, with Indian cinema being an umbrella term that includes all the film industries in the country, each offering films in diverse languages and styles.
Shashi Kapoor was an Indian actor and film producer who is best known for his works in Hindi films. A recipient of several accolades, including four National Film Awards and two Filmfare Awards, he also featured in a number of English-language international films, particularly films produced by Merchant Ivory. The Government of India honoured him with the Padma Bhushan in 2011, and the Dadasaheb Phalke Award, in 2014, for his contribution to Indian cinema.
Ashok Kumar, was an Indian actor who attained iconic status in Indian cinema. He was considered the first big star of Hindi cinema as well as the first lead actor to play an anti-hero. He also became the first star to reinvent himself, enjoying a long and hugely successful career as a character actor. He was a member of the cinematic Ganguly family. He was honoured in 1988 with the Dadasaheb Phalke Award, the highest national award for cinema artists, by the Government of India. He also received the Padma Bhushan in 1999 for his contributions to Indian cinema.
Jeetendra is an Indian actor who is known for his work in Hindi cinema. He also serves as the chairman of the Balaji Telefilms and Balaji Motion Pictures.
Raja Hindustani is a 1996 Indian Hindi-language romantic drama film directed by Dharmesh Darshan. It tells the story of a cab driver from a small town who falls in love with a rich young woman. Aamir Khan and Karisma Kapoor play the lead roles. Released on 15 November 1996, the film's plot was inspired from the 1965 film Jab Jab Phool Khile, starring Shashi Kapoor and Nanda. The film's music was composed by Nadeem-Shravan, with lyrics by Sameer. It went on to win five Filmfare Awards, including the awards for Best Film, Best Actors, Best Music and seven Screen Awards.
Mumtaz Askari Madhvani is an Indian actress who worked in Hindi films. Regarded as one of finest actresses of Hindi cinema, Mumtaz is the recipient of two Filmfare Award. Mumtaz made her acting debut at age 11 with Lajwanti (1958), Sone Ki Chidiya (1958), and did smaller roles in films like Stree (1961) and Sehra (1963).
Manoj Kumar is an Indian actor, film director, screenwriter, lyricist and editor who worked in Hindi cinema. He is known for acting and making films with patriotic themes, and has been given the nickname Bharat Kumar. He is the recipient of a National Film Award and seven Filmfare Awards, in varied categories. He was awarded Padma Shri in 1992 and Dadasaheb Phalke Award in 2016 by the Government of India for his contribution to Indian cinema and arts.
Hindi film songs, more formally known as Hindi Geet or filmi songs and informally known as Bollywood music, are songs featured in Hindi films. Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context. Hindi film songs form a predominant component of Indian pop music, and derive their inspiration from both classical and modern sources. Hindi film songs are now firmly embedded in North India's popular culture and routinely encountered in North India in marketplaces, shops, during bus and train journeys and numerous other situations. Though Hindi films routinely contain many songs and some dance routines, they are not musicals in the Western theatrical sense; the music-song-dance aspect is an integral feature of the genre akin to plot, dialogue and other parameters.
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